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The ‘lost child’ as figure of trauma and recovery in early post-war cinema: Fred Zinnemann’s The Search (1948) and Natan Gross’ Unzere Kinder (1948)

Wolfel, U. (2019) The ‘lost child’ as figure of trauma and recovery in early post-war cinema: Fred Zinnemann’s The Search (1948) and Natan Gross’ Unzere Kinder (1948). Studies in European Cinema. pp. 1-17. ISSN 2040-0594

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To link to this item DOI: 10.1080/17411548.2019.1615188

Abstract/Summary

The article examines the figure of the ‘lost child’ in feature films of the immediate post-war period. The figure’s enormous symbolic value as innocent victim and future generation granted the ‘lost child’ a key position in post-war discourse, including films which tried to grapple with the moral and physical destruction of the continent after 1945. National film industries, particularly of the perpetrator nations, employed the ‘lost child’ for genre stories in which the post-war chaos is being mastered and a new, masculine national self is re-built. However, films made by victim groups outside a national context rely on the ‘lost child’ to broach the destruction of their identity by war and persecution. Analysing two films, Fred Zinnemann’s The Search (1948) and Natan Gross’s Unzere Kinder (1948), I argue that both use the child figure to deal with traumatization as part of the reconstruction of communal and intergenerational relations. This does not result in stories of masculine mastery but in narratives that incorporate moments of trauma process emerging around destroyed mother–child relations. The films, encoding traumatization in film language, develop a rich cinematic language along questions of identity and form an early instance of post-traumatic cinema.

Item Type:Article
Refereed:Yes
Divisions:Faculty of Arts, Humanities and Social Science > School of Literature and Languages > Modern Languages and European Studies > German
ID Code:85340
Uncontrolled Keywords:Communication, Visual Arts and Performing Arts
Publisher:Taylor & Francis

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