Article

Poole, S. (2012) “Ce n’est pas elle qu’on voit”: the photograph in the work of Annie Saumont. New Zealand Journal of French Studies, 33 (1). pp. 5-25. ISSN 0110-7380

Poole, S. E. (2012) ‘Souvenirs, souvenirs': the role of memory in the work of Annie Saumont. Forum for Modern Language Studies, 48 (1). pp. 46-58. ISSN 1471-6860 doi: 10.1093/fmls/cqr039

Poole, S. (2011) Œuvre en travaux: Annie Saumont, perpetual writer at work. Australian Journal of French Studies, 48 (3). pp. 246-256. ISSN 2046-2913 doi: 10.3828/AJFS.48.3.246

Poole, S. (2008) Le Texte, autrement: opening the (language classroom) door to slam. The French Review, 82 (2). pp. 294-307. ISSN 0016-111X

Poole, S. (2008) “Nous, au village, aussi …”; the recent and rapid rise of the polar à racines. Modern & Contemporary France, 16 (1). pp. 23-35. ISSN 1469-9869 doi: 10.1080/09639480701802633

Poole, S. (2007) ‘Slambiguité’? Youth culture and the positioning of ‘Le Slam’ in France. Modern & Contemporary France, 15 (3). pp. 339-350. ISSN 1469-9869 doi: 10.1080/09639480701461075

Poole, S. (2003) “Ce n'est qu'en chantant que vivent les enfants”: children and childhoods in the Chansons of Jacques Brel. Forum for Modern Language Studies, 39 (3). pp. 278-289. ISSN 1471-6860 doi: 10.1093/fmls/39.3.278

Book

Knapp, A., Footitt, H., Malvern, S., Poole, S. and Tobia, S. (2013) Liberal Democracies at War: Conflict and Representation. Bloomsbury, London, pp250. (In Press)

Poole, S. (2004) Brel and Chanson. University Press of America, Lanham, MD, pp136. ISBN 9780761829195