Gibbs, J. E. and Pye, D. (2010) Preminger and Peckinpah: seeing and shaping widescreen worlds. In: Belton, J., Hall, S. and Neale, S. (eds.) Widescreen Worldwide. John Libbey, London, pp. 71-90. ISBN 9780861966943

Gibbs, J. and Pye, D. (2005) Revisiting Preminger: 'Bonjour Tristesse' (1958) and close reading. In: Gibbs, J. and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 108-126. ISBN 9780719065248

Gibbs, J. and Pye, D., eds. (2005) Style and meaning: studies in the detailed analysis of film. Manchester University Press, Manchester. ISBN 9780719065248

Pye, D. (2004) Being a clown: curious coupling in 'The Pirate'. CineAction, 63. pp. 4-13.

Pye, D. (2004) Double vision: miscegenation and point of view in 'The Searchers'. In: Exkstein, A. M. and Lehman, P. R. (eds.) The Searchers: Essays and Reflections on John Ford's Classic Western. Contemporary Approaches to Film and Television Series . Wayne State University Press, Detroit, pp. 223-239. ISBN 9780814330562

Pye, D. (2004) In and around 'The Paradine Case'. Rouge, 4.

Pye, D. (2003) The Western (genre and movies). In: Grant, B. K. (ed.) Film Genre Reader III. University of Texas Press, Austin, pp. 203-218. ISBN 9780292701854