Article

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2014) Absurd avatars, transcultural relations: Elia Suleiman, Franco-Palestinian filmmaking and beyond. Modern & Contemporary France, 22 (1). pp. 85-102. ISSN 0963-9489 doi: https://doi.org/10.1080/09639489.2013.867152

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2007) Flesh, Folds and Texturality: Thinking Visual Ellipsis via Merleau-Ponty, Hélène Cixous and Robert Frank. Paragraph, 30 (2). pp. 34-49. ISSN 0264-8334 doi: https://doi.org/10.3366/prg.2007.0018

Book or Report Section

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2019) Ageless: Akerman’s avatars'. In: Schmid, M. and Wilson, E. (eds.) Chantal Akerman: Afterlives. MHRA/Legenda, Oxford, pp. 54-65. ISBN 9781781886397 doi: https://doi.org/10.2307/j.ctv16km0vw.11

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2018) Overturning feminist phenomenologies: disability, complex embodiment, intersectionality, and film. In: Rethinking Feminist Phenomenology : Theoretical and Applied Perspectives. Rowman & Littlefield International, London, pp. 187-208. ISBN 9781786603739

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2015) Visible and invisible institutions: cinema in the French Art Museum. In: International Handbooks of Museum Studies: Museum Media. Wiley Blackwell, Oxford, pp. 95-119. ISBN 9781118829059 doi: https://doi.org/10.1002/9781118829059.wbihms305

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2015) The “new” experimentalism? Women in/and/on film. In: Feminisms. Amsterdam University Press, Amsterdam, pp. 125-140. ISBN 9789048523634 doi: https://doi.org/10.1515/9789048523634-013

Book

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2012) Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French CInema. Palgrave Macmillan. ISBN 9781349335220 doi: https://doi.org/10.1057/9781137283740