Browse by Creator
Number of items: 19. 2022
Bignell, J. Woods, F. (2022) Period drama. Edinburgh University Press, Edinburgh, pp187. ISBN 9781474462815 2019Woods, F. (2019) Too close for comfort: direct address and the affective pull of the confessional comic woman in Chewing Gum and Fleabag. Communication, Culture and Critique, 12 (2). pp. 194-212. ISSN 1753-9129 doi: https://doi.org/10.1093/ccc/tcz014 Petruska, K. and Woods, F. (2019) Traveling without a passport: ‘Original’ streaming content in the transatlantic distribution ecosystem. In: Hilmes, M., Hills, M. and Pearson, R. (eds.) Transatlantic Television Drama: Industries, Programs and Fans. Oxford University Press, pp. 49-68. ISBN 9780190663124 doi: https://doi.org/10.1093/oso/9780190663124.003.0004 Woods, F. (2019) Wainwright’s West Yorkshire: affect and landscape in the television drama of Sally Wainwright. Journal of British Cinema and Television, 16 (3). pp. 346-366. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2019.0481 2018Woods, F. (2018) Youth television and platform neutral public service broadcasting. In: Johnson, D. (ed.) From Networks to Netflix: : A Guide to Changing Channels. Routledge, Abingdon, UK, pp. 297-307, Chapter 28. ISBN 9781138998490 2017Woods, F. (2017) Streaming British youth television: online BBC Three as a transitional mome. Cinema Journal, 57 (1). pp. 140-146. ISSN 1527-2087 doi: https://doi.org/10.1353/cj.2017.0065 2016Woods, F. (2016) British youth television: transnational teens, industry, genre. Palgrave, London, pp267. ISBN 9781137445476 Woods, F. (2016) My generation(s): cycles, branding and renewal in E4’s 'Skins'. In: Klein, A. A. and Palmer, R. B. (eds.) Cycles, Sequels, Remakes and Reboots: Multiplicities in Film & Television. University of Texas Press, Austin, Texas, pp. 240-259. ISBN 9781477309001 Woods, F. (2016) Space, authenticity and utopia in the hip-hop teen dance film. In: Evans, M. and Fogarty, M. (eds.) Movies, Moves and Music: The Sonic World of Dance Films. Genre, Music and Sound. Equinox, Sheffield, pp18. ISBN 9781845539580 2015Woods, F. (2015) Girls talk: authorship and authenticity in the reception of Lena Dunham's Girls. Critical Studies in Television, 10 (2). pp. 37-54. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.10.2.4 Woods, F. (2015) Telefantasy tower blocks: space, place and social realism shake-ups in Misfits. Journal of British Cinema and Television, 12 (2). pp. 229-244. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2015.0259 2014Woods, F. (2014) Classed femininity, performativity, and camp in British structured reality programming. Television and New Media, 15 (3). pp. 197-214. ISSN 1552-8316 doi: https://doi.org/10.1177/1527476412462246 2013Woods, F. (2013) Teen TV meets T4: assimilating 'The O.C.' into British youth television. Critical Studies in Television, 8 (1). pp. 14-35. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.8.1.4 Woods, F. (2013) Clare Balding: the televisual face of London 2012. Journal of Popular Television, 1 (1). pp. 137-141. ISSN 2046-9861 doi: https://doi.org/10.1386/jptv.1.1.137_1 Rolinson, D. and Woods, F. (2013) Is This England '86 and '88? Memory, haunting and return through television seriality. In: Fradley, M., Godfrey, S. and Williams, M. (eds.) Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 186-202. ISBN 9780748676392 Woods, F. (2013) Storytelling in song: television music, narrative and allusion in 'The O.C.'. In: Jacobs, J. and Peacock, S. (eds.) Television Aesthetics and Style. Bloomsbury, London, pp. 199-208. ISBN 9781441157515 2008Woods, F. (2008) Generation gap? mother, daughters, and music. In: Calvin, R. (ed.) Gilmore girls and the politics of identity : essays on family and feminism in the television series. McFarland, Jefferson, North Carolina, pp. 127-143. ISBN 9780786437276 Woods, F. (2008) Nostalgia, music and the television past revisited in American dreams. Music Sound and the Moving Image, 2 (1). pp. 27-50. ISSN 1753-0776 doi: https://doi.org/10.1353/msm.0.0028 |
