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Number of items at this level: 913.

2014

Bignell, J. and Lacey, S., eds. (2014) British television drama: past, present and future. 2nd edition. Palgrave Macmillan, Basingstoke, pp272. ISBN 9781137327567

Donaldson, L. F. (2014) Texture in film. Close Readings in Film and Television. Palgrave Macmillan, pp256. ISBN 9781137034786 (In Press)

Kollectiv, G. and Kollectiv, P. (2014) Radical Conservatism. [Show/Exhibition]

Nagib, L. (2014) Tempo, magnitude e o mito do cinema moderno. Aniki: Portuguese Journal of the Moving Image, 1 (1). pp. 8-21. ISSN 2183-1750

Panos, L. (2014) Postmodernism, Culture and Feminism: The Aesthetics of Space and Performance in Rock Follies and Rock Follies of '77. Journal of British Cinema and Television, 11 (1). pp. 41-67. ISSN 1755-1714 doi: 10.3366/jbctv.2014.0191

2013

Banham, R. (2013) The work force. In: The history of Oxford University Press. Volume 2: 1780-1896. Oxford University Press, London. ISBN 9780199543151

Bignell, J. (2013) Realism and reality formats. In: Ouellette, L. (ed.) A companion to reality television. Wiley-Blackwell, Chichester; Hoboken, NJ, pp. 97-115. ISBN 9780470659274

Bignell, J. (2013) The look: style, technology and televisuality in the New Who. In: O'Day, A. (ed.) Doctor Who: the eleventh hour. Who watching. I. B. Tauris, London and New York, pp. 123-140. ISBN 9781780760193

Black, A., Gibb, A., Carey, C., Barker, S., Leake, C. and Solomons, L. (2013) Designing a questionnaire to gather carer input to pain assessment for hospitalized people with dementia. Visible Language, 47 (2). pp. 37-60. ISSN 0022-2224

Blacksell, R. (2013) From looking to reading: text-based conceptual art and typographic discourse. Design Issues, 29 (2). pp. 60-81. ISSN 1531-4790 doi: 10.1162/DESI_a_00210

Burke, C., Kindel, E. and Walker, S., eds. (2013) Isotype: design and contexts 1925–1971. Hyphen Press, London, pp554. ISBN 9780907259473

Butler, A. (2013) Spiral jetty, thirty seven years later: the cinematic time of James Benning. MIRAJ: Moving Image Review & Art Journal, 2 (2). pp. 174-186. ISSN 2045-6298 doi: 10.1386/miraj.2.2.174_1

Davies, P. (2013) Framing the miraculous: the devotional functions of perspective in Italian Renaissance tabernacle design. Art History. (In Press)

Davies, P. and Hemsoll, D. (2013) The Paper Museum of Cassiano Dal Pozzo. A.X. renaissance and later architecture and ornament. The Paper Museum of Cassiano dal Pozzo. The Royal Collection in association with Harvey Miller, London, pp746. ISBN 9781905375776 (In Press)

Davies, P., Howard, D. and Pullan, W., eds. (2013) Architecture and pilgrimage 1000-1500: the southern Mediterranean and beyond. Ashgate, Aldershot, pp304. ISBN 9781472410832

Donaldson, L. F. (2013) Camera and performer: energetic engagement with the shield. In: Jacobs, J. and Peacock, S. (eds.) Television Aesthetics and Style. Bloomsbury, London, pp. 209-218. ISBN 9781441157515

Donaldson, L. F. (2013) Performing performers: embodiment and intertextuality in the contemporary biopic. In: Brown, T. and Vidal, B. (eds.) The Biopic in Contemporary Film Culture. AFI Film Readers. Routledge, London, pp. 103-117. ISBN 9780415899413

Dronsfield, J. L. (2013) Democracy headless. In: Year (2013). Komplot, Brussels. ISBN 9782960120738

Dronsfield, J. L. (2013) Douglasistic democracy. In: Year (2013). Komplot, Brussels. ISBN 9782960120738

Dronsfield, J. L. (2013) Inspection place: Samuel Beckett's Waiting for Godot at 60. [Show/Exhibition]

Dronsfield, J. L. (2013) Inspection place: Samuel Beckett's Waiting for Godot at 60. [Performance]

Dronsfield, J. L. (2013) Narrator voyeur – Message – Bicycle 2 6 5, §5, The Swerve of Freedom after Spinoza. [Performance]

Dronsfield, J. L. (2013) Narrator voyeur – Message – Bicycle 2 6 5, §5, The Swerve of Freedom after Spinoza [Performance text]. Wilkinson Gallery, London. (Where Narrative Stops, 11 Jul - 1 Sep)

Dronsfield, J. L. (2013) Philosophers enowning that there be no own (face). [Performance]

Dronsfield, J. L. (2013) Philosophers enowning that there be no own (face) [Poster digital print on paper]. Royal College of Art, London. (13 March)

Dronsfield, J. L. (2013) The Swerve of Freedom after Spinoza, §5, ‘The inadequacy of the chance encounter and the need to go beyond it’ [Digital print A3 poster]. Wilkinson Gallery, London. (Where Narrative Stops, 11 Jul - 1 Sep)

Dronsfield, J. L. (2013) Waiting for. [Digital print A3 poster]. Wilkinson Gallery, London. (Derek Jarman: Waiting for Waiting for Godot, 15 Oct - 22 Dec)

Dronsfield, J. L. (2013) Where Narrative Stops. [Show/Exhibition] (co-curated with Amanda Wilkinson)

Dronsfield, J. L. (2013) Where Narrative Stops, An interview. Wilkinson Gallery, London.

Dronsfield, J. L. (2013) The performativity of art. In: Carbone, M. (ed.) Performatives after deconstruction. Bloomsbury, London, pp. 169-185. ISBN 9781441123466

Dronsfield, J. L. (2013) The seminars. In: Elkins, J. (ed.) What do artists know? The Stone Art Theory Institutes. Penn State University Press, pp. 7-121. ISBN 9780271054247 (Dronsfield, J.L. et al)

Dronsfield, J. L. (2013) The swerve of freedom after Spinoza. In: Ian Kiaer. Le Centre international d'art et du paysage, Ile de Vassiviere, pp. 333-336. ISBN 9782910850593

Dronsfield, J. L. (2013) The swerve of freedom after Spinoza. [Performance]

Dronsfield, J. L., Critchley, S. , Mirza, H. , Cussans, J. and Birrell, R. (2013) I'm on my way [Vinyl record]. Focal Point Gallery, Southend.

Dyson, M. C. (2013) Where theory meets practice: a critical comparison of research into identifying letters and craft knowledge of type design. Design Journal, 16 (3). pp. 271-294. ISSN 1460-6925 doi: 10.2752/175630613X13660502571741

Ellison, C. (2013) The Prophetic Sound: a day and night of noise cabaret(symposium of talks and live performances). [Show/Exhibition]

Ellison, C. (2013) Squirmish at the Oasis: an evening of performance and rant hosted by Agency of Noise at the Kinsgate Workshsops Trust in affiliation with Camden Arts Centre. [Show/Exhibition]

Garfield, R. (2013) Parallel editing, multi-positionality and maximalism: cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick. Open Arts Journal, 1 (1). pp. 45-59. ISSN 2050-3679 doi: 10.5456/issn.5050-3679/2013s06rg

Garfield, R. (2013) Playing with history: negotiating subjectivity in contemporary lens based work. In: Valman, N. and Roth, L. (eds.) The Routledge Handbook to Contemporary Jewish Cultures. Routledge, London. ISBN 9780415473781 (In Press)

Gibbs, J. (2013) The life of mise-en-scène: visual style and British film criticism, 1946–78. Manchester University Press, Manchester, pp288. ISBN 9780719088667

Gruetzner Robins, A. (2013) Whistler's Paris studio: place and meaning. In: Glazer, L. and Merrill, L. (eds.) Palaces of Art: Whistler and the Art Worlds of Aestheticism. Smithsonian Institution Scholarly Press, Washington, pp. 91-101. ISBN 9781935623298 (In Press)

Kindel, E. (2013) Isotype in Africa, 1952–58. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London. ISBN 9780907259473

Kindel, E. (2013) The description of stencilling by Gilles Filleau des Billettes: transcription and translation. In: Kindel, E. and Luna, P. (eds.) Typography papers 9. Hyphen Press, London, pp. 66-86. ISBN 9780907259480

Kindel, E. (2013) A reconstruction of stencilling based on the description by Gilles Filleau des Billettes. In: Kindel, E. and Luna, P. (eds.) Typography papers 9. Hyphen Press, London, pp. 28-65. ISBN 9780907259480

Kindel, E. (2013) A tradition with breaks. Eye Magazine, 22 (86). pp. 38-55. ISSN 0960-779X

Kindel, E. and Luna, P., eds. (2013) Typography papers, 9. Hyphen Press, London. ISBN 9780907259480

Knox, S. (2013) Eye candy for the blind: re-introducing Lyotard's Acinema into discourses on excess, motion and spectacle in contemporary Hollywood. New Review of Film and Television Studies, 11 (3). pp. 374-389. ISSN 1740-7923 doi: 10.1080/17400309.2013.803906

Knox, S. (2013) Reflection iii: Transnationalisation, Television Formats and the Universal. Critical Studies in Television, 8 (2). pp. 104-106. ISSN 1749-6020

Knox, S. (2013) The transatlantic dimensions of the time lord: Doctor Who and the relationships between British and North American television. In: O'Day, A. (ed.) Doctor Who: the eleventh hour: a critical celebration of the Matt Smith and Steven Moffat era. I. B. Tauris, London, pp. 106-120. ISBN 9781780760186

Kollectiv, G. and Kollectiv, P. (2013) A Guide to Office Clerical Time Standards. [Performance]

Kollectiv, G. and Kollectiv, P. (2013) Suck the living labour. [Show/Exhibition]

Lee, S. (2013) A newly discovered portrait of Napoleon by Jacques-Louis David. Burlington Magazine, 155 (1327). pp. 687-692. ISSN 0007-6287

Leonidas, G. (2013) Reading typeface design. In: Yearbook of Type I. Niggli, Sulgen, Switzerland, pp. 449-452. ISBN 9783721208610

Leonidas, G. (2013) Slanted Babylon. Slanted. pp. 12-16. ISSN 1867-6510

Leonidas, G. (2013) An emerging discipline. Parenthesis (24). p. 36. ISSN 1462-9895

Luna, P. (2013) Picture this: how illustrations define dictionaries. In: Typography papers 9. Hyphen Press, London. ISBN 9780907259480 (In Press)

Luna, P. (2013) The Press in a world of technological change, 1970–2000. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4. Oxford University Press, Oxford. (In Press)

Luna, P. and Ould, M. (2013) The printed page. In: Gadd, I. (ed.) The History of Oxford University Press. Volume 1: Beginnings to 1780. Oxford University Press, Oxford. ISBN 9780199557318

Malvern, S. (2013) Femininity, feminism and the representation of torture. In: Knapp, A. and Footitt, H. (eds.) Liberal democracies at war: conflict and representation. Bloomsbury, London, pp. 219-232. ISBN 9781441156051

Malvern, S. (2013) Femininity, feminism and the terrorist. In: Malvern, S. and Koureas, G. (eds.) Terrorist Transgressions. Gendered representations of the terrorist in visual culture. I B Tauris, London; New York, pp. 39-55. ISBN 9781780767017 (In Press)

Malvern, S. (2013) Rethinking 'Inside the Visible'. In: Dimitrakaki , A. and Perry, L. (eds.) Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions. Liverpool University Press, Liverpool, pp. 104-119. ISBN 9781846318931

Malvern, S. and Koureas, G., eds. (2013) Terrorist transgressions. Gendered representations of the terrorist in visual culture. I.B. Tauris, London; New York, pp226. ISBN 9781780767017 (In Press)

McMullan, A. (2013) Dancing in translation: Irina Brook’s mise en scène of Danser à Lughnasa, Jean-Marie Besset’s translation of Brian Friel’s Dancing at Lughnasa. Studies in Theatre & Performance, 33 (2). pp. 211-223. ISSN 2040-0616 doi: 10.1386/stap.33.2.211_1

McTighe, T. (2013) Acts of estrangement: reading the psoriatic-skin. Nyx, A Noctournal , 8. pp. 6-15.

McTighe, T. (2013) ‘Getting known’: Beckett, Ireland and the creative industries. In: Walsh, F. (ed.) That was us: Contemporary Irish Theatre and Performance. Oberon, London, pp. 157-172. ISBN 9781783190355

McTighe, T. (2013) The Haptic Aesthetic in Samuel Beckett's Drama. New Interpretations of Beckett in the 21st Century. Palgrave Macmillan, New York, pp224. ISBN 9781137276988

Murjas, T., ed. (2013) Invisible country: four Polish plays. Intellect, Bristol, pp200. ISBN 9781841504148

Nagib, L. (2013) Back to the margins in search of the core: foreign land's geography of exclusion. In: Brandellero, S. (ed.) The Brazilian road movie: journeys of (self) discovery. Iberian and Latin American Studies. University of Wales Press, Cardiff, pp. 162-183. ISBN 9780708325988

Nagib, L. (2013) Film as literature, or the Truffaldian Malaise. In: Andrew, D. and Gillain, A. (eds.) A companion to François Truffaut. Wiley-Blackwell, Oxford, pp. 530-545. ISBN 9781405198479

Nagib, L. (2013) Tempo, magnitude e o mito do cinema moderno. In: Dennison, S. (ed.) World Cinema: As novas cartografias do cinema mundial. Papirus, Campinas, pp. 219-233. ISBN 9788530810603

Nagib, L. (2013) Terra, Utopia e Mito Fundador: de Glauber Rocha a Walter Salles. In: Starling, H. and Borges, A. (eds.) Imaginação da Terra: Memória e utopia no cinema brasileiro. Editora UFMG, Belo Horizonte, pp. 13-39. ISBN 9788542300079

Nagib, L. (2013) Utopía e imágenes marinas en el cine Brasileño: Papel fundamental de Glauber Rocha. Brazil Cultural (12). pp. 12-16.

Nagib, L. (2013) The politics of impurity. In: Nagib, L. and Jerslev, A. (eds.) Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series. I.B. Tauris, London, pp. 21-40. ISBN 9781780765105

Nagib, L. and Jerslev, A., eds. (2013) Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series. I.B. Tauris, London, pp288. ISBN 9781780765112 (In Press)

Panos, L. (2013) Chaos, culture and fantasy: The television plays of Howard Schuman. Journal of Screenwriting, 4 (3). pp. 287-303. ISSN 1759-7137 doi: 10.1386/josc.4.3.287_1

Panos, L. (2013) Stylised worlds: Colour Separation Overlay in BBC television plays of the 1970s. Critical Studies in Television, 8 (3). pp. 1-17. ISSN 1749-6020 doi: 10.7227/CST.8.3.2

Panos, L. (2013) Trevor Griffiths' 'Absolute Beginners': socialist humanism and the television studio. Journal of British Cinema and Television, 10 (1). pp. 151-170. ISSN 1755-1714 doi: 10.3366/jbctv.2013.0127

Purse, L. (2013) Digital imaging in popular cinema. Edinburgh University Press, Edinburgh, pp208. ISBN 9780748646906

Rolinson, D. and Woods, F. (2013) Is This England '86 and '88? Memory, haunting and return through television seriality. In: Fradley, M., Godfrey, S. and Williams, M. (eds.) Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 186-202. ISBN 9780748676392

Rowlands, A. (2013) From script to reading to exhibition to performance to print. [Show/Exhibition]

Rowlands, A. (2013) Words to be Spoken Aloud. [Show/Exhibition]

Russell, J. (2013) Dear living person II: story of the eyes. F.R.DAVID (10). pp. 81-103. ISSN 1874-026X

Saunders, G. (2013) Foco Novo: the Icarus of British small scale touring theatre. In: Duggan, P. and Ukaegbu , V. (eds.) Reverberations across Small-Scale British Theatre. Intellect , Bristol. ISBN 9781783202973

Smart, B. (2013) The Life of Galileo and Brechtian television drama. Journal of British Cinema and Television, 10 (1). pp. 112-129. ISSN 1755-1714 doi: 10.3366/jbctv.2013.0125

Taylor, L. (2013) Voice, body and the transmission of the real in documentary theatre. Contemporary Theatre Review, 23 (3). pp. 368-379. ISSN 1477-2264 doi: 10.1080/10486801.2013.806318

Twyman, M. (2013) A history of chromolithography: printed colour for all. British Library, London, pp728. ISBN 9780712357104

Unger, G. (2013) Romanesque capitals in inscriptions. In: Kindel, E. and Luna, P. (eds.) Typography Papers 9. Hyphen Press, London, pp. 5-25. (In Press)

Unger, G., Grace, T. and Vlachou, I. (2013) Alverata: Latin, Greek and Cyrillic typeface. TypeTogether s.r.o., Prague.

Walker, S. (2013) Book design for children's reading: typography, picture, print. St Bride Foundation, London, pp224. ISBN 9780950416137

Walker, S. (2013) Graphic explanation for children, 1944-71. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925-1971. Hyphen Press, London. ISBN 9780907259473

Woods, F. (2013) Clare Balding: the televisual face of London 2012. Journal of Popular Television, 1 (1). pp. 137-141. ISSN 2046-9861

Woods, F. (2013) Storytelling in song: television music, narrative and allusion in 'The O.C.'. In: Jacobs, J. and Peacock, S. (eds.) Television Aesthetics and Style. Bloomsbury, London, pp. 199-208. ISBN 9781441157515

Woods, F. (2013) Teen TV meets T4: assimilating 'The O.C.' into British youth television. Critical Studies in Television, 8 (1). pp. 14-35. ISSN 1749-6020 doi: 10.7227/CST.8.1.4

2012

Banham, R. (2012) Occasional publishers: producing and marketing books in England 1771–1844. Journal of Historical Research In Marketing, 4 (3). pp. 408-439. ISSN 1755-750X doi: 10.1108/17557501211252961

Beauchamp, A. (2012) A double-decker bus, an elephant and 300 Girl Guides: analyzing 'space' and 'place' in Blue Peter. Journal of Media Practice, 12 (3). pp. 235-244. ISSN 1468-2753 doi: 10.1386/jmpr.12.3.235_1

Bignell, J. (2012) An introduction to television studies. 3rd edition. Routledge, London , pp348. ISBN 9780415598163

Black, A. and Stanbridge, K. (2012) Documents as 'critical incidents' in organisation to consumer communication. Visible Language, 46 (3). pp. 246-281. ISSN 0022-2224

Butler, A. (2012) Eija-Liisa Ahtila's Cinematic Worlds. In: Eija-Liisa Ahtila: Parallel Worlds. Steidl/Moderna Museet/Kiasma, Gottingen, pp. 173-189.

Clausen, S. (2012) Performance as social practice. [Show/Exhibition]

Davies, P. (2012) Architettura e culto a Venezia e nelle citta' di terraferma 1475-1490. In: Pietro Barozzi. Un vescovo del rinascimento. Fonti e ricerche di storia ecclesiastica padovana (35). Istituto per la storia ecclesiastica padovana, Padua, pp. 193-203. ISBN 8897835015, 9788897835011

Donaldson, L. F. (2012) Effort and affect: engaging with film performance. In: Reason, M. and Reynolds, D. (eds.) Kinesthetic Empathy in Creative and Cultural Practices. Intellect Books, Bristol, pp. 159-174. ISBN 9781841504919

Dronsfield, J. L. (2012) Deleuze and the image of thought. Philosophy Today, 56 (4). pp. 400-414. ISSN 0031-8256

Dronsfield, J. L. (2012) Douglasistic Democracy [Poster digital print on paper]. Kim Kim Gallery, Gwanju, Korea.

Dronsfield, J. L. (2012) Finding space to record the time. In: Kirkland, S. D. (ed.) The nature drawings of Peter Karklins. DePaul University, Chicago, IL, pp. 26-27. ISBN 9780978907457

Dronsfield, J. L. (2012) The Goldmine Ten theses on music (rhythm). [Performance]

Dronsfield, J. L. (2012) Theory as art practice. Art + Media, 1 (1). pp. 36-46. ISSN 2217-9666

Dronsfield, J. L. (2012) Why names name not. In: Smith, E. (ed.) Kai Althoff & Yaur Oelbaum: there we will be buried. Focal Point, Southend. ISBN 9781907185120

Dronsfield, J. L. (2012) The swerve of freedom after Spinoza, § 14, The true city [Digital print A2 poster]. Wilkinson Gallery, London. (01-31 Mar 2012)

Dyson, M. and Stott, C. (2012) Characterizing typographic expertise: do we process typefaces like faces? Visual Cognition, 20 (9). pp. 1082-1094. ISSN 1464-0716 doi: 10.1080/13506285.2012.722568

Ellison, C., (2012) Agency of Noise. Christine Ellison

Ellison, C. (2012) Instructions for an Audio Performance/Scissors Music. [Project]

Ellison, C. (2012) Prêt-à-Médiatiser by House of POLLYFIBRE. [Video]

Ellison, C. (2012) Slideshow by POLLYFIBRE. [Performance]

Garfield, R. (2012) The Straggle. [Video]

Gibbs, J. (2012) Balancing act: exploring the tone of The Life Aquatic with Steve Zissou. New Review of Film and Television Studies, 10 (1). pp. 132-151. ISSN 1740-0309 doi: 10.1080/17400309.2011.635035 (special issue: Wes Anderson and Co.)

Gillieson, K. (2012) 18 entries for The Phaidon Archive of Graphic Design. In: The Phaidon Archive of Graphic Design. Phaidon Press Ltd. ISBN 9780714848679 (In Press)

Gillieson, K. (2012) 'New materialism: interviews & cartographies' by Rick Dolphijn and Iris van der Tuin [Book design by Katherine Gillieson]. [Artefact]

Kindel, E., ed. (2012) Typeform dialogues. Hyphen Press, London, pp48. ISBN 9780907259152

Kindel, E. (2012) User's manual. In: Kindel, E. (ed.) Typeform dialogues. Hyphen Press, London, pp. 5-36, 48 p.. ISBN 9780907259152

Kindel, E. and Smeijers, F. (2012) Between writing and type: the stencil letter. [Show/Exhibition]

Knox, S. (2012) Masterpiece Theatre and British drama imports on US television: discourses of tension. Critical Studies in Television, 7 (1). pp. 29-48. ISSN 1749-6020 doi: 10.7227/CST.7.1.5

Kollectiv, G. and Kollectiv, P. (2012) File Transfer Protocol. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2012) Terminal: a miracle play with popular music from the end of the world. [Project]

Leonidas, G. (2012) CUP Intermediate Greek-English Lexicon. Cambridge University Press, Cambridge.

Leonidas, G. (2012) Foreword. In: Macchia, E. and Brenner, M. (eds.) Type compass: charting new routes in typography. SHS Publishing, Rome, Italy, pp. 8-9. ISBN 9788890759499

Leonidas, G. (2012) Never lost for words. Monotype Imaging Ltd, Bad Homburg, pp. 1-20.

Leonidas, G. (2012) Thoughts on a quiet master. Monotype Recorder (XI). pp. 2-11. (special issue 'Robin Nicholas edition')

Leonidas, G. (2012) Type design and development. In: Typography, Referenced. Rockport Publishers, pp. 30-51. ISBN 9781592537020

Leonidas, G. (2012) You need an opinion, on top of an impulse. In: Coventon, D., Edgar, J., Williams, F. and Clifton, D. (eds.) Whatever Next: a discourse on typography. Camberwell Press, London, pp. 77-78. ISBN 9781908971098

Malvern, S. (2012) On the troublesome relationship of feminism and terrorism: representing the female terrorist in contemporary art. In: Terrorismus /Geschlecht/ Erinnerung (Terrorism and gender Political violence in Europe since the 19th Century). Campus Verlag, Berlin; New York, pp. 303-322. ISBN 9783593396354

McMullan, A. (2012) Samuel Beckett's scenographic collaboration with Jocelyn Herbert. Degrés, 149-150. pp. 1-17. ISSN 0770-8378

Murjas, T. (2012) Surviving Objects. [Performance]

Nagib, L. (2012) Além da diferença: a mulher no Cinema da Retomada. Devires, 9 (1). pp. 14-29. ISSN 2179-6483

Nagib, L. (2012) Oshima, corporeal realism and the eroticized apparatus. In: Nagib, L., Perriam, C. and Dudrah, R. (eds.) Theorizing world cinema. I.B. Tauris, London, pp. 161-182. ISBN 9781848854932

Nagib, L. (2012) Physicality, difference, and the challenge of representation: Werner Herzog in the Light of the new waves. In: Prager, B. (ed.) A companion to Werner Herzog. Wiley-Blackwell, Oxford, pp. 58-79. ISBN 978-1-4051-9440-2

Nagib, L., Perriam, C. and Dudrah, R., eds. (2012) Theorizing world cinema. Tauris World Cinema Series. I.B. Tauris, London, pp288. ISBN 9781848854932

O'Connell, T. and White, N. (2012) Public Art Commission, 1x1 project, Tina O'Connell and Neal White. [Project]

Ross, F., Holloway, T., Kshetrimayum, N. and Hudson, J. (2012) Sarkar Bengali typeface. Anandabazar Patrika, Kolkata, India.

Rowlands, A. (2012) Papers, fictions, scripts & circles. [Show/Exhibition]

Rowlands, A. (2012) Vendor. In: Sawtell, H., Rowlands, A. and Diedrichsen, D. (eds.) Broadsheet 1 - 3. Institute of Contemporary Art and Bloomberg, London, London. ISBN 9781900300681

Rowlands, A. and Williams, M. (2012) Millenium Magazine. [Show/Exhibition]

Russell, J. (2012) Dear living person. In: Elms, A. and Reinke, S. (eds.) Blast CounterBlast. Mercer Union/WhiteWalls Inc, Toronto. ISBN 9781926627175

Sanocki, T. and Dyson, M. C. (2012) Letter processing and font information during reading: beyond distinctiveness, where vision meets design. Attention, Perception, & Psychophysics, 74 (1). pp. 132-145. ISSN 1943-3921 doi: 10.3758/s13414-011-0220-9

Saunders, G. (2012) Prizes for modernity in the provinces: The Arts Council’s 1950-1951 regional playwriting competition. History Research , 2 (6). pp. 391-397. ISSN 2159-550X

Saunders, G. (2012) The freaks roll call: live art and the Arts Council 1968-1973. Contemporary Theatre Review, 22 (1). pp. 32-45. ISSN 1477-2264 doi: 10.1080/10486801.2011.645229

Saunders, G. J. (2012) Mark Ravenhill. In: Sierz, A. (ed.) Modern British playwriting: the 1990s: voices, documents, new interpretations. Methuen Drama, London, UK. ISBN 9781408129265

Sioki, N. and Dyson, M. C. (2012) Serving the reader : typography and layout in early Greek alphabet books (1771-1830). In: Proot, G. (ed.) Jaarboek voor Nederlandse Boekgeschiedenis. Dutch Book Historical Society, Den Haag, pp. 101-116. ISBN 9789460040948

Smart, B. (2012) Brechtian television: theatricality and adaptation of the stage play. In: Loiselle, A. and Maron, J. (eds.) Stages of reality: theatricality in cinema. University of Toronto Press, Toronto, pp. 30-52. ISBN 9781442643529

Smart, B. (2012) Cosmic effects on the intimate screen: J. B. Priestley, Ralph Richardson and 'Johnson over Jordan' (1965). Critical Studies in Television, 7 (1). pp. 49-63. ISSN 1749-6020 doi: 10.7227/CST.7.1.6

Walker, S. (2012) Describing the design of children’s books: an analytical approach. Visible Language, 46 (3). ISSN 0022-2224

Woods, F. (2012) Classed femininity, performativity, and camp in British structured reality programming. Television and New Media. ISSN 1552-8316 doi: 10.1177/1527476412462246

2011

Bignell, J. (2011) ‘Anything can happen in the next half-hour’: Gerry Anderson’s transnational science fiction. In: Hochscherf, T. and Leggott, J. (eds.) British Science Fiction Film and Television: Critical Essays. Critical Explorations in Science Fiction and Fantasy (29). McFarland, Jefferson (North Carolina) & London, pp. 73-84. ISBN 9780786446216

Bignell, J. (2011) Docudramatizing the real: developments in British TV docudrama since 1990. Studies in Documentary Film, 4 (3). pp. 195-208. ISSN 1750-3280 doi: 10.1386/sdf.4.3.195_1

Bignell, J. (2011) Television for children: problems of national specificity and globalisation. In: Lesnik-Oberstein, K. (ed.) Children in Culture, Revisited: Further Approaches to Childhood. Palgrave Macmillan, Basingstoke, pp. 167-185. ISBN 9780230275546

Bignell, J., Paget, D. J., Sutherland, H. A. and Taylor, L. (2011) Narrativising the facts: acting in screen and stage docudrama. In: Tönnies, M. and Flotmann, C. (eds.) Narrative in Drama. Contemporary Drama in English (18). Wissenschaftlicher Verlag Trier, Trier, pp. 21-52. ISBN 9783868213157

Brown, T. (2011) Spectacle and value in classical Hollywood cinema. In: Hubner, L. (ed.) Valuing Films: Shifting Perceptions of Worth. Palgrave Macmillan, pp. 49-68. ISBN 9780230229686

Burke, C. (2011) The linguistic status of Isotype. In: Image and Imaging in Philosophy, Science, and the Arts. Ontos, Heusenstamm, pp. 31-58. ISBN 9783868381160

Butler, A. (2011) Sleepwalking from New York to Miami. In: Penz, F. and Lu, A. (eds.) Urban Cinematics: Understanding Urban Phenomena Through the Moving Image. Intellect, Bristol, pp. 183-195. ISBN 9781841504285

Clausen, S. (2011) Ballet-performing normality in the face of crisis. The International Journal of the Image, 1 (Issue 2). pp. 157-178. ISSN 2152-7857

Clausen, S. (2011) INDEPENDENT/NEZALEZHNI. [Show/Exhibition]

Clausen, S. (2011) Étant Ballet. [Show/Exhibition]

Clausen, S. and Kerestey, P. (2011) Ballet-Granite. [Performance]

De Vos, L. and Saunders, G., eds. (2011) Sarah Kane in context. Manchester University Press, Manchester, UK, pp240. ISBN 9780719077395

Donaldson, L. F. (2011) “Normality is threatened by the Monster”: Robin Wood, Romero and zombies. CineAction (84). pp. 24-31. ISSN 0826-9866

Donaldson, L. F. (2011) “The suffering black male body and the threatened white female body": ambiguous bodies in Candyman. Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374

Dronsfield, J. L. (2011) Art philosophy differend. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham, pp. 43-71. ISBN 9781873352991

Dronsfield, J. L. (2011) Exchange encounter. In: Mircan, M. (ed.) Hans van Houwelingen: undone. Jap Sam Books, Heijningen, pp. 91-105. ISBN 9789490322342

Dronsfield, J. L. (2011) The Goldmine Ten theses on music (rhythm)[Poster digital print on paper]. Focal Point Gallery, Southend-on-Sea. (Thames Delta: 16 Apr - 30 Jun)

Dronsfield, J. L., ed. (2011) Materiality of theory. Article Press, Birmingham. ISBN 9781873352991

Dronsfield, J. L. (2011) Philosophers enowning that there be no own (voice) [Poster digital print on paper]. Wilkinson Gallery, London, London. (Where Language Stops: 15 Jul - 14 Aug)

Dronsfield, J. L. (2011) Philosophers enowning that there be no own (words) [Poster digital print on paper]. Extra City Kunsthal Antwerp, Belgium.

Dronsfield, J. L. (2011) Where Language Stops [Digital print on card]. Wilkinson Gallery, London. (Where Language Stops, 15 Jul - 14 Aug)

Dronsfield, J. L. (2011) The face of an artist, if there is such a thing. In: Stappert, A. (ed.) Under the radar: photographs 1983-2011. Kerber, Berlin, pp. 180-181. ISBN 9783866785687

Dronsfield, J. L. (2011) A note on the materiality of theory. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham. ISBN 9781873352991

Dronsfield, J. L. (2011) A picture of French literature. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham, pp. 73-95. ISBN 9781873352991

Dronsfield, J. L. (2011) A picture of French literature. [Performance]

Dronsfield, J. L. (2011) A picture of French literature. Extra City, Kunsthal Antwerp. (25 March - 01 May)

Dronsfield, J. L. (2011) A picture of French literature. Wilkinson Gallery, London. (Where Language Stops 15 Jul - 14 Aug)

Dronsfield, J. L. (2011) The swerve of freedom after Spinoza, contents [Poster digital print on paper]. Stroom Den Haag, Holland.

Dronsfield, J. L. (2011) The swerve of freedom after Spinoza, page 308. [Performance]

Dronsfield, J. L. and Wilkinson, A. (2011) Where language stops. [Show/Exhibition]

Dyson, M. C. (2011) Do designers show categorical perception of typefaces? Visible Language, 45.3 (15.3). pp. 193-220. ISSN 0022-2224

Ellison, C. (2011) Prêt-à-Médiatiser by House of POLLYFIBRE. [Performance]

Gibbs, J. (2011) The cry of the owl: investigating decision-making in a contemporary feature film. Movie: a Journal of Film Criticism (3). pp. 80-93. ISSN 2047-1661

Gillieson, K. (2011) 'The democracy of objects' by Levi R. Bryant [Book design by Katherine Gillieson]. [Artefact]

Gruetzner Robins, A. (2011) Gwen John: two albums of watercolours. Princeton University Library Chronicle, LXXII (3). pp. 641-682. ISSN 0032 -8456

Gruetzner Robins, A. (2011) 'J'arrive de London': Jane Avril and Britain. In: Ireson, N. (ed.) Toulouse-Lautrec and Jane Avril: Beyond the Moulin Rouge. The Courtauld Gallery in Association with Paul Holberton Publishing, London, pp. 11-26. ISBN 978907372247

Gruetzner Robins, A. (2011) Marketing Post-Impressionism: Roger Fry's commercial exhibitions. In: Fletcher, P. and Helmreich, A. (eds.) The rise of the modern art market in London, 1850-1939. Manchester University Press, Manchester and New York, pp. 85-97. ISBN 9780719084607

Gruetzner Robins, A. (2011) 'Performing with a pick-axe': the first Vorticist exhibition at the Dore Galleries. In: Antliff , M., Greene, V. and Upstone, R. (eds.) The Vorticists, rebel artists in London and New York, 1914-1918. Tate Publishing, London, UK, pp. 59-68. ISBN 978185439788

Gruetzner Robins, A. (2011) Toulouse-Lautrec in Catford: new information about 'La Chaine Simpson'. The Burlington Magazine, 1302 (153). pp. 572-573. ISSN 0007-6287

Ker, D., Allen, K. and Du Sautoy, M. (2011) Everything and nothing project. [Project]

Kindel, E. (2011) Reaching the people: Isotype beyond the West. In: Heinrich, R., Nemeth, E., Pichler, W. and Wagner, D. (eds.) Image and Imaging in Philosophy, Science and the Arts. Publications of the Austrian Ludwig Wittgenstein Society, new series, vol. 17, 2 (17). Ontos Verlag, Frankfurt, Paris, Lancaster, New Brunswick, pp. 175-193. ISBN 9783868381160

Knox, S. and Adamou, C. (2011) Transforming television drama through dubbing and subtitling: sex and the cities. Critical Studies in Television, 6 (1). pp. 1-21. ISSN 1749-6020

Kollectiv, G. and Kollectiv, P. (2011) In the intersection of the angles of a table, there is more truth than in all the tangle of muscles: Futurism as anti-humanist critique. History and Theory, Future's P (19). ISSN 1565-8163

Kollectiv, G. and Kollectiv, P. (2011) xero, kline & coma. [Project]

Kollectiv, P. and Kollectiv, G. (2011) Epic Sea Battle at Night: a Revolutionary Play with the Economic Thinking of Milton Friedman. [Performance]

Leonidas, G. (2011) Adobe Bickham Script Greek typeface. Adobe Inc..

Leonidas, G. (2011) Brill Greek, Adobe Arno Pro, Adobe Text/Brevier Greek typefaces. Brill & Adobe Inc..

Leonidas, G. (2011) Lost in flatlands: will the next generation of page layout programs give us back our sense of space? Eye Magazine, 80 (20). p. 72. ISSN 0960-779X

Lodder, M. (2011) The myths of modern primitivism. European Journal of American Culture, 30 (2). pp. 99-111. ISSN 1758-9118 doi: 10.1386/ejac.30.2.99_1

Luna, P. (2011) The Book of Common Prayer: The texts of 1549, 1559, and 1662 [Book design by Paul Luna]. [Artefact]

Luna, P. (2011) Marks, spaces and boundaries. Visible Language, 45 (1-2). pp. 139-160. ISSN 0022-2224 (special issue 'Punctuation')

Mabb, D. and Walsh, M. R. (2011) Utopia Ltd. [Show/Exhibition]

MacLean, M. and Wilson, C. (2011) Mirei. [Show/Exhibition]

Marie, B. and Dronsfield, J. (2011) The aesthetics of differends: an introduction. In: Marie, B. (ed.) Ontology of the There Is. Rosascape, Paris, pp. 28-34.

Murjas, T. (2011) ‘I suggest a night at the theatre, Mr.Cameron’: memory, history and responsibility in our class (Nasza Klasa, 2009). Contemporary Theatre Review, 21 (4). pp. 487-510. ISSN 1477-2264 doi: 10.1080/10486801.2011.610307 (special issue 'Forum: Tim Crouch, the author, and the audience')

Nagib, L. (2011) Beto Brant: realismo, género y obra de arte en proceso. In: Vargas Maldonado, J. C. (ed.) Tendencias del cine iberoamericano en el nuevo milenio: Agentina, Brasil, España y Mexico. CUCSH: Universidad de Guadalajara, Mexico, pp. 273-302. ISBN 9786074503753

Nagib, L. (2011) World cinema and the ethics of realism. Continuum, London, pp312. ISBN 9781441165831

Panos, L. (2011) 'Days of Hope' and 'culturalism'. Journal of British Cinema and Television, 8 (1). pp. 44-61. ISSN 1755-1714 doi: 10.3366/jbctv.2011.0005

Purse, L. (2011) Contemporary action cinema. Edinburgh University Press, Edinburgh, pp232. ISBN 9780748638178

Purse, L. (2011) The Matrix. In: Geraghty, L. (ed.) Directory of World Cinema: American Hollywood. Directory of World Cinema. Intellect Books, Bristol and Chicago, IL, pp. 99-101. ISBN 9781841504155

Purse, L. (2011) Return of the 'Angry Woman': authenticating female physical action in contemporary cinema. In: Waters, M. (ed.) Women on Screen: Feminism and Femininity in Visual Culture. Palgrave Macmillan, pp. 185-198. ISBN 9780230229655

Purse, L. (2011) Transformers. In: Geraghty, L. (ed.) American Hollywood. Directory of World Cinema (5). Intellect Books, Bristol and Chicago, IL, pp. 279-281. ISBN 9781841504155

Renshaw, T. (2011) House in the Shape of a Stretcher. [Show/Exhibition]

Rowlands, A. (2011) ABC: browser for a speculative collection. In: Nielson, E. and Mara de Wachter, E. (eds.) The Shape We're In. Zabludowicz, London - New York, pp. 122-128. ISBN 9781907921018

Rowlands, A. and Williams, M. (2011) Novel ~ S.C. Issue. In: Meade, F. (ed.) Time Again. Sculpture Center, Long Island City, NY, pp. 1-31. ISBN 0970395566

Rowlands, A. and Williams, M. (2011) Outrageous fortune. [Show/Exhibition]

Rowlands, A. and Williams, M. (2011) Time again. [Show/Exhibition]

Russell, J. (2011) Angel of History. I can see for miles. [Show/Exhibition]

Russell, J. (2011) Dear living person. Mute Journal. , 3 (1). pp. 112-122. ISSN ISBN - 978-1-906496-01-2

Russell, J. (2011) Praying Mantiss. [Show/Exhibition]

Russell, J., Rowlands, A. and Beasley, M., eds. (2011) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England/Article Press, Birmingham. ISBN 9781873352151

Saunders, G. (2011) David Eldridge. In: Sierz, A., Middeke, M. and Schnierer, P. P. (eds.) Methuen Drama Guide to Contemporary British Playwrights. Methuen, London. ISBN 9781408122785 (In Press)

Saunders, G. (2011) Tickets, critics and censorship: the Royal Court, The Spectator and the Arts Council of Great Britain 1969-1970. Theatre Notebook, 64 (3). pp. 160-173. ISSN 0040-5523

Taylor, L. (2011) The experience of immediacy: emotion and enlistment in fact-based theatre. Studies in Theatre and Performance, 31 (2). pp. 223-237. ISSN 1468-2761 doi: 10.1386/stap.31.2.223_1

Thorpe, A. (2011) Lady Precious Stream. [Performance]

Thorpe, A. (2011) "Modern theatre for the twenty-first century"? Shanghai Conservatory of Music's staging of 'The White Goddess' (2009). Asian Theatre Journal, 28 (2). pp. 483-504. ISSN 1527-2109

Thorpe, A. (2011) Style, experimentation and Jingju (Beijing Opera) as a decentered multiplicity. Studies in Theatre & Performance, 31 (3). pp. 275-291. ISSN 2040-0616

Thorpe, A. (2011) Transforming tradition: performances of Jingju ('Beijing Opera') in the UK. Theatre Research International, 36 (01). pp. 33-46. ISSN 1474-0672 doi: 10.1017/S0307883310000702

Walker, S. (2011) Explaining history to children: Otto and Marie Neurath’s work on the ‘Visual history of mankind’. Journal of Design History, 25 (4). pp. 345-362. ISSN 1741-7279 doi: 10.1093/jdh/eps031

2010

Bibby, R. and Ellison, C. (2010) Ultra High Temperatures #1. [Show/Exhibition]

Bignell, J. (2010) Docudrama performance: realism, recognition and representation. In: Cornea, C. (ed.) Genre and performance: film and television. Manchester University Press, Manchester, UK, pp. 59-75. ISBN 9780719079801

Bignell, J. (2010) Into the void: Beckett's television plays and the idea of broadcasting. In: Caselli, D. (ed.) Beckett and nothing: trying to understand Beckett. Manchester University Press, Manchester, UK, pp. 125-142. ISBN 9780719080197

Bignell, J. (2010) Spies, style and the Cold War: James Bond in the sixties and seventies. In: Ahrens, R., Stierstorfer, K. and Dickason, R. (eds.) Symbolism: an international annual of critical aesthetics. Special focus: propaganda. AMS Press, New York, USA, pp. 81-92. ISBN 9780404635701

Bignell, J. (2010) Star Wars (1977): back and forth in time and space. In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 111-115. ISBN 9781844573363

Bignell, J. (2010) Television and the popular: viewing from the British perspective. Journal of Literary Theory, 4 (2). pp. 181-198. ISSN 1862-5290 doi: 10.1515/JLT.2010.012

Bignell, J. (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: 10.1080/13688800903395460

Brown, T. (2010) 'Entertainment and dystopia': Maurice Chevalier performs Avec le sourire (1936). In: Walters, J. and Brown, T. (eds.) Film moments: criticism, history, theory. British Film Institute/Palgrave Macmillan, London, UK, pp. 78-84. ISBN 9781844573363

Brown, T. and Walters, J., eds. (2010) Film moments: criticism, history, theory. British Film Institute/Palgrave Macmillan, London, UK. ISBN 9781844573363

Burke, C. (2010) Back to basics: Otto Neurath and Isotype. Cambridge Literary Review, 1 (3). pp. 221-235. ISSN 2042-129x

Burke, C. and Eve, M., eds. (2010) From hieroglyphics to Isotype: a visual autobiography (Otto Neurath). Hyphen Press, London, pp224. ISBN 9780907259442

Burke, C., Kindel, E. and Walker, S. (2010) Isotype: international picture language. [Show/Exhibition]

Butler, A. (2010) Must this be the place? In: De Weck, Z. A. (ed.) Eija-Liisa Ahtila: where is where? Walther Konig, Koln, Germany, pp. 88-92. ISBN 9783865607591

Butler, A. (2010) A deictic turn: space and location in contemporary gallery film and video installation. Screen, 51 (4). pp. 305-323. ISSN 1460-2474 doi: 10.1093/screen/hjq031

Butler, A. (2010) Éloge de l'amour (2001): moments in time. In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 130-134. ISBN 9781844573363

Chaimowicz, M. (2010) Marc Camille Chaimowicz. [Show/Exhibition]

Clausen, S. (2010) Ballet. [Show/Exhibition]

Clausen, S. (2010) Fallstudie - Künstlerische (Selbst) Ausbildung. [Show/Exhibition]

Clausen, S. (2010) Festival VideoDanzaBa. [Show/Exhibition]

Clausen, S. (2010) Moves 10 - Framing Motion. [Show/Exhibition]

Clausen, S. (2010) Szuper Gallery materials. [Show/Exhibition]

Clausen, S. (2010) Transfer zone 4; temporary life; temporary communities. [Show/Exhibition]

Clausen, S. (2010) Work/Arbeit/Работа. [Show/Exhibition]

Clausen, S. (2010) The strength of the system and my experiences of it, was that in fact, oddly enough, it was actually a very collaborative enterprise already. [Show/Exhibition]

Davies, P. and Hemsoll, D. (2010) Fourteen sheets of drawings by Sebastiano Serlio. In: Beltramini, G. and Elam, C. (eds.) Some degree of happiness: studi di storia dell’architettura in onore di Howard Burns. Edizioni della Normale, Pisa, Italy, pp. 273-296. ISBN 9788876423727

Davies, P. and Hemsoll, D. (2010) Sebastiano Serlio, progetti per una villa fortificata / projects for a fortified villa. In: Faliva, A. (ed.) Ville del Rinascimento padano. I bastioni, il portico e la fattoria / the bastions the portico and the farmyard. Mondadori Electa, Milan, Italy, pp. 97-99. ISBN 9788837077457

Donaldson, L. F. (2010) Access and excess in The Texas Chain Saw Massacre. Movie: a journal of film criticism (1). ISSN 2047-1661

Donaldson, L. F. (2010) “There’s something very familiar about all this”: generic play and performance in the Back to the Future trilogy (Robert Zemeckis, 1985, 1989, 1990). In: Ni Fhlainn, S. (ed.) The Worlds of Back to the Future. McFarland, Jefferson, pp. 73-90. ISBN 9780786444002

Dronsfield, J. (2010) Philosophers enowning that there will be no own. [Performance]

Dronsfield, J. (2010) The work of art. In: Davis, B. W. (ed.) Martin Heidegger: key concepts. Acumen Publishing, Durham, pp. 128-139. ISBN 9781844651983

Dronsfield, J. L. (2010) Headless in Hirschorn's Classroom. In: Walwin, J. (ed.) Searching for art's new publics. Intellect, Bristol, pp. 127-136. ISBN 9781841503110

Dronsfield, J. L. (2010) Pedagogy of the written image. Journal of French and Francophone Philosophy, 18 (2). pp. 87-105. ISSN 2155-1162

Dronsfield, J. L. (2010) Theory as art practice: outnotes for indiscipline. Art&Research, 3 (1). ISSN 1752-6388

Dronsfield, J. L. (2010) "...where the re-imagined is the repeated". In: Bull, S. and Miletic, D. (eds.) Cities re-imagined. Vojvodina Museum of Contemporary Art, Novi Sad, Serbia, pp. 13-19. ISBN 9788684773687

Fadel, L. M. and Dyson, M. C. (2010) Interface design for social interaction in e-learning environments. In: Tzanavari, A. and Tsapatsoulis, N. (eds.) Affective, interactive and cognitive methods for e-learning design: creating an optimal education experience. IGI Global, pp. 72-93. ISBN 9781605669403 doi: 10.4018/978-1-60566-940-3.ch004

Gibbs, J. (2010) 'Everything is connected, and everything matters': relationships in I ♥ Huckabees. In: Brown, T. and Walters, J. (eds.) Film Moments. BFI / Palgrave Macmillan, London, pp. 57-60. ISBN 9781844573356

Gibbs, J. (2010) Sleeping with half open eyes: dreams and realities in The Cry of the Owl. Movie: A Journal of Film Criticism (1). pp. 1-17.

Gibbs, J. and Pye, D. (2010) Preminger and Peckinpah: seeing and shaping widescreen worlds. In: Belton, J., Hall, S. and Neale, S. (eds.) Widescreen Worldwide. John Libbey, London, pp. 71-90. ISBN 9780861966943

Gruetzner Robins, A. (2010) Manet and the Post-Impressionists: a checklist of exhibits. The Burlington Magazine, 152 (1293). pp. 782-793. ISSN 0007-6287

Gruetzner Robins, A. (2010) Reflections in a mirror: Bonnard's Aphrodite. In: Smith, A. C. and Pickup, S. (eds.) Brill's companion to Aphrodite. Brill's companions in classical studies. Brill, pp. 375-386. ISBN 9789004180031

Kindel, E. (2010) Fit to be seen: stencils for architects, engineers and surveyors. AA Files, 61. pp. 100-109. ISSN 0261-6823

Kindel, E. and Walker, S. (2010) Isotype revisited. Il progetto sugli aspetti meno conosciuti di Isotype. Progetto grafico, 18. pp. 48-57. ISSN 1824-1301

Knox, S. (2010) Reading 'The Truman Show' inside out. Film Criticism, XXXV (1). pp. 1-23. ISSN 0163-5069

Knox, S. and Adamou, C. (2010) Live and kicking: a meta-critical discourse on television and television studies. Science Fiction Film and Television, 3 (2). pp. 271-286. ISSN 1754-3770 doi: 10.3828/sfftv.2010.18

Kollectiv, G. and Kollectiv, P. (2010) Co-operative explanatory capabilities in organizational design and personnel management. [Video]

Kollectiv, G. and Kollectiv, P. (2010) Critical Mass: Sermon for the Church of the Atom (part of A Theatre to Address at Arnolfini, Bristol and Late at Tate Britain). [Performance]

Kollectiv, G. and Kollectiv, P. (2010) No Haus Like Bau. [Project]

Kollectiv, G. and Kollectiv, P. (2010) Pil and Galia Kollectiv: solo exhibition at Te Tuhi Art Centre, Auckland, New Zealand. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2010) WE. [Performance]

Luna, P. (2010) The Qur’an: English translation with parallel Arabic text (translated by M.A.S. Abdel Haleem)[Book design by Paul Luna]. [Artefact]

MacLean, M. and Renshaw, T. (2010) Architectural Fictions. [Show/Exhibition]

Malvern, S. B. (2010) Outside in: the after-life of the plaster cast in contemporary culture. In: Frederiksen, R. and Marchand, E. (eds.) Plaster casts: making, collecting and displaying from classical antiquity to the present. Transformationen der antike. De Gruyter, Berlin, Germany, pp. 351-358. ISBN 9783110208566

McMullan, A. (2010) Performing embodiment in Samuel Beckett's drama. Routledge Advances in Theatre and Performance Studies, 12. Routledge, pp186. ISBN 9780415385985

McTighe, T. (2010) Haptic interfaces: the live and the recorded body in Beckett's Eh Joe on stage and screen. Samuel Beckett Today / Aujourd'hui, 22. pp. 463-475. ISSN 0927-3131

Murjas, T. (2010) Ashanti. [Performance]

Murjas, T. (2010) Translating Zapolska: research through practice. In: Baines, R., Marinetti, C. and Perteghella, M. (eds.) Staging and performing translation: text and theatre practice. Palgrave Macmillan, pp. 249-266. ISBN 9780230228191

Nagib, L. (2010) Back to the margins in search of the core: "Foreign Land"'s geography of exclusion. In: Iordanova, D., Martin-Jones, D. and Vidal, B. (eds.) Cinema at the periphery. Wayne State University Press, Detroit, pp. 190-210. ISBN 9780814333884

O'Connell, T., White, N. and Vermuri, V. (2010) Public Art Commission, Where is Heidenheim? Tina O'Connell and Neal White. [Artefact]

Paget, D. (2010) Acts of commitment: activist arts, the rehearsed reading, and documentary theatre. New Theatre Quarterly, 26 (2). pp. 173-193. ISSN 0266-464X doi: 10.1017/S0266464X10000308

Panos, L. (2010) Realism and politics in alienated space: Trevor Griffiths's plays of the 1970s in the television studio. New Theatre Quarterly, 26 (3). pp. 273-286. ISSN 0266-464X doi: 10.1017/S0266464X10000461

Purse, L. (2010) Working through the body: textual-corporeal strategies in United 93 (2006). In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 157-161. ISBN 9781844573363

Renshaw, T., MacLean, M. and Donszelmann, B. (2010) Interior Life. [Show/Exhibition]

Rowlands, A. (2010) For writing out loud or a potential workshop on fiction. In: Beasley, M., Rowlands, A. and Russell, J. (eds.) Barefoot in the Head. Art-Writing-Research (4). Article Press, Birmingham, pp. 38-58. ISBN 9781873352151

Rowlands, A. and Williams, M. (2010) NOVEL at dépendance. [Show/Exhibition]

Rowlands, A. and Williams, M. (2010) Novel. In: Keller, C. (ed.) Kiosk: Modes of Multiplication. Christoph Keller. JPR Ringier and Stiftung Preussische Museen zu Berlin, Berlin. ISBN 9783037640753

Rowlands, A. and Williams, M. (2010) Novel ~ 2. [Show/Exhibition]

Rowlands, A. and Williams, M., eds. (2010) Novel ~ 3. Novel Publication, Brussels, pp80. ISBN 9781906424107

Russell, J. (2010) Explain death to very young children. [Show/Exhibition]

Russell, J. (2010) ‘Is the idea of British art a British fantasy?’. In: Lewisohn, C. (ed.) GBAD Fanzine. Tate Publishing, London, pp. 4-5, 12-13.

Russell, J. (2010) 'Public Sculpture (The Social)' 2010. [Show/Exhibition]

Russell, J. (2010) Untitled (Abstraction of Labour Time/ External Recurrence/Monad). [Artefact]

Russell, J. (2010) Vermillion Vortex. [Video]

Russell, J. (2010) A largely intolerable combination of two mainly unconnected texts: 1. Description of the Barefoot in the Head event, at BHQU, NY, 12/11/09; 2. Fictioning and the End. In: Russell, J., Rowlands, A. and Beasley, M. (eds.) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England, Birmingham, pp. 68-85. ISBN 9781873352151

Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (2010) Grand National. [Show/Exhibition]

Saunders, G. (2010) The Beckettian world of Sarah Kane. In: de Vos, L. and Saunders, G. (eds.) Sarah Kane in context. University of Manchester Press, Manchester, UK, pp. 68-79. ISBN 9780719077395

Saunders, G. (2010) Howard Barker’s ‘monstrous assaults’: eroticism, death and the antique text. In: Gritzner, K. (ed.) Eroticism and death in theatre and performance. University of Hertfordshire Press, UK, pp. 144-159. ISBN 9781902806921

Saunders, G. (2010) Sarah Kane: Cool Britannia's reluctant feminist. In: Hadley, L. and Ho, E. (eds.) Thatcher and after: Margaret Thatcher and her afterlife in contemporary culture. Palgrave Macmillan, Basingstoke, UK, pp. 199-220. ISBN 9780230233317

Saunders, G. (2010) Sarah Kane: Cool Britannia’s reluctant feminist. In: Hadley, L. and Ho, E. (eds.) Thatcher & after: Margaret Thatcher & her afterlife in contemporary culture. Palgrave Macmillan, London, pp. 199-220. ISBN 9780230233317

Saunders, G. (2010) ‘The great Chinese takeaway’: the strange case of absent Orientalism in contemporary British playwriting. In: Huber, W., Rubik, M. and Novak, J. (eds.) Staging interculturality: contemporary drama in English. Wissenschaftlicher Verlag Trier, Germany, pp. 65-74. ISBN 9783868212327

Taylor, L. (2010) Counting Her Dresses and other plays. [Performance]

Taylor, L. (2010) The hanging man: death, indeterminacy and the event. Performance Research, 15 (1). pp. 4-13. ISSN 1352-8165 doi: 10.1080/13528165.2010.485757

Thiessen, M. and Dyson, M. C. (2010) 'Clearer and better’: preferences of children with reading difficulties for the typography and illustration in literacy materials. The International Journal of Learning, 16 (12). pp. 365-384. ISSN 1447-9494

Thorpe, A. (2010) Postmodern Chinese opera: re-citing China in 'Monkey, journey to the West'. Contemporary Theatre Review, 20 (1). pp. 68-86. ISSN 1477-2264 doi: 10.1080/10486800903453046

Twyman, M. L. (2010) Production: from chromolithography to photolithography. In: Edelstein, T. J. (ed.) Art for all: British posters for transport. Yale Center for British Art . Yale University Press, pp. 43-65. ISBN 9780300152975

2009

Banham, R. (2009) Lottery advertising 1800–1826. Journal of the Printing Historical Society (ns.11). pp. 17-60. ISSN 0079-5321

Barry, O. , Decointet, H. , Farmer , G. , Maire , B. , Pierson, J. , Rickards, H. , Toren, A. and Vercruysse, J. (2009) Le chante de la carp. [Show/Exhibition]

Beasely, M., Rowlands, A. and Russell, J. (2009) Barefoot in the head. [Show/Exhibition]

Becklin, E. , Ellison, C., Humphrey, M., O’Daniel, A. , Sears, K., Sussman, T. and Trondson, A. (2009) Conceptual telegraphy and the song of the wind through its wires. [Show/Exhibition]

Bignell, J. (2009) Beckett on screen: the television plays. Manchester University Press, Manchester, pp230. ISBN 9780719064203

Bignell, J. (2009) The police series. In: Gibbs, J. and Pye, D. (eds.) Close-Up 03. Wallflower, London, pp. 1-66. ISBN 9781905674787

Broughton, M. E. (2009) Nigel Kneale (1922-2006). In: Bould, M., Butler, A. M., Roberts, A. and Vint, S. (eds.) Fifty Key Figures in Science Fiction. Routledge Key Guides. Routledge, London, pp. 121-126. ISBN 9780415439497

Burke, C. (2009) Isotype: representing social facts pictorially. Information Design Journal, 17 (3). pp. 211-223. ISSN 0142-5471 doi: 10.1075/idj.17.3.06bur

Butler, A. (2009) Yesterday girls: Prinzessin. Rouge, 13.

Butler, J., Chapman, J. , Chapman, D. , Harding , A., Harvey , M., Hirst, D. , James, M., Jones , P. , Krut, A., Miller, H. , Renshaw, T., Tait, N. and Valdes, C. (2009) Turps banana 2. [Show/Exhibition]

Chaimowicz, M. (2009) Enough tiranny recalled 1972-2009. [Show/Exhibition]

Chaimowicz, M. C. (2009) Dressed & undressed. [Show/Exhibition]

Chaimowicz, M. C. (2009) We choose our words with care, that neon-moonlit evening; it was as if we were, party to a wonderful alchemy. [Show/Exhibition]

Chare, N. (2009) Illuminating the past: reflections on teaching The Name of the Rose. In: Ganze, A. (ed.) Postscript to the middle ages: teaching medieval studies through The Name of the Rose. Syracuse University Press, Syracuse, US, pp. 84-96. ISBN 9780815632344

Chare, N. (2009) Sexing the canvas: calling on the medium. Art History, 32 (4). pp. 664-689. ISSN 1467-8365 doi: 10.1111/j.1467-8365.2009.00697.x

Chare, N. (2009) Sports unillustrated: the female athlete as representational absence. In: Kevin, C. (ed.) Feminism and the body: interdisciplinary perspectives. Cambridge Scholars Publishing, Newcastle, UK, pp. 178-193. ISBN 9781443809863

Chare, N. (2009) Testimony. The year's work in critical and cultural theory, 17 (1). pp. 194-221. ISSN 1471-681X doi: 10.1093/ywcct/mbp005

Chare, N. (2009) Upon the scents of paint: Bacon and synaesthesia. Visual Culture in Britain, 10 (3). pp. 255-272. ISSN 1941-8361 doi: 10.1080/14714780903265572

Chare, N. (2009) Warring pixels: cultural memory, digital testimony, and the conflict in Iraq. Convergence, 15 (3). pp. 333-345. ISSN 1748-7382

Clausen, S. (2009) Ballet. [Video]

Clausen, S. (2009) Suck. Swallow. Breathe. [Video]

Clausen, S. (2009) Suck. Swallow. Breathe. [Show/Exhibition]

Clausen, S. (2009) Translation paradoxes and misunderstandings. [Show/Exhibition]

Clausen, S. (2009) The artist's studio. [Show/Exhibition]

Cooper, D., Gourvil, O. , Krisanamis, U. , Renshaw, T., Smith, D. and Suarez-Universal , V. (2009) Baroque reason. [Show/Exhibition]

Davies, P. (2009) Review of 'Tempo novo: Venezia e il quattrocento' by E. Concina. Annali di Architettura, 21. pp. 183-184. ISSN 1124-7169

Davies, P. (2009) The palace of Charles V in Granada and two drawings from the school of Raphael. In: Eriksen, R. and Malmanger, M. (eds.) Imitation, representation and printing in the Italian Renaissance. Fabrizio Serra Editore, Pisa and Rome, Italy, pp. 157-190. ISBN 9788862271110

Dronsfield, J. (2009) Continuum. In: REWIND + PLAY: an anthology of early British video art. Lux, London, pp. 36-37.

Dronsfield, J. (2009) Philosophies of art. In: Mullarkey, J. and Lord, B. (eds.) The Continuum Companion to Continental Philosophy. Continuum Companions. Continuum, London, pp. 219-237. ISBN 9780826498304

Dronsfield, J. (2009) Theory as art practice: notes for discipline. Art&Research, 2 (2). ISSN 1752-6388

Dronsfield, J. L. (2009) Before the camera. Parallax, 15 (4). pp. 94-106. ISSN 1460-700X doi: 10.1080/13534640903208966

Ellison, C. (2009) Reconstructing The Incredible. [Audio]

Esbester, M. (2009) Designing time: the design and use of nineteenth-century transport timetables. Journal of Design History, 22 (2). pp. 91-113. ISSN 1741-7279 doi: 10.1093/jdh/epp011

Esbester, M. (2009) Mapping the way? Maps, gender, emotion. In: Letherby, G. and Reynolds, G. (eds.) Gendered Journeys, Mobile Emotions. Ashgate, Aldershot, pp. 33-44. ISBN 9780754670346

Esbester, M. (2009) Nineteenth-century timetables and the history of reading. Book History, 12. pp. 156-185.

Eve, M. (2009) Isotype in trouble, 1946-1948. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press, pp. 129-135. ISBN 9780907259398

Garfield, R. (2009) A particular incoherence: some films of Vivienne Dick. In: O'Brian, T. (ed.) Between Truth and Fiction: The Films of Vivienne Dick. LUX and The Crawford Gallery, London, pp. 36-53. ISBN 9780954856984

Gibbs, J. and Pye, D., eds. (2009) Close-up 03 : the police series ; Weimar cinema ; Men's cinema. Close-up, 3. Wallflower Press, London, pp224. ISBN 9781905674770

Kaina, P. (2009) [Review of] 'Picasso: challenging the past' by E.Cowling et al. The Art Book, 16 (4). p. 20. ISSN 1467-8357 doi: 10.1111/j.1467-8357.2009.01058_1.x

Kaina, P. (2009) [Review of] 'The lure of the East: British Orientalist painting' by Nicholas Tromans (ed). The Art Book, 16 (2). pp. 16-21. ISSN 1467-8357 doi: 10.1111/j.1467-8357.2009.01025_4.x

Kaina, P. (2009) [Review of] Edgar Degas: intimität und pose. Nineteenth Century Art Worldwide, 8 (2). ISSN 1543-1002

Kindel, E. (2009) Delight of men and gods: Christiaan Huygens's new method of printing. Journal of the Printing Historical Society, 14 (new se. pp. 5-40.

Kollectiv, G. and Kollectiv, P. (2009) Can objects perform?: agency and thingliness in contemporary sculpture and installation. In: Sculpture and Performance, 24 March 2009, Henry Moore Institute, Leeds.

Leonidas, G. (2009) Ten aspects in typeface design. Forum, 18. pp. 6-8. ISSN 1472-0604

MacLean, M., Renshaw, T. and Donszelmann, B. (2009) Outside architecture. [Show/Exhibition]

Malvern, S. (2009) [Review of] 'Art history after 9/11' by Werckmeister, O.K., Mirzoeff, N., Eisenman, S.F., Reinhardt, M., Edwards, H. and Duganne, E. Art History, 32 (2). pp. 387-399. ISSN 1467-8365 doi: 10.1111/j.1467-8365.2009.00672.x

Malvern, S. and Marchand, E. (2009) Sculpture in Arcadia. Studies in the History of Gardens & Designed Landscapes, 29 (1-2). 1 - 12. ISSN 1943-2186 doi: 10.1080/14601170701806908

McMullan, A. (2009) 'The Home Place': unhomely inheritances. Irish Theatre International, 2 (1). pp. 62-68. ISSN 2009-0870

McMullan, A. and Wilmer, S. E., eds. (2009) Reflections on Beckett: a centenary celebration. Theater: theory/text/performance. University of Michigan Press, Ann Arbor, pp256. ISBN 9780472116645

Murjas, T. (2009) Zapolska's women: three plays. Playtest. Intellect Books, Bristol, pp192. ISBN 9781841502366

Nagib, L. (2009) Filmmaking as the production of reality: a study of Hara and Kobayashi's documentaries. In: Nagib, L. and Mello, C. (eds.) Realism and the audiovisual media. Palgrave Macmillan, Basingstoke, pp. 193-209. ISBN 9780230246973

Nagib, L. (2009) Panaméricas Utópicas: entranced and transient nations in 'I Am Cuba' and 'Land in Trance'. In: Gladston, P. (ed.) China and other spaces. Critical, Cultural and Communications Press, Nottingham, pp. 71-87. ISBN 9781905510221

Nagib, L. (2009) Rumo a uma definição positiva de world cinema. In: Santana, G. (ed.) Cinema, comunicação e audiovisual. Alameda Editorial, São Paulo. ISBN 9788598325859

Nagib, L. and Mello, C., eds. (2009) Realism and the audiovisual media. Palgrave Macmillan, Basingstoke, pp288. ISBN 9780230246973

O'Connell, T. (2009) Public Art Commission Rung by Rung, Tina O'Connell. [Artefact]

O'Connell, T. (2009) Step by step. [Show/Exhibition]

O'Connell, T. (2009) The wager with the office of experiments. [Show/Exhibition]

Purse, L. (2009) Gestures and postures of mastery: CGI and contemporary action cinema's expressive tendencies. In: Balcerzak, S. and Sperb, J. (eds.) Cinephilia in the Age of Digital Reproduction: Film, Pleasure and Digital Culture. Wallflower Press, London & New York, pp. 214-234. ISBN 9781905674848

Robertson, C. (2009) Entries on drawings by Tiberio Calcagni and Giovanni de' Vecchi. In: Franklin, D. (ed.) From Raphael to the Carracci: the art of Papal Rome. National Gallery of Canada, Ottawa, Canada, pp482. ISBN 9780888848673

Robins, A. G. (2009) Walter Sickert and the language of art. In: Brockington, G. (ed.) Internationalism and the arts in Britain and Europe at the fin de siècle. Cultural interactions: studies in the relationship between the arts (4). Peter Lang, Oxford, UK, pp. 27-48. ISBN 9783039111282

Ross, F. (2009) The printed Bengali character and its evolution. Shishu Sahitya Samsad, Kolkata, India, pp251. ISBN 9788179551849

Ross, F. G., Holloway, T. and Hudson, J. (2009) Adobe Devanagari typeface. Adobe Inc, USA.

Rowlands, A. (2009) Exegesis: when we build let us think that we build forever. In: Noble, R. (ed.) Utopias. MIT Press, Cambridge, MA, pp. 99-102. ISBN 9780262640695

Rowlands, A. (2009) The Numinous and the Luminous. In: Bracewell, M., Clark, M. and Rowlands, A. (eds.) The Dark Monarch: Magic & Modernity in British Art. TATE, St Ives, xxi-xxxiii. ISBN 9781854378743

Rowlands, A. and Williams, M. (2009) Kiosk: modes of multiplication. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) Live archive. [Show/Exhibition]

Rowlands, A. and Williams, M., eds. (2009) Novel ~ 2. Novel Publication, Birmingham, pp48. ISBN 9781906424091

Rowlands, A. and Williams, M. (2009) X marks the Bökship. [Show/Exhibition]

Russell, J. (2009) EAST International. [Show/Exhibition]

Russell, J. (2009) Summer. In: Morris, L. (ed.) EAST International 2009. Norwich Universty College of the Arts, Norwich, pp. 104-107.

Russell, J. (2009) Untitled (Abstraction of labour time eternal recurrence monad). [Image]

Russell, J. (2009) Why are conceptual artists juicing again? Because they moisturise its a glistening sparkle. Frieze magazine. pp. 108-112.

Saunders, G. (2009) About Kane: the playwright & the work. Faber, London, pp192. ISBN 9780571229611

Stiff, P. (2009) Austerity, optimism: modern typography in Britain after the. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press. ISBN 9780907259398

Stiff, P. and Cerne Oven, P. (2009) Ernest Hoch and reasoning in typography. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press. ISBN 9780907259398

Taylor, L. (2009) A dialogue: mnemonic present, un-folding #6. In: Cologni, E. (ed.) Mnemonic Present: Shifting Meaning. Edizioni Mercurio, Vercelli, pp. 106-118. ISBN 9788895522258

Thiessen, M. and Dyson, M. C. (2009) Typography for children with reading difficulties: preferences for type in reading books. International Journal of the Book, 6 (2). pp. 115-122. ISSN 1447-9516

Thorpe, A. (2009) The long and the short of it: negotiating the right space for Asian theatre in the university drama curriculum. Studies in Theatre & Performance, 29 (2). pp. 133-147. ISSN 2040-0616 doi: 10.1386/stap.29.2.133_1

Thorpe, A. and Daboo, J. (2009) Editorial. Studies in Theatre and Performance, 29 (2). pp. 117-120. ISSN 2040-0616 doi: 10.1386/stap.29.2.117_2

Toren, A. (2009) British subjects: self portraiture in British art between 1965-2008. [Show/Exhibition]

Toren, A. (2009) Carrots. [Show/Exhibition]

Toren, A. (2009) Don't look away. [Show/Exhibition]

Toren, A. (2009) Refreshments. [Show/Exhibition]

Twyman, M. (2009) La notion d'imprimés éphémères: comparaison des approches anglo-saxonnes et françaises. In: Mois du patrimoine écrit 2004, 23 - 24 septembre 2004, Chambéry, pp. 25-43.

Twyman, M. (2009) Lear and lithography. In: Nugent, C. (ed.) Edward Lear the landscape artist: tours of Ireland and the English Lakes, 1835 & 1836. The Wordsworth Trust, Grasmere, pp. 11-29. ISBN 9781905256389

Twyman, M. (2009) Printed ephemera. In: Suarez, M. F. and Turner, M. L. (eds.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 66-82. ISBN 9780521810173 doi: 10.1017/CHOL9780521810173.004

Twyman, M. (2009) The illustration revolution. In: McKitterick, D. (ed.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 117-143. ISBN 9780521866248 doi: 10.1017/CHOL9780521866248.004

Waller, R. H. W. (2009) Simplification: what is gained and what is lost. In: The International Conference of Applications of Information Design, 25-28 June 2008, Mälardalen University in Eskilstuna, Sweden, pp. 219-230.

2008

Banham, R. (2008) Nineteenth-century jobbing: the printing methods of Gye and Balne. Journal of the Printing Historical Society, 11 (new se. pp. 25-64.

Banham, R., (2008) A handlist of films showing printing & typesetting. Self published (St Bride Library )

Banham, R. and Ross, F. (2008) Non-Latin typefaces at St Bride Library, London and Department of Typography & Graphic Communication, University of Reading. St Bride Library, London, pp64. ISBN 0950416150

Bennett, J. and Brown, T., eds. (2008) Film and television after DVD. Routledge research in cultural and media studies (15). Routledge, New York, pp202. ISBN 9780415962414

Bignell, J. and Fickers, A., eds. (2008) A European television history. Wiley-Blackwell, New York, pp288. ISBN 9781405163392

Bignell, J. and Weissmann, E. (2008) Cultural difference? Not so different after all. Critical Studies in Television: scholarly studies in small screen fictions, 3 (1). pp. 93-98. ISSN 1749-6020

Brown, T. (2008) Spectacle/gender/history: the case of Gone with the Wind. Screen, 49 (2). pp. 157-178. ISSN 1460-2474 doi: 10.1093/screen/hjn023

Bull, J. (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Redling, E. and Schnierer, P. P. (eds.) Non-Standard Forms of Contemporary Drama and Theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Butler, A. (2008) Feminist perspectives in film studies. In: Donald , J. and Renov , M. (eds.) The Sage Handbook of Film Studies. Sage , London, pp. 391-407. ISBN 9780761943266

Chare, N. (2008) Testimony. The year's work in critical and cultural theory, 16 (1). pp. 288-301. ISSN 1471-681X doi: 10.1093/ywcct/mbn005

Chare, N. (2008) Testimony on trial: reviewing rape in 'The Accused'. Southern Review: Communication, Politics and Culture, 40 (3). pp. 68-83. ISSN 0038-4526

Clausen, S. (2008) Curatorial vaudeville. [Show/Exhibition]

Clausen, S. (2008) The Extras Regina, 2008. [Show/Exhibition]

Davies, P. (2008) Modello del Tempietto Barbaro. In: Beltramini, G. and Burns, H. (eds.) Palladio. Royal Academy of Arts, London, UK, pp. 242-243. ISBN 9781905711246

Davies, P. (2008) Palladio, l'architettura e la peste. In: Barbieri, F. (ed.) Palladio 1508-2008: Il simposio del cinquecentenario. Marsilio, Venice, Italy, pp. 189-195. ISBN 9788831796262

Davies, P. (2008) A re-reading of Antonio Labacco's drawing of San Sebastiano in Mantua. In: Poeschke, J. and Syndikus, C. (eds.) Leon Battista Alberti: humanist, architekt, kunsttheoretiker. Rhema, Munster, Germany, pp. 299-314. ISBN 9783930454662

Dronsfield, J. (2008) Between Heidegger and Deleuze there never is any difference. In: Raffoul, F. and Pettigrew, D. (eds.) French Interpretations of Heidegger: An Exceptional Reception. SUNY series in Contemporary French Thought. State University of New York Press, Albany, pp. 151-165. ISBN 9780791475591

Dronsfield, J. L. (2008) Funny heterogeneous. In: Maass, G. and Nayoungim, (eds.) It's nice to be nice; try it. Caustic Window, Seoul, S. Korea, pp. 122-126. ISBN 8995646427

Dronsfield, J. L. (2008) Nowhere is aesthetics contra ethics: Rancière the other side of Lyotard. Art&Research, 2 (1). ISSN 1752-6388

Dronsfield, J. L., Rancière, J. and Wright, S. (2008) An exchange with Jacques Rancière. Art&Research, 2 (1). ISSN 1752-6388

Ellison, C. (2008) RGBOHP. [Performance]

Fife, L. (2008) Human monstrosity: rape, ambiguity and performance in Rosemary’s Baby (Roman Polanski, 1968). In: Baumgartner, H. and Davis, R. (eds.) Hosting the Monster. At the Interface/Probing the Boundaries (52). Rodopi, Amsterdam / New York, pp. 43-62. ISBN 9042024860

Garfield, R., (2008) L’Encyclopédie Noveaux Médias: Zineb Sedira. Centre Georges Pompidou, Paris.

Gillieson, K. (2008) Limits of reading: the book in action. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 60-63. ISBN 9783899552096

Gillieson, K. (2008) Limits of the book: forethoughts on book design. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 2-5. ISBN 9783899552096

Gillieson, K. (2008) Limits of the book: the book about books. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 28-31. ISBN 9783899552096

Gillieson, K. (2008) A framework for graphic description in book design. PhD thesis, University of Reading.

Kollectiv, G. and Kollectiv, P. (2008) Another Proof of the Preceding Theory. [Video]

Kollectiv, G. and Kollectiv, P. (2008) Future Monument. [Project]

Kollectiv, G. and Kollectiv, P. (2008) The Institute of Psychoplasmics. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2008) Svetlana. [Show/Exhibition]

Malvern, S. (2008) The spaces of British art: patronage, institutions, audiences. In: Stephens, C. (ed.) The history of British art 1870-now. The history of British art, 3. Tate Publishing, London, pp. 198-221. ISBN 9781854376527

McMullan, A. (2008) History in tatters: bodies and things in Samuel Beckett’s theatre. Etudes Britanniques Contemporaines, 35. pp. 27-37. ISSN 1168-4917

Mosley, J. (2008) Médailles sur les principaux événements du règne de Louis le Grand 1702, the making of the book. Bulletin du bibliophile, 2. pp. 296-350. ISSN 0399-9742

Mosley, J. (2008) The materials of typefounding: a list of surviving collections. Printing History, NS 4 (4).

Murjas, T. (2008) 'The Mistress'(or 'Miss Maliczewska') by Gabriela Zapolska. Translated, designed and directed by Teresa Murjas. [Performance]

Renshaw, T. (2008) Images in the vaguest sense. [Show/Exhibition]

Robertson, C. (2008) Patronage rivalries: cardinals Odoardo Farnese and Pietro Aldobrandini. In: Burke, J. and Bury, M. (eds.) Art and identity in early modern Rome. Ashgate Press, Aldershot, UK, pp. 95-111. ISBN 9780754656906

Robertson, C. (2008) The invention of Annibale Carracci. Silvana Editoriale, Milan, Italy, pp417. ISBN 9788836609741

Robertson, E. C. (2008) Review of 'Medici women: portraits of power, love and betrayal' by Gabrielle Langdon. The Burlington Magazine, 150. ISSN 0007-6287

Rowlands, A. (2008) Communiqué § 4. In: Birkett, R. and Leaver-Yapp, I. (eds.) Nought to Sixty: 60 projects in 60 weeks. Institute of Contemporary Art, London. ISBN 9781900300599

Rowlands, A. (2008) NOVEL. [Show/Exhibition]

Rowlands, A. (2008) Shadow cabinet (three rendezvous). [Show/Exhibition]

Rowlands, A. and Williams, M., eds. (2008) Novel. Novel Publication, Berlin, pp42. ISBN 9781906424077

Russell, J. (2008) 'The Return of the Living Dead III. Clement Greenberg is a conceptual artist. Flatness and Shapeism,'. In: Garnett, R. and Hunt, A. (eds.) Gest / Laboratory of Synthesis. Bookworks, London, pp. 81-89. ISBN 9781870699969

Saunders, G. (2008) From resistance to witness: changing spectatorship in the theatre of Sarah Kane. In: Hunkeler, T., Fournier Kiss, C. and Luthi, A. (eds.) Place au public: les spectateurs du theatre contemporain. MétisPresses, Geneva, pp. 153-165. ISBN 9782940406050

Saunders, G. (2008) Getting closer: Patrick Marber’s excursions into the Pinteresque. Critical Engagements, 2 (2). pp. 150-164. ISSN 1754-0984

Saunders, G. (2008) Patrick Marber’s 'Closer'. Continuum Modern Theatre Guides. Continuum, London, pp118. ISBN 9780826492487

Saunders, G. (2008) The persistence of the 'well made play'. In: Redling, E. and Schnierer, P. P. (eds.) Non-standard forms of contemporary drama and theatre. Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 11-21. ISBN 9783868210408

Smart, B. (2008) Simon Gray, 1936–2008: In other words. Contemporary Theatre Review, 18 (4). pp. 542-544. ISSN 1477-2264 doi: 10.1080/10486800802492855

Twyman, M. (2008) The long-term significance of printed ephemera. RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage, 9 (1). pp. 19-57. ISSN 2150-668X

Williams, D. (2008) Circulating antisemitism: the men of 1914. In: Durão, F. and Williams, D. (eds.) Modernist group dynamics: the politics and poetics of friendship. Cambridge Scholars Publishing, Newcastle, UK, pp. 43-68. ISBN 9781847185082

Williams, D. (2008) Fighting on different fronts: Isaac Rosenberg and John Rodker in the Great War. In: Dickson, R. , Liddiard, J., MacDougall, S., Wilson, J. M. and Williams, D. (eds.) Whitechapel at war: Isaac Rosenberg and his circle. Ben Uri Gallery, The London Jewish Museum of Art, London, UK, pp. 95-98. ISBN 780900157097

Woods, F. (2008) Generation gap? mother, daughters, and music. In: Calvin, R. (ed.) Gilmore girls and the politics of identity : essays on family and feminism in the television series. McFarland, Jefferson, North Carolina, pp. 127-143. ISBN 9780786437276

Woods, F. (2008) Nostalgia, music and the television past revisited in American dreams. Music Sound and the Moving Image, 2 (1). pp. 27-50. ISSN 1753-0776 doi: 10.1353/msm.0.0028

de Souza, J. M. B. and Dyson, M. (2008) Are animated demonstrations the clearest and most comfortable way to communicate on-screen instructions? Information Design Journal, 16 (2). pp. 107-124. ISSN 0142-5471 doi: 10.1075/idj.16.2.03bez

2007

Allen, K. (2007) Auraproject. [Project]

Allen, K. (2007) Grangerparklife: Online project. [Project]

Andrews, M. J. (2007) The importance of ephemera. In: Eliiot, S. and Rose, J. (eds.) A Companion to the History of the Book. Companions to Literature and Culture. Wiley-Blackwell, Oxford, pp. 234-250. ISBN 9781405127653

Banham, R. (2007) Trash type. Baseline, 52. pp. 16-21.

Bignell, J. (2007) Citing the classics: constructing British television drama history in publishing and pedagogy. In: Wheatley, H. (ed.) Re-viewing Television History: Critical Issues in Television Historiography. I B Tauris, London, pp. 27-39. ISBN 9781845111885

Bignell, J. (2007) Masculinité, musique et politique dans 'Excalibur'. In: Sipiere, D. and Cohen, A. J.-J. (eds.) Les autres arts dans l'art du cinéma. Le Spectaculaire Cinéma. University of Rennes Press, Rennes, pp. 141-152. ISBN 9782753503885

Bignell, J. (2007) Seeing and knowing: reflexivity and quality. In: Mccabe, J. and Akass, K. (eds.) Quality TV: contemporary American television and beyond. Reading Contemporary Television. I B Tauris, London, pp. 145-157. ISBN 9781845115104

Bignell, J. (2007) Une lettre en souffrance: l'adaptation de 'La Servante écarlate/The Handmaid's Tale' de Margaret Atwood au cinéma. In: Cloarec, N. (ed.) Lettres de cinéma: de la missive au film-lettre. University of Rennes Press, Rennes, pp. 175-187. ISBN 9782753505308

Bignell, J. (2007) The child as addressee, viewer and consumer in mid-1960s 'Doctor Who'. In: Butler, D. (ed.) Time and Relative Dissertations in Space: Critical Perspectives on Doctor Who. Manchester University Press, Manchester, pp. 43-55. ISBN 9780719076817

Bignell, J. (2007) An introduction to television studies. 2nd edition. Routledge, London, New York, pp368. ISBN 9780415419178

Blackadder, E., Buckley, S., Carter, J., Coates, T., Forster, N., Hollyras, K., Mccrae, J., Mitchell, J. and Sutton, T. (2007) Critic's choice. [Show/Exhibition]

Brown, T. (2007) 'The DVD of attractions'? The Lion King and the digital theme park. Convergence: The International Journal of Research into New Media Technologies, 13 (2). pp. 169-183. ISSN 1354-8565 doi: 10.1177/1354856507075243

Brown, T. (2007) Les Remakes des films français: l'âge classique. In: Viviani, C., Barnier, M. , Bastide, B. and Berthomieu, P. (eds.) Hollywood, les Connexions françaises. Nouveau Monde éditions, Paris, pp. 345-375. ISBN 9782847362312

Bull, J. (2007) 'Being taken no notice of in ten million homes': David Hare's adventures in television. In: Boon, R. (ed.) The Cambridge Companion to David Hare. Cambridge Companions to Literature . Cambridge University Press, Cambridge, pp. 153-168. ISBN 9780521615570

Bull, J. (2007) Telling stories: the Point Blank trilogy. In: Tomlin, L. (ed.) Point Blank. Intellect Press, Bristol, pp. 9-15. ISBN 9781841501697

Butler, A. (2007) 'Motor-driven metaphysics': movement, time and action in the films of Maya Deren. Screen, 48 (1). pp. 1-23. ISSN 1460-2474 doi: 10.1093/screen/hjm001

Campkin, B. and Dobraszczyk, P. (2007) Architecture and dirt. Journal of Architecture. Taylor & Francis.

Campkin, B. and Dobraszczyk, P. (2007) Architecture and dirt: introduction. The Journal of Architecture, 12 (4). pp. 347-351. ISSN 1466-4410 doi: 10.1080/13602360701614623

Chaimowicz, M. (2007) The ruin: RAW among the ruins. [Show/Exhibition]

Chaimowicz, M. (2007) The secret public: the last days of the British underground 1978-1988. [Show/Exhibition]

Chaimowicz, M. C. (2007) 16 ans! [Show/Exhibition]

Chaimowicz, M. C. (2007) Summer's song. [Show/Exhibition]

Chare, N. (2007) Imaging contingency: an interview with Mary Ann Doane. Parallax, 13 (4). pp. 16-25. ISSN 1460-700X doi: 10.1080/13534640701682743

Chare, N. (2007) Puncture / punctum: representations of women with AIDS. In: Pollock, G. (ed.) Conceptual odysseys: passages to cultural analysis. I.B. Tauris, London, pp. 91-102. ISBN 9781845115227

Chare, N. (2007) Robert Rauschenberg’s undoing: reversibility and irreversibility in erased de Kooning drawing. In: Schreier, B. (ed.) Studies in irreversibility: texts and contexts. Cambridge Scholars Publishing, Newcastle, UK, pp. 118-133. ISBN 9781847182050

Chare, N. (2007) Testimony. The year's work in critical and cultural theory, 15 (1). pp. 287-297. ISSN 1471-681X doi: 10.1093/ywcct/mbm016

Chare, N. (2007) The grain of the interview: introducing Diamanda Galás. Parallax, 13 (1). pp. 56-64. ISSN 1460-700X doi: 10.1080/13534640601094874

Chare, N. (2007) The skin of the photograph: representing the murdered women of Juárez. West Coast Line 53, 41 (1). pp. 26-31. ISSN 1182-4271

Chare, N., Ferrett, D. and Galas, D. (2007) Entwined voices: an interview with Diamanda Galás. Parallax, 13 (1). pp. 65-73. ISSN 1460-700X doi: 10.1080/13534640601094890

Clausen, S. (2007) Bohemian work out. [Show/Exhibition]

Clausen, S. (2007) Curating degree zero. [Show/Exhibition]

Clausen, S. (2007) Szuper gallery. In: Culture Shock. The Artists' Studio, London, pp. 70-79. ISBN 9780954699955

Clausen, S. and Kerestey, P. (2007) I will survive. [Performance]

Clausen, S. and Kerestey, P. (2007) I will survive. [Show/Exhibition]

Clausen, S. and Kerestey, P., eds. (2007) Liftarchiv. Revolver, Frankfurt, pp120. ISBN 9783865884039

Clausen, S. and Kerestrey, P. (2007) Szuper gallery. [Show/Exhibition]

Clausen, S. and Tervaniemi, S. (2007) Loving revolution. [Show/Exhibition]

D'Monté, R. and Saunders, G. (2007) Cool Britannia? British political drama in the 1990's. Palgrave Macmillan, London. ISBN 9781403988126

Davies, P. (2007) Representing Siena: an image of the city as ex-voto model. In: Sivefors, P. (ed.) Urban preoccupations: mental and material landscapes. Early modern and modern studies, 2. Fabrizio Serra Editore, Pisa, pp. 197-203. ISBN 9788862270960

Davies, P. (2007) Review of exhibition 'Spectacular miracles. Images of supernatural power from Northwest Italy'. Renaissance Studies, 21 (1). pp. 110-113. ISSN 1477-4658 doi: 10.1111/j.1477-4658.2007.00374.x

Dobraszczyk, P. (2007) Architecture, ornament and excrement: the Crossness and Abbey Mills pumping stations. The Journal of Architecture, 12 (4). pp. 353-365. ISSN 1466-4410 doi: 10.1080/13602360701614631

Dobraszczyk, P. (2007) Mapping sewer space in mid-Victorian London. In: Campkin, B. and Cox, R. (eds.) Dirt: New Geographies of Cleanliness and Contamination. I B Tauris, London, pp. 123-137. ISBN 9781845116729

Dobraszczyk, P. (2007) 'Monster sewers': experiencing London's main drainage system. In: Scott, N. (ed.) Monsters and the Monstrous: Myths and Metaphors of Enduring Evil. At the Interface/Probing the Boundaries (38). Rodopi, Amsterdam and New York, pp. 9-32. ISBN 9789042022539

Dronsfield, J. (2007) Art and a ‘People to Come': Heidegger and Deleuze. In: McNeill, W. and Kirkland, S. (eds.) Proceedings of the 41st North American Heidegger Conference (DePaul University, Chicago, 3-5 May 2007). Xavier University, Cincinnati, OH, pp. 119-125.

Dronsfield, J. (2007) Cryptochromism. Jan van Eyck Academie, Maastricht.

Dronsfield, J. L. (2007) Jacques Derrida (1930-2004). In: Costello, D. and Vickery, J. (eds.) Art: Key Contemporary Thinkers. Berg, pp. 121-124. ISBN 9781845203207

Dronsfield, J. L. (2007) Kopflos I Hirschorns Klassrum. Die Paletten, 266 (4). pp. 50-53. ISSN 0031-0352

Dronsfield, J. L. (2007) A face apart. Arhitext, 170 (4). pp. 46-49. ISSN 1224-886X

Dronsfield, J. L. (2007) The sublime... 'if there is such a thing'. In: Mircan, M. (ed.) Sublime Objects: Collections sans frontières VI. Institut francais de Bucarest and Muzeul National da Arta Contemporana (MNAC), Paris and Bucharest, pp. 1-31.

Ellison, C. (2007) Record. [Performance]

Ellison, C. (2007) iPolly Shuffle. [Performance]

Fadel, L. M. and Dyson, M. C. (2007) Enhancing interactivity in an online learning environment. Lecture Notes in Computer Science, 4663. pp. 332-344. ISSN 0302-9743 doi: 10.1007/978-3-540-74800-7_27

Gibbs, J. and Pye, D., eds. (2007) Close-Up 02: movies and tone / reading Rohmer / voices in film. Wallflower Press, London, pp256. ISBN 9781905674060

Golden, P. (2007) Love and hysteria. [Show/Exhibition]

Golden, P. (2007) Thoughts. [Show/Exhibition]

Golden, P. R. (2007) Le recollets Paris. [Show/Exhibition]

Kindel, E. (2007) The 'Plaque Decoupee Universelle': a geometric sanserif in 1870s Paris. In: Typography Papers 7. Hyphen Press, pp. 71-80. ISBN 9780907259336

Knox, S. (2007) Five's finest: the import of 'CSI' to British television. In: Allen, M. (ed.) Reading 'CSI': Crime TV Under the Microscope. I B Tauris, London, pp. 183-197.

Kollectiv, G. and Kollectiv, P. (2007) Asparagus: a horticultural ballet. [Project]

Lee, S. (2007) Napoleon amongst the shopkeepers. David’s 1815 exhibition on London. In: Ledbury, M. (ed.) David after David: essays on the later work. Sterling and Francine Clark Art Institute, Williamstown, USA, pp. 326-341. ISBN 9780931102691

MacLean, M. (2007) Before. [Show/Exhibition]

MacLean, M. (2007) Considering if…then…else…. Journal of Visual Art Practice, 6 (3). pp. 257-267. ISSN 1758-9185 doi: 10.1386/jvap.6.3.257_1

MacLean, M. (2007) Inspiration to order. [Show/Exhibition]

Malvern, S. B. (2007) C.R.W. Nevinson's "bad boy" modernisms and fascism in the 1930s. In: Walsh, M. J. K. (ed.) A dilemma of English modernism: visual and verbal politics in the life and work of C. R. W. Nevinson (1899-1946). University of Delaware Press, Newark, USA, pp. 182-188. ISBN 9780874139426

Malvern, S. B. (2007) The fourth plinth or the vicissitudes of public sculpture. In: Gerstein, A. (ed.) Display and displacement : sculpture and the pedestal from Renaissance to post-Modern. Paul Holberton Publishing, London, pp. 130-150. ISBN 9781903470305

Marchand, E. (2007) Reproducing relief: the use and status of plaster casts in the Italian renaissance. In: Cooper, D. and Leino, M. (eds.) Depth of field: relief sculpture in Renaissance Italy. Peter Lang, Oxford, UK, pp. 191-223. ISBN 9783039111114

McMullan, A. (2007) Beckett’s theatre: embodying alterity. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: Revolving it All. Oxford University Press, pp. 166-176. ISBN 9780195325485

McMullan, A. (2007) From matron to matrix: gender, authority and (dis)embodiment in Beckett’s Theatre. In: Sihra, M. (ed.) Women in Irish Drama: A Century of Authorship and Representation. Performance Interventions. Palgrave Macmillan, Basingstoke, pp. 97-108. ISBN 9780230006478

McMullan, A. (2007) Mutated bodies: stage performances of Beckett's late prose texts by Mabou Mines (1984) and Gare St. Lazare Players, Ireland (2005). Performance Research, 12 (1). pp. 57-65. ISSN 1469-9990 doi: 10.1080/1352816070138081

McMullan, A. (2007) Samuel Beckett’s theatre: liminal subjects and the politics of perception. The Princeton University Library Chronicle, 68 (1/2). pp. 450-464.

Murjas, T., ed. (2007) The morality of Mrs Dulska: a play by Gabriela Zapolska. Intellect Books, Bristol, pp192. ISBN 9781841501666

Nagib, L. (2007) Brazil on screen: Cinema Novo, new cinema and utopia. Tauris World Cinema Series. I.B. Tauris, London, pp200. ISBN 9781845113285

Nagib, L. (2007) Going global: the Brazilian scripted film. In: Harvey, S. (ed.) Trading cultures: global traffic and local cultures in film and television. John Libbey, Eastleigh, pp. 95-103. ISBN 9780861966691

Nagib, L. (2007) Paraméricas Utópicas: entranced and transient nations in "I Am Cuba" (1964) and "Land in Anguish" (1967). Hispanic Research Journal, 8 (1). pp. 79-90. ISSN 1745-820X doi: 10.1179/174582007X164357

Paget, D. (2007) ‘Acting with Facts’: actors performing the real in British theatre and television since 1990. A preliminary report on a new research project. Studies in Documentary Film, 1 (2). pp. 165-176. ISSN 1750-3280 doi: 10.1386/sdf.1.2.165_1

Renshaw, T. (2007) Cocheme Fellows exhibition. [Show/Exhibition]

Renshaw, T. (2007) Painting unlimited. [Show/Exhibition]

Reynolds, L. (2007) The Graphic Information Research unit: a pioneer of typographic research. In: Typography Papers. Typography Papers (7). Hyphen Press, pp. 115-137. ISBN 9780907259336

Robins, A. G. (2007) A fragile modernism: Whistler and his impressionist followers. Yale University Press, New Haven, USA and London, UK, pp239. ISBN 9780300135459

Robins, A. G. (2007) George Moore’s 'A modern lover': introducing the French Impressionists to London. French Studies, 61 (1). pp. 47-56. ISSN 1468-2931 doi: 10.1093/fs/knl232

Rowlands, A. (2007) 3 Communiqués. Bookworks, London, pp105. ISBN 9781870699914

Rowlands, A. (2007) Aspen 11 (part 1). [Show/Exhibition]

Rowlands, A. (2007) Aspen 11 (part 2). [Show/Exhibition]

Rowlands, A. (2007) Aspen 11 (part 3). [Show/Exhibition]

Rowlands, A. (2007) Temporäre Autonome Zone. In: Clausen, S. and Kerestey, P. (eds.) Liftarchiv. Revolver, Frankfurt, pp. 55-65. ISBN 9783865884039

Rowlands, A. (2007) The movement began with a scandal. In: Rugg, J. and Sedgwick, M. (eds.) Issues in Curating Contemporary Art and Performance. Intellect, pp. 175-184. ISBN 9781841501628

Russell, J., ed. (2007) Frozen tears III. ARTicle Press, Birmingham: University of Central England, pp928. ISBN 9781873352595

Russell, J. (2007) Frozen tears vs Dexter Sinister. [Performance]

Russell, J. (2007) Fusion now. [Show/Exhibition]

Russell, J. (2007) Into position. [Show/Exhibition]

Russell, J. (2007) Lost in the thinking. [Show/Exhibition]

Russell, J. (2007) Ocean pose. In: Ocean Pose: catalogue. Matts Gallery, London, pp. 2-11.

Russell, J. (2007) Ocean pose. [Show/Exhibition]

Russell, J. and Audeoud, F. (2007) Intrusions au Petit Palais. [Show/Exhibition]

Russell, J. and Audeoud, F. (2007) John Russell kills Fabienne Audeoud... [Performance]

Russell, J. and Audeoud, F. (2007) Off modern. [Show/Exhibition]

Saunders, G. (2007) 'Under Redevelopment’: Barrie Keeffe’s and Caryl Churchill’s New City Comedies. In: Henke, C. and Middeke, M. (eds.) Drama and/after postmodernism. Contemporary Drama in English (14). Wissenschaftlicher Verlag Trier , Trier, pp. 19-30. ISBN 9783884769362

Smith, M. M. (2007) Printing red underlines in the incunable period: Sensenschmidt and Frisner's 1475 edition of Justinian's 'Codex'. Printing Historical Society Journal, 10 (new se. pp. 45-57.

Smith, M. M. (2007) The red-printing frisket at St Bride Library. Ultrabold: the Journal of St Bride Library, 3. p. 35.

Stiff, P. (2007) Edward Wright: design work. [Show/Exhibition]

Stiff, P. (2007) Showing a new world in 1942: the gentle modernity of Puffin picture books. Design Issues, 23 (4). pp. 22-38. ISSN 1531-4790 doi: 10.1162/desi.2007.23.4.22

Taylor, L. (2007) In opposition: Hare's response to Thatcherism. In: Boon, R. (ed.) The Cambridge Companion to David Hare. Cambridge Companions to Literature . Cambridge University Press, Cambridge, pp. 49-63. ISBN 9780521615570

Taylor, L. (2007) Performed disembodiment in Duras's fictional spaces. Body, Space & Technology Journal, 7 (1). ISSN 1470-9120

Taylor, L. (2007) 'Savannah Bay' by Marguerite Duras. [Performance]

Thorpe, A. (2007) The role of the chou ('clown') in traditional Chinese drama: comedy, criticism and cosmology on the Chinese stage. Edwin Mellen Press. ISBN 9780773453036

Twyman, M. (2007) Images en couleurs: Godefroy Engelmann et Charles Hullmandel et les débuts de la chromolithographie. Panama Musées and Musée de l'imprimerie, Paris and Lyon, pp128.

Twyman, M. (2007) L'imprimerie: histoire et techniques. ENS Éditions / Institut d’histoire du livre / Les amis du Musée de l’imprimerie, Lyon, pp118. ISBN 9782847881035

Walker, S. (2007) Letterforms for handwriting and reading: print script and sanserifs in early twentieth-century England. In: Typography papers. Typography papers (7). Hyphen Press, pp. 81-114. ISBN 9780907259336

Waller, R. (2007) Comparing typefaces for airport signs. Information Design Journal, 15 (1). pp. 1-15. ISSN 1569-979X doi: 10.1075/idj.15.1.01wal

Weissmann, E. (2007) The victim's suffering translated: CSI: Crime Scene Investigation and the crime genre. Intensities, 4.

Weissmann, E. and Boyle, K. (2007) Evidence of things unseen: the pornographic aesthetic and the search for truth in CSI. In: Allen, M. (ed.) Reading 'CSI': Crime TV Under the Microscope. I B Tauris, London, pp. 90-103.

2006

Andrews, M. (2006) The stuff of everday life: a brief introduction to the history and definition of printed ephemera. Art Libraries Journal, 31 (4). pp. 5-8. ISSN 0302-4722

Bignell, J. (2006) Programmes and canons. Critical Studies in Television, 1 (1). pp. 31-36. ISSN 1749-6020

Bull, J. (2006) Left in front: David Edgar's political theatre. In: Luckhurst, M. (ed.) A Companion to Modern British and Irish Drama 1880-2005. Blackwell Companions: Literature and Culture. Blackwell, Oxford, pp. 441-453. ISBN 9781405122283

Butler, A. (2006) Gender. In: Grant, B. K. (ed.) Schirmer Encyclopedia of Film. Schirmer/Gale, New York. ISBN 9780028657912

Chaimowicz, M. C. (2006) Around the world in 80 days. [Show/Exhibition]

Chaimowicz, M. C. (2006) EGOmania. Just when I think I've understood ... / As soon as I realized he understood ... [Show/Exhibition]

Chaimowicz, M. C. (2006) Tate triennial 2006. [Show/Exhibition]

Chaimowicz, M. C. (2006) Wandering rocks. [Show/Exhibition]

Chaimowicz, M. C. (2006) Zurich suite. [Show/Exhibition]

Chaimowicz, M. C. (2006) The subversive charm of the bourgeoisie. [Show/Exhibition]

Chare, N. (2006) Book review: revolution in poetic sign language [review of R.Sutton-Spence 'Analysing sign language poetry']. Sign Language Studies, 6 (3). pp. 347-354. ISSN 1533-6263

Chare, N. (2006) Passages to paint: Francis Bacon’s studio practice. Parallax, 12 (4). pp. 83-98. ISSN 1460-700X doi: 10.1080/13534640600956032

Chare, N. (2006) Testimony. The year's work in critical and cultural theory, 14 (1). pp. 283-291. ISSN 1471-681X doi: 10.1093/ywcct/mbl016

Chare, N. (2006) The gap in context: Giorgio Agamben's 'Remnants of Auschwitz'. Cultural Critique, 64. pp. 40-68. ISSN 0882-4371

Davies, P. (2006) The tempietti on the Ponte Sant’Angelo and the Renaissance of architecture in Rome. In: Eriksen, R. and Tschudi, V.P. (eds.) Ashes to ashes : art in Rome between humanism and maniera. Edizioni dell'Ateneo, Rome, pp. 11-40. ISBN 8884761034

Dobraszczyk, P. (2006) Historicizing iron: Charles Driver and the Abbey Mills pumping station (1865-68). Architectural History, 49. pp. 223-256. ISSN 0066-622X

Dronsfield, J. (2006) On the very idea of sustainable art. Praesens: Central European Contemporary Art Review, 1. pp. 74-79. ISSN 1588-5534

Dronsfield, J. L. (2006) The condition of film as philosophy: or, how can a film ask a question? Film and Philosophy, 10. pp. 135-150.

Dunsby, J. (2006) Making words sing: nineteenth- and twentieth-century song. Cambridge University Press, Cambridge. ISBN 9780511207181

Dyson, M., Lonsdale, M. and Papaefthimiou, M. (2006) Student perspectives on a virtual learning environment: lessons for einstructors. Blended learning: promoting dialogue in innovation and practice. pp. 137-144.

Ellison, C. (2006) Craftwork. [Performance]

Esbester, M. (2006) "No good reason for the Government to interfere": the State and Railway Employee Safety in Britain, c. 1900-1939. Business and Economic History Online, 4. ISSN 0849-6825

Fadel, L. M. and Dyson, M. C. (2006) Comparing a text- and visual-based interface presenting social information in an online environment. In: Visual Languages and Human-Centric Computing, 2006. VL/HCC 2006. IEEE Symposium o, 4-8 September 2006, Brighton, UK, pp. 143-146. doi: 10.1109/VLHCC.2006.15

Fadel, L. and Dyson, M. C. (2006) The effect of interface design on the enhancement of social presence in online courses. In: ICL2006, 27-29 September 2006, Villach, Austria.

Gibbs, J. (2006) Filmmakers' choices. In: Close-Up 01. Wallflower Press, London, pp. 1-87. ISBN 1904764665

Gibbs, J. and Pye, D., eds. (2006) Close-Up 01: Filmmakers’ choices / The pop song in narrative film / reading Buffy. Wallflower Press, London, pp256. ISBN 9781904764571

Gillieson, K. (2006) The book abstracted. Dot Dot Dot. ISSN 1615-1968

Gillieson, K., Andrew, A. and MacKinnon, E. (2006) Start where you are: Graphic ordering influences improvisational dance. Performance Research, 11 (2). pp. 67-74. ISSN 1469-9990 doi: 10.1080/13528160600810616

Gillieson, K., Andrew, A. and Mackinnon, E. (2006) 'Start where you are': graphic ordering influences improvisational dance. Performance Research, 11 (2). pp. 67-74. ISSN 1469-9990 doi: 10.1080/13528160600810616

Kindel, E. (2006) Cheap Jack Flash. Eye, 60. pp. 46-51.

Kindel, E. (2006) Patents progress: the Adjustable Stencil. Journal of the Printing Historical Society, 9 (new ser. pp. 65-92.

Knox, S. (2006) Reading the ungraspable double-codedness of: the Simpsons. Journal of Popular Film and Television, 34 (2). pp. 73-81. ISSN 1930-6458 doi: 10.3200/JPFT.34.2.73-81

Kollectiv, P. and Kollectiv, G. (2006) Flatpack revolution. [Project]

Kollectiv, P. and Kollectiv, G. (2006) Modern lovers. [Show/Exhibition]

Lee, S. (2006) Review of 'The legacy of Homer: four centuries of art from the École Nationale Supérieure des Beaux-Arts, Paris' by E.Schwartz, G.Steiner and P.Senechal. The Art Book, 13 (4). pp. 51-52. ISSN 1467-8357 doi: 10.1111/j.1467-8357.2006.00739.x

Leonidas, G. (2006) Languages, scripts, and typefaces. Tipografica, 70. pp. 16-17. ISSN 0328-7777

Lonsdale, M. d. S., Dyson, M. C. and Reynolds, L. (2006) Reading in examination-type situations: the effects of text layout on performance. Journal of Research in Reading, 29 (4). pp. 433-453. ISSN 1467-9817 doi: 10.1111/j.1467-9817.2006.00317.x

McMullan, A. (2006) Performativity, unruly bodies and gender in Brian Friel’s drama. In: Roche, A. (ed.) Cambridge Companion to Brian Friel. Cambridge Companions to Literature. Cambridge University Press, Cambridge, pp. 142-153. ISBN 9780521853996

Moseley, J. (2006) Garamond, Griffo and others: the price of celebrity. Bibliologia, 1. pp. 17-41.

Moseley, J. (2006) La lettre antique. In: Volphilhac-Auger, C. (ed.) D'une Antiquite l'autre: la litterature antique classique dans les bibliotheques du XVe au XIXe siecle. ENS Editions, Lyon, pp. 15-27.

Moseley, J. (2006) Stanhope press no 341. In: The dawn of modern printing: Stanhope and Industrial Revolution,. Printing Museum, Tokyo, pp. 93-96.

Murjas, T. (2006) 'Four of Them' by Gabriela Zapolska. Translated and directed by Teresa Murjas. [Performance]

Nagib, L. (2006) Talking bullets: the language of violence in "City of God". In: Vieira, E. R. P. (ed.) "City of God" in several voices: Brazilian social cinema as action. Critical, Cultural and Communications Press, Nottingham, pp. 32-43. ISBN 9781905510009

Nagib, L. (2006) Teoria experimental do realismo corpóreo baseada nos filmes de Nagisa Oshima e da nouvelle vague japonesa. In: Greiner, C. and Amorim, C. (eds.) Leituras do Sexo. Annablume, São Paulo, pp. 127-140. ISBN 857419610X

Nagib, L. (2006) Towards a positive definition of World Cinema. In: Dennison, S. and Lim, S. H. (eds.) Remapping world cinema: identity, culture and politics in film. Wallflower Press, London, pp. 30-37. ISBN 9781904764632

Nagib, L. (2006) A utopia no Cinema Brasileiro: matrizes, nostalgia, distopias. Coleção Ensaios. CosacNaify, São Paulo, pp216. ISBN 8575035576

Nagib, L. (2006) The zero, the centre and the empty utopia: from Rossellini to Walter Salles. Studies in European Cinema, 3 (3). pp. 223-233. ISSN 2040-0594 doi: 10.1386/seci.3.3.223_1

Paget, D. and Roscoe, J. (2006) Giving voice: performance and authenticity in the documentary musical. Jump Cut: a Review of Contemporary Media, 48.

Phillips, A. (2006) Pictures of the past in the present: modernity, femininity and stardom in the postwar films of Ozu Yasujiro. In: Grant, C. and Kuhn, G. E. (eds.) Screening World Cinema. The Screen Readers. Routledge, London, New York. ISBN 9780415384285

Phillips, A. and Vincendeau, G., eds. (2006) Journeys of desire: European actors in Hollywood. British Film Institute, pp350. ISBN 9781844571246

Reynolds, L., Walker, S. and Duncan, A. (2006) Children's responses to line spacing in early reading books or "Holes to tell you which line you're on". Visible Language, 40 (3). pp. 246-267.

Robertson, C. (2006) Julian Kliemann und Michael Rohlmann, wandmalerei in Italien. Hochrenaissance und Manierismus, 1510-1600. Kunstchronik. Monatsschrift für Kunstwissenschaft, Museumswesen und Denkmalpflege, 59 (1). pp. 20-22. ISSN 0023-5474

Robertson, E. C. (2006) Cardinals Odoardo Farnese and Pietro Aldobrandini as patrons of landscape painting. In: Cappelletti, F. (ed.) Archivi dello sguardo: origini e momenti della pittura di paesaggio in Italia. Le Lettere, Florence, pp. 243-263. ISBN 8871669827

Robins, A. G. (2006) 'Slabs of pink and lumps of brown': the critical reaction to the exhibition of a Monet Grainstack painting in Britain in 1893. In: Fowle, F. (ed.) Monet and French landscape, Vétheuil and Normandy. National Galleries of Scotland, Scotland, pp. 159-171. ISBN 9781903278918

Robins, A. G. (2006) Some newly discovered sketches by Walter Sickert of Gatti's Hungerford palace of varieties. The Burlington Magazine, 148 (1237). pp. 269-272. ISSN 0007-6287

Ross, F. (2006) A design for Sri Lanka. Building Letters, 3. pp. 20-23.

Rowlands, A. (2006) Exegesis: Mark Titchner's 'when we build let us think that we build forever'. In: IT IS YOU. Arnolfini, Bristol:, pp. 50-57.

Rowlands, A. (2006) Notes on the smiles are not smiles. In: Stevenson, M. and Titz, S. (eds.) Art of the Eighties and Seventies: English and German Translation. Museum Abteiberg, Monchengladbach, pp. 65-76.

Rowlands, A. (2006) The glass bead game. [Show/Exhibition]

Taylor, L. (2006) The 'unhomely' stage. Studies in Theatre & Performance, 26 (3). pp. 205-220. ISSN 2040-0616 doi: 10.1386/stap.26.3.205/1

Toren, A. (2006) Drawing breath. [Show/Exhibition]

Toren, A. (2006) Houses in motion. [Show/Exhibition]

Toren, A. (2006) Narrative painting #1. [Show/Exhibition]

Toren, A. (2006) Received wisdom. [Show/Exhibition]

Toren, A. (2006) Ten last drawings. [Show/Exhibition]

Twyman, M. (2006) Barnett Freedman: master lithographer. In: Rogerson, I. (ed.) Barnett Freedman the graphic art. Fleece Press, Huddersfield, pp. 192-226.

Twyman, M. (2006) Review of J. Last, the color explosion: nineteenth-century American lithography. The Ephemerist, 10. pp. 19-24.

2005

Bignell, J. (2005) And the rest is history: Lew Grade, the creation myth and television historiography. In: Turnock, R. and Johnson, C. (eds.) ITV Cultures: Independent Television Over Fifty Years. Open University Press, Buckingham, pp. 57-70. ISBN 9780335217298

Bignell, J. (2005) Big brother: reality TV in the twenty-first century. Palgrave Macmillan, Basingstoke, pp256. ISBN 9781403916846

Bignell, J. (2005) Exemplarity, pedagogy and television history. New Review of Film and Television Studies, 3 (1). pp. 15-32. ISSN 1740-7923 doi: 10.1080/17400300500037324

Bignell, J. (2005) Familiar aliens: 'Teletubbies' and postmodern childhood. Screen, 46 (3). pp. 373-388. ISSN 1460-2474 doi: 10.1093/screen/46.3.373

Bignell, J. (2005) From detail to meaning: 'Badlands' (Terence Malick, 1973) and cinematic articulation. In: Gibbs, J. and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 42-52. ISBN 9780719065248

Bignell, J. (2005) Space for "quality": negotiating with the Daleks. In: Bignell, J. and Lacey, S. (eds.) Popular television drama: critical perspectives. Manchester University Press, Manchester, pp. 76-92. ISBN 9780719069321

Bignell, J. and Lacey, S., eds. (2005) Popular television drama: critical perspectives. Manchester University Press, Manchester, pp240. ISBN 9780719069321

Bignell, J. and Orlebar, J. (2005) The television handbook. 3rd edition. Routledge, London and New York, pp340. ISBN 9780415342513

Buckley, S. (2005) 1979. [Show/Exhibition]

Bull, J. (2005) British and Irish dramatists since World War II. Bruccoli Clark Layman, NY.

Bull, J. (2005) Introduction: on interventionist and community theatre. In: Billingham, P. (ed.) Radical Initiatives in Interventionist and Community Theatre. New Directions in Drama and Performance (Volume 1). Intellect, Exeter. ISBN 9781841500683

Bull, J. (2005) John Bull - 'Serjeant Musgrave Dances to a Different Tune': John McGrath's adaptation of John Arden's 'Serjeant Musgrave's Dance'. In: Bradby, D. and Capon, S. (eds.) Freedom's Pioneer: John McGrath's Work in Theatre, Film and Television,. University of Exeter Press, Exeter, pp. 39-54. ISBN 9780859897488

Bull, J. (2005) On community and interventionist theatre. In: Billingham, P. (ed.) Radical Initiatives in Interventionist and Community Theatre. New Directions in Drama and Performance (1). Intellect, pp. 5-18. ISBN 9781841500683

Butler, A. (2005) Feminist film in the gallery: 'If 6 was 9'. Camera Obscura: Feminism, Culture, and Media Studies, 20 (1 58). pp. 1-31. ISSN 1529-1510 doi: 10.1215/02705346-20-1_58-1

Chaimowicz, M. C. (2005) Concertina. [Show/Exhibition]

Chaimowicz, M. C. (2005) Event: a collaboration with the Merce Cunningham Dance Company. [Performance]

Chaimowicz, M. C. (2005) Le voyage intèrieur Paris-London. [Show/Exhibition]

Chaimowicz, M. C. (2005) A l'école d'une maison. [Show/Exhibition]

Chare, N. (2005) Book review of 'Built to win: the female athlete as cultural icon'. Feminist Theory, 6 (3). pp. 369-371. ISSN 1741-2773 doi: 10.1177/146470010500600309

Chare, N. J. (2005) Animal magic: Giorgio Agamben’s 'The Open'. Journal of Visual Culture, 4 (2). pp. 267-270. ISSN 1741-2994 doi: 10.1177/1470412905057351

Chare, N. J. (2005) Execrable speech: Louis Ferdinand Céline’s 'Bagatelles pour un massacre'. In: Fahraeus, A. and Jonsson, A. (eds.) Textual ethos studies- or locating ethics. Critical studies, 26. Rodopi, Amsterdam, pp. 53-66. ISBN 9789042017979

Chare, N. J. (2005) Pain in camera: Susan Sontag 'Regarding the pain of others'. Parallax, 11 (1). pp. 88-89. ISSN 1460-700X doi: 10.1080/1353464052000321128

Chare, N. J. (2005) Regarding the pain: noise in the art of Francis Bacon. Angelaki: Journal of Theoretical Humanities, 10 (3). pp. 133-143. ISSN 1469-2899 doi: 10.1080/09697250500424395

Davies, P. and Hemsoll, D. (2005) “La Soranza” a Treville. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 284-286. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Le ville di Plinio il Giovane e la loro influenza sui progetti di villa veneti. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice , pp. 201-203. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Un 'fortissimo palazzo': Castello Bevilacqua. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 282-284. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Villa Soranza: modello ligneo e il disegno di Giovanni Battista Berti. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 286-288. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Villa della Torre a Fumane. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 288-291. ISBN 9788831786409

Davies, P. and Hemsoll, D. (2005) Vincenzo Scamozzi: pianta della villa Laurentina di Plinio. In: Beltramini, G. and Burn, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 201-203. ISBN 9788831786409

Dobraszczyk, P. (2005) Sewers, wood engraving and the sublime: picturing London's main drainage system in the Illustrated London News, 1895-62. Victorian Periodicals Review, 38 (4). 349-378 . ISSN 1712-526X

Dronsfield, J. L. (2005) I am in the liber: remarks on the question of theorising art. In: Perez, Y., Rodriguez, M. A. and Saladini, E. (eds.) Espazos de Creacion Contemporanea. Concello de Santiago, Santiago de Compostella, pp. 183-195.

Dronsfield, J. L. (2005) Memories of underdevelopment: the collages and sculptures of Melita Couta. In: Danos, A. (ed.) Somatópia: Mapping Sites, Siting Bodies. The Hellenic Centre, London and Ministry of Education & Culture, Cyprus, London and Cyprus, pp. 34-43.

Dronsfield, J. L. (2005) The question lacking at the end of art: Heidegger and Danto. Philosophy Today, 49 (5). pp. 153-160. ISSN 0031-8256

Dronsfield, J. L. (2005) The resistance of the question to phenomenological reduction: Husserl, Fink, and the adequacy of the Sixth Cartesian Meditation as a response to Heidegger. In: Tymieniecka, A.-T. (ed.) Analecta Husserliana. Springer, Dordrecht, pp. 293-305. ISBN 1402036787

Dyson, M. C. (2005) How do we read text on screen. In: Oostendorp, H. V., Breure, L. and Dillon, A. (eds.) Creation, use and deployment of digital information. Routledge, London, pp. 279-306. ISBN 9780805845877

Gibbs, J. and Pye, D. (2005) Revisiting Preminger: 'Bonjour Tristesse' (1958) and close reading. In: Gibbs, J. and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 108-126. ISBN 9780719065248

Gibbs, J. and Pye, D., eds. (2005) Style and meaning: studies in the detailed analysis of film. Manchester University Press, Manchester. ISBN 9780719065248

Gillieson, K. (2005) Genetics of the 'open text'. Eye, 57. pp. 26-35.

Golden, P. (2005) Nothing personal. [Show/Exhibition]

Golden, P. (2005) The word. [Show/Exhibition]

Golden, P. R. (2005) The word. Onestar press, Paris, France.

Hillier, J. M. (2005) Swimming and sinking: form and meaning in an avant-garde film. In: Gibbs, J. and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 155-166. ISBN 9780719065248

Kindel, E. (2005) Ishihara. Eye Magazine, 56. pp. 18-23. ISSN 0960-779X

Leonidas, G. (2005) Adobe Garamond Premier Pro Greek. University of Reading.

Luna, P. (2005) The typographic design of Johnson's Dictionary. In: Lynch, J. and Mcdermott, A. (eds.) Anniversary essays on Johnson's Dictionary. Cambridge University Press, Cambridge , pp. 175-197. ISBN 9780521848442 doi: 10.2277/052184844X

MacLean, M. (2005) The way we work now. [Show/Exhibition]

Malvern, S. B. (2005) Monographs, canons, omissions. Sculpture Journal, 13 (1). pp. 143-146. ISSN 1756-9923 doi: 10.3828/sj.13.1.9

Marchand, E. (2005) Review of 'From Flanders to Florence: the impact of Netherlandish painting 1400-1500' by Paula Nuttall. Apollo, CLXI (516 (new s). 74-75 . ISSN 0003-6536

Marchand, E. (2005) Review of exhibition 'Ich, Lovis Corinth: Die Selbstbildnisse' (Nov 2004-Feb 2005). Apollo, CLXI (515). pp. 80-81. ISSN 0003-6536

Moseley, J. (2005) Giovan Francesco Cresci and the baroque letter in Rome. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 115-155. ISBN 9780907259299

Murjas, T. (2005) Strindberg i England. Fallet Fröken Julie. Strindbergiana, 20. pp. 93-115.

Murjas, T. (2005) The man. [Performance]

Nagib, L. (2005) Cinema Novo, Glauber, Herzog. In: Silva, M. A. (ed.) Glauber par Glauber. Magic Cinema, Paris, pp. 88-90.

Nagib, L. (2005) The trilogy of John of God. In: Mira, A. (ed.) The cinema of Spain and Portugal. Wallflower, London, pp. 188-197. ISBN 9781904764441

Paget, D. (2005) Chris Wilkinson (1941-). In: Bull, J. (ed.) British and Irish dramatists since World War II. Bruccoli Clark Layman, NY, pp. 307-312.

Paget, D. (2005) Death of a Princess. In: Aitken, I. (ed.) Encyclopedia of the Documentary Film. Routledge, London, New York, pp. 305-309. ISBN 9781579584450

Paget, D. (2005) Documentary drama: a critical overview. In: Aitken, I. (ed.) Encyclopedia of the Documentary Film. Routledge, London, New York, pp. 305-309. ISBN 9781579584450

Paget, D. (2005) Dramadoc/docudrama: the law and regulation. In: Rosenthal, A. and Corner, J. (eds.) New Challenges for Documentary. Manchester University Press, Manchester, pp. 435-452. ISBN 9780719068980

Paget, D. (2005) Ted Willis (1918-1992). In: Bull, J. (ed.) British and Irish dramatists since World War II. Bruccoli Clark Layman, NY, pp. 313-320.

Phillips, A. (2005) The 400 Blows (1959), François Truffaut. In: Geiger, J. and Rutsky, R. L. (eds.) Film Analysis: A Norton Reader. W.W. Norton and Company, New York and London , pp. 550-565. ISBN 9780393979831

Purse, L. (2005) The new spatial dynamics of the bullet-time effect. In: King, G. (ed.) The Spectacle of the Real: From Hollywood to Reality TV and Beyond. Intellect, Exeter, pp. 151-160. ISBN 9781841501208

Renshaw, T. (2005) Short stories about painting. [Show/Exhibition]

Robertson, E.C. (2005) Phoenix romanus: Rome 1534-1565. In: Hall, M.B. (ed.) Rome: artistic centers of the Italian renaissance. Cambridge University Press, Cambridge, 184-245 . ISBN 9780521624459

Robertson, E.C. (2005) Review of L. Zirpolo, 'Ave papa, ave papabile. The Sacchetti family, their art patronage, and political aspirations'. The Burlington Magazine, 147 (1232). p. 758. ISSN 0007-6287

Robertson, E.C. (2005) Review of the exhibitions 'Caravaggio. L'ultimo tempo, 1606-1610' (Naples, Museo di Capodimonte), and 'Caravaggio: the final years' (London, National Gallery). Renaissance Studies, 19 (4). pp. 556-560. ISSN 1477-4658 doi: 10.1111/j.1477-4658.2005.0118c.x

Robertson, E.C. (2005) Silvio Antoniano and the painted decoration of the Villa Belvedere at Frascat. Römisches Jahrbuch der Bibliotheca Hertziana, 35. 415-430 . ISSN 0342-2046

Robins, A. G. (2005) Suddenly last summer: Walter Sickert and Degas’s six friends at Dieppe. In: O'Brien, M., Roberts, J., Gruetzner Robins, A. E. and Catano, L. (eds.) Edgar Degas: six friends at Dieppe. Museum of Art, Rhode Island School of Design, Providence, USA, pp. 49-64. ISBN 9780911517804

Robins, A. G. and Thomson, R. (2005) Degas, Sickert and Toulouse Lautrec: London and Paris 1870-1910. Tate Publishing, London. ISBN 9781854376343

Ross, F. (2005) Beyond Latin: a glimpse into the subject of Arabic and Indic lettershapes and digital typeforms. Circular, 13.

Rowlands, A. (2005) Growing up absurd. [Show/Exhibition]

Smith, M. M. (2005) From manuscript to print: early design changes. In: Estermann, M., Rautenberg, U. and Wittmann, R. (eds.) Band 59. Archiv für Geschichte des Buchwesens . De Gruyter, pp. 1-10. ISBN 9783598248559

Stiff, P. (2005) Brunelleschi's epitaph and the design of public letters in fifteenth century Florence. In: Typography Papers. Typography Papers (6). Hyphen Press. ISBN 9780907259299

Stiff, P. (2005) Co mozna wymarzyc, co trzeba rozwazyc (Dreams and Reasoning). 2+3D, 14 (1). pp. 18-19.

Stiff, P. (2005) Kinneir. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 69-71. ISBN 9780907259299

Stiff, P. (2005) Some documents for a history of information design. Information Design Journal, 13 (3). pp. 216-228. ISSN 1569-979X doi: 10.1075/idjdd.13.3.06sti

Stiff, P. (2005) Typography Papers. Vol 6. Hyphen Press. ISBN 9780907259299

Stiff, P. (2005) Zrozumiec czytanie! (Understand reading!). 2+3D, 17 (4). pp. 69-71.

Taylor, L. (2005) 'Eden Cinema' by Marguerite Duras. [Performance]

Thorpe, A. (2005) Only joking? The relationship between the clown and percussion in Jingju. Asian Theatre Journal, 22 (2). pp. 269-292. ISSN 1527-2109 doi: 10.1353/atj.2005.0034

Toren, A. (2005) New works. [Show/Exhibition]

Toren, A. (2005) Whatever happened to social democracy. [Show/Exhibition]

Walker, S. (2005) 'The books nobody sees': typography in children's reading books. Baseline, 48. pp. 25-32.

Walker, S. (2005) The books that nobody sees: typography in children's reading books. Baseline (48). pp. 25-32. ISSN 0954-9226

Walker, S., Connare, V. and Scaglione, J. (2005) Fabula: type design. University of Reading.

Walker, S. F. (2005) The songs the letters sing: typography and children's reading. National Centre for Language and Literacy, Reading, pp23. ISBN 9780704998469

Wheatley, H. (2005) Haunted houses, hidden rooms: women, domesticity and the female Gothic adaptation on television. In: Bignell, J. and Lacey, S. (eds.) Popular television drama: critical perspectives. Manchester University Press, Manchester, pp. 149-165. ISBN 9780719069321

Wheatley, H. (2005) Rooms within rooms: ITV and the studio heritage drama of the 1970s. In: Turnock, R. and Johnson, C. (eds.) ITV Cultures: Independent Television Over Fifty Years. Open University Press, Buckingham, pp. 143-158. ISBN 9780335217298

2004

Adamou, C. (2004) Karolos Koun's reading of Greek drama. Filologos, 117. pp. 425-432.

Allen, K. (2004) Installation. [Project]

Archer, C., Walker, S. and Reynolds, L. (2004) Typography in nineteenth-century children's readers: the Otley connection. In: Mckay, B., Hinks, J. and Bell, M. (eds.) Light on the book trade: essays in honour of Peter Isaac. Print Networks (6). British Library and Oak Knoll Press, London, pp. 118-129. ISBN 9780712347976

Bignell, J. (2004) Another time, another space: modernity, subjectivity and the time machine. In: Redmond, S. (ed.) Liquid Metal: The Science Fiction Reader. Wallflower, London, pp. 136-144. ISBN 9781903364888

Bignell, J. (2004) An introduction to television studies. 1st edition. Routledge, London & New York. ISBN 0415261120

Bignell, J. and O'Day, A. (2004) Terry Nation. Manchester University Press, Manchester. ISBN 9780719065460

Bonham-Carter, E., Buckley, S. and Chaimowicz, M. C. (2004) Jean Cocteau. [Show/Exhibition]

Buckley, S. (2004) Narratives. [Show/Exhibition]

Bull, J. (2004) Barry [née Street; other married names Dancer, Crawford], Ann [Anne] (bap. 1733, d. 1801). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2004) Barry, Spranger (bap. 1717, d. 1777). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2004) Nossiter, Maria Isabella (1735–1759). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2004) Palmer, John (1728–1768). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2004) Palmer, John (1744–1798). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Bull, J. (2004) What the butler did see: Joe Orton and Oscar Wilde. In: Coppa, F. (ed.) Joe Orton: A Casebook. Casebooks on Modern Dramatists. Routledge, London & New York, pp. 45-60. ISBN 9780815336273

Bull, J. (2004) The establishment of British mainstream theatre 1945-1979. In: Kershaw, B. (ed.) British Theatre Since 1895. Cambridge History of British Theatre (3). Cambridge University Press, pp. 326-348. ISBN 9780521651325 doi: 10.2277/0521651328

Cerne-Oven, P. (2004) Analogno/digitalno. Klik, 61. pp. 30-31. ISSN 1408-7936

Cerne-Oven, P. (2004) Ranko Novak: arhitekt na (ne)zacasnem delu v oblikovanju. Oris, VI. pp. 132-141.

Chaimowicz, M. C. (2004) It's all an illusion: a sculpture project. [Show/Exhibition]

Chaimowicz, M. C. (2004) Like beads on an abacus designed to calculate infinity. [Show/Exhibition]

Chaimowicz, M. C. (2004) The future has a silver lining: genealogies of glamour. [Show/Exhibition]

Cook, R. J. R. (2004) (S)tools for conviviality. Miser and Now, 2. pp. 2-10.

Davies, P. (2004) Santa Maria del Calcinaio a Cortona come architettura di pellegrinaggio. In: Fiore, F.P. (ed.) Francesco di Giorgio alla corte di Federico da Montefeltro. Olschki, Florence, Italy, pp. 679-702. ISBN 8822253221

Davies, P. (2004) The lighting of pilgrimage shrines in Renaissance Italy. Analecta Romana Instituti Danici, Supplementum, 35. pp. 125-148. ISSN 2035-2506

Davies, P. and Hemsoll, D. (2004) Michele Sanmicheli. Electa, Milan, Italy. ISBN 9788837028046

Dunsby, J. (2004) Music-analytical trends of the twentieth century. In: Dejans, P. (ed.) Order and Disorder: music-theoretical strategies in 20th Century Music. Leuven University Press, Leuven, pp. 11-28. ISBN 9789058673695

Dunsby, J. (2004) The battle of Chronos and Orpheus: essays in applied semiology. Oxford University Press, Oxford.

Dyson, M. C. (2004) How physical text layout affects reading from screen. Behaviour and Information Technology, 23 (6). pp. 377-393. ISSN 1362-3001 doi: 10.1080/01449290410001715714

Gillieson, K. (2004) On revolutions. Dot Dot Dot. pp. 57-61. ISSN 1615-1968

Gillieson, K. (2004) Semantics of British culture: towards a representation of the English breakfast as a modular system. Dot Dot Dot. pp. 62-64. ISSN 1615-1968

Kindel, E. (2004) Worlds of moiré. Eye, 52. pp. 18-27.

Luna, P. (2004) Not just a pretty face: the contribution of typography to lexicography. In: 11th EURALEX International Congress, 6-10 July 2004, Lorient, France, pp. 847-858.

Luna, P. F. and Ragg, E. (2004) Designing the Oxford Shakespeare. In: Typography Papers. Typography Papers (5). University of Reading, Reading, pp. 5-21.

MacLean, M. (2004) Somewhere ... fast. [Show/Exhibition]

Malvern, S. B. (2004) Antibodies: Rachel Whiteread's Water Tower. In: Perry, G. (ed.) Difference and excess in contemporary art: the visibility of women's practice. Blackwell, Oxford, UK, pp. 74-87. ISBN 9781405112024

Malvern, S. B. (2004) 'For King and country': Frampton's Edith Cavell (1915-1920) and the writing of gender in memorials to the Great War. In: Getsy, D. (ed.) Sculpture and the pursuit of a modern ideal in Britain c. 1880-1930. British art and visual culture since 1750 new readings. Ashgate, Aldershot, UK, pp. 219-244. ISBN 9780754609964

Malvern, S. B. (2004) Modern art, Britain and the Great War: witnessing, testimony and remembrance. Paul Mellon centre for studies in British art . Yale University Press, New Haven, USA. ISBN 9780300105766

Marchand, E. (2004) Exemplary gestures and 'authentic' physiognomies: an interpretation of Ghirlandaio's 'Famous Men' in the Palazzo Vecchio, Florence. Apollo. pp. 3-11. ISSN 0003-6536

Marchand, E. (2004) Gebärden in der Florentiner Malerei: Studien zur Charakterisierung von Heiligen, Uomini Famosi und Zeitgenossen im Quattrocento. Kunstgeschichte, 79. Lit Verlag, Muenster. ISBN 9783825877507

May, A. and Twyman, M. (2004) Reconstructing a Senefelder pole press. Journal of the Printing Historical Society, 7 (new ser. pp. 5-21.

McMullan, A. (2004) Irish/postcolonial Beckett. In: Oppenheim, L. (ed.) Palgrave Advances in Samuel Beckett Studies. Palgrave Advances. Palgrave Macmillan, pp. 89-109. ISBN 9781403903525

Monks, A., (2004) First funny Medea: Deborah Warner's Medea. In: Weitz, E. (ed.) The Power of Laughter. Carysfort Press, Dublin. ISBN 9781904505051

Mosley, J. (2004) Baskerville, John (1706-1775). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) Caslon, William, the elder (1692-1766). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) El rediseño de los clásicos: Matthew Carter y la interpretación de modelos históricos. tipoGráfica, 63. pp. 32-40.

Mosley, J. (2004) Fry, Joseph (1728-1787). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) Jackson, Joseph (1733-1792). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Murjas, T. (2004) Bloomers ignite: Zolaesque zealotry in British productions of Miss Julie. Studies in Theatre and Performance, 24 (2). pp. 113-128. ISSN 2040-0616 doi: 10.1386/stap.24.2.113/0

Murjas, T. (2004) Bring me the head of a greenfinch: Miss Julie in Britain. Studies in Theatre and Performance, 24 (1). pp. 37-54. ISSN 2040-0616 doi: 10.1386/stap.24.1.37/0

Nagib, L. (2004) Talking bullets: the language of violence in "City of God". Third Text, 18 (3). pp. 239-250. ISSN 1475-5297 doi: 10.1080/0952882042000227946

O'Connell, T. (2004) Tina O'Connell. [Show/Exhibition]

Paget, D. (2004) Case study: Theatre Workshop's 'Oh What a Lovely War', 1963. In: Kershaw, B. (ed.) British Theatre Since 1895. The Cambridge History of British Theatre (Volume 3). Cambridge University Press, Cambridge, pp. 397-411. ISBN 9780521651325 doi: 10.2277/0521651328

Paget, D. (2004) Jeremy Sandford: a docu-retrospect containing an explanation, an (undelivered) funeral oration, divers reminiscences, a draft treatment for a docudrama (and some Shandyan digressions. New Theatre Quarterly, 20 (1). pp. 45-58. ISSN 1474-0613 doi: 10.1017/S0266464X03000320

Phillips, A. (2004) Migration and exile in the classical period. In: Temple, M. and Witt, M. (eds.) The French Cinema Book. British Film Institute, London, pp. 103-117. ISBN 9781844570126

Pye, D. (2004) Being a clown: curious coupling in 'The Pirate'. CineAction, 63. pp. 4-13.

Pye, D. (2004) Double vision: miscegenation and point of view in 'The Searchers'. In: Exkstein, A. M. and Lehman, P. R. (eds.) The Searchers: Essays and Reflections on John Ford's Classic Western. Contemporary Approaches to Film and Television Series . Wayne State University Press, Detroit, pp. 223-239. ISBN 9780814330562

Pye, D. (2004) In and around 'The Paradine Case'. Rouge, 4.

Renshaw, T. (2004) John Moores 23. [Show/Exhibition]

Reynolds, L. and Walker, S. (2004) 'You can't see what the words say': word spacing and letter spacing in children's reading books. Journal of Research in Reading, 27 (1). pp. 87-98. ISSN 0141-0423 doi: 10.1111/j.1467-9817.2004.00216.x

Robertson, C. (2004) New documents for the tomb of Paul III. Romisches Jahrbuch fur Kunstgeschichte, 34. pp. 201-220. ISSN 0342-2046

Robins, A. G. (2004) Line 'pregnant with meaning'. In: Smith, A. (ed.) Walter Sickert: 'drawing is the thing'. The Whitworth Art Gallery, Manchester, UK, pp. 6-10. ISBN 9780903261548

Rowlands, A. (2004) Dexter Dalwood. In: Bishop, C. (ed.) This much is certain. Royal College of Art, London, pp. 67-75. ISBN 1874175624

Rowlands, A. (2004) We are all revolutionaries. [Show/Exhibition]

Russell, J., ed. (2004) Frozen tears II. Article Press, Univ. of Central England, Birmingham. ISBN 1873352883

Saunders, G. (2004) Edward Bond & the celebrity of exile. Theatre Research International, 29 (3). 256-266. ISSN 1474-0672 doi: 10.1017/S0307883304000665

Saunders, G. (2004) 'Out Vile Jelly': Sarah Kane's 'Blasted' & Shakespeare's 'King Lear'. New Theatre Quarterly, 20 (1 ). pp. 69-77. ISSN 0266-464X doi: 10.1017/S0266464X03000344

Simão, M. F. F., Dyson, M. C. and Assunção, M. (2004) Enhancing social interaction in an online educational environment. In: IV Congresso Brasileiro de Computação, 2004, Itajaí, Santa Catarina, Brasil.

Smith, M. M. (2004) Joseph Cundall and the binding design for the 'Illustrated Biographies of the Great Artists'. The Library, 5 (1). pp. 39-63. ISSN 0024-2160 doi: 10.1093/library/5.1.39

Smith, M. M. (2004) The pugillary of Lazzaro de' Soardi and the 'littera galante': more rivals to the Aldine classical octavo in italics. In: Biemans, J., Kuitert, L. and Verkruijsse, P. (eds.) Boek & letter: Boekwetenschappelijke bijdragen ter gelegenheid van het afscheid van profdr Frans A Janssen als hoogleraar in be Boek - en bibliotheekgeschiedenis aa de Universiteit van Amsterdam. De Buitenkant, Amsterdam, pp. 177-193. ISBN 9789076452456

Souto, V. T. and Dyson, M. C. (2004) Location of the table of contents in web documents: same screen or separate screen. In: IADIS International Conference WWW/Internet, 6-9 October 2004, Madrid, Spain.

Stevenson, M. (2004) A conversation between Brecht and Buñuel. In: Santaolalla, I. (ed.) Bunuel Siglo XXI. Imagen y Comunicación (6). Prensas Universitarias de Zaragoza, Zaragoza, pp. 511-521. ISBN 9788477336945

Stiff, P. (2004) Why designers need to understand reading. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece .

Toren, A. (2004) Clouds in trousers. [Show/Exhibition]

Twyman, M. (2004) Further thoughts on a schema for describing graphic language. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece .

Twyman, M. (2004) Prize labels and the 'Distribution solennelle des Prix'. The Ephemerist. pp. 2-6.

Wheatley, H. (2004) Lifestyle television. In: Mcgown, A. (ed.) The BFI Television Handbook. BFI Publishing, pp. 142-143. ISBN 9781844570270

Wheatley, H. (2004) Putting the mystery back into armchair theatre. Journal of British Cinema and Television, 1 (2). pp. 197-201. ISSN 1755-1714 doi: 10.3366/JBCTV.2004.1.2.197

Wheatley, H. (2004) The limits of television? Natural history programming and the transformation of public service broadcasting. European Journal of Cultural Studies, 7 (3). pp. 325-339. ISSN 1460-3551 doi: 10.1177/1367549404044786

Wheatley, H. (2004) The talk show. In: Mcgown, A. (ed.) The BFI Television Handbook. BFI Publishing, pp. 148-149. ISBN 9781844570270

Woolland, B. (2004) Dark attractions: the theatre of Peter Barnes. Methuen, pp192. ISBN 9780413774422

2003

Allen, K. (2003) alter. [Show/Exhibition]

Andrews, M. (2003) Artwork or works of art? Part one. Baseline Magazine, 40. pp. 17-24.

Andrews, M. (2003) Artwork or works of art? Part two. Baseline Magazine, 41. pp. 13-16.

Andrews, M. J. (2003) The life and work of Robert Gibbings. The Primrose Hill Press, London, pp426. ISBN 9781901648317

Bignell, J. (2003) Sex, confession and witness. In: Akass, K. and Mccabe, J. (eds.) Reading 'Sex and the City',. I B Tauris, London & New York, pp. 161-176. ISBN 9781850434238

Bignell, J. (2003) Where is Action Man's penis? Determinations of gender and the bodies of toys. In: Segal, N., Taylor, L. and Cook, R. (eds.) Indeterminate Bodies. Palgrave Macmillan, Basingstoke, pp. 36-47. ISBN 9780333949696

Bull, J. (2003) From Illyria to Arcadia: uses of pastoral in Modern English theater. TriQuarterly, 116. pp. 57-72.

Bull, J. (2003) 'A deal of monstrous and forced action': Joe Orton and Ben Jonson. In: Woolland, B. (ed.) Jonsonians: Living Traditions. Studies in Performance and Early Modern Drama. Ashgate, Aldershot, England & Burlington, USA, pp. 137-152. ISBN 9780754606109

Chaimowicz, M. C. (2003) MCC. [Show/Exhibition]

Chaimowicz, M. C. (2003) Ten banners. [Show/Exhibition]

Chaimowicz, M. C. (2003) Une exposition pour Cluny. [Show/Exhibition]

Dunsby, J. M. (2003) All the dancers know it and it is valid for all times: Goehr, Kafka and 'The Law of the Quadrille'. In: Latham, A. (ed.) Sing, Ariel: Essays and Thoughts for Alexander Goehr's Seventieth Birthday. Ashgate, Aldershot, pp. 171-179. ISBN 9780754634973

Dyson, M. and Campello, S. B. (2003) Evaluating virtual learning environments: what are we measuring? Electronic Journal of eLearning, 1 (1). pp. 11-20. ISSN 1479-4403

Dyson, M. C. (2003) Developing, exploring and evaluating tools and resources. Digital Creativity, 14 (4). pp. 193-194. ISSN 1744-3806 doi: 10.1076/digc.14.4.193.27878

Dyson, M. C. (2003) Digital creativity. Taylor and Francis.

Dyson, M. C. (2003) Readers' navigation of electronic documents: how do we find our way around the research? In: 1st Information Design International Conference, 2003, Recife, Brazil.

Frost, E. and McMullan, A. (2003) The Blue Angel Beckett on film project : questions of adaptation, aesthetics and audience in filming Beckett’s theatrical canon. In: Ben-Zvi, L. (ed.) Drawing on Beckett : portraits, performances, and cultural contexts. Assaph Books. Tel Aviv University, Tel Aviv, pp. 215-238. ISBN 9789659062508

Fuller, S. (2003) Essays. In: Schleifer , M. F. and Glickman , S. (eds.) Women Composers: Music Through The Ages. G. K. Hall, Boston.

Golden, P. (2003) In portraiture irrelevance is ugliness. [Show/Exhibition]

Kindel, E. (2003) Hoofdletters, tweeling- en meerlingdruk. Eye, 47. pp. 30-37. ISSN 0950-222X

Kindel, E. (2003) Recollecting stencil letters. In: Typography Papers 5. University of Reading, Reading, pp. 65-101.

Luna, P. (2003) Two Oxford Bible types. In: Randle, J. and Berry, J. D. (eds.) Type & Typography. Mark Batty Publisher, West New York, NJ, pp. 148-167. ISBN 0971568766

MacLean, M. (2003) Home from home. [Show/Exhibition]

Malvern, S. B. (2003) Antibodies: Rachel Whiteread's water tower. Art History, 26 (3). pp. 392-405. ISSN 1467-8365 doi: 10.1111/j.0141-6790.2003.02603004.x

Malvern, S. B. (2003) Baedeker ruins. Review of 'War damage in Western Europe: the destruction of historic monuments during the Second World War' by N. Lambourne. Art History, 26 (1). pp. 118-120. ISSN 1467-8365

Malvern, S. B. (2003) Eric Kennington 1888-1960. In: Curtis, P. (ed.) Sculpture in 20th-century Britain: a guide to sculptors in the Leeds collections. Henry Moore Institute, Leeds, UK, pp. 185-186. ISBN 1900081040

Malvern, S. B. (2003) Griselda Pollock. In: Murray, C. (ed.) Key writers on art: the twentieth century. Routledge, London, UK, pp. 228-234. ISBN 9780415222013

Malvern, S. B. (2003) The identity of the sculptor 1925-1950. In: Curtis, P. (ed.) Sculpture in 20th-century Britain: identity, infrastructures, aesthetics, display, reception. Henry Moore Institute, Leeds, UK, pp. 77-87. ISBN 9781900081986

McMullan, A. and Leeney, C., eds. (2003) The Theatre of Marina Carr: “before rules was made”. Carysfort Press, Dublin. ISBN 9780953425778

McMullan, A. and Singleton, B., eds. (2003) Special issue of Australasian Drama Studies on Performing Ireland. Australasian Drama Studies.

Mosley, J. (2003) Giovan Francesco Cresci, nuovi documenti: un'iscrizione, un quadro. La Operina, 23. pp. 3-15.

Mosley, J. (2003) Nelly Gable, 'gy, or the magical journey of a punch-cutter at work. In: Matrix: A Review For Printers & Bibliophiles. The Whittington Press, pp. 88-92.

Murjas, T. (2003) Introduction. In: Woolland, B. (ed.) Double Tongue. Border Crossings Publications, London. ISBN 9781904718017

Murjas, T. (2003) 'The Morality of Mrs Dulska' by Gabriela Zapolska. Translated and directed by Teresa Murjas. [Performance]

Murjas, T. (2003) Translating and directing Mrożek’s 'The Turkey' in London. Slavic and East European Performance, 23 (3). ISSN 1047-0018

Nagib, L. (2003) Death on the beach: the recycled utopia of Midnight. In: Nagib, L. (ed.) The new Brazilian cinema. I.B. Tauris, London, pp. 157-174. ISBN 9781860649288

Nagib, L., ed. (2003) The new Brazilian cinema. I.B. Tauris, London, pp320. ISBN 9781860649288

Paget, D. (2003) Codes and conventions of dramadoc and docudrama. In: Hill, A. and Allen, R. C. (eds.) The Television Studies Reader. Routledge, London, pp. 196-208. ISBN 9780415283236

Paget, D. (2003) Documentary drama. In: Kennedy, D. (ed.) The Oxford Encyclopedia of Theatre and Performance. Oxford University Press, Oxford, 379-380 . ISBN 9780198601746

Paget, D. (2003) Theatre & television. In: Kennedy, D. (ed.) The Oxford Encyclopedia of Theatre and Performance. Oxford University Press, Oxford, pp. 1326-1337. ISBN 9780198601746

Phillips, A. (2003) City of darkness, city of light: emigré filmmakers in Paris 1929-1939. University of Amsterdam Press, Amsterdam, pp256. ISBN 9789053566336

Phillips, A. (2003) Pictures of the past in the present: modernity, femininity and stardom in the postwar films of Ozu Yasujiro. Screen, 44 (2). pp. 154-166. ISSN 1460-2474 doi: 10.1093/screen/44.2.154

Pittuck, S., Clarkin, A. and Clarkin, J., eds. (2003) Miser and now. Volume 1-4. Keith Talent Gallery, London.

Pye, D. (2003) The Western (genre and movies). In: Grant, B. K. (ed.) Film Genre Reader III. University of Texas Press, Austin, pp. 203-218. ISBN 9780292701854

Renshaw, T. (2003) Painting year zero. [Show/Exhibition]

Robertson, C. (2003) El Greco e Italia: arte, patrocinio y teoría. In: El Greco. Círculo de Lectores, Barcelona, Spain, pp. 85-98. ISBN 8481094595

Russell, J., ed. (2003) Frozen tears I. Article Press, Univ. of Central England, Birmingham. ISBN 1873352689

Saunders, G. (2003) 'Just a Word on a Page & there is the Drama': Sarah Kane’s theatrical legacy. Contemporary Theatre Review, 13 (1). pp. 97-110. ISSN 1477-2264 doi: 10.1080/1048680031000077816

Segal, N. (2003) "Then some had rather it were she than I": sexing the textual body. In: Segal, N., Taylor, L. and Cook, R. J. R. (eds.) Indeterminate bodies. Palgrave Macmillan, Basingstoke, pp. 93-110. ISBN 9780333949696

Segal, N., Taylor, L. and Cook, R. (2003) Introduction. In: Segal, N., Taylor, L. and Cook, R. (eds.) Indeterminate Bodies. Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9780333949696

Segal, N., Taylor, L. and Cook, R. J. R. (2003) Indeterminate bodies. Palgrave Macmillan, Basingstoke, pp256. ISBN 9780333949696

Smith, M. M. (2003) 'Le Blanc aldin' and the paragraph mark. In: Jones, W. J., Kelly, W. A. and Shaw, F. (eds.) 'Vir ingenio mirandus' : Studies Presented to John L Flood,. Kummerle. ISBN 3874529614

Smith, M. M. (2003) Printing industry. In: Mokyr , J. (ed.) The Oxford Encyclopedia of Economic History. Oxford University Press, New York, pp. 259-262. ISBN 9780195105070

Smith, M. M. (2003) Space-saving practices in early printed books. Journal of Printing Historical Society, 6 (new ser. pp. 19-39.

Stiff, P. (2003) Typography Papers. Vol 5. University of Reading, pp128.

Taylor, L. (2003) Shape-shifting and role-splitting: theatre, body and identity. In: Segal, N., Taylor, L. and Cook, R. (eds.) Indeterminate Bodies. Palgrave Macmillan, Basingstoke, pp. 164-180. ISBN 9780333949696

Toren, A. (2003) Golem. [Show/Exhibition]

Tunbridge, L. (2003) Schumann's 'Manfred' in the mental theatre. Cambridge Opera Journal, 15 (2). pp. 153-183. ISSN 1474-0621 doi: 10.1017/S0954586703001678

Twyman, M. (2003) Chromolithography: the European legacy. The Ephemera Journal, X. pp. 2-23.

Walker, S. (2003) The manners of the page: prescription and practice in the visual organisation of correspondence. Huntington Library Quarterly, 66 (3 & 4). pp. 307-329. ISSN 1544-399X

Walker, S. and Reynolds, L. (2003) Serifs, sans serifs and infant characters in children’s reading books. Information Design Journal, 11 (2/3). pp. 106-122. ISSN 1569-979X doi: 10.1075/idj.11.2.04wal

Wheatley, H. (2003) Swojskość marginalizacja I telewizyjne adaptacje gotyckich powieści dla kobiet ("I am to presume that your wife's room is a prison?" Domesticity and the female Gothic television adaptation). In: Gazdy, G., Izdebskiej, A. and Pluciennika, J. (eds.) Gotycyzm i groza w kulturze (The Gothic and Horror in Culture). University of Lodz Press, Lodz, Poland, pp. 167-180. ISBN 9788371716492

Wheatley, H. (2003) The history of ITV programming 1955-1989. In: Hilmes, M. and Jacobs, J. (eds.) The Television History Book. BFI, London. ISBN 9780851709888

Wilson, C. R. (2003) A new way of making fowre parts in counterpoint by Thomas Campion and rules how to compose by Giovanni Coprario. Music Theory in Britain, 1500–1700: Critical Editions . Ashgate, Aldershot, pp132. ISBN 9780754605157

Woolland, B. (2003) Double tongue. Border Crossings Publications, London. ISBN 9781904718017

Woolland, B. (2003) His very own Ben: Peter Barnes and Ben Jonson. In: Woolland, B. (ed.) Jonsonians: Living Traditions. Studies in Performance and Early Modern Drama. Ashgate, Aldershot, England & Burlington, USA, pp. 153-166. ISBN 9780754606109

Woolland, B. (2003) Introduction. In: Woolland, B. (ed.) Jonsonians: Living Traditions. Studies in Performance and Early Modern Drama. Ashgate, Aldershot, England & Burlington, USA, pp. 1-10. ISBN 9780754606109

Woolland, B., ed. (2003) Jonsonians: living traditions. Ashgate, Aldershot, England and Burlington, USA, pp246. ISBN 9780754606109

Woolland, B. (2003) Sejanus his fall: does Arruntius cry at night. In: Woolland, B. (ed.) Jonsonians: Living Traditions. Studies in Performance and Early Modern Drama. Ashgate, Aldershot, England & Burlington, USA, pp. 27-41. ISBN 9780754606109

Woolland, B. (2003) Tricksters, hucksters and suckers: Jonsonian cinema. In: Woolland, B. (ed.) Jonsonians: Living Traditions. Studies in Performance and Early Modern Drama. Ashgate, Aldershot, England & Burlington, USA, pp. 203-228. ISBN 9780754606109

2002

Bignell, J. (2002) John McGrath and the dialogues of television studies. International Journal of Scottish Theatre, 3 (2). ISSN 1471-5198

Gibbs, J. (2002) Mise-en-scène: film style and interpretation. Short Cuts. Wallflower Press, London, pp128. ISBN 190336406X

Kindel, E. (2002) Stencil work in America, 1850–1900. Baseline (38). pp. 5-12. ISSN 0954-9226

Kindel, E. (2002) When 1+1=3. Eye Magazine, 11 (43). pp. 36-45. ISSN 0960-779X

Leonidas, G. (2002) A primer on Greek type design. In: Berry, J. D. (ed.) Language, culture, type: international type design in the age of unicode. ATypI, New York, NY, pp. 76-90. ISBN 9781932026016

(2002) Contemporary women playwrights. In: McMullan, A. and Williams, C. (eds.) Field Day Anthology of Irish Writing. Cork University Press in association with Field Day, Cork, pp. 1234-1289.

Nagib, L. (2002) O cinema da retomada: depoimentos de 90 cineastas dos anos 90. Editora 34, São Paulo, pp528. ISBN 8573262540

Saunders, G. (2002) 'Love me or kill me’: Sarah Kane & the theatre of extremes. Theory Practice & Performance . Manchester University Press , Manchester , pp224. ISBN 9780719059568

Saunders, G. (2002) The apocalyptic theatre of Sarah Kane. In: Reitz, B. and Berninger, M. (eds.) British Drama of the 1990s. University of Heidelberg, Heidelberg. ISBN 9783825313753

2001

Gibbs, J. (2001) Sequence and the archaeology of British film criticism. Journal of Popular British Cinema (4). pp. 14-29. ISSN 1461-104X

Kindel, E. (2001) Marked by time. Eye Magazine, 10 (40). pp. 48-51. ISSN 0960-779X

Nagib, L. (2001) The New Cinema meets Cinema Novo: new trends in Brazilian cinema. Framework, 42. ISSN 0306-7661

Nagib, L. (2001) Ouédraogo and the aesthetics of silence. In: Kashula, R. H. (ed.) African oral literature: functions in contemporary contexts. New Africa Books, South Africa, pp. 100-111. ISBN 9781919876073

Reynolds, L. (2001) Improving the user-friendliness of a directory of chemical substances: 'The Approved Supply List'. Information Design Journal, 10 (3). pp. 270-285. ISSN 0142-5471 doi: 10.1075/idj.10.3.11rey

Taylor, L. (2001) Enid Bagnold. In: Bull, J. (ed.) British and Irish Dramatists Since World War II. 3rd Series. British and Irish Dramatists Since World War 1. Gale Group, Detroit, MI; London:, pp. 37-44, A Bruccoli Clark Layman book. ISBN 9780787646622

Taylor, L. (2001) Iris Murdoch. In: Bull, J. (ed.) British and Irish Dramatists Since World War II. 2nd Series. British and Irish Dramatists Since World War II. Gale Group, Detroit, MI; London: , pp. 210-216, A Bruccoli Clark Layman Book. ISBN 9780787646509

2000

Bignell, J. (2000) A taste of the gothic: film and television versions of Dracula. In: Sheen, E. and Giddings, R. (eds.) From Page to Screen: Adaptations of the Classic Novel:. Manchester University Press, Manchester, pp. 114-130. ISBN 9780719052316

Leonidas, G. (2000) In search of the digital Cresci: Don Knuth’s digital typography. Information Design Journal, 9 (2-3). pp. 111-118. ISSN 0142-5471 doi: 10.1075/idj.9.2-3.02leo

Leonidas, G. (2000) Γραμματοσειρές και πολιτισμική ταυτότητα [Typefaces and cultural identity]. Marketing Week. pp. 28-30. ISSN 0141-9285 (special issue 'Ελληνική Τυπογραφία [Greek typography]')

Leonidas, G. (2000) An introduction to Greek typeface design. AGFA/Monotype, Palo Alto, California, pp54.

Nagib, L. (2000) El nuevo cine bajo el espectro del cinema novo. Cuadernos hispanoamericanos, 601-602. pp. 39-51. ISSN 0011-250X

Taylor, L. (2000) Backtracks: a devised performance. [Performance]

Walker, S. (2000) Leading the field or behind the times? Doctoral education in typography and graphic communication. In: Durling, D. and Friedman, K. (eds.) Foundations for the future: doctoral education in design. Staffordshire University Press, pp. 337-344.

Walker, S. (2000) Typography and language in everyday life: prescriptions and practices. Language in social life. Longman, Harlow, pp224. ISBN 9780582357556

Walker, S. and Reynolds, L. (2000) Screen design for children’s reading. Journal of Research in Reading, 23 (2). pp. 224-234. ISSN 1467-9817 doi: 10.1111/1467-9817.00116

1999

Nagib, L. (1999) Tendências do cinema brasileiro atual. Studies in Latin American Popular Culture, 18. pp. 19-32. ISSN 0730-9139

Saunders, G. (1999) Missing mothers & absent fathers: Howard Barker’s 'Seven Lears' & Elaine Feinstein's 'Lear's Daughters'. Modern Drama, 43 (3). pp. 401-410. ISSN 1712-5286

1998

Nagib, L. (1998) Neues Kino besucht das Cinema Novo. Film Bulletin, 98 (4). pp. 41-52.

Walker, S. (1998) Handwriting skills. In: Corson, D. and Edwards, V. (eds.) The encyclopedia of language and education. Kluwer, Dordrecht, pp. 97-105. ISBN 9780792345954

1997

Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (1997) Rude Britannia: British Comic Art. [Show/Exhibition]

1996

Nagib, L. (1996) In the realm of the individual: an analysis of Nagisa Oshima's "In the realm of the senses". In: Dakovic, N., Derman, D. and Ross, K. (eds.) Gender & Media. Med-Campus Project, Turkey, pp. 156-174. ISBN 9789759612009

Nagib, L. (1996) L'empire de l'individu: L'empire des sens de Nagisa Oshima. Cinémathèque, spring. pp. 62-73.

Walker, S. and Edwards, V. (1996) Some status issues in the translation of children’s books. Journal of Multilingual and Multicultural Development, 17 (5). pp. 339-348. ISSN 1747-7557 doi: 10.1080/01434639608666287

Walker, S., Edwards, V. and Blacksell, R. (1996) Designing bilingual books for children. Visible Language, 30 (3). ISSN 0022-2224

1995

Nagib, L. (1995) Nascido das cinzas: autor e sujeito nos filmes de Oshima. Edusp, São Paulo, pp344. ISBN 8531403138

Walker, S. and Edwards, V. (1995) Building bridges: multilingual resources for children. Multilingual Matters, Clevedon, pp130. ISBN 9781853592904

1994

Edwards, V. and Walker, S. (1994) Multilingual resources for children. Language and Education, 8 (3). pp. 147-156. ISSN 1747-7581 doi: 10.1080/09500789409541387

1993

McMullan, A. (1993) Theatre on trial: the later drama of Samuel Beckett. Routledge, London, pp168. ISBN 9780415052023

1991

Nagib, L. (1991) Werner Herzog: o cinema como realidade. Estação Liberdade, São Paulo, pp288. ISBN 8585865733

1990

Nagib, L., ed. (1990) Mestre Mizoguchi: uma lição de cinema. Navegar, São Paulo, pp289.

Nagib, L., ed. (1990) Ozu: o extraordinario cineasta do cotidiano. Marco Zero, São Paulo, pp190. ISBN 8527981021

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