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Number of items at this level: 575.

A

Aishman, H. (2020) Diffractive curatorial practice: ripples, gaps and the space in-between. PhD thesis, University of Reading.

Allahyari, M., Nilchiani, M., Rourke, D. and Frearson, A. (2014) Bitrates. [Show/Exhibition]

Allen, K. (2007) Auraproject. [Project]

Allen, K. (2018) Edinburgh Napier University, Public Engagement Seminars, Sensory Objects developed for and by People with Learning Disabilities become purpleSTARS. Edinburgh Napier University, Edinburgh.

Allen, K. (2007) Grangerparklife: Online project. [Project]

Allen, K. (2004) Installation. [Project]

Allen, K. (2019) PurpleSTARS DJ for animal magic, MERL late silent disco part of being human festival. [Show/Exhibition]

Allen, K. (2019) PurpleSTARS presentation at creative bridges SEN conference. [Show/Exhibition]

Allen, K. (2019) Sensory Objects. [Project] (Collection)

Allen, K. (2020) Tate lates power of bubble. [Show/Exhibition]

Allen, K. (2003) alter. [Show/Exhibition]

Allen, K. and Andy, M. (2018) PurpleSTARS present to the Disability History Conference London Metropolitan Archive. [Show/Exhibition]

Allen, K. and Headon, K. (2019) Suitcase stories movement Tate Exchange. [Project]

Allen, K. and Hollinworth, N. (2017) ‘From the Outside In’ art award box, log and workshop plans. [Project]

Allen, K. and Hollinworth, N. (2016) Interactive sensory cow for the Museum of English Rural Life (MERL). [Project]

Allen, K. and Hollinworth, N. (2017) Madhouse My House: an immersive reclaiming of old long stay hospitals. Hackney Museum Exhibition. [Show/Exhibition]

Allen, K. and Minnion, A. (2019) Pride of place. [Show/Exhibition]

Allen, K. and Minnion, A. (2018) PurpleSTARS present at Preparing for Adulthood. [Show/Exhibition]

Allen, K. and Minnion, A. (2018) #Purplelightup international persons with a disability day British Museum. [Show/Exhibition]

Allen, K., Andy, M. and Headon, K. (2018) Sensory expedition and wiki training with the purpleSTARS at Glenside Hospital Museum. [Show/Exhibition] (Unpublished)

Allen, K., Headon, K. and Minnion, A. (2019) purpleSTARS virtual reality quad bike experience at the Berkshire Show 2019. [Artefact]

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2014) Buckets, baskets and boots: exhibition event at MERL. [Show/Exhibition]

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2015) Seminar: access all areas. In: Access all areas, 11 November 2011, Whitworth Art Gallery, Manchester.

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2015) Seminar: sensory objects. In: Sensory objects, 25 February 2015, Sackler Rooms, British Museum.

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2014) Seminar: sensory objects in progress. In: Sensory Objects in Progress, 10 June 2014, MERL, Reading.

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2013) Seminar: sensory stories retold. In: Sensory Stories Retold, 7 May 2013, Museum Of Liverpool.

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2015) Sensory objects at the British Museum. [Show/Exhibition]

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A., (2015) Sensory objects: a case study. Disability Cooperative Network

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2013) Sensory stories. [Show/Exhibition]

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2014) Workshop: sensory objects. In: Engage 2014, 4 December 2014, Bristol.

Allen, K., Hollinworth, N., Hwang, F., Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. In: International Conference on The Inclusive Museum, August 2015, Los Angeles.

Allen, K., Hollinworth, N., Hwang, F., Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. The International Journal of the Interactive Museum, 9 (1). pp. 21-38.

Allen, K., Hwang, F. and Minnion, A. (2017) Sensory Objects Enterprise - Co-Development and Start Up project AHRC Follow on Fund Project pupleSTARS. [Project]

Allen, K., Minnion, A. and Headon, K. (2019) The MERL's making SENse. [Show/Exhibition]

Aranda, J., Bumsteinas, A., Garbstiene, L., Bunic, P., Cesarco, A., Dahlberg, K., Deball, M. C., Fontaine, C., Dowd, S., Roithmayr, F., Dujmušic, I., Van Harskamp, N., Ergun, K., Kanajet, M., Esquivias, P., Ferri, J., Torres, M. G., Gavran, D., Grubic, I., Harskamp, N. V., Haus, S., Hiseni, A., Bioskop, I., Ilic, S., Jansa, J., Noir, J., Katic, B., Kovac, I., Tepavcevic, N., Kurcubic, N., Labrovic, S., Lagomarsino, R., Latin, I., Markovic, M., Milak, R., Muresan, C., Nevarez, A., Tevere, V., Ogut, A., Ocko, D., Panayiotou, C., Rascic, L., Richardson, J., Roncevic, D., Suler, K., Takala, P., Tsivopoulos, S., Tur, N., Vatamanu, M. and Tudor, F. (2008) Salon of revolution. [Show/Exhibition]

Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Davies, T., Denny, S., Fujiwara, S., Henke, L., Holen, Y., Keil, M., Mackay, F., Madison, T., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Rees, D., Roithmayr, F., Spooner, C., Stahl, L. and Wallace, I. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition]

B

Banks, M., Ivison, T., Jacobi, S., Theodoropoulou, L., Adams, J., Smith, M., Moonasinghe, H., Monsisyan, A. and Kontopoulou, A. (2015) New terms: radical education workshops. [Project]

Barry, O. , Decointet, H. , Farmer , G. , Maire , B. , Pierson, J. , Rickards, H. , Toren, A. and Vercruysse, J. (2009) Le chante de la carp. [Show/Exhibition]

Beasely, M., Rowlands, A. and Russell, J. (2009) Barefoot in the head. [Show/Exhibition]

Becklin, E. , Ellison, C., Humphrey, M., O’Daniel, A. , Sears, K., Sussman, T. and Trondson, A. (2009) Conceptual telegraphy and the song of the wind through its wires. [Show/Exhibition]

Bibby, R. and Ellison, C. (2010) Ultra High Temperatures #1. [Show/Exhibition]

Blackadder, E., Buckley, S., Carter, J., Coates, T., Forster, N., Hollyras, K., Mccrae, J., Mitchell, J. and Sutton, T. (2007) Critic's choice. [Show/Exhibition]

Bonham-Carter, E., Buckley, S. and Chaimowicz, M. C. (2004) Jean Cocteau. [Show/Exhibition]

Buckley, S. (2005) 1979. [Show/Exhibition]

Buckley, S. (2004) Narratives. [Show/Exhibition]

Butler, J., Chapman, J. , Chapman, D. , Harding , A., Harvey , M., Hirst, D. , James, M., Jones , P. , Krut, A., Miller, H. , Renshaw, T., Tait, N. and Valdes, C. (2009) Turps banana 2. [Show/Exhibition]

C

Chaimowicz, M. (2009) Enough tiranny recalled 1972-2009. [Show/Exhibition]

Chaimowicz, M. (2010) Marc Camille Chaimowicz. [Show/Exhibition]

Chaimowicz, M. (2007) The ruin: RAW among the ruins. [Show/Exhibition]

Chaimowicz, M. (2007) The secret public: the last days of the British underground 1978-1988. [Show/Exhibition]

Chaimowicz, M. C. (2007) 16 ans! [Show/Exhibition]

Chaimowicz, M. C. (2006) Around the world in 80 days. [Show/Exhibition]

Chaimowicz, M. C. (2005) Concertina. [Show/Exhibition]

Chaimowicz, M. C. (2009) Dressed & undressed. [Show/Exhibition]

Chaimowicz, M. C. (2006) EGOmania. Just when I think I've understood ... / As soon as I realized he understood ... [Show/Exhibition]

Chaimowicz, M. C. (2005) Event: a collaboration with the Merce Cunningham Dance Company. [Performance]

Chaimowicz, M. C. (2004) It's all an illusion: a sculpture project. [Show/Exhibition]

Chaimowicz, M. C. (2005) Le voyage intèrieur Paris-London. [Show/Exhibition]

Chaimowicz, M. C. (2004) Like beads on an abacus designed to calculate infinity. [Show/Exhibition]

Chaimowicz, M. C. (2003) MCC. [Show/Exhibition]

Chaimowicz, M. C. (2007) Summer's song. [Show/Exhibition]

Chaimowicz, M. C. (2006) Tate triennial 2006. [Show/Exhibition]

Chaimowicz, M. C. (2003) Ten banners. [Show/Exhibition]

Chaimowicz, M. C. (2003) Une exposition pour Cluny. [Show/Exhibition]

Chaimowicz, M. C. (2006) Wandering rocks. [Show/Exhibition]

Chaimowicz, M. C. (2009) We choose our words with care, that neon-moonlit evening; it was as if we were, party to a wonderful alchemy. [Show/Exhibition]

Chaimowicz, M. C. (2006) Zurich suite. [Show/Exhibition]

Chaimowicz, M. C. (2004) The future has a silver lining: genealogies of glamour. [Show/Exhibition]

Chaimowicz, M. C. (2005) A l'école d'une maison. [Show/Exhibition]

Chaimowicz, M. C. (2006) The subversive charm of the bourgeoisie. [Show/Exhibition]

Clarke, A., Cooke, K., Roberts, M. M., Holmes, D., Iveson, M., Jenkins, T., Kivland, S., Nader, M., Woodham, N. and Frearson, A. (2017) Decorative dormitories for sleep workers. [Show/Exhibition]

Clausen, S. (2009) Ballet. [Video]

Clausen, S. (2010) Ballet. [Show/Exhibition]

Clausen, S. (2011) Ballet-performing normality in the face of crisis. The International Journal of the Image, 1 (Issue 2). pp. 157-178. ISSN 2152-7857

Clausen, S. (2007) Bohemian work out. [Show/Exhibition]

Clausen, S. (2015) Bonobo. [Show/Exhibition]

Clausen, S. (2011) The Cave: Etant Ballet. [Show/Exhibition]

Clausen, S. (2007) Curating degree zero. [Show/Exhibition]

Clausen, S. (2020) Curating the art school – propositions for developing a collaborative art space in the intersection between art school and community. ResearchCatalogue.

Clausen, S. (2008) Curatorial vaudeville. [Show/Exhibition]

Clausen, S. (2008) The Extras Regina, 2008. [Show/Exhibition]

Clausen, S. (2010) Fallstudie - Künstlerische (Selbst) Ausbildung. [Show/Exhibition]

Clausen, S. (2010) Festival VideoDanzaBa. [Show/Exhibition]

Clausen, S. (2014) I will survive. [Show/Exhibition]

Clausen, S. (2011) INDEPENDENT/NEZALEZHNI. [Show/Exhibition]

Clausen, S. (2015) Liquid trust. [Show/Exhibition]

Clausen, S. (2015) Liquid trust. [Project] (Collection)

Clausen, S. (2015) Liquid trust at ICA. [Show/Exhibition]

Clausen, S. (2010) Moves 10 - Framing Motion. [Show/Exhibition]

Clausen, S. (2012) Performance as social practice. [Show/Exhibition]

Clausen, S. (2018) Reading Internationa #10: The Outside In - Steve Claydon at MERL. [Show/Exhibition]

Clausen, S. (2017) Reading International. [Project]

Clausen, S. (2020) Reading International. [Project] (Collection)

Clausen, S. (2019) Reading International # 17: Choir workshop with artist Marco Godoy. [Performance]

Clausen, S. (2019) Reading International # 18: Performance – PUBLIC MOVEMENT – Emergency Routine. [Performance]

Clausen, S. (2018) Reading International #11: Studio for Propositional Cinema- ‘Redundant as eyelids in absence of light’ organised by Novel. [Show/Exhibition]

Clausen, S. (2019) Reading International #12: 'Inter-' Patricia L. Boyd organised by Novel. [Show/Exhibition]

Clausen, S. (2019) Reading International #13: The Riddle of the Imp on the Mezzanine (My Journey) Steven Warwick [performance] organised by Novel. [Performance]

Clausen, S. (2019) Reading International #14: The Book of Challenges – led by Noam Enbar and Nir Shauloff [performance]. [Show/Exhibition]

Clausen, S. (2019) Reading International #14: The Sound of Words – an exhibition and artist-led workshop by Helen Cammock. [Show/Exhibition]

Clausen, S. (2019) Reading International #16: ChorUs – Voice lab for women led by artist Michal Oppenheim. [Performance]

Clausen, S. (2019) Reading International #19: An Apprenticeship In Queer I Believe It Was – by Nina Wakeford. [Performance]

Clausen, S. (2019) Reading International #20 (Un)Commoning Voices & (Non)Communal Bodies. [Show/Exhibition]

Clausen, S. (2020) Reading International #20, I CARE – Workshop and event with Ultra-red. [Performance] (In Press)

Clausen, S. (2018) Reading International #9: 'Nightwalks with Teenagers’, by Mammalian Diving Reflex. [Performance]

Clausen, S. (2017) Reading International 1: Matt Copson and Alastair MacKinven ‘Eggy and Seedy’. [Show/Exhibition]

Clausen, S. (2017) Reading International 2: CRASH! presents ‘A Better Britain II: Britlins’. [Show/Exhibition]

Clausen, S. (2017) Reading International 3: Abel Auer ‘how a black void replaces the white cube and a painting moves from the fine to the performing arts’. [Show/Exhibition]

Clausen, S. (2017) Reading International 4: Rochelle Goldberg, Veit Laurent Kurz, Stefan Tcherepnin, Hanna Törnudd ‘Ante Phylloxera’. [Show/Exhibition]

Clausen, S. (2017) Reading International 5: the critic as artist. [Show/Exhibition]

Clausen, S. (2018) Reading International 6: 'reading in Reading' - David Raymond Conroy, Ghislaine Leung, Cally Spooner and Jesper List Thomsen. [Show/Exhibition]

Clausen, S. (2018) Reading International 8: Creating Ruin - Lada Nakonechna at the Abbey Ruins. [Show/Exhibition]

Clausen, S. (2018) Reading International 9: creating ruin - online video screening. [Show/Exhibition]

Clausen, S. (2020) Reading International – propositions for developing a collaborative art space in the intersection between art school and community. OnCurating. ISSN 2673-2904 (In Press)

Clausen, S. (2017) Reading International: CRASH! ‘Xerox Interview Book’. Reading International. ISBN 9781912115716

Clausen, S. (2017) Reading International: Eggy + Seedy + Friends - ‘All Day Breakfast’. Reading International. ISBN 9781912115006

Clausen, S. (2013) Rehearsing Szuper Gallery. [Show/Exhibition]

Clausen, S. (2017) Rehearsing Szuper Gallery. [Show/Exhibition]

Clausen, S. (2016) Slapping scenes. ONCURATING.ORG, Zurich.

Clausen, S. (2009) Suck. Swallow. Breathe. [Video]

Clausen, S. (2009) Suck. Swallow. Breathe. [Show/Exhibition]

Clausen, S. (2019) Szuper Gallery Slide Show Player #1. [Show/Exhibition]

Clausen, S. (2010) Szuper Gallery materials. [Show/Exhibition]

Clausen, S. (2007) Szuper gallery. In: Culture Shock. The Artists' Studio, London, pp. 70-79. ISBN 9780954699955

Clausen, S. (2016) These are the people in your neighbourhood - Mammalian Diving Reflex. [Show/Exhibition]

Clausen, S. (2019) Throw away your books, go into the streets video: experimental video/animation/curation. [Project] (Collection)

Clausen, S. (2010) Transfer zone 4; temporary life; temporary communities. [Show/Exhibition]

Clausen, S. (2009) Translation paradoxes and misunderstandings. [Show/Exhibition]

Clausen, S. (2014) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. (2010) Work/Arbeit/Работа. [Show/Exhibition]

Clausen, S. (2009) The artist's studio. [Show/Exhibition]

Clausen, S. (2010) The strength of the system and my experiences of it, was that in fact, oddly enough, it was actually a very collaborative enterprise already. [Show/Exhibition]

Clausen, S. (2011) Étant Ballet. [Show/Exhibition]

Clausen, S. and Fance, T. (2018) Reading International 10: Nightwalks with Teenagers’ by Mammalian Diving Reflex. [Performance]

Clausen, S. and Kerestey, P. (2014) Ballet by Szuper Gallery. ONCURATING Books, Zurich, pp150. ISBN 9783952407813

Clausen, S. and Kerestey, P. (2011) Ballet-Granite. [Performance]

Clausen, S. and Kerestey, P. (2007) I will survive. [Performance]

Clausen, S. and Kerestey, P. (2007) I will survive. [Show/Exhibition]

Clausen, S. and Kerestey, P., eds. (2007) Liftarchiv. Revolver, Frankfurt, pp120. ISBN 9783865884039

Clausen, S. and Kerestey, P. (2017) Bonobo. [Show/Exhibition]

Clausen, S. and Kerestey, P. (2017) I will survive, video, 8:05mins. [Show/Exhibition]

Clausen, S. and Kerestey, P. (2017) Soviart. [Show/Exhibition]

Clausen, S. and Kerestey, P. (2018) Szuper Gallery Slide Show Player #1. [Artefact]

Clausen, S. and Kerestey, P. (2018) Szuper Gallery Slide Show Player #1. [Show/Exhibition]

Clausen, S. and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. and Kerestrey, P. (2007) Szuper gallery. [Show/Exhibition]

Clausen, S. and Richter, D. (2016) The six enemies of greatness. ONCURATING.ORG, Zurich.

Clausen, S. and Tervaniemi, S. (2007) Loving revolution. [Show/Exhibition]

Clausen, S., Hunt, A. and Marshall, B. (2017) Reading International: Bertie Marshall ‘Wilde Re-Write’. Reading International. ISBN 9781912115709

Clausen, S., Worley, M., King, S. and Hunt, A. (2017) Reading International: CRASH! ‘A Better Britain II: Britlins’. Reading International. ISBN 9781912115723

Connor, V. and O'Connell, T. (2019) 'The Long Goodbye' - 'Slow Institution' featuring the project, 'In Dublin' by Tina O'Connell (exhibition publication). [Show/Exhibition]

Cook, R. J. R. (2004) (S)tools for conviviality. Miser and Now, 2. pp. 2-10.

Cooke, K., Harezlak, A., Bizon, M., Bligh, S., Cawkwell, C., Coyle, P., Berman Duff, D., Frearson, A., Klee, S., Guro Larsmon, A. and Schoen, K. (2016) Concrete plastic. [Show/Exhibition]

Cooke, K. S. (2016) Art ontologyvalue: staging the ontology of art within systems of value. PhD thesis, University of Reading.

Cooper, A., Deburka, E., Kenning, D. and Russell, J. (2013) Capital. [Show/Exhibition]

Cooper, D., Gourvil, O. , Krisanamis, U. , Renshaw, T., Smith, D. and Suarez-Universal , V. (2009) Baroque reason. [Show/Exhibition]

Coyle, P., Westwood, M., Frearson, A. and Kane, L. (2014) ..Or maybe it's the same for everyone. In: Lawrence, J. (ed.) ...Or maybe it's the same for everyone. Pavilionary Press, London, UK, pp. 1-4.

Coyle, P., Westwood, M., Frearson, A. and Kane, L. (2014) Remains. [Performance] (Unpublished)

D

Demircan, S., Holzfeind, H., Kobro, K., Lloyd, H., Pozarek, V., Schmidt Hansen, L., Solmsdorf, J. and Roithmayr, F. (2007) Die Blaue Blume. [Show/Exhibition]

Dowd, L., Green, S., Heim, A., Pirecki, P. and Roithmayr, F. (2010) Continous movement of ideas. [Show/Exhibition]

Dzuverovic, L. (2015) Contribution to The World Goes Pop exhibition catalogue. In: Morgan, J. and Frigeri, F. (eds.) The world goes pop. Tate Publishing, London, pp272. ISBN 9781849762700

Dzuverovic, L. (2016) Feeding off contradiction: self managed socialism in focus. In: Feeding Off Contradiction: Self Managed Socialism in Focus, 16 January 2016, Nottingham Contemporary.

Dzuverovic, L. (2016) Holly Herndon: a life across bits and atoms. Afterall Journal, 41. pp. 90-97. ISSN 1465-4253 doi: https://doi.org/10.1086/687091

Dzuverovic, L. (2016) Monuments should not be trusted exhibition. [Show/Exhibition]

Dzuverovic, L. (2016) Monuments should not be trusted: exhibition catalogue. Nottingham Contemporary, Nottingham, UK, pp201. ISBN 9781907421082

Dzuverovic, L. (2016) Twice erased: the silencing of feminisms in 'Her Noise'. Women and Music: A Journal of Gender and Culture, 20 (1). pp. 88-95. ISSN 1090-7505 doi: https://doi.org/10.1353/wam.2016.0005

E

Ellison, C., (2012) Agency of Noise. Christine Ellison

Ellison, C. (2006) Craftwork. [Performance]

Ellison, C. (2012) Instructions for an Audio Performance/Scissors Music. [Project]

Ellison, C. (2017) Let's interface the music and dance. [Project] (Collection)

Ellison, C. (2018) Micro soft words (for dummies and enlightened beings). [Performance]

Ellison, C. (2013) The Prophetic Sound: a day and night of noise cabaret(symposium of talks and live performances). [Show/Exhibition]

Ellison, C. (2011) Prêt-à-Médiatiser by House of POLLYFIBRE. [Performance]

Ellison, C. (2012) Prêt-à-Médiatiser by House of POLLYFIBRE. [Video]

Ellison, C. (2008) RGBOHP. [Performance]

Ellison, C. (2009) Reconstructing The Incredible. [Audio]

Ellison, C. (2007) Record. [Performance]

Ellison, C. (2012) Slideshow by POLLYFIBRE. [Performance]

Ellison, C. (2013) Squirmish at the Oasis: an evening of performance and rant hosted by Agency of Noise at the Kinsgate Workshsops Trust in affiliation with Camden Arts Centre. [Show/Exhibition]

Ellison, C. (2017) Workshop: making beyond the post-medium condition. Visual Culture in Britain, 18 (2). pp. 133-162. ISSN 1941-8361 doi: https://doi.org/10.1080/14714787.2017.1353438

Ellison, C. (2007) iPolly Shuffle. [Performance]

F

Frearson, A. (2017) Affectation Correspondence. Tombstone Press, London, UK, pp312. ISBN 9780957675612

Frearson, A. (2016) Attempty. [Image] (Armseye Magazine, Issue 2, pp 18-19)

Frearson, A. (2016) Datocracy. Journal of Visual Art Practice, 15 (2-3). pp. 168-175. ISSN 1758-9185 doi: https://doi.org/10.1080/14702029.2016.1228807

Frearson, A. (2016) Frankenstein 2. [Project] (Collection)

Frearson, A. (2014) Frankenstein2: review of 'I, Frankenstein' on Rotten Tomatoes. [Artefact]

Frearson, A. (2014) I. [Show/Exhibition]

Frearson, A. (2019) Sic. [Show/Exhibition]

Frearson, A. (2017) Sic. Y Press, London, UK, pp345. ISBN 9781389201875

Frearson, A. (2018) Sic. [Project] (Collection)

Frearson, A. (2017) Wollstonochlincraft. [Project] (Collection)

Frearson, A. (2017) Wollstonochlincraft 1791-1971. The Good Reader. MA BIBLIOTHÈQUE, London, UK, pp16. ISBN 9781910055328

G

Garfield, R. (2017) Between seeing and knowing: Stephen Dwoskin’s Behindert and the camera’s caress. In: Clayton, S. and Mulvey, L. (eds.) Other Cinemas: Politics, Culture and British Experimental Film in the 1970s. IB Taurus, London. ISBN 9781784537180

Garfield, R. (2017) Deflationary tactics with the archive of life: contemporary Jewish art and popular culture. Journal of Modern Jewish Studies, 16 (1). pp. 38-56. ISSN 1472-5886 doi: https://doi.org/10.1080/14725886.2016.1242313

Garfield, R. (2016) From the evacuees to grandma's house: class, sexuality and Jewish identity on British television 1975-2012. In: Abrams, N. (ed.) Hidden in Plain Sight: Jews and Jewishness in British Film, Television and Popular Culture. Cultural Expressions. Northwestern University Press, pp. 137-156. ISBN 9780810132825

Garfield, R. (2014) Imagining multicultural London: containment and excess in snatch. European Judaism, 47 (2). pp. 60-68. ISSN 0014-3006 doi: https://doi.org/10.3167/ej.2014.47.02.08 (Special issue "Writing Jews In Contemporary Britain")

Garfield, R., (2008) L’Encyclopédie Noveaux Médias: Zineb Sedira. Centre Georges Pompidou, Paris.

Garfield, R. (2015) Negotiating the British landscape. In: Dadi, I. (ed.) Anwar Jalal Shemza. Ridinghouse, London, pp. 19-26. ISBN 9781909932135

Garfield, R. (2015) “Out of Chaos”; Ben Uri: 100 years in London, Somerset House, East Wing, 2 July-13th December 2015. [Show/Exhibition]

Garfield, R. (2013) Parallel editing, multi-positionality and maximalism: cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick. Open Arts Journal, 1 (1). pp. 45-59. ISSN 2050-3679 doi: https://doi.org/10.5456/issn.5050-3679/2013s06rg

Garfield, R. (2014) Playing with history: negotiating subjectivity in contemporary lens based work. In: Valman, N. and Roth, L. (eds.) The Routledge Handbook to Contemporary Jewish Cultures. Routledge, London. ISBN 9780415473781

Garfield, R. (2016) The Stephen Dwoskin dossier: introduction. Screen, 57 (1). pp. 71-73. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjw006

Garfield, R. (2016) Stephen Dwoskin-retrospektive in Frankfurt am Main. frankfurtfilmkollectiv, Frankfurt.

Garfield, R. (2012) The Straggle. [Video]

Garfield, R. (2017) This way out of England: Gallery House in retrospect. Raven Row.

Garfield, R. (2017) Valences of subjectivity: the politics of personal narrative in video art. In: Feldman, Z. (ed.) Art and the Politics of Visibility: Contesting the Global, Local and the In-Between. I.B.Tauris & Co. Ltd., London, UK, pp. 137-166. ISBN 9781780769066

Garfield, R. (2019) Women artists, feminism and the moving image contexts and practices, Rachel Garfield 'Prescient Intersectionality: Women, Moving Image and Identity Politics in 1980s Britain'. In: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Contexts and Practices. Bloomsbury, London, pp. 99-112. ISBN 9781784537005

Garfield, R. (2009) A particular incoherence: some films of Vivienne Dick. In: O'Brian, T. (ed.) Between Truth and Fiction: The Films of Vivienne Dick. LUX and The Crawford Gallery, London, pp. 36-53. ISBN 9780954856984

Garfield, R. (2015) The struggle II: opening up. [Video]

Garfield, R. (2015) The struggle. [Project] (Collection)

Garfield, R. S. (2016) Maximalism as a Cosmopolitan strategy in the art of Ruth Novaczek and Doug Fishbone. European Review of History, 23 (5-6). pp. 961-977. ISSN 1350-7486 doi: https://doi.org/10.1080/13507486.2016.1203880

Garnett, R. (2017) Address: Critical irony, neo-authenticity and humour in the art we call public. Art and the Public Sphere, 1 (6). pp. 69-79. ISSN 2042-793X doi: https://doi.org/10.1386/aps.6.1-2.69_1

Golden, P. (2003) In portraiture irrelevance is ugliness. [Show/Exhibition]

Golden, P. (2007) Love and hysteria. [Show/Exhibition]

Golden, P. (2005) Nothing personal. [Show/Exhibition]

Golden, P. (2007) Thoughts. [Show/Exhibition]

Golden, P. (2005) The word. [Show/Exhibition]

Golden, P. R. (2007) Le recollets Paris. [Show/Exhibition]

Golden, P. R. (2005) The word. Onestar press, Paris, France.

H

Healy, C. (2014) And the night was kind. 'Ruskin's Ponds' book works by John Woodman. The Blue Notebook: Journal for artists' books., 8 (2). pp. 39-43. ISSN 1751-1712

Healy, C. (2014) Thin place. Oriel Myrddin, Carmarthen, Wales, pp102. ISBN 9780955143458

Healy, C. (2015) Thin place exhibition. [Show/Exhibition]

Healy, C. (2016) Thin place: an alternative approach to place-based curation. Centre for Landscape Studies, NUI Galway. (Unpublished)

Healy, C. and Palmer, E. (T.) (2014) Meta-morphs: – being a mediator of the ‘thin’ place and ‘thin’ experience in the HE classroom. A paper on the experience of creating transformations in HE teaching and learning. In: Heroes and monsters: extra-ordinary tales of learning and teaching in the arts and humanities, 2-4 June 2014, Manchester.

Healy, C. and Stead, A. (2016) Already the world: a post-humanist dialogue. Alter Rurality. (Unpublished)

Heim, A., Roithmayr, F. and Round, G. (2008) Feeling gave way to structure. [Show/Exhibition]

Hellings, J. (2014) Adorno and art: aesthetic theory contra critical theory. Palgrave Macmillan, UK, pp199. ISBN 9780230347885

Hellings, J. (2014) Amor intellectualis diaboli. In: Kivland, S. (ed.) Folles De Leur Corps / Crazy About Their Bodies. Cafe Gallery Projects in association with Ma Bibliotheque, London, UK, pp. 32-35.

Hellings, J. (2018) Faire (de la magie): rendre l'invisible visible. In: Où en Sommes-Nous avec la Théorie Esthétique d'Adorno? Pontcerq, Rennes. ISBN 9782919648245

Hellings, J. (2014) Making: the invisible visible. In: Klimpel, O. (ed.) The Visual Event: An Education in Appearances. Spector Books, Leipzig, Germany, pp. 30-39. ISBN 9783944669625

K

Ker, D., Allen, K. and Du Sautoy, M. (2011) Everything and nothing project. [Project]

Kollectiv, G. and Kollectiv, P., (2012) Against human nature. Umelec. Divus, Prague.

Kollectiv, G. and Kollectiv, P. (2008) Another Proof of the Preceding Theory. [Video]

Kollectiv, G. and Kollectiv, P. (2007) Asparagus: a horticultural ballet. [Project]

Kollectiv, G. and Kollectiv, P. (2009) Can objects perform?: agency and thingliness in contemporary sculpture and installation. In: Sculpture and Performance, 24 March 2009, Henry Moore Institute, Leeds.

Kollectiv, G. and Kollectiv, P. (2010) Co-operative explanatory capabilities in organizational design and personnel management. [Video]

Kollectiv, G. and Kollectiv, P. (2014) Concrete gown for immaterial flows. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2010) Critical Mass: Sermon for the Church of the Atom (part of A Theatre to Address at Arnolfini, Bristol and Late at Tate Britain). [Performance]

Kollectiv, G. and Kollectiv, P. (2019) EuroNoize. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2012) File Transfer Protocol. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2008) Future Monument. [Project]

Kollectiv, G. and Kollectiv, P. (2013) A Guide to Office Clerical Time Standards. [Performance]

Kollectiv, G. and Kollectiv, P. (2016) The Immigrants. [Project] (Collection)

Kollectiv, G. and Kollectiv, P. (2011) In the intersection of the angles of a table, there is more truth than in all the tangle of muscles: Futurism as anti-humanist critique. History and Theory, Future's P (19). ISSN 1565-8163

Kollectiv, G. and Kollectiv, P. (2008) The Institute of Psychoplasmics. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2010) No Haus Like Bau. [Project]

Kollectiv, G. and Kollectiv, P. (2010) Pil and Galia Kollectiv: solo exhibition at Te Tuhi Art Centre, Auckland, New Zealand. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2017) Playing like a girl. In: Cesura // Accesso. Cesura // Accesso, London, pp. 236-256. ISBN 9780993024610

Kollectiv, G. and Kollectiv, P. (2016) Progress report from the strategic sanctuary for the destruction of free will. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2014) Radical Conservatism. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2016) Reports from the strategic sanctuary for the destruction of free will. [Project] (Collection)

Kollectiv, G. and Kollectiv, P. (2018) Second annual report from the strategic sanctuary for the destruction of free will. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2013) Suck the living labour. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2008) Svetlana. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2012) Terminal: a miracle play with popular music from the end of the world. [Project]

Kollectiv, G. and Kollectiv, P. (2010) WE. [Performance]

Kollectiv, G. and Kollectiv, P. (2018) The missing body of J. T. Leroy. In: Beber, E. (ed.) The Bodies that Remain. Dead Letter Office, 1. Punctum, London, pp. 251-262. ISBN 9781947447677

Kollectiv, G. and Kollectiv, P. (2011) xero, kline & coma. [Project]

Kollectiv, P. and Kollectiv, G. (2015) Bureaucracy. In: Bureaucracy, 1/7/2015, ICA, London.

Kollectiv, P. and Kollectiv, G. (2011) Epic Sea Battle at Night: a Revolutionary Play with the Economic Thinking of Milton Friedman. [Performance]

Kollectiv, P. and Kollectiv, G. (2006) Flatpack revolution. [Project]

Kollectiv, P. and Kollectiv, G. (2017) The Immigrants. [Show/Exhibition]

Kollectiv, P. and Kollectiv, G. (2006) Modern lovers. [Show/Exhibition]

Kollectiv, P. and Kollectiv, G. (2019) Pil and Galia Kollectiv: (in)visible propaganda. [Show/Exhibition]

Kollectiv, P. and Kollectiv, G. (2018) Rainbow pixels. In: Pavoni, A., Mandic, D., Nirta, C. and Philippopoulos-Mihalopoulos, A. (eds.) Taste. Law and the Senses, 1. University of Westminster Press, London, pp. 239-243. ISBN 9781911534327 doi: https://doi.org/10.16997/book21

Kollectiv, P. and Kollectiv, G. (2018) Re-enacting the archive: untimely meditations on the use and abuse of repetition. In: Clarke, P., Jones, S., Kaye, N. and Linsley, J. (eds.) Artists in the Archive Creative and Curatorial Engagements with Documents of Art and Performance. Routledge, London, pp. 144-150. ISBN 9781138915381

Kollectiv, P. and Kollectiv, G. (2017) Towards an anti-humanist critique of immaterial labour, or how to negotiate with vampires. In: Sampanikou, E. D. (ed.) Audiovisual Posthumanism. Cambridge Scholars Publishing, Cambridge, pp. 343-354. ISBN 9781443881777

Kollectiv, P. and Kollectiv, G. (2012) The work of art in the age of mechanical reproduction. In: Newell, D. and Pooke, G. (eds.) Fifty Key Texts in Art History. Routledge Key Guides. Routledge, London. ISBN 9780415497701

Kollectiv, P., Kollectiv, G., Vasseur, R. and Frearson, A. (2014) Filmarmalade presents... [Show/Exhibition]

Kontopoulou, A. (2017) Democracy. [Project] (Collection)

Kontopoulou, A. (2017) Democracy and community. In: Bicknell, A. (ed.) BP Art Exchange: Sowing Seeds, Generating Art, Ideas and a Connected Global Community. Tate Publishing, London, pp. 88-98.

Kontopoulou, A. (2016) The democratic table. [Show/Exhibition]

L

Lawrence, J., Jenner, M., Drew, B., Frearson, A., Jetpacks, J., Liston, K., McCreadie, L., Purgas, P. and Richards, T. (2018) Oh: link zone. [Show/Exhibition]

M

Mabb, D. and Walsh, M. R. (2011) Utopia Ltd. [Show/Exhibition]

MacLean, M. (2007) Before. [Show/Exhibition]

MacLean, M. (2007) Considering if…then…else…. Journal of Visual Art Practice, 6 (3). pp. 257-267. ISSN 1758-9185 doi: https://doi.org/10.1386/jvap.6.3.257_1

MacLean, M. (2003) Home from home. [Show/Exhibition]

MacLean, M. (2007) Inspiration to order. [Show/Exhibition]

MacLean, M. (2004) Somewhere ... fast. [Show/Exhibition]

MacLean, M. (2005) The way we work now. [Show/Exhibition]

MacLean, M. and Renshaw, T. (2010) Architectural Fictions. [Show/Exhibition]

MacLean, M. and Wilson, C. (2011) Mirei. [Show/Exhibition]

MacLean, M., Renshaw, T. and Donszelmann, B. (2009) Outside architecture. [Show/Exhibition]

Macbeth, R., Frearson, A. and Riviere, S. (2015) Resource: uncreative writing. [Show/Exhibition]

O

O'Connell, T. (2017) All that is data that melts into air. [Show/Exhibition]

O'Connell, T. (2009) Public Art Commission Rung by Rung, Tina O'Connell. [Artefact]

O'Connell, T. (2016) Public discussion, art practice between 3 generations. Bealtaine Festival Ireland, Wexford Arts Cantre.

O'Connell, T. (2016) The Shift, eight years of flat time house. [Show/Exhibition]

O'Connell, T. (2009) Step by step. [Show/Exhibition]

O'Connell, T. (2017) Study for a pavilion: Askeaton. [Show/Exhibition]

O'Connell, T. (2018) Sublimation 2018. [Video]

O'Connell, T. (2017) Temporal Data Study. [Project] (Collection)

O'Connell, T. (2004) Tina O'Connell. [Show/Exhibition]

O'Connell, T. (2016) Valerie Connor, Tina O’Connell and Neal White in conversation. Objectif Exhibitions, Kleine Markt 7–9/26 2000 Antwerp. Saturday 6 February 2016, 5pm. Objectif Exhibitions, Antwerp, Belgium.

O'Connell, T. (2009) The wager with the office of experiments. [Show/Exhibition]

O'Connell, T. and White , N. (2016) Deep freeze (commissioned art work, with Neal White). [Show/Exhibition]

O'Connell, T. and White, N. (2016) 9 Events. [Show/Exhibition]

O'Connell, T. and White, N. (2012) Public Art Commission, 1x1 project, Tina O'Connell and Neal White. [Project]

O'Connell, T. and White, N. (2016) An incidental meeting with Tina O'Connell and Neal White, a discussion with Barbara Steveni. [Show/Exhibition]

O'Connell, T., White, N. and Vermuri, V. (2010) Public Art Commission, Where is Heidenheim? Tina O'Connell and Neal White. [Artefact]

P

Park, J. (2018) Surface layer time: the process of portraying time in image. PhD thesis, University of Reading.

Pittuck, S., Clarkin, A. and Clarkin, J., eds. (2003) Miser and now. Volume 1-4. Keith Talent Gallery, London.

R

Renshaw, T. (2007) Cocheme Fellows exhibition. [Show/Exhibition]

Renshaw, T. (2019) Come and go. Halt extreme left. [Show/Exhibition]

Renshaw, T. (2018) Cosmic Laziness. [Show/Exhibition]

Renshaw, T. (2018) Cosmic Laziness (Notebook Painting). [Project] (Collection)

Renshaw, T. (2015) Distressed geometry. [Show/Exhibition]

Renshaw, T. (2019) Drift. [Show/Exhibition]

Renshaw, T. (2014) Hidden. [Show/Exhibition]

Renshaw, T. (2011) House in the Shape of a Stretcher. [Show/Exhibition]

Renshaw, T. (2008) Images in the vaguest sense. [Show/Exhibition]

Renshaw, T. (2004) John Moores 23. [Show/Exhibition]

Renshaw, T. (2013) John Wikins. Turps, 1 (13). pp. 14-21. ISSN 1749-3994

Renshaw, T. (2018) Notebook Architecture. [Project] (Collection)

Renshaw, T. (2018) Notebook Formism. [Project] (Collection)

Renshaw, T. (2016) Notebook architecture. [Show/Exhibition]

Renshaw, T. (2017) Notebook architecture at Kunstgriff. [Show/Exhibition]

Renshaw, T. (2018) Notebook, Wall, Curve C/Y & Notebook, Wall, Curve P/B. [Show/Exhibition]

Renshaw, T. (2014) Nowhere. [Show/Exhibition]

Renshaw, T. (2014) 'Outside Architecture': lecture at The British School at Rome. [Project] (Unpublished)

Renshaw, T. (2007) Painting unlimited. [Show/Exhibition]

Renshaw, T. (2003) Painting year zero. [Show/Exhibition]

Renshaw, T. (2016) Phase 1. [Show/Exhibition]

Renshaw, T. (2018) Phase 2 imagining architecture. [Show/Exhibition]

Renshaw, T. (2019) Phase III - Le Modulor. [Show/Exhibition]

Renshaw, T. (2020) Phase IV intersections - art/architecture. [Show/Exhibition]

Renshaw, T. (2017) Plan Unplan. [Show/Exhibition]

Renshaw, T. (2018) Plan Unplan (Outside Architecture Projects). [Project] (Collection)

Renshaw, T. (2014) Screens. [Show/Exhibition]

Renshaw, T. (2016) Shed at Naming Rights. [Show/Exhibition]

Renshaw, T. (2005) Short stories about painting. [Show/Exhibition]

Renshaw, T. (2018) What is Seen, What is Shown. [Show/Exhibition]

Renshaw, T. (2013) The perfect death - Horizons ( title of painting Horizon ). [Show/Exhibition]

Renshaw, T., Donszelmann, H. B. and Maclean, M. (2012) One and One and One. [Show/Exhibition]

Renshaw, T., MacLean, M. and Donszelmann, B. (2010) Interior Life. [Show/Exhibition]

Richter, D. (2017) Being singular/plural in the exhibition context: curatorial subjects at documenta 5, dX, D12, d(13). In: Buurman, N. and Richter, D. (eds.) documenta. Curating the History of the Present. On-Curating, 33 (33). On-Curating, Zurich, pp. 76-88. ISBN 9781546946120

Richter, D. (2016) Feminist perspectives on curating. In: Richter, D., Krasny, E. and Perry, L. (eds.) Curating in Feminist Thought. On-Curating, Zurich, pp. 64-76. ISBN 9781532873386

Richter, D. (2017) Invisible philosophers, my fellow travelers. In: Baltensperger + Siepert, , Baltensperger, S. and Siepert, D. (eds.) Invisible philosophy. Amsel Verlag, Zurich. ISBN 9783906325170

Richter, D. (2016) Learning from Dhaka. In: Garcia-Anton, K., Cataldo, A. and Betancourt, D. C. (eds.) Critical Writing Ensembles. Mousse Publishing, Milan, pp. 234-247. ISBN 9788867492701

Richter, D. (2016) My glam, your glam, we glam. In: Marchetti, L. (ed.) La mode exposée / Fashion curating. HEAD, Geneve, pp. 213-218. ISBN 9782940510146

Richter, D., (2008) ONCURATING.org. Dorothee Richter

Richter, D. (2016) Performance Kunst kuratieren? In: Gebhardt Fink, S., Mathis, ‎M. and von Büren, M. (eds.) Performance Chronik Basel: Erinnern und Erzählen (1987-2006). Diaphanes Verlag, Zürich/Berlin, pp. 43-51. ISBN 9783037346341

Richter, D. (2019) Propositons on Curating. Darmstädter Beitrag zur Neuen Musik. pp. 10-14.

Richter, D. (2016) (Un)Dinge, oder warum die Sehnsucht nach dem Ding immer reaktionär ist. Interdisziplinäres Ausstellen, 16 (1-2). pp. 8-15. ISSN 1015-6720

Robertson, J., Metrybo, J., Faramawy, A., Steadman, S., Lawrence, J., Trevatt, T., Westwood, M., Schneider, P., Frearson, A., O’Grady, M., Schick, A., de Lima, M. and Besley, T. (2013) Art (after). [Show/Exhibition]

Roithmayr, F. (2019) ALTAMIRALTAMIRALTAMIRA. In: On Translation, Transmission & Transposition, 5 Jun 2019, London, UK. (In Press)

Roithmayr, F. (2018) Aftercast. tenderbooks, London, pp186. ISBN 9781999712433

Roithmayr, F. (2012) As if sunglasses were not necessary. [Artefact]

Roithmayr, F. (2014) The Assistants and the Schoolmaster. In: The 100 Hours Forum, University College, London, UK. (Unpublished)

Roithmayr, F. (2014) The Assistants. [Artefact]

Roithmayr, F. (2016) Breath rider. [Performance]

Roithmayr, F. (2014) Cave. Where do you see yourself in 25 years?. pp. 9-12.

Roithmayr, F. (2017) Chelsea Embankment - London. [Project]

Roithmayr, F. (2018) Concrete sculpture. BSR’s Faculty of Fine Arts and the Faculty of Archaeology, History and Letters, and the University of Liverpool in London. (Unpublished)

Roithmayr, F. (2007) Distributed matter. In: Theory in Practice - Practice as Research Conference, Gallery Lazaretti, Dubrovnik, Croatia. (Unpublished)

Roithmayr, F. (2016) EndStart. [Show/Exhibition]

Roithmayr, F. (2014) EndStart. [Show/Exhibition]

Roithmayr, F. (2007) Eventually Everything Happens. [Show/Exhibition]

Roithmayr, F. (2004) Flights. In: Hoflich, R., Benjamin, M. and Schiran, M. (eds.) Guestroom, No. 4 (Static Commotion). Ruth Hӧflich, Munich, Germany.

Roithmayr, F. (2013) Florian Roithmayr. [Show/Exhibition]

Roithmayr, F. (2009) Florian Roithmayr. [Show/Exhibition]

Roithmayr, F. (2018) Florian Roithmayr - the humility of plaster. [Project]

Roithmayr, F. (2006) Glass Bead Game. [Show/Exhibition]

Roithmayr, F. (2007) Go I Know Not Whither And Fetch I Know Not What. [Show/Exhibition]

Roithmayr, F. (2017) Home is not a Place. [Show/Exhibition]

Roithmayr, F. (2013) I don’t feel like it, the indifference of objects. In: I don’t feel like it, the indifference of objects, University of the Arts, Camberwell College of Art, London, UK. (Unpublished)

Roithmayr, F. (2012) I don’t feel like it: The indifference of objects.

Roithmayr, F. (2019) International El Kurru project. [Project] (In Press)

Roithmayr, F. (2017) Ir re par sur. [Show/Exhibition]

Roithmayr, F. (2012) Like plugging in. [Show/Exhibition]

Roithmayr, F. (2011) Like portable scaffolding. In: Vermoortel, S. and Vermoortel, P. (eds.) Buro II - RE-Visiting RE-Inventing. Sun Architecture, Amsterdam, Netherlands, pp. 145-161. ISBN 9789461053374

Roithmayr, F. (2014) Matter of engagement. [Show/Exhibition]

Roithmayr, F. (2018) More than is needed so as not to be caught short. In: Conference: The Humility of Plaster, 4 Sept 2018, Kettle's Yard, University of Cambridge.

Roithmayr, F. (2006) New contemporaries. [Show/Exhibition]

Roithmayr, F. (2016) Prague Quadrennial - shared space. [Project] (Unpublished)

Roithmayr, F. (2018) Premio Lissone 2018. [Show/Exhibition]

Roithmayr, F. (2010) Returns. [Artefact]

Roithmayr, F. (2011) Sculpture unlimited. In: Fall-out: new notes on sculpture research conference, The University of London, Goldsmiths College, UK. (Unpublished)

Roithmayr, F. (2016) Service. [Show/Exhibition]

Roithmayr, F. (2019) Simply untitled. [Show/Exhibition]

Roithmayr, F. (2004) Solar dreams. [Show/Exhibition]

Roithmayr, F. (2018) Something infinitely distant and strange. [Show/Exhibition]

Roithmayr, F. (2014) Speculative sculpture in Italy. In: Foreign Artists in Rome, The International Discourse on the Prix De Rome, The Royal Netherlands Institute in Rome, Italy. (Unpublished)

Roithmayr, F. (2019) A Strange Weave of Time and Space. [Show/Exhibition]

Roithmayr, F. (2004) Table of contents. In: Hoflich, R., Benjamin, M. and Schiran, M. (eds.) Guestroom, No. 4 (Static Commotion). Guestroom, London and Munich, Munich, Germany.

Roithmayr, F. (2014) Tacit knowledge of materials. In: Alternative Methods: Art and Education, Wysing Arts Centre, Cambridge, UK. (Unpublished)

Roithmayr, F. (2018) These here withins. [Show/Exhibition]

Roithmayr, F. (2017) They call us screamers. [Show/Exhibition]

Roithmayr, F. (2015) Things that tumble twice. [Show/Exhibition]

Roithmayr, F. (2006) Toyama X. [Show/Exhibition]

Roithmayr, F. (2006) Treasure hunt. [Show/Exhibition]

Roithmayr, F. (2015) With, and, or, without. [Project]

Roithmayr, F. (2015) With, and, or, without. [Show/Exhibition]

Roithmayr, F. (2017) With, and, or, without. [Project] (Collection)

Roithmayr, F. (2013) The Y. [Show/Exhibition]

Roithmayr, F. (2011) You want to borrow my shades, don’t complain about their tint. [Show/Exhibition]

Roithmayr, F. (2013) assault. [Show/Exhibition]

Roithmayr, F. (2019) The humility of Plaster. [Show/Exhibition]

Roithmayr, F. (2018) The humility of plaster. [Show/Exhibition]

Roithmayr, F. (2018) The humility of plaster. [Show/Exhibition]

Roithmayr, F. (2019) The humility of plaster. [Project] (Collection)

Roithmayr, F. (2015) The imprint. In: Norwich University of the Arts Annual Fine Art Conference: DIALOGUES 2015: Speculative Matters, Norwich University of the Arts. (Unpublished)

Roithmayr, F. and Heim, A. (2013) Burg. [Show/Exhibition]

Roithmayr, F. and Reid, C. (2007) Aspen 11. [Show/Exhibition]

Roithmayr, F., Achaintre, C., Boiffard, J.-A., Flood-Padock, J., Heim, A., Koob-Sassen, H. and Ruggaber, K. (2012) I don’t feel like it: The indifference of objects. [Show/Exhibition]

Roithmayr, F., Ackroyd, R., Bullet, O., Cary, N., Deshayes, N., Flood-Paddock, J. and Stapleton, F. (2013) £5.34. [Show/Exhibition]

Roithmayr, F., Allen, K., Bloor, S. & T., Burt, T., Chisholm, R., Clarke, C., Davies, K., Edwards, S., Flynn, J., Ghazi, B., Grace, T., Harrington, J., Hawley, S., Housley, P., Longly, G. H., Marquiss, D., Mirza, H., Mosley, R., Musgrave, E., Pyman, J., Richards, J., Round, G., Smith, M., Staton, S., Stonehouse, G., Syed, S., Traina, R., Wermers, N., Westerman, J. and Woods, K. (2011) Fifteen. [Show/Exhibition]

Roithmayr, F., An Endless Supply, ., Beale, R., Blightman, J., Brierley, B., Conderelli, C., Flood-Paddock, J., Root, P., Pantane, S., Provost, L., Spooner, C., The Grantchester Pottery, ., Pirecki, P., Price, E., Waller, M. A., White, N. and Wilkens, L. (2014) The Influence of Furniture on Love. [Show/Exhibition]

Roithmayr, F., Anderson, R. and Eldret, L. (2016) Foreign Objects. [Show/Exhibition]

Roithmayr, F., Angell, A., Atkins, E., Baldock, J., Burdis, E., Baseman, J., Deshayes, N., Dean, M., Hart, E., Flood-Paddock, J., Holden, A., Kefford, D., Owens, K., Projects, J., Panayiotou, C., Provost, L., Round, G., Sokhanvari, S., Shovlin, J., Summers, A., Wendling, C., Wilson, B. and Wine, J. (2014) Hey I’m Mr. Poetic. [Show/Exhibition]

Roithmayr, F., Arancio, S., Austin, M., Faramawy, A., Finlay, S., Thompson, M. and Teichmann, E. (2016) Inland Far. [Show/Exhibition]

Roithmayr, F., Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Fujiwara, S., Holen, Y., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Spooner, C. and Stahl, L. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition]

Roithmayr, F., Audeoud, F., van Dodewaard, F., Jankowski, C., McMahon, B., Oppen Samuelsen, K., Pacquée, R., Ribas, X., Russell, J., Sekula, A., Torgersrud, M., Upritchard, F. and de Vries, A. (2013) O Chair O Flesh. [Show/Exhibition]

Roithmayr, F., Barham, A., Beckett, J., Cutter, K., Evens, C. B., Dean, M., Metzger, G., Norfolk, R., Osbaldeston, D., Patane, S. and Prodger, C. (2014) Annals of the Twenty-Ninth Century. [Show/Exhibition]

Roithmayr, F., Behr, B., Farmer, G., Haugaard Madsen, L., Henry Longly, G. and Kratz, T. (2007) Ice trade. [Show/Exhibition]

Roithmayr, F., Collar, B. and Cole, D. (2019) Dimensions tomorrow. [Show/Exhibition]

Roithmayr, F., Craven-Jones, A., Do, M., Gasson, C., Hope, C., Poulson, K., Rittenbach, K. and Stanners, A. (2012) Solid on our source planet. [Show/Exhibition]

Roithmayr, F., Emberling, G. and Davis, S. (2019) Graffiti as Devotion. [Show/Exhibition]

Roithmayr, F., Gander, R., Mirza, H., Pradeau, F., Prouvost, L., Walther, F. E. and Cameron-Weir, E. (2014) ...and the stage darkens (or this voice is a big whale). [Show/Exhibition]

Roithmayr, F., LeWitt, S., Penone, G., Dean, M., Cornaro, I., Mattiacci, E., Buttner, A., Serra, R., Houseago, T., Dybbroe Møller, S. and Rodzielski, C. (2009) The young people visiting our ruins see nothing but a style. [Show/Exhibition]

Roithmayr, F., Ruggaber, K., Perienne, C., Enzing, B., Ernst, B., Morse-Palmer, H., George, D., Gill, A., Joy, C., Ryan, A., Stent, C. and Treister, S. (2018) Group Portrait with Garden. [Show/Exhibition]

Roithmayr, F., Stevens, M., Prouvé, J., Marino di Teana, F., Kobylarz, S., Schlemmer, O., House, S., Morellet, F. and Chardon, N. (2016) Bauhaus + Around. [Show/Exhibition]

Roithmayr, F., Syed, S. and Wake, A. (2007) When something becomes nothing. [Show/Exhibition]

Roithmayr, F., Ådlandsvik, S. and Müller, L.-R. (2010) 2010. [Show/Exhibition]

Rowlands, A. (2007) 3 Communiqués. Bookworks, London, pp105. ISBN 9781870699914

Rowlands, A. (2011) ABC: browser for a speculative collection. In: Nielson, E. and Mara de Wachter, E. (eds.) The Shape We're In. Zabludowicz, London - New York, pp. 122-128. ISBN 9781907921018

Rowlands, A. (2007) Aspen 11 (part 1). [Show/Exhibition]

Rowlands, A. (2007) Aspen 11 (part 2). [Show/Exhibition]

Rowlands, A. (2007) Aspen 11 (part 3). [Show/Exhibition]

Rowlands, A. (2008) Communiqué § 4. In: Birkett, R. and Leaver-Yapp, I. (eds.) Nought to Sixty: 60 projects in 60 weeks. Institute of Contemporary Art, London. ISBN 9781900300599

Rowlands, A. (2018) Curating Fictions. [Project] (Collection)

Rowlands, A. (2004) Dexter Dalwood. In: Bishop, C. (ed.) This much is certain. Royal College of Art, London, pp. 67-75. ISBN 1874175624

Rowlands, A. (2006) Exegesis: Mark Titchner's 'when we build let us think that we build forever'. In: IT IS YOU. Arnolfini, Bristol:, pp. 50-57.

Rowlands, A. (2009) Exegesis: when we build let us think that we build forever. In: Noble, R. (ed.) Utopias. MIT Press, Cambridge, MA, pp. 99-102. ISBN 9780262640695

Rowlands, A. (2010) For writing out loud or a potential workshop on fiction. In: Beasley, M., Rowlands, A. and Russell, J. (eds.) Barefoot in the Head. Art-Writing-Research (4). Article Press, Birmingham, pp. 38-58. ISBN 9781873352151

Rowlands, A. (2013) From script to reading to exhibition to performance to print. [Show/Exhibition]

Rowlands, A. (2005) Growing up absurd. [Show/Exhibition]

Rowlands, A. (2008) NOVEL. [Show/Exhibition]

Rowlands, A. (2006) Notes on the smiles are not smiles. In: Stevenson, M. and Titz, S. (eds.) Art of the Eighties and Seventies: English and German Translation. Museum Abteiberg, Monchengladbach, pp. 65-76.

Rowlands, A. (2018) Novel Upstairs. [Project] (Collection)

Rowlands, A. (2009) The Numinous and the Luminous. In: Bracewell, M., Clark, M. and Rowlands, A. (eds.) The Dark Monarch: Magic & Modernity in British Art. TATE, St Ives, xxi-xxxiii. ISBN 9781854378743

Rowlands, A. (2017) Our words return in patterns. [Project] (Collection)

Rowlands, A. (2012) Papers, fictions, scripts & circles. [Show/Exhibition]

Rowlands, A. (2008) Shadow cabinet (three rendezvous). [Show/Exhibition]

Rowlands, A. (2014) Symposium for a community of unlearning. In: Judd, B. (ed.) Communion. Black Dog Publishing, London, UK, pp. 34-43. ISBN 9781908966339

Rowlands, A. (2007) Temporäre Autonome Zone. In: Clausen, S. and Kerestey, P. (eds.) Liftarchiv. Revolver, Frankfurt, pp. 55-65. ISBN 9783865884039

Rowlands, A. (2012) Vendor. In: Sawtell, H., Rowlands, A. and Diedrichsen, D. (eds.) Broadsheet 1 - 3. Institute of Contemporary Art and Bloomberg, London, London. ISBN 9781900300681

Rowlands, A. (2004) We are all revolutionaries. [Show/Exhibition]

Rowlands, A. (2013) Words to be Spoken Aloud. [Show/Exhibition]

Rowlands, A. (2006) The glass bead game. [Show/Exhibition]

Rowlands, A. (2007) The movement began with a scandal. In: Rugg, J. and Sedgwick, M. (eds.) Issues in Curating Contemporary Art and Performance. Intellect, pp. 175-184. ISBN 9781841501628

Rowlands, A. and Williams, M. (2019) Exercises in Style. [Show/Exhibition]

Rowlands, A. and Williams, M. (2018) In the reading room of hell. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) Kiosk: modes of multiplication. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) Live archive. [Show/Exhibition]

Rowlands, A. and Williams, M. (2012) Millenium Magazine. [Show/Exhibition]

Rowlands, A. and Williams, M., eds. (2016) NOVEL Upstairs. NOVEL, 5. NOVEL - Bergen Kunsthall, Bergen, Norway, pp90. ISBN 9781527203754

Rowlands, A. and Williams, M. (2010) NOVEL at dépendance. [Show/Exhibition]

Rowlands, A. and Williams, M., eds. (2008) Novel. Novel Publication, Berlin, pp42. ISBN 9781906424077

Rowlands, A. and Williams, M. (2010) Novel. In: Keller, C. (ed.) Kiosk: Modes of Multiplication. Christoph Keller. JPR Ringier and Stiftung Preussische Museen zu Berlin, Berlin. ISBN 9783037640753

Rowlands, A. and Williams, M. (2016) Novel upstairs. [Show/Exhibition]

Rowlands, A. and Williams, M., eds. (2009) Novel ~ 2. Novel Publication, Birmingham, pp48. ISBN 9781906424091

Rowlands, A. and Williams, M. (2010) Novel ~ 2. [Show/Exhibition]

Rowlands, A. and Williams, M., eds. (2010) Novel ~ 3. Novel Publication, Brussels, pp80. ISBN 9781906424107

Rowlands, A. and Williams, M. (2011) Novel ~ S.C. Issue. In: Meade, F. (ed.) Time Again. Sculpture Center, Long Island City, NY, pp. 1-31. ISBN 0970395566

Rowlands, A. and Williams, M. (2017) On Reading. [Project]

Rowlands, A. and Williams, M. (2017) Our words return in patterns. [Show/Exhibition]

Rowlands, A. and Williams, M. (2011) Outrageous fortune. [Show/Exhibition]

Rowlands, A. and Williams, M. (2011) Time again. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) X marks the Bökship. [Show/Exhibition]

Russell, J. (2015) UNSPECIFIED [Performance]

Russell, J. (2018) AQUARIUM PROLETARIUM. [Project] (Collection)

Russell, J. (2013) Abysmal plan: waiting until we die and radically accelerated repetitionism. e-flux, 46 (6).

Russell, J. (2017) Against interpretation. [Show/Exhibition]

Russell, J. (2011) Angel of History. I can see for miles. [Show/Exhibition]

Russell, J. (2015) Animation 1-15, a-P. In: Osbaldeston, D. (ed.) Inflection sandwich. Onomatopee, London, pp. 17-32. ISBN 9789491677281

Russell, J. (2014) Aquarium Proletarium. [Show/Exhibition]

Russell, J. (2017) As above, so below: portals, visions, spirits & mystics. [Show/Exhibition]

Russell, J. (2018) As much about forgetting. [Show/Exhibition]

Russell, J. (2019) Bergen Assembly. [Show/Exhibition]

Russell, J. (2015) Bruce Willis, irigaray, and the aesthetics of space travel. EROS Journal, 6. pp. 56-70. ISSN 2048-8352

Russell, J. (2018) CONDO: Emalin (hosting Galerie Gregor Staiger). [Show/Exhibition]

Russell, J. (2018) Cellular world: cyborg-human-avatar-horror. [Show/Exhibition]

Russell, J. (2017) DOGGO. [Show/Exhibition]

Russell, J. (2017) DOGGO. Miami and Zurich: NAME and Zurich Kunsthalle, Miami/Zurich. ISBN 9780997494020

Russell, J. (2018) DOGGO. [Artefact]

Russell, J. (2018) DOGGO. [Project] (Collection)

Russell, J. (2018) DOGGO II. [Show/Exhibition]

Russell, J. (2011) Dear living person. Mute Journal. , 3 (1). pp. 112-122. ISSN ISBN - 978-1-906496-01-2

Russell, J. (2012) Dear living person. In: Elms, A. and Reinke, S. (eds.) Blast CounterBlast. Mercer Union/WhiteWalls Inc, Toronto. ISBN 9781926627175

Russell, J. (2013) Dear living person II: story of the eyes. F.R.DAVID (10). pp. 81-103. ISSN 1874-026X

Russell, J. (2013) Dog days II. [Show/Exhibition]

Russell, J. (2009) EAST International. [Show/Exhibition]

Russell, J. (2017) Encore! [Show/Exhibition]

Russell, J. (2015) Eton. [Show/Exhibition]

Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books. [Show/Exhibition]

Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books, as part of The Library Vacine. [Show/Exhibition]

Russell, J. (2010) Explain death to very young children. [Show/Exhibition]

Russell, J., ed. (2003) Frozen tears I. Article Press, Univ. of Central England, Birmingham. ISBN 1873352689

Russell, J., ed. (2004) Frozen tears II. Article Press, Univ. of Central England, Birmingham. ISBN 1873352883

Russell, J., ed. (2007) Frozen tears III. ARTicle Press, Birmingham: University of Central England, pp928. ISBN 9781873352595

Russell, J. (2007) Frozen tears vs Dexter Sinister. [Performance]

Russell, J. (2007) Fusion now. [Show/Exhibition]

Russell, J. (2018) GOLD. [Show/Exhibition]

Russell, J. (2014) The Good Shepherd. [Show/Exhibition]

Russell, J. (2013) I killed my father, I ate human flesh, I quiver with joy: an obsession with Pier Paolo Pasolini. [Show/Exhibition]

Russell, J. (2007) Into position. [Show/Exhibition]

Russell, J. (2010) ‘Is the idea of British art a British fantasy?’. In: Lewisohn, C. (ed.) GBAD Fanzine. Tate Publishing, London, pp. 4-5, 12-13.

Russell, J. (2018) It's all the same fucking day, man. [Show/Exhibition]

Russell, J. (2012) Jexus. [Show/Exhibition]

Russell, J. (2012) Jexus. Metamute.org.

Russell, J. (2014) Judgement. [Show/Exhibition]

Russell, J. (2018) Land and sea. [Show/Exhibition]

Russell, J. (2016) Le Bourgeois. [Show/Exhibition]

Russell, J. (2012) Les fleurs du mal: new art from London. [Show/Exhibition]

Russell, J. (2015) Lofoten international art festival 2015: disappearing acts. [Show/Exhibition]

Russell, J. (2007) Lost in the thinking. [Show/Exhibition]

Russell, J. (2014) Myth-science-colloquium. [Show/Exhibition]

Russell, J. (2013) O chair o flesh. [Show/Exhibition]

Russell, J. (2007) Ocean pose. In: Ocean Pose: catalogue. Matts Gallery, London, pp. 2-11.

Russell, J. (2007) Ocean pose. [Show/Exhibition]

Russell, J. (2015) Plague of diagrams. [Show/Exhibition]

Russell, J. (2011) Praying Mantiss. [Show/Exhibition]

Russell, J. (2010) 'Public Sculpture (The Social)' 2010. [Show/Exhibition]

Russell, J. (2008) 'The Return of the Living Dead III. Clement Greenberg is a conceptual artist. Flatness and Shapeism,'. In: Garnett, R. and Hunt, A. (eds.) Gest / Laboratory of Synthesis. Bookworks, London, pp. 81-89. ISBN 9781870699969

Russell, J. (2018) SOFA. [Video]

Russell, J. (2015) SQRRL. [Show/Exhibition]

Russell, J. (2015) SQRRL. Rhizome.

Russell, J. (2018) SQRRL. [Project] (Collection)

Russell, J. (2019) SUMMA. [Show/Exhibition]

Russell, J. (2016) Scissors cut paper wrap stone. [Show/Exhibition]

Russell, J. (2019) Screens. [Show/Exhibition]

Russell, J. (2013) She – a factory. [Show/Exhibition]

Russell, J. (2019) Sick Monday. [Show/Exhibition]

Russell, J. (2009) Summer. In: Morris, L. (ed.) EAST International 2009. Norwich Universty College of the Arts, Norwich, pp. 104-107.

Russell, J. (2012) THR S NT & NVR HS BN NYTHNG T NDRSTND. [Show/Exhibition]

Russell, J. (2019) Tainted Love. [Show/Exhibition]

Russell, J. (2016) Tetragrammaton. [Show/Exhibition]

Russell, J. (2013) Then suddenly like all at once. [Show/Exhibition]

Russell, J. (2013) To the reader. [Show/Exhibition]

Russell, J. (2010) Untitled (Abstraction of Labour Time/ External Recurrence/Monad). [Artefact]

Russell, J. (2009) Untitled (Abstraction of labour time eternal recurrence monad). [Image]

Russell, J. (2010) Vermillion Vortex. [Video]

Russell, J. (2009) Why are conceptual artists juicing again? Because they moisturise its a glistening sparkle. Frieze magazine. pp. 108-112.

Russell, J. (2013) The banquette years. [Show/Exhibition]

Russell, J. (2013) The hecklers. [Show/Exhibition]

Russell, J. (2018) The island of flowers. Song Cycle. Song Cycle and Bridget Donahue Gallery: New York, pp12.

Russell, J. (2010) A largely intolerable combination of two mainly unconnected texts: 1. Description of the Barefoot in the Head event, at BHQU, NY, 12/11/09; 2. Fictioning and the End. In: Russell, J., Rowlands, A. and Beasley, M. (eds.) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England, Birmingham, pp. 68-85. ISBN 9781873352151

Russell, J. (2014) A speculum that shines. [Show/Exhibition]

Russell, J. (2013) The universal addressability of dumb things. [Show/Exhibition]

Russell, J. and Audeoud, F. (2007) Intrusions au Petit Palais. [Show/Exhibition]

Russell, J. and Audeoud, F. (2007) John Russell kills Fabienne Audeoud... [Performance]

Russell, J. and Audeoud, F. (2007) Off modern. [Show/Exhibition]

Russell, J. and Mitchell, D. (2015) Black Forest Magic. [Show/Exhibition]

Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (2010) Grand National. [Show/Exhibition]

Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (1997) Rude Britannia: British Comic Art. [Show/Exhibition]

Russell, J., Rowlands, A. and Beasley, M., eds. (2011) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England/Article Press, Birmingham. ISBN 9781873352151

S

Segal, N. (2003) "Then some had rather it were she than I": sexing the textual body. In: Segal, N., Taylor, L. and Cook, R. J. R. (eds.) Indeterminate bodies. Palgrave Macmillan, Basingstoke, pp. 93-110. ISBN 9780333949696

Segal, N., Taylor, L. and Cook, R. J. R. (2003) Indeterminate bodies. Palgrave Macmillan, Basingstoke, pp256. ISBN 9780333949696

Stiff, P. (2007) Edward Wright: design work. [Show/Exhibition]

T

Toren, A. (2009) British subjects: self portraiture in British art between 1965-2008. [Show/Exhibition]

Toren, A. (2009) Carrots. [Show/Exhibition]

Toren, A. (2004) Clouds in trousers. [Show/Exhibition]

Toren, A. (2009) Don't look away. [Show/Exhibition]

Toren, A. (2006) Drawing breath. [Show/Exhibition]

Toren, A. (2003) Golem. [Show/Exhibition]

Toren, A. (2006) Houses in motion. [Show/Exhibition]

Toren, A. (2006) Narrative painting #1. [Show/Exhibition]

Toren, A. (2005) New works. [Show/Exhibition]

Toren, A. (2006) Received wisdom. [Show/Exhibition]

Toren, A. (2009) Refreshments. [Show/Exhibition]

Toren, A. (2006) Ten last drawings. [Show/Exhibition]

Toren, A. (2005) Whatever happened to social democracy. [Show/Exhibition]

Trayner, J. (2019) The monstrous subject in the sixteenth century: the importance of The Twelve Articles of the Upper Swabian Peasants for reconciling the contemporary image in politics. PhD thesis, University of Reading.

This list was generated on Mon Aug 10 17:16:16 2020 UTC.

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