A

Abraham, S., Bartlett, R., Standage, M., Black, A., Charlton-Perez, A. ORCID: https://orcid.org/0000-0001-8179-6220 and McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640 (2015) Do location specific forecasts pose a new challenge for communicating uncertainty? Meteorological Applications, 22 (3). pp. 554-562. ISSN 1469-8080 doi: 10.1002/met.1487

Allbon, E. and Warner, R. ORCID: https://orcid.org/0000-0001-8857-5084 (2022) Taking a co-design workshop online. In: Allbon, E. and Perry-Kessaris, A. (eds.) Design in Legal Education. Emerging Legal Education. Routledge, 272 pages. ISBN 9780367075798 doi: 10.4324/9780429021411-16

Andrews, M. (2003) Artwork or works of art? Part one. Baseline Magazine, 40. pp. 17-24.

Andrews, M. (2003) Artwork or works of art? Part two. Baseline Magazine, 41. pp. 13-16.

Andrews, M. (2006) The stuff of everday life: a brief introduction to the history and definition of printed ephemera. Art Libraries Journal, 31 (4). pp. 5-8. ISSN 0302-4722

Andrews, M. J. (2007) The importance of ephemera. In: Eliiot, S. and Rose, J. (eds.) A Companion to the History of the Book. Companions to Literature and Culture. Wiley-Blackwell, Oxford, pp. 234-250. ISBN 9781405127653

Andrews, M. J. (2003) The life and work of Robert Gibbings. The Primrose Hill Press, London, pp426. ISBN 9781901648317

Archer, C., Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 and Reynolds, L. (2004) Typography in nineteenth-century children's readers: the Otley connection. In: Mckay, B., Hinks, J. and Bell, M. (eds.) Light on the book trade: essays in honour of Peter Isaac. Print Networks (6). British Library and Oak Knoll Press, London, pp. 118-129. ISBN 9780712347976

B

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2024) Colour for commerce: letterpress-printed ephemera in Britain, 1740–1830. In: Grasselli, M. M. and Savage, E. (eds.) Printing Colour 1700 - 1830. Proceedings of the British Academy. Oxford University Press, London, pp. 127-138. ISBN 9780197267530

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2009) Lottery advertising 1800–1826. Journal of the Printing Historical Society (ns.11). pp. 17-60. ISSN 0079-5321

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2008) Nineteenth-century jobbing: the printing methods of Gye and Balne. Journal of the Printing Historical Society, 11 (new se. pp. 25-64.

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2012) Occasional publishers: producing and marketing books in England 1771–1844. Journal of Historical Research In Marketing, 4 (3). pp. 408-439. ISSN 1755-750X doi: 10.1108/17557501211252961

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2019) Printing to 1970. In: Eliot, S. and Rose, J. (eds.) A Companion to the History of the Book. Blackwell Companions to Literature and Culture. Wiley-Blackwell. ISBN 9781119018179

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2007) Trash type. Baseline, 52. pp. 16-21.

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090, (2008) A handlist of films showing printing & typesetting. Self published (St Bride Library)

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2019) The industrialization of the book 1800–1970. In: Eliot, S. and Rose, J. (eds.) The New Blackwell Companion to the History of the Book. Wiley-Blackwell, New York. ISBN 9781119018179

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2014) 'The largest type in England': wood lettering for jobbing printing 1800–1830. In: Blume, J., Pané-Farré, P. and Smeijers, F. (eds.) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (Journal der HGB #3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 27-40, 107-126 (colour images), 181-192 (English text). ISBN 9783932865862

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2013) The work force. In: The history of Oxford University Press. Volume 2: 1780-1896. Oxford University Press, London. ISBN 9780199543151

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2008) Non-Latin typefaces at St Bride Library, London and Department of Typography & Graphic Communication, University of Reading. St Bride Library, London, pp64. ISBN 0950416150

Barker, A. (2019) A comparison of seeking-finding behaviours across the contexts of environmental space, paper documents, and on-screen. PhD thesis, University of Reading. doi: 10.48683/1926.00085342

Beier, S. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2014) The influence of serifs on 'h' and 'i': useful knowledge from design-led scientific research. Visible Language, 47 (3). pp. 74-95. ISSN 0022-2224

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2006) Programmes and canons. Critical Studies in Television, 1 (1). pp. 31-36. ISSN 1749-6020

Black, A. (2017) Icons as carriers of information. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information design: research and practice. Routledge, London, UK, pp. 253-269. ISBN 9781472430700

Black, A. (2019) Information design to make an impact on health care quality – is a user-centred approach enough? In: Mastoridis, K., Sioki, N. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (eds.) Design for Visual Communication: Challenges and Priorities. Cambridge Scholars, Newcastle, UK, pp. 53-68. ISBN 9781527529540

Black, A. and Stanbridge, K. (2012) Documents as 'critical incidents' in organisation to consumer communication. Visible Language, 46 (3). pp. 246-281. ISSN 0022-2224

Black, A., Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412, Brook, M., Carey, C., Goonasekera, M., Meredith, D., Olsson-Brown, A., Rosenorn-Lanng, D. and Vaux, E. (2017) Designing care bundle documentation to support the recognition and treatment of acute kidney injury: a route to quality improvement. In: Design for healthcare. Design for Social Responsibility. Gower, pp. 170-189. ISBN 9781472457424

Black, A., Carey, C., Matthews, V. and Solomons, L. (2019) Designing information for families caring for people with dementia. Design for Health, 3 (2). pp. 199-219. ISSN 2473-5132 doi: 10.1080/24735132.2019.1629766

Black, A., Gibb, A., Carey, C., Barker, S., Leake, C. and Solomons, L. (2013) Designing a questionnaire to gather carer input to pain assessment for hospitalized people with dementia. Visible Language, 47 (2). pp. 37-60. ISSN 0022-2224

Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, eds. (2017) Information design: research and practice. Routledge, London, pp600. ISBN 9780415786324

Blacksell, R. (2016) From visual to textual: typography in/as conceptual art. In: Glasmeier, M. and Prill, T. (eds.) Typografie als Kunstlerisches Ereignis. Textem Verlag, Hamburg, pp. 113-141. ISBN 9783864851254

Blacksell, R. (2013) Typography after conceptual art: text-based conceptual art and its contribution to contemporary typographic discourse. PhD thesis, University of Sheffield.

Blacksell, R. (2013) From looking to reading: text-based conceptual art and typographic discourse. Design Issues, 29 (2). pp. 60-81. ISSN 1531-4790 doi: 10.1162/DESI_a_00210

Blacksell, R. (2015) Studio International. The Burlington Magazine, 157 (1347). pp. 430-431. ISSN 0007-6287

Blacksell, R. and Walker, S., eds. (2016) Architecture and the spaces of information. Architecture and Culture, 4 (1). Taylor & Francis.

Blacksell, R. and Walker, S. (2016) Introduction: architecture and the spaces of information. Architecture and Culture, 4 (1). pp. 1-8. ISSN 2050-7836 doi: 10.1080/20507828.2016.1153241

Blacksell, R. E. (2016) Categories & order systems: Claude Parent and The Serving Library. Intersections of architecture, art and editorial design. Architecture and Culture, 4 (1). pp. 73-89. ISSN 2050-7836 doi: 10.1080/20507828.2015.1094229

Blume, J., Pané-Farré, P. and Smeijers, F. (2014) Vom buch auf die Straße: große Schrift von 1600 bis 1920 (From the book to the street: big letters from 1600 to 1920). [Show/Exhibition]

Blume, J., Pané-Farré, P. and Smeijers, F., eds. (2014) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (From the book to the street: big letters in public space). Journal der HGB, 3. Hochschule für Grafik und Buchkunst, Leipzig, pp256. ISBN 9783932865862

Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 (2023) Visual displays of local flood risk: examining how residents at risk use flood maps and river level graphs. In: Von Manen, S. M., Jaenichen, C., Lin, T. S., Kremer, K. and Ramirez, R. (eds.) Design for Emergency Management. Routledge, London. ISBN 9781032285030

Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 and Urrutia-Badilla, B. (2022) Hay Diseño de información si sabes donde buscarlo / There is information design if you know where to look for it. RChD: Creación y Pensamiento, 7 (13). pp. 103-113. ISSN 0719-8426 doi: 10.5354/0719-837X.2022.68377

Brezina, D. (2019) Coherence in typeface design: visual similarity of characters in Cyrillic, Devanagari, and Latin. PhD thesis, University of Reading. doi: 10.48683/1926.00085141

Bulut Peynirci, E. (2024) The application of an information design approach to the development of a user-oriented digital local food map for Berkshire, Oxfordshire, and Hampshire. PhD thesis, University of Reading. doi: 10.48683/1926.00119742

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2007) Active literature: Jan Tschichold and New Typography. Hyphen Press, London, pp336. ISBN 9780907259329

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2013) Animated Isotype on film, 1941–7. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 366-389. ISBN 9780907259473

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2010) Back to basics: Otto Neurath and Isotype. Cambridge Literary Review, 1 (3). pp. 221-235. ISSN 2042-129x

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) Caractères hybrides allemands 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: caractères du XVe siècle entre gothique et romain. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy, France, pp. 166-179. ISBN 9782378962265

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Crisis, 1933 – the politicization of Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 226-235. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2016) Formal writing, artist typefaces, and bread-and-butter type (part 1). Forum (32). pp. 8-13. ISSN 1472-0604

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Formal writing, artist typefaces, and bread-and-butter type (part 2). Forum (33). pp. 7-10. ISSN 1472-0604

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) Gerard Unger: life in letters. De Buitenkant, Amsterdam, pp336. ISBN 9789083052106

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2016) Gerd Arntz. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 256-260. ISBN 9783874398930

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Gerd Arntz. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 256-262. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) German hybrid typefaces 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: 15th-century types between gothic and roman. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy / Frankfurt am Main, pp. 161-174. ISBN 9782378962265

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (1998) German hybrid typefaces 1900–1914. In: Shaw, P. and Bain, P. (eds.) Blackletter: type and national identity. Cooper Union, New York, pp. 32-39. ISBN 1-56898-125-2

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2013) The Gesellschafts- und Wirtschaftsmuseum in Wien (Social and Economic Museum of Vienna), 1925–34. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 20-106. ISBN 9780907259473

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) How did Futura get to the Moon? In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 351-365. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2013) Interlude in the Netherlands, 1934–40. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 282-296. ISBN 9780907259473

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2013) The Isotype Institute, Oxford: war, welfare, and post-war reconstruction, 1941–8. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 354-365. ISBN 9780907259473

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2009) Isotype: representing social facts pictorially. Information Design Journal, 17 (3). pp. 211-223. ISSN 0142-5471 doi: 10.1075/idj.17.3.06bur

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Jan Tschichold and Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 206-209. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2016) Jan Tschichold und Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 206-209. ISBN 9783874398930

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2016) Krise 1933 – Politisierung der Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 226-235. ISBN 9783874398930

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (1997) Luxury and Austerity: Willy Wiegand and the Bremer Presse. In: Stiff, P. (ed.) Typography papers, 2. Department of Typography & Graphic Communication, Reading, pp. 105-128. ISBN 0-7049-1122-1

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Modernism and traditionalism: points of convergence in European typography, 1925–1950. In: Counter-Signals 2: Hieroglyphs of the anti-commodity. Counter-Signals (2). Other Forms, Chicago / Berlin, pp. 150-161. ISBN 9780998170800

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Munich as a centre for typography 1926–1933. In: Eiesle, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 201-205. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2016) München als typografisches Zentrum. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 201-205. ISBN 9783874398930

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Otto Neurath and the Vienna Method of Pictorial Statistics (Isotype). In: Esiele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 252-255. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2016) Otto Neurath und die Wiener Methode der Bildstatistik. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 252-255. ISBN 9783874398930

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (1998) Paul Renner: the art of typography. Hyphen Press, London, pp224. ISBN 0-907259-12-X

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (1992) Peter Behrens and the German Letter: type design and architectural lettering. Journal of Design History, 5 (1). pp. 19-37. ISSN 1741-7279

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2013) Pictogram design: Vienna and beyond. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 498-521. ISBN 9780907259473

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) Von der Wiener methode der bildstatistik zu isotype. In: Waldner, G. (ed.) Die Konturen der Welt: Geschichte und Gegenwart visueller Bildung nach Otto Neurath. Mandelbaum Verlag, Vienna, pp. 35-49. ISBN 9783854769668

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2019) Vorwort. In: Jacobs, S. and Rössler, P. (eds.) Jan Tschichold - ein Jahrhunderttypograf?: Blicke in den Nachlass. Wallstein Verlag, Göttingen, pp. 23-25. ISBN 9783835334700

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2016) Wie kam die Futura auf dem Mond? In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 350-365. ISBN 9783874398930

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2013) The “Wiener Methode der Bildstatistik” (ISOTYPE): between art and design. In: Holter, M. C., Höller, B. and Wien, K. (eds.) Zeit(lose) Zeichen / Timeless signs: contemporary art in reference to Otto Neurath. Kerber, Vienna, pp. 23-29. ISBN 9783866787926

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2013) The atlas Gesellschaft und Wirtschaft (society and economy), 1930. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 186-215. ISBN 9780907259473

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (1997) The early years 1900–1922. The Monotype Recorder, New Series (10). pp. 4-13.

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2011) The linguistic status of Isotype. In: Image and Imaging in Philosophy, Science, and the Arts. Ontos, Heusenstamm, pp. 31-58. ISBN 9783868381160

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2019) The mysterious case of the curtailed g: Danish style in type. Perpensa Press, Devizes, pp40. ISBN 9781916053908

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Eve, M., eds. (2010) From hieroglyphics to Isotype: a visual autobiography (Otto Neurath). Hyphen Press, London, pp224. ISBN 9780907259442

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Holter, M. (2014) Timeless signs: Otto Neurath and reflections in Austrian contemporary art. [Show/Exhibition]

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Jansen, W. (2022) Soft propaganda, special relationships, and a new democracy: Adprint and Isotype, 1942–1948. De Buitenkant, Amsterdam, pp208. ISBN 9789076452005

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Kinross, R. (2000) The dispute between Max Bill and Jan Tschichold of 1946, with a later contribution by Paul Renner. In: Kinross, R. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Typography papers, 4. Department of Typography & Graphic Communication, Reading, pp. 57-90. ISBN 0-7049-1124-8

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2024) History and legacy of Isotype. Bloomsbury, London, pp208. ISBN 9781350359079 doi: 10.5040/9781350359109

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2024) Isotype, logical empiricism, and the scientific world-conception. In: Damböck, C., Friedl, J. and Höfer, U. (eds.) Ways of the Scientific World-Conception: Rudolf Carnap and Otto Neurath. Studien zur Österreichischen Philosophie, 50. Brill, Leiden, pp. 272-314. ISBN 9789004680197

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2022) Marie Reidemeister and Otto Neurath: interwoven lives and work. The European Journal of Life Writing, 11. pp. 103-129. ISSN 2211-243X doi: 10.21827/ejlw.11.38787

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2023) Marie Reidemeister und Otto Neurath: eine Lebens- und arbeitspartnerschaft. In: Shapira, E. and Rossberg, A.-K. (eds.) Gestalterinnen: Frauen, Design und Gesellschaft im Wien der Zwischenkriegszeit. De Gruyter, Berlin/Boston, pp. 213-223. ISBN 9783110771886 doi: 10.1515/9783110771947-014

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Tuboly, A. T. (2025) Otto Neurath in Britain. Cambridge University Press, Cambridge, pp328. ISBN 9781009376297 doi: 10.1017/9781009376280

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, eds. (1998) Typography papers, 3. Typography papers, 3. Department of Typography & Graphic Communication, Reading, pp148. ISBN 0-7049-1123-x

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, eds. (2013) Isotype: design and contexts 1925–1971. Hyphen Press, London, pp554. ISBN 9780907259473

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2010) Isotype: international picture language. [Show/Exhibition]

C

Camillini, G. (2020) Fortunato Depero and Depero futurista 1913–1927. PhD thesis, University of Reading. doi: 10.48683/1926.00096457

Campkin, B. and Dobraszczyk, P. (2007) Architecture and dirt. Journal of Architecture. Taylor & Francis.

Campkin, B. and Dobraszczyk, P. (2007) Architecture and dirt: introduction. The Journal of Architecture, 12 (4). pp. 347-351. ISSN 1466-4410 doi: 10.1080/13602360701614623

Cerne-Oven, P. (2004) Analogno/digitalno. Klik, 61. pp. 30-31. ISSN 1408-7936

Cerne-Oven, P. (2004) Ranko Novak: arhitekt na (ne)zacasnem delu v oblikovanju. Oris, VI. pp. 132-141.

Cheng, X. (2024) Evolution of Chinese typeforms up to the early 20th century. PhD thesis, University of Reading. doi: 10.48683/1926.00119936

Conidi, E. (2018) Arabic types in Europe and the Middle East, 1514-1924: challenges in the adaptation of the Arabic script from written to printed form. PhD thesis, University of Reading. doi: 10.48683/1926.00080437

Copetti Klohn, S. (2019) The use of informative and decorative pictures in health and safety posters for children. PhD thesis, University of Reading. doi: 10.48683/1926.00084830

Cumiskey, L., Lickiss, M., Šakić Trogrlić, R. and Ali, J. (2019) Interdisciplinary pressure cooker: environmental risk communication skills for the next generation. Geoscience Communications, 2 (2). pp. 173-186. ISSN 2569-7110 doi: 10.5194/gc-2-173-2019

D

Dakak, M. (2022) Towards understanding diversity in Arabic type styles: its origins, its current use and its effect on Arab readership. PhD thesis, University of Reading. doi: 10.48683/1926.00111569

Dobraszczyk, P. (2005) Sewers, wood engraving and the sublime: picturing London's main drainage system in the Illustrated London News, 1895-62. Victorian Periodicals Review, 38 (4). 349-378 . ISSN 1712-526X

Dobraszczyk, P. (2007) Mapping sewer space in mid-Victorian London. In: Campkin, B. and Cox, R. (eds.) Dirt: New Geographies of Cleanliness and Contamination. I B Tauris, London, pp. 123-137. ISBN 9781845116729

Dobraszczyk, P. (2007) 'Monster sewers': experiencing London's main drainage system. In: Scott, N. (ed.) Monsters and the Monstrous: Myths and Metaphors of Enduring Evil. At the Interface/Probing the Boundaries (38). Rodopi, Amsterdam and New York, pp. 9-32. ISBN 9789042022539

Dobraszczyk, P. (2007) Architecture, ornament and excrement: the Crossness and Abbey Mills pumping stations. The Journal of Architecture, 12 (4). pp. 353-365. ISSN 1466-4410 doi: 10.1080/13602360701614631

Dobraszczyk, P. (2006) Historicizing iron: Charles Driver and the Abbey Mills pumping station (1865-68). Architectural History, 49. pp. 223-256. ISSN 0066-622X

Dyson C., M. ORCID: https://orcid.org/0000-0002-0920-4312 (2017) Information design research methods. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information Design: Research and Practice. Routledge, London, pp. 435-449. ISBN 9780415786324 doi: 10.4324/9781315585680

Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312 and Campello, S. B. (2003) Evaluating virtual learning environments: what are we measuring? Electronic Journal of eLearning, 1 (1). pp. 11-20. ISSN 1479-4403

Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312 and Stott, C. (2012) Characterizing typographic expertise: do we process typefaces like faces? Visual Cognition, 20 (9). pp. 1082-1094. ISSN 1464-0716 doi: 10.1080/13506285.2012.722568

Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312, Lonsdale, M. and Papaefthimiou, M. (2006) Student perspectives on a virtual learning environment: lessons for einstructors. Blended learning: promoting dialogue in innovation and practice. pp. 137-144.

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2014) Applying psychological theory to typography: is how we perceive letterforms special? In: Machin, D. (ed.) Visual communication. Handbooks of communication science (4). De Gruyter Mouton, Berlin, pp. 215-242. ISBN 9783110255492

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2003) Developing, exploring and evaluating tools and resources. Digital Creativity, 14 (4). pp. 193-194. ISSN 1744-3806 doi: 10.1076/digc.14.4.193.27878

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2003) Digital creativity. Taylor and Francis.

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2011) Do designers show categorical perception of typefaces? Visible Language, 45.3 (15.3). pp. 193-220. ISSN 0022-2224

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2005) How do we read text on screen. In: Oostendorp, H. V., Breure, L. and Dillon, A. (eds.) Creation, use and deployment of digital information. Routledge, London, pp. 279-306. ISBN 9780805845877

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2004) How physical text layout affects reading from screen. Behaviour and Information Technology, 23 (6). pp. 377-393. ISSN 1362-3001 doi: 10.1080/01449290410001715714

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2003) Readers' navigation of electronic documents: how do we find our way around the research? In: 1st Information Design International Conference, 2003, Recife, Brazil.

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2013) Where theory meets practice: a critical comparison of research into identifying letters and craft knowledge of type design. Design Journal, 16 (3). pp. 271-294. ISSN 1460-6925 doi: 10.2752/175630613X13660502571741

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2021) A commentary on: Reappropriation of gendered Irish Sign Language in one family. Visible Language, 55 (3). pp. 28-35. ISSN 0022-2224 doi: 10.34314/vl.v55i3.4671

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Beier, S. (2016) Investigating typographic differentiation: italics are more subtle than bold for emphasis. Information Design Journal, 22 (1). pp. 3-18. ISSN 0142-5471 doi: 10.175/idj.22.1.02dys

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Jennings, E. M. (2014) Examining the interfaces to e-journal articles: what do users expect? In: DUXU 2014, June 2014, Creta Maris, Heraklion, Crete, Greece, pp. 164-173.

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Suen, C. Y., eds. (2016) Digital fonts and reading. Series on Language Processing, Pattern Recognition, and Intelligent Systems: Volume 1. World Scientific. ISBN 9789814759533

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312, Tam, K., Leake, C. and Kwok, B. (2016) How does expertise contribute to the recognition of Latin and Chinese characters? In: Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Suen, C. Y. (eds.) Digital fonts and reading. World Scientific, Singapore, pp. 193-208. ISBN 9789814759533

de Souza, J. M. B. and Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312 (2008) Are animated demonstrations the clearest and most comfortable way to communicate on-screen instructions? Information Design Journal, 16 (2). pp. 107-124. ISSN 0142-5471 doi: 10.1075/idj.16.2.03bez

E

Edwards, V. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (1994) Multilingual resources for children. Language and Education, 8 (3). pp. 147-156. ISSN 1747-7581 doi: 10.1080/09500789409541387

Esbester, M. (2009) Mapping the way? Maps, gender, emotion. In: Letherby, G. and Reynolds, G. (eds.) Gendered Journeys, Mobile Emotions. Ashgate, Aldershot, pp. 33-44. ISBN 9780754670346

Esbester, M. (2009) Nineteenth-century timetables and the history of reading. Book History, 12. pp. 156-185.

Esbester, M. (2009) Designing time: the design and use of nineteenth-century transport timetables. Journal of Design History, 22 (2). pp. 91-113. ISSN 1741-7279 doi: 10.1093/jdh/epp011

Esbester, M. (2006) "No good reason for the Government to interfere": the State and Railway Employee Safety in Britain, c. 1900-1939. Business and Economic History Online, 4. ISSN 0849-6825

Eve, M. (2009) Isotype in trouble, 1946-1948. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press, pp. 129-135. ISBN 9780907259398

F

Fadel, L. M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2006) Comparing a text- and visual-based interface presenting social information in an online environment. In: Visual Languages and Human-Centric Computing, 2006. VL/HCC 2006. IEEE Symposium o, 4-8 September 2006, Brighton, UK, pp. 143-146. doi: 10.1109/VLHCC.2006.15

Fadel, L. M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2007) Enhancing interactivity in an online learning environment. Lecture Notes in Computer Science, 4663. pp. 332-344. ISSN 0302-9743 doi: 10.1007/978-3-540-74800-7_27

Fadel, L. M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2010) Interface design for social interaction in e-learning environments. In: Tzanavari, A. and Tsapatsoulis, N. (eds.) Affective, interactive and cognitive methods for e-learning design: creating an optimal education experience. IGI Global, pp. 72-93. ISBN 9781605669403 doi: 10.4018/978-1-60566-940-3.ch004

Fadel, L. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2006) The effect of interface design on the enhancement of social presence in online courses. In: ICL2006, 27-29 September 2006, Villach, Austria.

Ferrer, B. (2024) Book layout and design in unconventional printed novels: materiality and reading in the digital era. PhD thesis, University of Reading. doi: 10.48683/1926.00120352

G

Gaultney, J. V. (2021) Designing italics: Approaches to the design of contemporary secondary text typefaces. PhD thesis, University of Reading. doi: 10.48683/1926.00099060

Gillieson, K. (2012) 18 entries for The Phaidon Archive of Graphic Design. In: The Phaidon Archive of Graphic Design. Phaidon Press Ltd. ISBN 9780714848679

Gillieson, K. (2005) Genetics of the 'open text'. Eye, 57. pp. 26-35.

Gillieson, K. (2012) 'New materialism: interviews & cartographies' by Rick Dolphijn and Iris van der Tuin [Book design by Katherine Gillieson]. [Artefact]

Gillieson, K. (2011) 'The democracy of objects' by Levi R. Bryant [Book design by Katherine Gillieson]. [Artefact]

Gillieson, K. (2008) A framework for graphic description in book design. PhD thesis, University of Reading.

Gillieson, K. (2008) Limits of reading: the book in action. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 60-63. ISBN 9783899552096

Gillieson, K. (2008) Limits of the book: forethoughts on book design. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 2-5. ISBN 9783899552096

Gillieson, K. (2008) Limits of the book: the book about books. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 28-31. ISBN 9783899552096

Gillieson, K. (2004) On revolutions. Dot Dot Dot. pp. 57-61. ISSN 1615-1968

Gillieson, K. (2004) Semantics of British culture: towards a representation of the English breakfast as a modular system. Dot Dot Dot. pp. 62-64. ISSN 1615-1968

Gillieson, K. (2006) The book abstracted. Dot Dot Dot. ISSN 1615-1968

Gillieson, K., Andrew, A. and MacKinnon, E. (2006) Start where you are: Graphic ordering influences improvisational dance. Performance Research, 11 (2). pp. 67-74. ISSN 1469-9990 doi: 10.1080/13528160600810616

Gillieson, K., Andrew, A. and Mackinnon, E. (2006) 'Start where you are': graphic ordering influences improvisational dance. Performance Research, 11 (2). pp. 67-74. ISSN 1469-9990 doi: 10.1080/13528160600810616

H

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2017) Murty Bangla typeface. Harvard University Press.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2015) Murty Gurmukhi typeface. Harvard University Press.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2015) Murty Hindi typeface. Harvard University Press.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2017) Murty Kannada typeface. Harvard University Press.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2016) Murty Sanskrit typeface. Harvard University Press.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2015) Murty Telugu typeface. Harvard University Press.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2015) Sanskrit text typeface. Microsoft.

Höfer, U., Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G., eds. (2023) Otto Neurath - Gesammelte schriften. Ergänzungsband. Varia-Verstreute schriften. LIT Verlag, Vienna, pp600. ISBN 9783643510686

I

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2020) Adpater arabic typeface. [Project]

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2018) Early Persian printing and typefounding in Europe. Journal of the Printing Historical Society (29). pp. 87-123. ISSN 0079-5321

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2021) معمّای نخستین کتاب فارسی چاپ‌شده با حروف سربی در ایران (Enigma of the first Persian book printed in Iran with movable type). Jahan-e Ketab, 26 (1–3). pp. 41-47. ISSN 1681-9705

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2024) From reed to steel: the origins of nasta‘līq type-making in nineteenth-century Istanbul and Cairo. In: Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961, Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 and Sherin, A. (eds.) Bloomsbury Handbook of Global Typography. Bloomsbury. (In Press)

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2020) Haghighi's typefaces. NESHAN, The Iranian Graphic Design Magazine (46/47). pp. 192-205.

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2016) Lalezar typeface. [Project]

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2022) Persian and Arabic printing with movable type in Qajar Iran (1818–1900). In: Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (ed.) Arabic Typography: History and Practice. Niggli, Salenstein, pp. 75-153. ISBN 9783721210170

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2025) Simplifying Urdu: Nasta‘liq types for mechanical composition and the forces of colonisation, monopolisation, and ownership. Book History, 28 (1). pp. 58-122. ISSN 1529-1499 doi: 10.1353/bh.2025.a959456

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2023) Tabrizi Jali typeface: reviving history through letterforms. [Project]

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2021) The early typographic representation of the Persian language. PhD thesis, University of Reading. doi: 10.48683/1926.00110763

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2024) بررسی دورهٔ دوم چاپ سربی فارسی در ایران عصر قاجار و نقش حروف چاپی وارداتی (An examination of the second period of Persian printing with movable type in Qajar Iran and the role of imported types). Jahan-e Ketab. ISSN 1681-9705 (In Press)

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 and Ghazi-zadeh, A.-A. (2021) سرآغاز چاپ و حروف‌ریزی فارسی در اروپا (The beginning of Persian printing and typefounding in Europe). Jahan-e Ketab, 25 (9–10). pp. 40-52. ISSN 1681-9705

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2018) Markazi text typeface. Google Fonts.

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2018) Marlik typeface. Rosetta Type Foundry.

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2019) Twentieth-century Persian newspaper types – investigating the design process. [Show/Exhibition]

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350, Cousins, S. ORCID: https://orcid.org/0000-0002-1094-2961, Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Savoie, A. (2022) Gulzar typeface. Google Fonts.

K

Khara, A. (2022) Fairness in design: a model for critically analysing digital government forms. PhD thesis, University of Reading. doi: 10.48683/1926.00114379

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2006) Cheap Jack Flash. Eye, 60. pp. 46-51.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2009) Delight of men and gods: Christiaan Huygens's new method of printing. Journal of the Printing Historical Society, 14 (new se. pp. 5-40.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2018) Eminents observed: a century of writing, lettering, type and typography at the Central School, London. In: Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (ed.) Typeform Dialogues (2nd edition). Hyphen Press, London, pp. 50-87. ISBN 9780907259527

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2010) Fit to be seen: stencils for architects, engineers and surveyors. AA Files, 61. pp. 100-109. ISSN 0261-6823

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2017) Future, Fortune, and the graphic design of information. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information Design: Research and Practice. Routledge, pp. 127-146. ISBN 9781472430700

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2003) Hoofdletters, tweeling- en meerlingdruk. Eye, 47. pp. 30-37. ISSN 0950-222X

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2005) Ishihara. Eye Magazine, 56. pp. 18-23. ISSN 0960-779X

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2013) Isotype in Africa: Gold Coast, Sierra Leone, and the Western Region of Nigeria, 1952–8. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London. ISBN 9780907259473

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2025) Isotype in Africa: Gold Coast, Sierra Leone, and the Western Region of Nigeria, 1952–8. In: Lees-Maffei, G. and Houze, R. (eds.) The Design History Reader. Bloomsbury Publishing. ISBN 9781350133518

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2001) Marked by time. Eye Magazine, 10 (40). pp. 48-51. ISSN 0960-779X

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2006) Patents progress: the Adjustable Stencil. Journal of the Printing Historical Society, 9 (new ser. pp. 65-92.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2007) The 'Plaque Decoupee Universelle': a geometric sanserif in 1870s Paris. In: Typography Papers 7. Hyphen Press, pp. 71-80. ISBN 9780907259336

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2011) Reaching the people: Isotype beyond the West. In: Heinrich, R., Nemeth, E., Pichler, W. and Wagner, D. (eds.) Image and Imaging in Philosophy, Science and the Arts. Publications of the Austrian Ludwig Wittgenstein Society, new series, vol. 17, 2 (17). Ontos Verlag, Frankfurt, Paris, Lancaster, New Brunswick, pp. 175-193. ISBN 9783868381160

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2003) Recollecting stencil letters. In: Typography Papers 5. University of Reading, Reading, pp. 65-101.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2014) Stencil dies: new tools for an old trade. In: Blume, J., Pané-Farré, P. and Smeijers, F. (eds.) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (Journal der HGB #3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 41-61, 127–145 (colour images); 193–210 (English text).

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2002) Stencil work in America, 1850–1900. Baseline (38). pp. 5-12. ISSN 0954-9226

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2025) Stencil-making in Paris in the eighteenth century. In: Davy-Rigaux, A. and Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (eds.) The stencilled music book at the end of the modern era: techniques, inventories, workshops. Typography papers (10). Department of Typography & Graphic Communication, University of Reading. (In Press)

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2019) Stencil: a descriptive bibliography. Éditions à jour, Reading, pp24.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2026) Type-like: the special case of stencil work. In: Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961, Sherin, A., Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 and Singh, V. (eds.) The Bloomsbury Handbook of Global Typography. Bloomsbury Publishing. (In Press)

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891, ed. (2018) Typeform Dialogues (2nd edition). Hyphen Press, London.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891, ed. (2012) Typeform dialogues. Hyphen Press, London, pp48. ISBN 9780907259152

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2012) User's manual. In: Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (ed.) Typeform dialogues. Hyphen Press, London, pp. 5-36, 48 p.. ISBN 9780907259152

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2002) When 1+1=3. Eye Magazine, 11 (43). pp. 36-45. ISSN 0960-779X

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2022) “When things are equal all over the world the symbols can be the same”: Isotype in West Africa. InfoDesign - Revista Brasileira De Design Da Informação, 19 (2). pp. 1-21. ISSN 1808-5377 doi: 10.51358/id.v19i2.1004

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2004) Worlds of moiré. Eye, 52. pp. 18-27.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2013) The description of stencilling by Gilles Filleau des Billettes: transcription and translation. In: Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (eds.) Typography papers 9. Hyphen Press, London, pp. 66-86. ISBN 9780907259480

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2013) A reconstruction of stencilling based on the description by Gilles Filleau des Billettes. In: Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (eds.) Typography papers 9. Hyphen Press, London, pp. 28-65. ISBN 9780907259480

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2013) A tradition with breaks. Eye Magazine, 22 (86). pp. 38-55. ISSN 0960-779X

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, eds. (2013) Typography papers, 9. Hyphen Press, London. ISBN 9780907259480

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Smeijers, F. (2012) Between writing and type: the stencil letter. [Show/Exhibition]

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2010) Isotype revisited. Il progetto sugli aspetti meno conosciuti di Isotype. Progetto grafico, 18. pp. 48-57. ISSN 1824-1301

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891, Minns, E., Nairne, K., Odling-Smee, A. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2019) Marie Neurath: Picturing Science. [Show/Exhibition]

Klohn, S. C. and Black, A. (2018) Informative and decorative pictures in health and safety posters for children. Visible Language, 52 (3). pp. 30-51. ISSN 0022-2224

Kshetrimayum, N. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2016) ABP extra bold Bengali typeface. Ananda Bazar Patrika, Kolkata.

Kshetrimayum, N. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2020) Linotype Bengali typeface, a revival. Monotype.

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Bruce, J. (2022) ABPN Bengali typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Gajjar-Bordawekar, K. (2023) ABPN Gujarati typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (2023) ABPN Hindi typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (2023) ABPN Marathi typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.

L

Lamberg, J. J. J. (2016) Clothing the paper: on the state of newspaper design, redesigns, and art directors’ perspectives in contemporary quality and popular newspapers. PhD thesis, University of Reading.

Leahy, M. (2021) Reading with early-stage Alzheimer's disease. Modifications to book design as a way of supporting preserved literacy skills. PhD thesis, University of Reading. doi: 10.48683/1926.00100747

Lee, R. and Moys, J.-L. (2016) Exploring the relationship between language and design: a study of Hong Kong newspapers. Visible Language, 50 (2). pp. 127-149. ISSN 0022-2224

Lekka, H. (2018) Linotype’s design of new Greek typefaces for photocomposition in the Greek printing market, 1970-1980. PhD thesis, University of Reading.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2011) Adobe Bickham Script Greek typeface. Adobe Inc..

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2005) Adobe Garamond Premier Pro Greek. University of Reading.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2022) Arabic typography: a paradigm for research-informed practice. [Video]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2011) Brill Greek, Adobe Arno Pro, Adobe Text/Brevier Greek typefaces. Brill & Adobe Inc..

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) CUP Intermediate Greek-English Lexicon. Cambridge University Press, Cambridge.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2022) Collections and archives as spaces of ideas and knowledge. [Video]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2021) Designing for the future: diverse and inclusive typeface design by default. [Video]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2018) Enabling modernity: innovation in modulated Greek typefaces, 1998-2007. Philological Encounters, 3 (4). pp. 412-440. ISSN 2451-9197 doi: 10.1163/24519197-12340055

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Foreword. In: Macchia, E. and Brenner, M. (eds.) Type compass: charting new routes in typography. SHS Publishing, Rome, Italy, pp. 8-9. ISBN 9788890759499

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2018) Greek. In: Wittner, B., Thoma, S. and Hartmann, T. (eds.) Bi-Scriptual: Typography and Graphic Design with Multiple Script Systems. Niggli, Salenstein, Switzerland. ISBN 9783721209822

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2015) Greek printing outside Greece, from the 15th century to e-books. [Show/Exhibition]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2025) Hints of paradigm shifts. In: Time to play. Underware.nl, The Hague, pp. 93-97. ISBN 9789076984131

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2023) Identifying patterns in the globalisation of typeface design. Zhuangshi | Chinese Journal of Design, 358 (02). pp. 12-17. ISSN 0412-3662

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2000) In search of the digital Cresci: Don Knuth’s digital typography. Information Design Journal, 9 (2-3). pp. 111-118. ISSN 0142-5471 doi: 10.1075/idj.9.2-3.02leo

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2006) Languages, scripts, and typefaces. Tipografica, 70. pp. 16-17. ISSN 0328-7777

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2011) Lost in flatlands: will the next generation of page layout programs give us back our sense of space? Eye Magazine, 80 (20). p. 72. ISSN 0960-779X

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Never lost for words. Monotype Imaging Ltd, Bad Homburg, pp. 1-20.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2015) On systems and quality in typeface design. In: Silva, C. and Madureira, M. (eds.) 5th Meeting of Typography – Book of Proceedings. IPCA, Barcelos, Portugal, pp. 12-28. ISBN 9789899946507

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2015) Reading journeys. In: 365 Typo. Étapes, Paris, pp. 220-226. ISBN 9791095254003

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2013) Reading typeface design. In: Yearbook of Type I. Niggli, Sulgen, Switzerland, pp. 449-452. ISBN 9783721208610

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268, ed. (2022) Riccardo Olocco Michele Patane. 'Designing type revivals: handbook for a historical approach to typeface design'. Lazy Dog, Milan, pp112. ISBN 9788898030484

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2013) Slanted Babylon. Slanted. pp. 12-16. ISSN 1867-6510

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2019) Slanted Babylon. In: Lynam, I. (ed.) Total Armageddon—A Slanted Reader on Design. Slanted, Karlsruhe, pp. 273-279. ISBN 9783981829662

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2015) Snapshots from 1985–1995. [Show/Exhibition]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2009) Ten aspects in typeface design. Forum, 18. pp. 6-8. ISSN 1472-0604

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Thoughts on a quiet master. Monotype Recorder (XI). pp. 2-11. (special issue 'Robin Nicholas edition')

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2020) Three public talks for the 2020 International Summer School of the Academy of Fine Arts and Design, University of Ljubljana : Identifying genres and styles, The type market & career options, and Studying typefaces to improve your briefs. [Video]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2023) Toshi Omagari and Reading. IDEA (403). pp. 54-61. ISSN 0019-1299

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) Type design and development. In: Typography, Referenced. Rockport Publishers, pp. 30-51. ISBN 9781592537020

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2020) Type specimens as learning tools. In: Misiak, M. and Harmsen, L. (eds.) Support independent type—the new culture of type specimens. Slanted, Karlsruhe, pp. 18-19. ISBN 9783948440121

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2000) Γραμματοσειρές και πολιτισμική ταυτότητα [Typefaces and cultural identity]. Marketing Week. pp. 28-30. ISSN 0141-9285 (special issue 'Ελληνική Τυπογραφία [Greek typography]')

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2014) You make it happen: document demand, typeface supply. In: Kochan, B. (ed.) Granshan: design & identity. Typographische Gesellschaft München, Munich, Germany, pp. 142-149.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2012) You need an opinion, on top of an impulse. In: Coventon, D., Edgar, J., Williams, F. and Clifton, D. (eds.) Whatever Next: a discourse on typography. Camberwell Press, London, pp. 77-78. ISBN 9781908971098

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2024) The economics of everyday things: fonts. [Audio]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2013) An emerging discipline. Parenthesis (24). p. 36. ISSN 1462-9895

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2026) A framework for research-informed typeface design: starting with Greek. In: Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961, Sherin, A., Singh, V. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) The Bloomsbury Handbook of Global Typography. Bloomsbury Publishing, pp. 71-80. (In Press)

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2000) An introduction to Greek typeface design. AGFA/Monotype, Palo Alto, California, pp54.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2002) A primer on Greek type design. In: Berry, J. D. (ed.) Language, culture, type: international type design in the age of unicode. ATypI, New York, NY, pp. 76-90. ISBN 9781932026016

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2017) A reappraisal of Baskerville's Greek types. In: Archer-Parré, C. and Dick, M. (eds.) John Baskerville: art and industry in the Enlightenment. The University of Liverpool Press, Liverpool, pp. 133-150.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268, Bartsokas, K., Beveratou, E., Qadreh, N., Theofanous, E., Vlachou, I. and Zavras, A. (2025) Consequences of being early and a few: unfinished business for Greek typography. [Video]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268, Hudson, J., Kshetrimayum, N., Mansour, K. and Zoghbi, P. (2015) Beyond Latin. Eye Magazine, 90 (23). pp. 80-93. ISSN 0960-779X

Lickiss, M. (2015) Pictures of the molecular world. Education in Chemistry, 18. ISSN 0013-1350

Lickiss, M. (2019) Design perspectives on multimodal documents: system, medium, and genre relations. Routledge Studies in Multimodality. Routledge. ISBN 9781138096844

Lickiss, M., Mulder, K. J., Black, A., Charlton-Perez, A. J. ORCID: https://orcid.org/0000-0001-8179-6220, McCloy, R. A. ORCID: https://orcid.org/0000-0003-2333-9640 and Chandler, R. (2017) Developing a quick guide on presenting data and uncertainty. Weather, 72 (9). pp. 266-269. ISSN 1477-8696 doi: 10.1002/wea.2998

Lickiss, M. D. (2015) relationships between document instantiations across systems, mediums, and genres. PhD thesis, University of Reading.

Lickiss, M. D. and Cumiskey, L. (2019) Design skills for environmental risk communication: design in and design of an interdisciplinary workshop. The Design Journal, 22 (1). pp. 1373-1385. ISSN 1460-6925 doi: 10.1080/14606925.2019.1594963

Lim, W. J. D. (2021) Networks, artefacts, and technology : nineteenth-century Muslim lithographers, missionaries, and colonialism in the Malay archipelago. PhD thesis, University of Reading. doi: 10.48683/1926.00103819

Lonsdale, M. d. S., Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Reynolds, L. (2006) Reading in examination-type situations: the effects of text layout on performance. Journal of Research in Reading, 29 (4). pp. 433-453. ISSN 1467-9817 doi: 10.1111/j.1467-9817.2006.00317.x

Loveland, P., Moys, J.-L., Tollett, H. and Towriss, M. (2016) Typo-resource: developing T&L support materials through collaboration. The Journal of Educational Innovation, Partnership and Change, 2 (1). 238. ISSN 2055-4990 doi: 10.21100/jeipc.v2i1.238

Luna, P. (2003) Two Oxford Bible types. In: Randle, J. and Berry, J. D. (eds.) Type & Typography. Mark Batty Publisher, West New York, NJ, pp. 148-167. ISBN 0971568766

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2019) Book design. In: Oxford Handbook of Publishing. Oxford University Press, Oxford, pp. 311-325. ISBN 9780198794202 doi: 10.1093/oxfordhb/9780198794202.013.21

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2011) The Book of Common Prayer: The texts of 1549, 1559, and 1662 [Book design by Paul Luna]. [Artefact]

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Choosing type for information design. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information design: research and practice. Routledge, Abingdon, pp. 479-486. ISBN 9780415786324

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Design. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004. Oxford University Press, Oxford, pp. 205-217. ISBN 9780199574797

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2011) Marks, spaces and boundaries. Visible Language, 45 (1-2). pp. 139-160. ISSN 0022-2224 (special issue 'Punctuation')

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2004) Not just a pretty face: the contribution of typography to lexicography. In: 11th EURALEX International Congress, 6-10 July 2004, Lorient, France, pp. 847-858.

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2013) Picture this: how illustrations define dictionaries. In: Typography papers 9. Hyphen Press, London. ISBN 9780907259480

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2015) The Poems of T. S. Eliot [Book design by Paul Luna]. [Artefact]

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2010) The Qur’an: English translation with parallel Arabic text (translated by M.A.S. Abdel Haleem)[Book design by Paul Luna]. [Artefact]

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Technology. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004. Oxford University Press, Oxford, pp. 179-202. ISBN 9780199574797

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2018) Typography: a very short introduction. Very Short Introductions. Oxford University Press, Oxford, pp155. ISBN 9780199211296 doi: 10.1093/actrade/9780199211296.001.0001

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2005) The typographic design of Johnson's Dictionary. In: Lynch, J. and Mcdermott, A. (eds.) Anniversary essays on Johnson's Dictionary. Cambridge University Press, Cambridge , pp. 175-197. ISBN 9780521848442 doi: 10.2277/052184844X

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 and Ould, M. (2013) The printed page. In: Gadd, I. (ed.) The History of Oxford University Press. Volume 1: Beginnings to 1780. Oxford University Press, Oxford. ISBN 9780199557318

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961, Sherin, A., Singh, V. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, eds. (2025) The Bloomsbury handbook of global typography. Bloomsbury, London. (In Press)

Luna, P. F. ORCID: https://orcid.org/0000-0003-1556-1217 and Ragg, E. (2004) Designing the Oxford Shakespeare. In: Typography Papers. Typography Papers (5). University of Reading, Reading, pp. 5-21.

M

Marshall, L. and Moys, J.-L. (2020) Readers’ experiences of Braille in an evolving technological world. Visible Language, 52 (1/2). ISSN 0022-2224

Mastoridis, K., Sioki, N. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312, eds. (2019) Design for visual communication: challenges and priorities. Cambridge Scholars Publishing. ISBN 9781527529540

May, A. and Twyman, M. (2004) Reconstructing a Senefelder pole press. Journal of the Printing Historical Society, 7 (new ser. pp. 5-21.

McIlwraith, A. (2019) Better museum maps: an empirical study comparing the appeal and effectiveness of graphic design approaches. PhD thesis, University of Reading.

Moseley, J. (2006) Garamond, Griffo and others: the price of celebrity. Bibliologia, 1. pp. 17-41.

Moseley, J. (2005) Giovan Francesco Cresci and the baroque letter in Rome. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 115-155. ISBN 9780907259299

Moseley, J. (2006) La lettre antique. In: Volphilhac-Auger, C. (ed.) D'une Antiquite l'autre: la litterature antique classique dans les bibliotheques du XVe au XIXe siecle. ENS Editions, Lyon, pp. 15-27.

Moseley, J. (2006) Stanhope press no 341. In: The dawn of modern printing: Stanhope and Industrial Revolution,. Printing Museum, Tokyo, pp. 93-96.

Mosley, J. (2004) El rediseño de los clásicos: Matthew Carter y la interpretación de modelos históricos. tipoGráfica, 63. pp. 32-40.

Mosley, J. (2003) Giovan Francesco Cresci, nuovi documenti: un'iscrizione, un quadro. La Operina, 23. pp. 3-15.

Mosley, J. (2003) Nelly Gable, 'gy, or the magical journey of a punch-cutter at work. In: Matrix: A Review For Printers & Bibliophiles. The Whittington Press, pp. 88-92.

Mosley, J. (2008) The materials of typefounding: a list of surviving collections. Printing History, NS 4 (4).

Mosley, J. (2004) Baskerville, John (1706-1775). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) Caslon, William, the elder (1692-1766). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) Fry, Joseph (1728-1787). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2004) Jackson, Joseph (1733-1792). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111

Mosley, J. (2008) Médailles sur les principaux événements du règne de Louis le Grand 1702, the making of the book. Bulletin du bibliophile, 2. pp. 296-350. ISSN 0399-9742

Moys, J.-L. (2012) Typographic meaning: readers’ impressions of patterns of typographic differentiation. PhD thesis, University of Reading.

Moys, J.-L. (2014) Investigating readers’ impressions of typographic differentiation using repertory grids. Visible Language, 47 (3). 878. ISSN 0022-2224

Moys, J.-L. (2018) Promoting diversity through developing a sense of community. International Journal for Students as Partners, 2 (2). pp. 135-143. ISSN 2560-7367 doi: 10.15173/ijsap.v2i2.3547

Moys, J.-L. (2019) Repositioning aesthetics to improve synergies between research and practice – a typographic perspective. In: Mastoridis, K., Sioki, N. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (eds.) Design for Visual Communication: Challenges and Priorities. Cambridge Scholars Publishing, Newcastle, pp. 36-52. ISBN 9781527529540

Moys, J.-L. (2014) Typographic layout and first impressions: testing how changes in text layout influence reader's judgments of documents. Visible Language, 48 (1). 881. ISSN 0022-2224

Moys, J.-L. (2017) Visual rhetoric in information design: designing for credibility and engagement. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information Design: research and practice. Routledge, Farnham, UK. ISBN 9780415786324 (Part 2, chapter 12)

Moys, J.-L., Collier, J. and Joyce, D. (2018) By design: engaging Graphic Communication students in curriculum development. The Journal of Educational Innovation, Partnership and Change, 4 (1). ISSN 2055-4990 doi: 10.21100/jeipc.v4i1.752

Moys, J.-L., Loveland, P. and Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312 (2018) eInk versus paper: exploring the effects of medium and typographic quality on recall and reading speed. Visible Language, 52 (3). pp. 74-95. ISSN 0022-2224

Moys, J.-L., Martinez-Freile, C., McCrindle, R., Meteyard, L., Robson, H., Kendrick, L. and Wairagkar, M. (2018) Exploring illustration styles for materials used in visual resources for people with aphasia. Visible Language, 52 (3). pp. 96-113. ISSN 0022-2224

Mulder, K. J., Lickiss, M., Harvey, N. ORCID: https://orcid.org/0000-0003-0973-5794, Black, A., Charlton-Perez, A. ORCID: https://orcid.org/0000-0001-8179-6220, Dacre, H. ORCID: https://orcid.org/0000-0003-4328-9126 and McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640 (2017) Visualizing volcanic ash forecasts: scientist and stakeholder decisions using different graphical representations and conflicting forecasts. Weather, Climate and Society, 9 (3). pp. 333-348. ISSN 1948-8327 doi: 10.1175/WCAS-D-16-0062.1

Mulder, K. J., Williams, L., Lickiss, M., Black, A., Charlton-Perez, A. ORCID: https://orcid.org/0000-0001-8179-6220, McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640 and McSorley, E. ORCID: https://orcid.org/0000-0002-2054-879X (2023) Understanding representations of uncertainty, an eye-tracking study part 1: the effect of anchoring. Geoscience Communications, 6 (3). pp. 97-110. ISSN 2569-7110 doi: 10.5194/gc-6-97-2023

Mulder, K. J., Lickiss, M., Black, A., Charlton-Perez, A. J. ORCID: https://orcid.org/0000-0001-8179-6220, McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640 and Young, J. S. (2020) Designing environmental uncertainty information for experts and non‐experts: does data presentation affect users' decisions and interpretations? Meteorological Applications, 27 (1). e1821. ISSN 1350-4827 doi: 10.1002/met.1821

N

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2018) Arabic hot metal: the origins of the mechanisation of Arabic typography. Philological Encounters, 3 (4). pp. 496-523. ISSN 2451-9197 doi: 10.1163/24519197-12340052

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2017) Arabic type-making in the machine age: the influence of technology on the form of Arabic type, 1908–1993. Islamic Manuscripts and Books, 14. Brill Academic Publishers, Leiden ⸱ Boston, pp509. ISBN 9789004303775 doi: 10.1163/9789004349308

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2016) ‘Harmonised type design’ revisited. In: Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312 and Suen, C. Y. (eds.) Digital Fonts and Reading. Series on Language Processing, Pattern Recognition, and Intelligent Systems. World Scientific, Singapore, pp. 150-172. ISBN 9789814759533 doi: 10.1142/9789814759540_0009

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2020) On Arabic justification. Journal of Electronic Publishing, 23 (1). ISSN 1080-2711 doi: 10.3998/3336451.0023.104

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2022) Overlooked: the role of craft in the adoption of typography in the Muslim Middle East. In: Reese, S. (ed.) Manuscript and Print in the Islamic Tradition. Studies in Manuscript Cultures, 26 (26). De Gruyter, Berlin, pp. 21-60. ISBN 9783110776034 doi: 10.1515/9783110776485-002

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2013) Simplified Arabic, a new form of Arabic Type for hot-metal composition. In: Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (eds.) Typography Papers. Hyphen, London, pp. 173-189. ISBN 9780907259480

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2015) A bespoke typeface for an Austrian publishing house. In: Kudrnovská, L. (ed.) 365 Type. étapes, Paris, p. 246. ISBN 9791095254003

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2018) A short history of Arabic type-making. In: Kim, J. M. (ed.) 해외 글꼴의 연구·산업 현황 조사(Ⅲ) -아랍 문자권을 중심으로-. National Hangeul Museum, Seoul, pp. 92-141. ISBN 9791189438135

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792, Bringhurst, R., Conidi, E., Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350, Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 and Yazıcıgil, O. (2022) Arabic typography: history and practice. niggli, Salenstein, pp416. ISBN 9783721210170

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792, Březina, D. and Apelian, K. (2015) Rosetta type foundry: the perils of harmonization. Letterseed 11, 7 (1). pp. 164-171. ISSN 2093-1166

O

Olocco, R. (2019) A new method of analyzing printed type: the case of 15th-century Venetian romans. PhD thesis, University of Reading. doi: 10.48683/1926.00088833

Olsen, B. M. (2022) A diachronic study of food labels with a particular focus on verbal and pictorial narratives that are relevant to health. PhD thesis, University of Reading. doi: 10.48683/1926.00113323

P

Papassissa, E. (2020) Conventions, traditionalism, Latinisation, and modernity in Armenian typefaces across type-making technologies from 1512 to 1977. PhD thesis, University of Reading. doi: 10.48683/1926.00099061

Polat, D. N. (2018) A typographic analysis of newspapers and magazines in the Turkish alphabet reform (1928-1929). PhD thesis, University of Reading.

Poynor, R. (2020) David King: Designer, Activist, Visual Historian. Yale University Press, pp240. ISBN 9780300250107

Poynor, R. (2017) National theatre posters: a design history. Unit Editions, London, pp256. ISBN 9780995666436

R

Ransom, P. (2025) Emoji visual style and its function as a nonverbal feature of computer-mediated communication. PhD thesis, University of Reading. doi: 10.48683/1926.00123505

Ravichandran, S. P. (2020) The development of typographic forms for the Kannada and Telugu scripts (1801–1900). PhD thesis, University of Reading. doi: 10.48683/1926.00099826

Reynolds, L. (2007) The Graphic Information Research unit: a pioneer of typographic research. In: Typography Papers. Typography Papers (7). Hyphen Press, pp. 115-137. ISBN 9780907259336

Reynolds, L. (2001) Improving the user-friendliness of a directory of chemical substances: 'The Approved Supply List'. Information Design Journal, 10 (3). pp. 270-285. ISSN 0142-5471 doi: 10.1075/idj.10.3.11rey

Reynolds, L. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2004) 'You can't see what the words say': word spacing and letter spacing in children's reading books. Journal of Research in Reading, 27 (1). pp. 87-98. ISSN 0141-0423 doi: 10.1111/j.1467-9817.2004.00216.x

Reynolds, L., Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 and Duncan, A. (2006) Children's responses to line spacing in early reading books or "Holes to tell you which line you're on". Visible Language, 40 (3). pp. 246-267.

Roberto, R. (2019) Democratising knowledge and visualising progress: illustrations from Chambers's Encyclopaedia, 1859-1892. PhD thesis, University of Reading. doi: 10.48683/1926.00085483

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2023) সুন্দর সাবলীল বাংলা হরফের খোঁজে. In: আনন্দ শতক. Anandabazar Patrika, Kolkata, pp. 394-397. ISBN 9789354253225

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2015) Aspects of typographic communication: notes on South Asian typeforms. In: Makinson, J. (ed.) Honoris Causa: Essays in Honour of Aveek Sarkar. Allen Lane, UK, pp. 47-77. ISBN 9780241248676

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (1993) The Bengali Types of Vincent Figgins. Matrix (13). pp. 205-212.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2005) Beyond Latin: a glimpse into the subject of Arabic and Indic lettershapes and digital typeforms. Circular, 13.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2021) Collections-based research to underpin best practice in typeface design for diverse scripts. In: Satalecka, E. and Połczyński, M. (eds.) Future Graphic Language: New Directions in Verbal Communication. Polish-Japanese Academy of Information Technology, Warsaw, pp. 72-83. ISBN 9788366831

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2013) Digital typeface design and font development for twenty-first century Bangla language processing. In: Karim, M. A., Kaykobad, M. and Murshed, M. (eds.) Technical Challenges and Design Issues in Bangla Language Processing. IGI Global, Pennsylvania U.S.A., pp. 1-15. doi: 10.4018/978-1-4666-3970-6.ch001

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2017) Fonts for classical texts in a digital age. [Project] (Collection)

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (1989) From metal type to digital letterforms – a straightforward transition for Indian scripts? Matrix (9). pp. 129-136.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2018) Historical technological impacts on the visual representation of language with reference to South Asian typeforms. Philological Encounters, 3 (4). ISSN 2451-9189 doi: 10.1163/24519197-12340054

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2010) Indian type. In: Suarez, S.J., M. F. and Woudhuysen, H. R. (eds.) The Oxford Companion to the Book. Oxford University Press. ISBN 9780198606536 doi: 10.1093/acref/9780198606536.001.0001

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2021) Invisible hands: tracing the origins and development of the Linotype Devanagari digital fonts. Journal of the Printing Historical Society, 3 (2). pp. 111-153. ISSN 0079-5321

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2008) The Linotype Non-Latin Collection, University of Reading. In: Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (eds.) Non-Latin typefaces: at St Bride Library, London and Department of Typography & Graphic Communication, University of Reading. St Bride Library, London, UK, pp. 32-62.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2015) The Murty Classical Library of India – a collaborative design project for Harvard University Press. In: Kudrnovska, L. (ed.) 365 Typo. Étapes, Paris, pp. 258-259. ISBN 9791095254003

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2023) Murty Classical Library of India: some notes on the project’s collaborative type-design process for the Indian-script typefaces 머티 인도 고전 총서—인도 글자 활자체에 적용할 서체 디자인 협업 프로세스를 기록하다. GRAPHIC (50). pp. 214-228. (VOICE: Notes from the Typojanchi 2023 『그래픽』 #50 보이스: 타이포잔치 2023 메모들)

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2012) Non-Latin scripts: key issues in type design. In: Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (eds.) Non-Latin scripts: from metal to digital type. St Bride Library, London, UK, pp. 125-153.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2020) Non-Latin type design – some considerations. In: Barmettler, R. (ed.) Zurich Type Design. Triest Verlag, Triest. ISBN 9783038630432

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2002) Non-Latin typesetting in the digital age. In: Sassoon, R. (ed.) Computers and Typography. Intellect Books, Bristol, UK, pp. 42-53. ISBN 1-84150-049-6

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (1999) The Printed Bengali character and its evolution. Curzon Press, Richmond, pp244. ISBN 0-7007-1135 X (First edition)

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2024) Research and practice in designing type for diverse writing systems: some case studies of typeface designs for South Asian scripts 多样书写系统字体设计的研究与实践 —南亚文字字体设计案例研究 / 菲奥娜·罗斯. Print Culture, 13 (4). pp. 164-175. ISSN 2096-8922

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (1998) Translating non-Latin scripts into type. Typography Papers, 3. pp. 75-86.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2022) Type-making over the years. In: Kudrnovská, L. (ed.) Building Ligatures: the power of type. TypeTogether, Prague, pp. 92-95. ISBN 9788090845404

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2002) An approach to non-Latin type design. In: Berry, J.D. (ed.) Language, culture, type: international type design in the age of unicode. ATypI, New York, NY, pp. 67-75. ISBN 9781932026016

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2006) A design for Sri Lanka. Building Letters, 3. pp. 20-23.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2019) A pocketful of type: the impact of mobile phones on global type design. Type, Fall 2019 (4). pp. 24-33.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2009) The printed Bengali character and its evolution. Shishu Sahitya Samsad, Kolkata, India, pp251. ISBN 9788179551849

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Hudson, J. (2022) Tiro Indic typeface collection. Google Fonts.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Kshetrimayum, N. (2017) ABP 2015 Bengali typeface. Ananda Bazar Patrika, Kolkata, India.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Kshetrimayum, N. (2020) ABP branding logos & taglines for news channels. Ananda Bazar Patrika (ABP) Pvt Ltd.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Savoie, A. (2022) Mujeres y tipografia. Texturas (48). pp. 73-81. ISSN 1887-3669 (ISBN 9788418941634)

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Savoie, A. (2011) World Scripts, Selected Material from the Non-Latin Type Collection, the University of Reading. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Shaw, G. (2003) An unexpected legacy and its contribution to early Indian typography. In: Randle, J. and Berry, J. (eds.) Type and typography: highlights from Matrix. Mark Batty Publisher, New Jersey, pp. 169-181. ISBN 9780971568761

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (2012) From hot-metal to OpenType – the type design process for world scripts. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (2014) Making news: type technologies in transition in newspapers across the world. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961, Holloway, T., Kshetrimayum, N. and Hudson, J. (2012) Sarkar Bengali typeface. Anandabazar Patrika, Kolkata, India.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961, Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Shaw, G. and Berry, J. (2012) Non-Latin scripts: from metal to digital type. St Bride Library, London, UK, pp160. ISBN 9780950416182

Ross, F. G. E. ORCID: https://orcid.org/0000-0002-1094-2961, Holloway, T. and Hudson, J. (2009) Adobe Devanagari typeface. Adobe Inc, USA.

S

Sanocki, T. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2012) Letter processing and font information during reading: beyond distinctiveness, where vision meets design. Attention, Perception, & Psychophysics, 74 (1). pp. 132-145. ISSN 1943-3921 doi: 10.3758/s13414-011-0220-9

Savoie, A. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2021) Dora Pritchett, Dora Laing, Patricia Saunders…the invisible women of Monotype’s Type Drawing Office. In: Levit, B. (ed.) Baseline Shift; Untold stories of women in graphic design history. Princeton Architectural Press, New York, pp. 110-119. ISBN 9781648960062

Schilhab, T. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, eds. (2020) The materiality of reading. Aarhus University Press, pp154. ISBN 9788771849585

Simão, M. F. F., Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Assunção, M. (2004) Enhancing social interaction in an online educational environment. In: IV Congresso Brasileiro de Computação, 2004, Itajaí, Santa Catarina, Brasil.

Singh, V. (2017) Devanagari type in the twentieth century. PhD thesis, University of Reading.

Singh, V. (2018) One letter at a time: index typewriters and the alphabetic interface. [Show/Exhibition]

Singh, V. (2018) Devanagari. In: Wittner, B., Thoma, S. and Hartmann, T. (eds.) Bi-scriptual: typography and graphic design with multiple script systems. Niggli Verlag, Salenstein, Switzerland. ISBN 9783721209822

Singh, V. (2017) From handwritten copy to the printed page in Devanagari: investigating the curious case of Friedrich Max Müller. Journal of the Printing Historical Society (26). pp. 11-22. ISSN 0079-5321

Singh, V. (2018) The first Indian-script typeface on the Monotype: a missing chapter in the history of mechanical typecasting. Journal of the Printing Historical Society, 29. ISSN 0079-5321

Singh, V. (2018) The machine in the colony: technology, politics, and the typography of Devanagari in the early years of mechanization. Philological Encounters, 3 (4). ISSN 2451-9197 doi: 10.1163/24519197-12340051

Sioki, N. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2012) Serving the reader : typography and layout in early Greek alphabet books (1771-1830). In: Proot, G. (ed.) Jaarboek voor Nederlandse Boekgeschiedenis. Dutch Book Historical Society, Den Haag, pp. 101-116. ISBN 9789460040948

Slinn, J., Carter, S. and Southall, R. (2014) History of the Monotype Corporation. Printing Historical Society / Vanbrugh Press, London / Woodstock, pp432. ISBN 9780993051005 (Edited by Boag, A. and Burke, C.)

Smeijers, F. (2014) Putting letters next to each others: a historical overview (Buchstaben aneinanderreihen: ein geschichtlicher Überblick). In: Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum. Journal der HGB (3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 227-250. ISBN 9783932865862

Smith, M. M. (2003) 'Le Blanc aldin' and the paragraph mark. In: Jones, W. J., Kelly, W. A. and Shaw, F. (eds.) 'Vir ingenio mirandus' : Studies Presented to John L Flood,. Kummerle. ISBN 3874529614

Smith, M. M. (2007) Printing red underlines in the incunable period: Sensenschmidt and Frisner's 1475 edition of Justinian's 'Codex'. Printing Historical Society Journal, 10 (new se. pp. 45-57.

Smith, M. M. (2003) Space-saving practices in early printed books. Journal of Printing Historical Society, 6 (new ser. pp. 19-39.

Smith, M. M. (2004) The pugillary of Lazzaro de' Soardi and the 'littera galante': more rivals to the Aldine classical octavo in italics. In: Biemans, J., Kuitert, L. and Verkruijsse, P. (eds.) Boek & letter: Boekwetenschappelijke bijdragen ter gelegenheid van het afscheid van profdr Frans A Janssen als hoogleraar in be Boek - en bibliotheekgeschiedenis aa de Universiteit van Amsterdam. De Buitenkant, Amsterdam, pp. 177-193. ISBN 9789076452456

Smith, M. M. (2007) The red-printing frisket at St Bride Library. Ultrabold: the Journal of St Bride Library, 3. p. 35.

Smith, M. M. (2005) From manuscript to print: early design changes. In: Estermann, M., Rautenberg, U. and Wittmann, R. (eds.) Band 59. Archiv für Geschichte des Buchwesens . De Gruyter, pp. 1-10. ISBN 9783598248559

Smith, M. M. (2004) Joseph Cundall and the binding design for the 'Illustrated Biographies of the Great Artists'. The Library, 5 (1). pp. 39-63. ISSN 0024-2160 doi: 10.1093/library/5.1.39

Smith, M. M. (2003) Printing industry. In: Mokyr , J. (ed.) The Oxford Encyclopedia of Economic History. Oxford University Press, New York, pp. 259-262. ISBN 9780195105070

Souto, V. T. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2004) Location of the table of contents in web documents: same screen or separate screen. In: IADIS International Conference WWW/Internet, 6-9 October 2004, Madrid, Spain.

Stiff, P. (2005) Co mozna wymarzyc, co trzeba rozwazyc (Dreams and Reasoning). 2+3D, 14 (1). pp. 18-19.

Stiff, P. (2004) Why designers need to understand reading. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece .

Stiff, P. (2005) Zrozumiec czytanie! (Understand reading!). 2+3D, 17 (4). pp. 69-71.

Stiff, P. (2009) Austerity, optimism: modern typography in Britain after the. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press. ISBN 9780907259398

Stiff, P. (2005) Brunelleschi's epitaph and the design of public letters in fifteenth century Florence. In: Typography Papers. Typography Papers (6). Hyphen Press. ISBN 9780907259299

Stiff, P. (2005) Kinneir. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 69-71. ISBN 9780907259299

Stiff, P. (2007) Showing a new world in 1942: the gentle modernity of Puffin picture books. Design Issues, 23 (4). pp. 22-38. ISSN 1531-4790 doi: 10.1162/desi.2007.23.4.22

Stiff, P. (2005) Some documents for a history of information design. Information Design Journal, 13 (3). pp. 216-228. ISSN 1569-979X doi: 10.1075/idjdd.13.3.06sti

Stiff, P. (2003) Typography Papers. Vol 5. University of Reading, pp128.

Stiff, P. (2005) Typography Papers. Vol 6. Hyphen Press. ISBN 9780907259299

Stiff, P. and Cerne Oven, P. (2009) Ernest Hoch and reasoning in typography. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press. ISBN 9780907259398

T

Tam, K. (2017) Trust in Chinese–English bilingual documents: a heuristic for typographic decision-making. In: Typography Day Colombo 2017, 24–25 Feb 2017, Colombo, Sri Lanka.

Thiessen, M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2010) 'Clearer and better’: preferences of children with reading difficulties for the typography and illustration in literacy materials. The International Journal of Learning, 16 (12). pp. 365-384. ISSN 1447-9494

Thiessen, M. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2009) Typography for children with reading difficulties: preferences for type in reading books. International Journal of the Book, 6 (2). pp. 115-122. ISSN 1447-9516

Traina, R. (2018) An information design approach to documenting live art: locating & empowering the document user. PhD thesis, University of Reading.

Twyman, M. (2006) Barnett Freedman: master lithographer. In: Rogerson, I. (ed.) Barnett Freedman the graphic art. Fleece Press, Huddersfield, pp. 192-226.

Twyman, M. (2018) Charles Hullmandel’s stones at Kingston Lacy. Journal of the Printing Historical Society (28). pp. 23-74.

Twyman, M. (2003) Chromolithography: the European legacy. The Ephemera Journal, X. pp. 2-23.

Twyman, M. (2004) Further thoughts on a schema for describing graphic language. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece .

Twyman, M., (2018) Hand-colouring or chromolithography: the pros and cons. Bourgery & Jacob (Dissection d’un atlas anatomique du XIXe siècle)

Twyman, M. (2007) Images en couleurs: Godefroy Engelmann et Charles Hullmandel et les débuts de la chromolithographie. Panama Musées and Musée de l'imprimerie, Paris and Lyon, pp128.

Twyman, M., ed. (2016) John Philips's lithographic notebook. Printing Historical Society, London, pp104.

Twyman, M. (2007) L'imprimerie: histoire et techniques. ENS Éditions / Institut d’histoire du livre / Les amis du Musée de l’imprimerie, Lyon, pp118. ISBN 9782847881035

Twyman, M. (2009) La notion d'imprimés éphémères: comparaison des approches anglo-saxonnes et françaises. In: Mois du patrimoine écrit 2004, 23 - 24 septembre 2004, Chambéry, pp. 25-43.

Twyman, M. (2009) Lear and lithography. In: Nugent, C. (ed.) Edward Lear the landscape artist: tours of Ireland and the English Lakes, 1835 & 1836. The Wordsworth Trust, Grasmere, pp. 11-29. ISBN 9781905256389

Twyman, M. (2019) Les étiquettes de prix dans le contexte de la cérémonie de distribution solennelle des prix. In: Les éphémères et l’événement (XVIe-XXIe siècles), 12 Feb 2016, pp. 29-48.

Twyman, M. (2004) Prize labels and the 'Distribution solennelle des Prix'. The Ephemerist. pp. 2-6.

Twyman, M. (2006) Review of J. Last, the color explosion: nineteenth-century American lithography. The Ephemerist, 10. pp. 19-24.

Twyman, M. (2013) A history of chromolithography: printed colour for all. British Library, London, pp728. ISBN 9780712357104

Twyman, M. and Arbury, J. (2014) The plates of the Herefordshire Pomona. In: Graves Bull, H. and Hogg, R. (eds.) The Herefordshire Pomona. The Folio Society, London, xi-xvi. (containing figures and descriptions of the most esteemed kinds of apples and pears)

Twyman, M. (2018) Giovanni Battista Belzoni’s portrait frontispiece in the various editions of his 'narrative of the operations and recent discoveries… in Egypt and Nubia’. Journal of the Printing Historical Society, 3 (29).

Twyman, M. (2009) Printed ephemera. In: Suarez, M. F. and Turner, M. L. (eds.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 66-82. ISBN 9780521810173 doi: 10.1017/CHOL9780521810173.004

Twyman, M. (2009) The illustration revolution. In: McKitterick, D. (ed.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 117-143. ISBN 9780521866248 doi: 10.1017/CHOL9780521866248.004

Twyman, M. (2008) The long-term significance of printed ephemera. RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage, 9 (1). pp. 19-57. ISSN 2150-668X

Twyman, M. L. (2010) Production: from chromolithography to photolithography. In: Edelstein, T. J. (ed.) Art for all: British posters for transport. Yale Center for British Art . Yale University Press, pp. 43-65. ISBN 9780300152975

U

Ulrich, F. P. (2023) The discourse in early digital type design technologies. PhD thesis, University of Reading. doi: 10.48683/1926.00117298

Unger, G. (2015) Letters from the edge of Europe. In: Granshan Conference, 23–25 July 2015, University of Reading.

Unger, G. (2018) Theory of type design. Nai 010, Rotterdam, pp240. ISBN 9789462084407

Unger, G., Grace, T. and Vlachou, I. (2013) Alverata: Latin, Greek and Cyrillic typeface. TypeTogether s.r.o., Prague.

Unger, G. (2013) Romanesque capitals in inscriptions. In: Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (eds.) Typography Papers 9. Hyphen Press, London, pp. 5-25. ISBN 9780907259480

W

Wachendorff, I. (2024) Sticker culture and its typographic articulation: politics, football and identity of place in the Ruhr Area. Journal of Visual Political Communication, 11 (2). pp. 175-204. ISSN 2633-3740 doi: 10.1386/jvpc_00045_1

Wachendorff, I. (2025) Typografische Landschaften: Soziale Dimensionen von Schriftzeichen in mehrsprachigen urbanen Räumen am Beispiel der Metropole Ruhr. PhD thesis, Universität Duisburg-Essen. doi: 10.17185/duepublico/84168

Wachendorff, I. (2020) Typographetics of urban spaces. The indication of discourse types and genres through letterforms and their materiality in multilingual urban spaces. In: Haralambulous, Y. (ed.) Proceedings of Grapholinguistics in the 21st Century, 2020. Grapholinguistics and Its Applications, 4. Fluxus Edition, Brest, pp. 361-415. ISBN 9782957054985 doi: 10.36824/2020-graf-wach

Waldeck Villas Boas, M. ORCID: https://orcid.org/0000-0002-4822-632X (2017) Perfect unbinding: the production and circulation of Beau Geste Press editions. Journal of Artists' Books, 41. pp. 4-13. ISSN 1085-1461

Waldeck Villas Boas, M. ORCID: https://orcid.org/0000-0002-4822-632X (2020) Typography and nationalism: the past and modernism under Nazi rule. Journal of Visual Political Communication, 6 (1). pp. 37-80. ISSN 2633-3740 doi: 10.1386/jvpc_00003_1

Waldeck, M. ORCID: https://orcid.org/0000-0002-4822-632X (2023) Design, production and circulation of artists’ publications in the 1960s and 1970s: a comparison of Beau Geste Press and Seth Siegelaub. PhD thesis, University of Reading. doi: 10.48683/1926.00120271

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2013) Book design for children's reading: typography, picture, print. St Bride Foundation, London, pp224. ISBN 9780950416137

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2012) Describing the design of children’s books: an analytical approach. Visible Language, 46 (3). ISSN 0022-2224

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2019) Effective antimicrobial resistance communication: the role of information design. Palgrave Communcations, 5. 24. ISSN 2055-1045 doi: 10.1057/s41599-019-0231-z

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2011) Explaining history to children: Otto and Marie Neurath’s work on the ‘Visual history of mankind’. Journal of Design History, 25 (4). pp. 345-362. ISSN 1741-7279 doi: 10.1093/jdh/eps031

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2013) Graphic explanation for children, 1944-71. In: Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740, Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Isotype: design and contexts, 1925-1971. Hyphen Press, London, pp. 390-437. ISBN 9780907259473

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (1998) Handwriting skills. In: Corson, D. and Edwards, V. (eds.) The encyclopedia of language and education. Kluwer, Dordrecht, pp. 97-105. ISBN 9780792345954

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2000) Leading the field or behind the times? Doctoral education in typography and graphic communication. In: Durling, D. and Friedman, K. (eds.) Foundations for the future: doctoral education in design. Staffordshire University Press, pp. 337-344.

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2007) Letterforms for handwriting and reading: print script and sanserifs in early twentieth-century England. In: Typography papers. Typography papers (7). Hyphen Press, pp. 81-114. ISBN 9780907259336

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2024) Marie Neurath: designing and publishing Isotype books for children. In: Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X, Battershill, C., Heywood, S. ORCID: https://orcid.org/0000-0001-6641-2065, Joseph, M. ORCID: https://orcid.org/0000-0002-3045-9897, La Penna, D. ORCID: https://orcid.org/0000-0002-4197-0041, Southworth, H., Staveley, A. and Gordon, E. W. (eds.) Edinburgh Companion to Women in Publishing, 1900-2000. Edinburgh University Press, Edinburgh. ISBN 9781399500340

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2017) Marie Neurath: designing information books for young people. In: Black, A., Lund, O., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information design research and practice. Routledge, pp. 117-126. ISBN 9780415786324

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2018) Modernity, method and minimal means: typewriters, typing manuals and document design. Journal of Design History, 31 (2). pp. 138-153. ISSN 1741-7279 doi: 10.1093/jdh/epx018

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2022) Reading information: using graphic language to enhance engagement with children's books. In: Hagen, A. M. (ed.) Mediation and children's reading: relationships, intervention and organization from the eighteenth century to the present. Lehigh University Press, Lanham, Maryland, pp. 125-145. ISBN 9781611463262

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2017) Research in graphic design. The Design Journal, 20 (5). pp. 549-559. ISSN 1460-6925 doi: 10.1080/14606925.2017.1347416

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2000) Typography and language in everyday life: prescriptions and practices. Language in social life. Longman, Harlow, pp224. ISBN 9780582357556

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2005) 'The books nobody sees': typography in children's reading books. Baseline, 48. pp. 25-32.

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2005) The books that nobody sees: typography in children's reading books. Baseline (48). pp. 25-32. ISSN 0954-9226

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2017) The contribution of typography and information design to health communication. In: Cooper, R. and Tsekleves, E. (eds.) Design for health. Routledge, pp. 92-109. ISBN 9781472457424

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2003) The manners of the page: prescription and practice in the visual organisation of correspondence. Huntington Library Quarterly, 66 (3 & 4). pp. 307-329. ISSN 1544-399X

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 and Edwards, V. (1995) Building bridges: multilingual resources for children. Multilingual Matters, Clevedon, pp130. ISBN 9781853592904

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 and Edwards, V. (1996) Some status issues in the translation of children’s books. Journal of Multilingual and Multicultural Development, 17 (5). pp. 339-348. ISSN 1747-7557 doi: 10.1080/01434639608666287

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 and Reynolds, L. (2000) Screen design for children’s reading. Journal of Research in Reading, 23 (2). pp. 224-234. ISSN 1467-9817 doi: 10.1111/1467-9817.00116

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 and Reynolds, L. (2003) Serifs, sans serifs and infant characters in children’s reading books. Information Design Journal, 11 (2/3). pp. 106-122. ISSN 1569-979X doi: 10.1075/idj.11.2.04wal

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Black, A., Bessemans, A., Bormans, K., Renckens, M. and Barratt, M. (2018) Designing digital texts for beginner readers: performance, practice and process. In: Barzillai, M., Thomson, J. M., Schroeder, S. and Broek, P. W. v. d. (eds.) Learning to read in a digital world. Studies in written language and literacy (17). John Benjamins, Amsterdam, pp. 31-56. ISBN 9789027201225 doi: 10.1075/swll.17.02wal

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 and Edwards, A. ORCID: https://orcid.org/0000-0003-2369-989X (2024) Testing, testing – what about the instructions? In: Cooper, F. and Fitzgerald, D. (eds.) Knowing COVID-19: The Pandemic and Beyond. Manchester University Press, Manchester, pp. 60-85. ISBN 9781526178640 doi: 10.7765/9781526178657.00009

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 and Edwards, A. ORCID: https://orcid.org/0000-0003-2369-989X, (2022) User-friendly point-of-use instructions for home use diagnostic tests. Other. University of Reading doi: 10.17864/1947.000419

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412, Edwards, A. ORCID: https://orcid.org/0000-0003-2369-989X, Hart, J. ORCID: https://orcid.org/0000-0002-3382-6824 and Little, G. (2022) Instructions for COVID-19 self-tests: what parts of the test are the most difficult to get right and how can information design help? Information Design Journal, 27 (1). pp. 126-139. ISSN 1569-979X doi: 10.1075/idj.22011.wal

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Connare, V. and Scaglione, J. (2005) Fabula: type design. University of Reading.

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Edwards, V. and Blacksell, R. (1996) Designing bilingual books for children. Visible Language, 30 (3). ISSN 0022-2224

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Halai, M., Warner, R. ORCID: https://orcid.org/0000-0001-8857-5084 and Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 (2021) Beat bad microbes: raising public awareness of antibiotic resistance in Rwanda. Information Design Journal, 26 (1). pp. 17-32. ISSN 0142-5471 doi: 10.1075/idj.20023.wal

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Hignett, S., Lim, R. ORCID: https://orcid.org/0000-0003-1705-1480, Parkhurst, C. and Samuel, F. (2020) Explaining drug-resistant infection in community pharmacies through effective information design. Design for Health, 4 (1). pp. 82-104. ISSN 2473-5132 doi: 10.1080/24735132.2020.1731201

Walker, S. F. ORCID: https://orcid.org/0000-0001-5942-1836 (2005) The songs the letters sing: typography and children's reading. National Centre for Language and Literacy, Reading, pp23. ISBN 9780704998469

Waller, R. (2007) Comparing typefaces for airport signs. Information Design Journal, 15 (1). pp. 1-15. ISSN 1569-979X doi: 10.1075/idj.15.1.01wal

Waller, R. H. W. (2009) Simplification: what is gained and what is lost. In: The International Conference of Applications of Information Design, 25-28 June 2008, Mälardalen University in Eskilstuna, Sweden, pp. 219-230.

Warner, R. ORCID: https://orcid.org/0000-0001-8857-5084 (2021) Design for decision making: the design of information for later life housing options. PhD thesis, University of Reading. doi: 10.48683/1926.00104544

White, E., Basford, L., Birch, S., Black, A., Culham, A. ORCID: https://orcid.org/0000-0002-7440-0133, McGoff, H., Lundqvist, K., Oppenheimer, P., Tanner, J., Wells, M. and Mauchline, A. ORCID: https://orcid.org/0000-0003-1168-8552 (2015) Creating and implementing a biodiversity recording app for teaching and research in environmental studies. The Journal of Educational Innovation, Partnership and Change, 1 (1). ISSN 2055-4990

Williams, L., Mulder, K. J., Charlton-Perez, A. ORCID: https://orcid.org/0000-0001-8179-6220, Lickiss, M., Black, A., McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640, McSorley, E. ORCID: https://orcid.org/0000-0002-2054-879X and Young, J. (2023) Understanding representations of uncertainty, an eye-tracking study – part 2: the effect of expertise. Geoscience Communications, 6 (3). pp. 111-123. ISSN 2569-7110 doi: 10.5194/gc-6-111-2023

Willis, N. (2024) A systematic analysis of visual and algorithmic letter fitting. PhD thesis, University of Reading. doi: 10.48683/1926.00117028

Z

Zhang, Y. (2022) Legibility of Chinese-English direction signs: how the spatial presentation of bilingual typography in two different scripts affects sign legibility. PhD thesis, University of Reading. doi: 10.48683/1926.00116734

Zlotea, C. (2023) Searching for bearings outside the historical canon: an investigation into the archive of Charles Mozley, graphic artist, illustrator, and designer. PhD thesis, University of Reading. doi: 10.48683/1926.00119020