Abstract/Summary

Drones have been posited as the "signature device of the present moment" (Noys, 2014). Whilst research into the proliferation of drones in military and defence spheres is gaining notable momentum, drones in commercial and "civilian" contexts "have remained widely unnoticed in academic research" (Klauser and Pedrozo, 2015:285). Complementing emergent scholarship in this area, this paper seeks to both explore and assert the trade show as a valuable site of (industry and advocacy) community "copresence" (McCann, 2011). Drawing upon empirical data, this paper unpacks the rhetorical framing of the commercial drone in the trade-show environment. In so doing, it explores two dominant rhetorical framings, or "techniques of imagination" (Kinsley, 2012:1559), of the commercial drone: those of possibility and inevitability. Such an analysis seeks to respond to calls advocating further attention to the "making of the drone", prior to its "functioning" (Klauser and Pedrozo, 2015) and end-point applications.