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Choosing death row songs

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Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2024) Choosing death row songs. Music, Sound and the Moving Image. ISSN 1753-0776 (In Press)

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Abstract/Summary

This audiovisual essay draws on primary research into the production process to examine choices and constraints around licensed music in the context of the The Cry of the Owl (Thraves, 2009). In a way that conventional written scholarship would struggle to do, the form of the essay, with its interruptions and repetitions, and the alternative versions it presents, is designed to evoke something of the experience of the filmmakers, provide insight into the ways in which meaningful decisions came to be made, and to give the listener an experience of how things might have played out differently.

Item Type:Article
Refereed:Yes
Divisions:Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television
ID Code:115901
Uncontrolled Keywords:licensed, music, production, history, choice, Cry of the Owl, Thraves, soundtrack, mix, video, videographic, audiovisual, essay
Publisher:Liverpool University Press
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