Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798 (2023) Creative geography, creative connections: candyman. Movie: a journal of film criticism, 11. ISSN 2047-1661 (In Press)

Donaldson, Lucy Fife, Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798, Purse, Lisa, Pye, Doug and Shambu, Girish (2022) Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism. Movie: a journal of film criticism (10). pp. 116-136. ISSN 2047-1661

Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, Doug (2022) Le Plaisir: voices and viewpoints. NECSUS, Spring '22. ISSN 2213-0217

Cox-Stanton, Tracy and Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798 (2021) Audiovisual scholarship and experiments in non-linear film history. The Cine-Files (15). ISSN 2156-9096

Costa, Flávia Cesarino and Gibbs, John (2020) Chanchadas and intermediality: on musical numbers of Aviso aos Navegantes (Watson Macedo, Brazil, 1950). Alphaville: Journal of Film and Screen Media, 19. pp. 28-30. ISSN 2009-4078 doi: https://doi.org/10.33178/alpha.19.03

Gibbs, John (2019) Interviews: Ian Cameron, V.F. Perkins, Charles Barr, Alan Lovell. Movie: A Journal of Film Criticism (8). pp. 38-71. ISSN 2047-1661

Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798 (2019) New approaches to film history. [Project] (Collection)

Gibbs, John (2019) ‘Say, have you seen the Carioca?’: an experiment in non-linear, non-hierarchical approaches to film history. Movie: A Journal of Film Criticism, 8. ISSN 2047-1661

Gibbs, John and Reck Miranda, Suzana (2018) Playing at the margins. [in]Transition, 5 (2). ISSN 2469-4312

Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, Doug (2018) The Phantom Carriage (Körkarlen) (1921). In: Silent Features. Exeter University Press, Exeter, pp. 73-90.

Gibbs, John (2018) Reevaluating The Phantom Carriage. [Project] (Collection)

Gibbs, John and Pye, Doug (2017) Opening choices: Notorious (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661

Gibbs, John (2017) Opening movements in Ophuls: long takes, leading characters and luxuries. In: Gibbs, John and Pye, Doug (eds.) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK, pp. 89-102. ISBN 9781137585721

Gibbs, John (2017) Ophuls and film style. [Project] (Collection)

Gibbs, John and Pye, Douglas (2017) The Phantom Carriage: a revaluation (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661

Gibbs, John and Pye, Doug, eds. (2017) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK. ISBN 9781137585721

Gibbs, John (2016) Opening movements in Ophuls: Caught (and Madame de …)(audiovisual essay). [in]Transition, 3 (2). ISSN 2469-4312

Gibbs, John (2015) Filmmakers' choices. Movie: A Journal of Film Criticism, Warwick, UK. (Republication in e-form)

Gibbs, John (2013) The life of mise-en-scène: visual style and British film criticism, 1946–78. Manchester University Press, Manchester, pp288. ISBN 9780719088667

Gibbs, John (2012) Balancing act: exploring the tone of The Life Aquatic with Steve Zissou. New Review of Film and Television Studies, 10 (1). pp. 132-151. ISSN 1740-0309 doi: https://doi.org/10.1080/17400309.2011.635035 (special issue: Wes Anderson and Co.)

Gibbs, John (2011) The cry of the owl: investigating decision-making in a contemporary feature film. Movie: a Journal of Film Criticism (3). pp. 80-93. ISSN 2047-1661

Gibbs, John (2010) Sleeping with half open eyes: dreams and realities in The Cry of the Owl. Movie: A Journal of Film Criticism (1). pp. 1-17.

Gibbs, John (2010) 'Everything is connected, and everything matters': relationships in I ♥ Huckabees. In: Brown, Tom and Walters, James (eds.) Film Moments. BFI / Palgrave Macmillan, London, pp. 57-60. ISBN 9781844573356

Gibbs, John and Pye, Douglas (2010) Preminger and Peckinpah: seeing and shaping widescreen worlds. In: Belton, John, Hall, Sheldon and Neale, Steve (eds.) Widescreen Worldwide. John Libbey, London, pp. 71-90. ISBN 9780861966943

Gibbs, John and Pye, Doug, eds. (2009) Close-up 03 : the police series ; Weimar cinema ; Men's cinema. Close-up, 3. Wallflower Press, London, pp224. ISBN 9781905674770

Gibbs, John and Pye, Doug, eds. (2007) Close-Up 02: movies and tone / reading Rohmer / voices in film. Wallflower Press, London, pp256. ISBN 9781905674060

Gibbs, John and Pye, Doug, eds. (2006) Close-Up 01: Filmmakers’ choices / The pop song in narrative film / reading Buffy. Wallflower Press, London, pp256. ISBN 9781904764571

Gibbs, John (2006) Filmmakers' choices. In: Close-Up 01. Wallflower Press, London, pp. 1-87. ISBN 1904764665

Gibbs, John and Pye, Doug (2005) Revisiting Preminger: 'Bonjour Tristesse' (1958) and close reading. In: Gibbs, John and Pye, Doug (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 108-126. ISBN 9780719065248

Gibbs, John and Pye, Doug, eds. (2005) Style and meaning: studies in the detailed analysis of film. Manchester University Press, Manchester. ISBN 9780719065248

Gibbs, John (2002) Mise-en-scène: film style and interpretation. Short Cuts. Wallflower Press, London, pp128. ISBN 190336406X

Gibbs, John (2001) Sequence and the archaeology of British film criticism. Journal of Popular British Cinema (4). pp. 14-29. ISSN 1461-104X