Article

Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798 (2023) Creative geography, creative connections: Candyman. Movie: a journal of film criticism, 11. pp. 19-21. ISSN 2047-1661

Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798, Glitre, Kathrina and Pye, Douglas (2023) The Miracle of Morgan’s Creek (1944): three perspectives on Preston Sturges and the Production Code. Quarterly Review of Film and Video. ISSN 1543-5326 (In Press) (Part of Special Issue: Hollywood Film Style and the Production Code: Criticism and History)

Donaldson, Lucy Fife, Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798, Purse, Lisa, Pye, Doug and Shambu, Girish (2022) Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism. Movie: a journal of film criticism (10). pp. 116-136. ISSN 2047-1661

Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, Doug (2022) Le Plaisir: voices and viewpoints. NECSUS, Spring '22. ISSN 2213-0217

Cox-Stanton, Tracy and Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798 (2021) Audiovisual scholarship and experiments in non-linear film history. The Cine-Files (15). ISSN 2156-9096

Costa, Flávia Cesarino and Gibbs, John (2020) Chanchadas and intermediality: on musical numbers of Aviso aos Navegantes (Watson Macedo, Brazil, 1950). Alphaville: Journal of Film and Screen Media, 19. pp. 28-30. ISSN 2009-4078 doi: https://doi.org/10.33178/alpha.19.03

Gibbs, John (2019) Interviews: Ian Cameron, V.F. Perkins, Charles Barr, Alan Lovell. Movie: A Journal of Film Criticism (8). pp. 38-71. ISSN 2047-1661

Gibbs, John (2019) ‘Say, have you seen the Carioca?’: an experiment in non-linear, non-hierarchical approaches to film history. Movie: A Journal of Film Criticism, 8. ISSN 2047-1661

Gibbs, John and Reck Miranda, Suzana (2018) Playing at the margins. [in]Transition, 5 (2). ISSN 2469-4312

Gibbs, John and Pye, Doug (2017) Opening choices: Notorious (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661

Gibbs, John and Pye, Douglas (2017) The Phantom Carriage: a revaluation (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661

Gibbs, John (2016) Opening movements in Ophuls: Caught (and Madame de …)(audiovisual essay). [in]Transition, 3 (2). ISSN 2469-4312

Gibbs, John (2012) Balancing act: exploring the tone of The Life Aquatic with Steve Zissou. New Review of Film and Television Studies, 10 (1). pp. 132-151. ISSN 1740-0309 doi: https://doi.org/10.1080/17400309.2011.635035 (special issue: Wes Anderson and Co.)

Gibbs, John (2011) The cry of the owl: investigating decision-making in a contemporary feature film. Movie: a Journal of Film Criticism (3). pp. 80-93. ISSN 2047-1661

Gibbs, John (2010) Sleeping with half open eyes: dreams and realities in The Cry of the Owl. Movie: A Journal of Film Criticism (1). pp. 1-17.

Gibbs, John (2001) Sequence and the archaeology of British film criticism. Journal of Popular British Cinema (4). pp. 14-29. ISSN 1461-104X

Book or Report Section

Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, Doug (2018) The Phantom Carriage (Körkarlen) (1921). In: Silent Features. Exeter University Press, Exeter, pp. 73-90.

Gibbs, John (2017) Opening movements in Ophuls: long takes, leading characters and luxuries. In: Gibbs, John and Pye, Doug (eds.) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK, pp. 89-102. ISBN 9781137585721

Gibbs, John (2010) 'Everything is connected, and everything matters': relationships in I ♥ Huckabees. In: Brown, Tom and Walters, James (eds.) Film Moments. BFI / Palgrave Macmillan, London, pp. 57-60. ISBN 9781844573356

Gibbs, John and Pye, Douglas (2010) Preminger and Peckinpah: seeing and shaping widescreen worlds. In: Belton, John, Hall, Sheldon and Neale, Steve (eds.) Widescreen Worldwide. John Libbey, London, pp. 71-90. ISBN 9780861966943

Gibbs, John (2006) Filmmakers' choices. In: Close-Up 01. Wallflower Press, London, pp. 1-87. ISBN 1904764665

Gibbs, John and Pye, Doug (2005) Revisiting Preminger: 'Bonjour Tristesse' (1958) and close reading. In: Gibbs, John and Pye, Doug (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 108-126. ISBN 9780719065248

Book

Gibbs, John and Pye, Doug, eds. (2017) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK. ISBN 9781137585721

Gibbs, John (2015) Filmmakers' choices. Movie: A Journal of Film Criticism, Warwick, UK. (Republication in e-form)

Gibbs, John (2013) The life of mise-en-scène: visual style and British film criticism, 1946–78. Manchester University Press, Manchester, pp288. ISBN 9780719088667

Gibbs, John and Pye, Doug, eds. (2009) Close-up 03 : the police series ; Weimar cinema ; Men's cinema. Close-up, 3. Wallflower Press, London, pp224. ISBN 9781905674770

Gibbs, John and Pye, Doug, eds. (2007) Close-Up 02: movies and tone / reading Rohmer / voices in film. Wallflower Press, London, pp256. ISBN 9781905674060

Gibbs, John and Pye, Doug, eds. (2006) Close-Up 01: Filmmakers’ choices / The pop song in narrative film / reading Buffy. Wallflower Press, London, pp256. ISBN 9781904764571

Gibbs, John and Pye, Doug, eds. (2005) Style and meaning: studies in the detailed analysis of film. Manchester University Press, Manchester. ISBN 9780719065248

Gibbs, John (2002) Mise-en-scène: film style and interpretation. Short Cuts. Wallflower Press, London, pp128. ISBN 190336406X

Project

Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798 (2019) New approaches to film history. [Project] (Collection)

Gibbs, John (2018) Reevaluating The Phantom Carriage. [Project] (Collection)

Gibbs, John (2017) Ophuls and film style. [Project] (Collection)