Number of items: 34.
Article
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2024)
Video essay: choosing death row songs.
Music, Sound and the Moving Image, 18 (1).
pp. 3-5.
ISSN 1753-0776
doi: https://doi.org/10.3828/msmi.2024.2
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2023)
Creative geography, creative connections: Candyman.
Movie: a journal of film criticism, 11.
pp. 19-21.
ISSN 2047-1661
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798, Glitre, K. and Pye, D.
(2023)
The Miracle of Morgan’s Creek (1944):
three perspectives on Preston Sturges and the Production Code.
Quarterly Review of Film and Video.
ISSN 1543-5326
(In Press)
(Part of Special Issue: Hollywood Film Style and the Production Code: Criticism and History)
Donaldson, L. F., Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798, Purse, L., Pye, D. and Shambu, G.
(2022)
Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism.
Movie: a journal of film criticism (10).
pp. 116-136.
ISSN 2047-1661
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2022)
Le Plaisir: voices and viewpoints.
NECSUS, Spring '22.
ISSN 2213-0217
Cox-Stanton, T. and Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2021)
Audiovisual scholarship and experiments in non-linear film history.
The Cine-Files (15).
ISSN 2156-9096
Costa, F. C. and Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2020)
Chanchadas and intermediality: on musical numbers of Aviso aos Navegantes (Watson Macedo, Brazil, 1950).
Alphaville: Journal of Film and Screen Media, 19.
pp. 28-30.
ISSN 2009-4078
doi: https://doi.org/10.33178/alpha.19.03
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2019)
Interviews: Ian Cameron, V.F. Perkins, Charles Barr, Alan Lovell.
Movie: A Journal of Film Criticism (8).
pp. 38-71.
ISSN 2047-1661
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2019)
‘Say, have you seen the Carioca?’: an experiment in non-linear, non-hierarchical approaches to film history.
Movie: A Journal of Film Criticism, 8.
ISSN 2047-1661
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Reck Miranda, S.
(2018)
Playing at the margins.
[in]Transition, 5 (2).
ISSN 2469-4312
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2017)
Opening choices: Notorious (audiovisual essay).
Movie: a journal of film criticism (7).
ISSN 2047-1661
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2017)
The Phantom Carriage: a revaluation (audiovisual essay).
Movie: a journal of film criticism (7).
ISSN 2047-1661
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2016)
Opening movements in Ophuls: Caught (and Madame de …)(audiovisual essay).
[in]Transition, 3 (2).
ISSN 2469-4312
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2012)
Balancing act: exploring the tone of The Life Aquatic with Steve Zissou.
New Review of Film and Television Studies, 10 (1).
pp. 132-151.
ISSN 1740-0309
doi: https://doi.org/10.1080/17400309.2011.635035
(special issue: Wes Anderson and Co.)
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2011)
The cry of the owl: investigating decision-making in a contemporary feature film.
Movie: a Journal of Film Criticism (3).
pp. 80-93.
ISSN 2047-1661
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2010)
Sleeping with half open eyes: dreams and realities in The Cry of the Owl.
Movie: A Journal of Film Criticism (1).
pp. 1-17.
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2001)
Sequence and the archaeology of British film criticism.
Journal of Popular British Cinema (4).
pp. 14-29.
ISSN 1461-104X
Book or Report Section
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2018)
The Phantom Carriage (Körkarlen) (1921).
In:
Silent Features.
Exeter University Press, Exeter, pp. 73-90.
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2017)
Opening movements in Ophuls: long takes, leading characters and luxuries.
In: Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
The long take: critical approaches.
Palgrave Close Readings in Film and Television.
Palgrave Macmillan, London, UK, pp. 89-102.
ISBN 9781137585721
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2010)
'Everything is connected, and everything matters': relationships in I ♥ Huckabees.
In: Brown, T. and Walters, J. (eds.)
Film Moments.
BFI / Palgrave Macmillan, London, pp. 57-60.
ISBN 9781844573356
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2010)
Preminger and Peckinpah: seeing and shaping widescreen worlds.
In: Belton, J., Hall, S. and Neale, S. (eds.)
Widescreen Worldwide.
John Libbey, London, pp. 71-90.
ISBN 9780861966943
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2006)
Filmmakers' choices.
In:
Close-Up 01.
Wallflower Press, London, pp. 1-87.
ISBN 1904764665
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2005)
Revisiting Preminger: 'Bonjour Tristesse' (1958) and close reading.
In: Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
Style and Meaning: Studies in the Detailed Analysis of Film.
Manchester University Press, Manchester, pp. 108-126.
ISBN 9780719065248
Book
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds.
(2017)
The long take: critical approaches.
Palgrave Close Readings in Film and Television.
Palgrave Macmillan, London, UK.
ISBN 9781137585721
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2015)
Filmmakers' choices.
Movie: A Journal of Film Criticism, Warwick, UK.
(Republication in e-form)
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2013)
The life of mise-en-scène: visual style and British film criticism, 1946–78.
Manchester University Press, Manchester, pp288.
ISBN 9780719088667
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds.
(2009)
Close-up 03 : the police series ; Weimar cinema ; Men's cinema.
Close-up, 3.
Wallflower Press, London, pp224.
ISBN 9781905674770
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds.
(2007)
Close-Up 02: movies and tone / reading Rohmer / voices in film.
Wallflower Press, London, pp256.
ISBN 9781905674060
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds.
(2006)
Close-Up 01: Filmmakers’ choices / The pop song in narrative film / reading Buffy.
Wallflower Press, London, pp256.
ISBN 9781904764571
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds.
(2005)
Style and meaning: studies in the detailed analysis of film.
Manchester University Press, Manchester.
ISBN 9780719065248
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2002)
Mise-en-scène: film style and interpretation.
Short Cuts.
Wallflower Press, London, pp128.
ISBN 190336406X
Project
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2019)
New approaches to film history.
[Project]
(Collection)
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2018)
Reevaluating The Phantom Carriage.
[Project]
(Collection)
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2017)
Ophuls and film style.
[Project]
(Collection)
This list was generated on Fri Aug 16 20:59:27 2024 UTC.