Number of items: 25.
Article
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2020)
Bringing the battle to Britain: Band of Brothers and television runaway production in the UK.
Journal of British Cinema and Television, 17 (3).
pp. 313-333.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2020.0531
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2019)
Representations of British Chinese identities and British television drama: mapping the field.
Journal of British Cinema and Television, 16 (2).
pp. 125-145.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2019.0465
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2019)
The unwitting pioneer of transatlantic format adaptation: Beryl Vertue.
Historical Journal of Film, Radio and Television, 39 (2).
pp. 341-365.
ISSN 0143-9685
doi: https://doi.org/10.1080/01439685.2018.1522790
Cassidy, G. and Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Phil Davis: the process of acting.
Critical Studies in Television: The International Journal of Television Studies, 13 (3).
pp. 315-332.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602018785833
Lacey, S. and Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Acting on television: analytical methods and approaches.
Critical Studies in Television, 13 (3).
pp. 257-261.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602018782046
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Crossing broadcasters: the transatlantic exchange between Sylvester ‘Pat’ Weaver and Sir Ian Jacob, 1955-1956.
Historical Journal of Film, Radio and Television, 38 (4).
pp. 843-862.
ISSN 1465-3451
doi: https://doi.org/10.1080/01439685.2017.1412920
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Weissmann, E.
(2018)
European cultures of production.
Critical Studies in Television, 13 (2).
pp. 133-136.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602018763202
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Shameless, the push-pull of transatlantic fiction format adaptation, and star casting.
New Review of Film and Television Studies, 16 (3).
pp. 295-323.
ISSN 1740-7923
doi: https://doi.org/10.1080/17400309.2018.1487130
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2013)
Eye candy for the blind: re-introducing Lyotard's Acinema into discourses on excess, motion and spectacle in contemporary Hollywood.
New Review of Film and Television Studies, 11 (3).
pp. 374-389.
ISSN 1740-7923
doi: https://doi.org/10.1080/17400309.2013.803906
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2013)
Reflection iii: Transnationalisation, Television Formats and the Universal.
Critical Studies in Television, 8 (2).
pp. 104-106.
ISSN 1749-6020
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2012)
Masterpiece Theatre and British drama imports on US television: discourses of tension.
Critical Studies in Television, 7 (1).
pp. 29-48.
ISSN 1749-6020
doi: https://doi.org/10.7227/CST.7.1.5
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Adamou, C.
(2011)
Transforming television drama through dubbing and subtitling: sex and the cities.
Critical Studies in Television, 6 (1).
pp. 1-21.
ISSN 1749-6020
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Adamou, C.
(2010)
Live and kicking: a meta-critical discourse on television and television studies.
Science Fiction Film and Television, 3 (2).
pp. 271-286.
ISSN 1754-3770
doi: https://doi.org/10.3828/sfftv.2010.18
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2010)
Reading 'The Truman Show' inside out.
Film Criticism, XXXV (1).
pp. 1-23.
ISSN 0163-5069
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2006)
Reading the ungraspable double-codedness of: the Simpsons.
Journal of Popular Film and Television, 34 (2).
pp. 73-81.
ISSN 1930-6458
doi: https://doi.org/10.3200/JPFT.34.2.73-81
Book or Report Section
Cassidy, G. and Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2019)
An actor diversifies: a diachronic examination of the work and career of Tony Curran.
In: Fife Donaldson, L. and Walters, J. (eds.)
Television Performance.
Red Globe Press, London, pp. 168-187.
ISBN 9781137608192
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Cassidy, G.
(2019)
Game of Thrones: investigating British acting.
In: Hills, M., Hilmes, M. and Pearson, R. (eds.)
Transatlantic Television Drama: Industries, Programs and Fans.
Oxford University Press, Oxford, pp. 181-202.
ISBN 9780190663124
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Exploring the casting of British and Irish actors in contemporary US film and television.
In: Cantrell, T. and Hogg, C. (eds.)
Exploring television acting.
Bloomsbury, London, pp. 154-170.
ISBN 9781474248594
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Derhy Kurtz, B. W. L.
(2017)
Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom.
In: Derhy Kurtz, B. W. L. and Bourdaa, M. (eds.)
The Rise of Transtexts: Challenges and Opportunities.
Routledge Research in Cultural and Media Studies.
Routledge, pp. 49-67.
ISBN 9781138944671
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2013)
The transatlantic dimensions of the time lord: Doctor Who and the relationships between British and North American television.
In: O'Day, A. (ed.)
Doctor Who: the eleventh hour: a critical celebration of the Matt Smith and Steven Moffat era.
I. B. Tauris, London, pp. 106-120.
ISBN 9781780760186
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2008)
"Muito boa qualidade, de facto": Shooting the Past e o caso das séries dramáticas de qualidade da televisão britânica na era da televisão de qualidade americana. ["Rather good quality, in fact": Shooting the Past and the case of British Quality Television Drama in the age of AQTV].
In:
Discursos e Práticas de Qualidade Na Televisão.
Livros Horizonte, Lisboa, pp. 271-286.
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203
(2007)
Five's finest: the import of 'CSI' to British television.
In: Allen, M. (ed.)
Reading 'CSI': Crime TV Under the Microscope.
I B Tauris, London, pp. 183-197.
Book
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Schwind, K. H.
(2019)
Friends: a reading of the sitcom.
Palgrave Macmillan.
ISBN 9783030254285
doi: https://doi.org/10.1007/978-3-030-25429-2
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Lacey, S., eds.
(2018)
Acting on television: analytical methods and approaches.
Critical Studies in Television, 13 (3).
SAGE.
Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Weissmann, E., eds.
(2018)
European cultures of production.
Critical Studies in Television, 13 (2).
SAGE.
This list was generated on Sat Dec 14 19:08:33 2024 UTC.