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Items where Author is "Woods, Dr Faye"

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Number of items: 19.


Woods, F. (2019) Too close for comfort: direct address and the affective pull of the confessional comic woman in Chewing Gum and Fleabag. Communication, Culture and Critique, 12 (2). pp. 194-212. ISSN 1753-9129 doi:

Woods, F. (2019) Wainwright’s West Yorkshire: affect and landscape in the television drama of Sally Wainwright. Journal of British Cinema and Television, 16 (3). pp. 346-366. ISSN 1755-1714 doi:

Woods, F. (2017) Streaming British youth television: online BBC Three as a transitional mome. Cinema Journal, 57 (1). pp. 140-146. ISSN 1527-2087 doi:

Woods, F. (2015) Girls talk: authorship and authenticity in the reception of Lena Dunham's Girls. Critical Studies in Television, 10 (2). pp. 37-54. ISSN 1749-6020 doi:

Woods, F. (2015) Telefantasy tower blocks: space, place and social realism shake-ups in Misfits. Journal of British Cinema and Television, 12 (2). pp. 229-244. ISSN 1755-1714 doi:

Woods, F. (2014) Classed femininity, performativity, and camp in British structured reality programming. Television and New Media, 15 (3). pp. 197-214. ISSN 1552-8316 doi:

Woods, F. (2013) Teen TV meets T4: assimilating 'The O.C.' into British youth television. Critical Studies in Television, 8 (1). pp. 14-35. ISSN 1749-6020 doi:

Woods, F. (2013) Clare Balding: the televisual face of London 2012. Journal of Popular Television, 1 (1). pp. 137-141. ISSN 2046-9861 doi:

Woods, F. (2008) Nostalgia, music and the television past revisited in American dreams. Music Sound and the Moving Image, 2 (1). pp. 27-50. ISSN 1753-0776 doi:

Book or Report Section

Petruska, K. and Woods, F. (2019) Traveling without a passport: ‘Original’ streaming content in the transatlantic distribution ecosystem. In: Hilmes, M., Hills, M. and Pearson, R. (eds.) Transatlantic Television Drama: Industries, Programs and Fans. Oxford University Press, pp. 49-68. ISBN 9780190663124 doi:

Woods, F. (2018) Youth television and platform neutral public service broadcasting. In: Johnson, D. (ed.) From Networks to Netflix: : A Guide to Changing Channels. Routledge, Abingdon, UK, pp. 297-307, Chapter 28. ISBN 9781138998490

Woods, F. (2016) My generation(s): cycles, branding and renewal in E4’s 'Skins'. In: Klein, A. A. and Palmer, R. B. (eds.) Cycles, Sequels, Remakes and Reboots: Multiplicities in Film & Television. University of Texas Press, Austin, Texas, pp. 240-259. ISBN 9781477309001

Woods, F. (2016) Space, authenticity and utopia in the hip-hop teen dance film. In: Evans, M. and Fogarty, M. (eds.) Movies, Moves and Music: The Sonic World of Dance Films. Genre, Music and Sound. Equinox, Sheffield, pp18. ISBN 9781845539580

Rolinson, D. and Woods, F. (2013) Is This England '86 and '88? Memory, haunting and return through television seriality. In: Fradley, M., Godfrey, S. and Williams, M. (eds.) Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 186-202. ISBN 9780748676392

Woods, F. (2013) Storytelling in song: television music, narrative and allusion in 'The O.C.'. In: Jacobs, J. and Peacock, S. (eds.) Television Aesthetics and Style. Bloomsbury, London, pp. 199-208. ISBN 9781441157515

Woods, F. (2008) Generation gap? mother, daughters, and music. In: Calvin, R. (ed.) Gilmore girls and the politics of identity : essays on family and feminism in the television series. McFarland, Jefferson, North Carolina, pp. 127-143. ISBN 9780786437276


Bignell, J. ORCID: and Woods, F. (2022) An introduction to television studies. 4th edition. Routledge, London, pp336. ISBN 9781138665811 doi:

Woods, F. (2022) Period drama. Edinburgh University Press, Edinburgh, pp187. ISBN 9781474462815

Woods, F. (2016) British youth television: transnational teens, industry, genre. Palgrave, London, pp267. ISBN 9781137445476

This list was generated on Tue Apr 23 23:26:49 2024 UTC.

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