Number of items: 19.
Article
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2019)
Too close for comfort: direct address and the affective pull of the confessional comic woman in Chewing Gum and Fleabag.
Communication, Culture and Critique, 12 (2).
pp. 194-212.
ISSN 1753-9129
doi: https://doi.org/10.1093/ccc/tcz014
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2019)
Wainwright’s West Yorkshire: affect and landscape in the television drama of Sally Wainwright.
Journal of British Cinema and Television, 16 (3).
pp. 346-366.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2019.0481
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2017)
Streaming British youth television: online BBC Three as a transitional mome.
Cinema Journal, 57 (1).
pp. 140-146.
ISSN 1527-2087
doi: https://doi.org/10.1353/cj.2017.0065
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2015)
Girls talk: authorship and authenticity in the reception of Lena Dunham's Girls.
Critical Studies in Television, 10 (2).
pp. 37-54.
ISSN 1749-6020
doi: https://doi.org/10.7227/CST.10.2.4
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2015)
Telefantasy tower blocks: space, place and social realism shake-ups in Misfits.
Journal of British Cinema and Television, 12 (2).
pp. 229-244.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2015.0259
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2014)
Classed femininity, performativity, and camp in British structured reality programming.
Television and New Media, 15 (3).
pp. 197-214.
ISSN 1552-8316
doi: https://doi.org/10.1177/1527476412462246
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2013)
Teen TV meets T4: assimilating 'The O.C.' into British youth television.
Critical Studies in Television, 8 (1).
pp. 14-35.
ISSN 1749-6020
doi: https://doi.org/10.7227/CST.8.1.4
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2013)
Clare Balding: the televisual face of London 2012.
Journal of Popular Television, 1 (1).
pp. 137-141.
ISSN 2046-9861
doi: https://doi.org/10.1386/jptv.1.1.137_1
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2008)
Nostalgia, music and the television past revisited in American dreams.
Music Sound and the Moving Image, 2 (1).
pp. 27-50.
ISSN 1753-0776
doi: https://doi.org/10.1353/msm.0.0028
Book or Report Section
Petruska, K. and Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2019)
Traveling without a passport: ‘Original’ streaming content in the transatlantic distribution ecosystem.
In: Hilmes, M., Hills, M. and Pearson, R. (eds.)
Transatlantic Television Drama: Industries, Programs and Fans.
Oxford University Press, pp. 49-68.
ISBN 9780190663124
doi: https://doi.org/10.1093/oso/9780190663124.003.0004
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2018)
Youth television and platform neutral public service broadcasting.
In: Johnson, D. (ed.)
From Networks to Netflix: : A Guide to Changing Channels.
Routledge, Abingdon, UK, pp. 297-307, Chapter 28.
ISBN 9781138998490
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2016)
My generation(s): cycles, branding and renewal in E4’s 'Skins'.
In: Klein, A. A. and Palmer, R. B. (eds.)
Cycles, Sequels, Remakes and Reboots: Multiplicities in Film & Television.
University of Texas Press, Austin, Texas, pp. 240-259.
ISBN 9781477309001
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2016)
Space, authenticity and utopia in the hip-hop teen dance film.
In: Evans, M. and Fogarty, M. (eds.)
Movies, Moves and Music: The Sonic World of Dance Films.
Genre, Music and Sound.
Equinox, Sheffield, pp18.
ISBN 9781845539580
Rolinson, D. and Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2013)
Is This England '86 and '88? Memory, haunting and return through television seriality.
In: Fradley, M., Godfrey, S. and Williams, M. (eds.)
Shane Meadows: Critical Essays.
Edinburgh University Press, Edinburgh, pp. 186-202.
ISBN 9780748676392
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2013)
Storytelling in song: television music, narrative and allusion in 'The O.C.'.
In: Jacobs, J. and Peacock, S. (eds.)
Television Aesthetics and Style.
Bloomsbury, London, pp. 199-208.
ISBN 9781441157515
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2008)
Generation gap? mother, daughters, and music.
In: Calvin, R. (ed.)
Gilmore girls and the politics of identity : essays on family and feminism in the television series.
McFarland, Jefferson, North Carolina, pp. 127-143.
ISBN 9780786437276
Book
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2022)
An introduction to television studies. 4th edition.
Routledge, London, pp336.
ISBN 9781138665811
doi: https://doi.org/10.4324/9781315619675
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2022)
Period drama.
Edinburgh University Press, Edinburgh, pp187.
ISBN 9781474462815
Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524
(2016)
British youth television: transnational teens, industry, genre.
Palgrave, London, pp267.
ISBN 9781137445476
This list was generated on Mon Dec 9 15:47:19 2024 UTC.