Article

Carville, Conor (2022) Beckett, Sade, The Avengers: Patrick Magee and character acting in the 1960s. Studies in Theatre and Performance, 42 (2). pp. 182-195. ISSN 2040-0616 doi: https://doi.org/10.1080/14682761.2020.1757318

Carville, Conor (2020) 'Room to rhyme': Heaney, arts policy and cultural tradition in Northern Ireland 1968-1971. Review of English Studies, 71 (300). pp. 554-568. ISSN 1471-6968 doi: https://doi.org/10.1093/res/hgz136

Carville, Conor (2016) Murphy's thanatopolitics. The Irish Review, 53. pp. 74-88. ISSN 0790-7850

Carville, Conor (2014) Heaney and the neighbour: poetry between politics and ethics. Textual Practice, 28 (4). pp. 571-592. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2013.858069

Carville, Conor (2011) Autonomy and the everyday: Beckett, late modernism and post-war visual art. Beckett Today/ Aujourd'hui, 23. pp. 63-80. ISSN 0927-3131 (Filiations & Connexions/Filiations & Connecting Lines)

Carville, Conor (2008) Modernism, nationalism and postcolonialism: four figures from 'The Dead'. Journal of Irish Studies, 23. pp. 12-23. ISSN 1346-7700

Carville, Conor (2007) Spectral ethnicity: writing race in Victorian Ireland. The Irish Review (1986-) (36/37). pp. 67-77. ISSN 0790-7850

Carville, Conor (2007) Ne Pas Céder Son Désir: Symptom and fantasy in Seamus Deane's Reading in the Dark. Irish Studies Review, 15 (4). pp. 411-423. ISSN 1469-9303 doi: https://doi.org/10.1080/01292980701637678

Carville, Conor (1998) Becoming minor: Daniel Corkery and the expatriated nation. Irish Studies Review, 6 (2). pp. 139-147. ISSN 1469-9303 doi: https://doi.org/10.1080/09670889808455600

Book or Report Section

Carville, Conor (2015) Beckett beyond the avant-garde: the case of “Casket of Pralinen for a daughter of a dissipated Mandarin". In: Nixon, Mark and Pilling, John (eds.) On in their company: essays on Beckett, with tributes and sketches; presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading. ISBN 9780704915343

Carville, Conor (2013) The degree of power exercised: recent ekphrasis. In: Robinson, Peter (ed.) The Oxford Handbook of Contemporary British and Irish Poetry. Oxford University Press, Oxford. ISBN 9780199596805 doi: https://doi.org/10.1093/oxfordhb/9780199596805.013.028

Carville, Conor (2010) Warding off an epitaph: had I a thousand lives. In: Alcobia-Murphy, Shane and Kirkland , Richard (eds.) The Poetry of Medbh McGuckian: The Interior of Words. Cork University Press, pp. 117-129. ISBN 9781859184653

Carville, Conor (2008) “Keeping that wound green”: Irish studies and trauma culture. In: Alcobia-Murphy, S. (ed.) What Rough Beasts? Irish and Scottish Studies in the New Millennium. Cambridge Scholars Publishing, Newcastle UK, pp. 45-71. ISBN 9781847185365

Book

Carville, Conor (2022) Absorption and theatricality: on Ghost Trio. Elements in Beckett Studies. Cambridge University Press, Cambridge, pp65. ISBN 9781009001175 doi: https://doi.org/10.1017/9781009000369

Carville, Conor (2019) English Martyrs. Two Rivers Press, Reading, UK. ISBN 9781909747531

Carville, Conor (2018) Samuel Beckett and the visual. Cambridge University Press, Cambridge. ISBN 9781108422772

Carville, Conor and Nixon, Mark, eds. (2015) 'Beginning of the murmur': archival pre-texts and other sources. Samuel Beckett Today / Aujourd'hui, 27. Brill / Rodopi, Leiden. ISBN 9789004309913

Carville, Conor (2013) Harm's way. Dedalus Press. ISBN 9781906614621

Carville, Conor (2012) The ends of Ireland: history, criticism, subjectivity. Manchester University Press, Manchester, pp272. ISBN 9780719083839

Carville, Conor and Butler, M., eds. (1999) The Works of Maria Edgeworth. Part 1. Vol 6 & 7: Patronage. The Pickering Masters. Pickering & Chatto, London. ISBN 9781851961887