Items where Author is "Pye, Mr Doug"
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Donaldson, Lucy Fife, Gibbs, John
Gibbs, John Pye, Douglas, ed. (2020) V.F. Perkins on Movies. Wayne State University Press, pp484. ISBN 9780814346426
Gibbs, John Gibbs, John and Pye, Doug (2017) Opening choices: Notorious (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661 Gibbs, John and Pye, Douglas (2017) The Phantom Carriage: a revaluation (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661 Gibbs, John and Pye, Doug, eds. (2017) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK. ISBN 9781137585721 Pye, Doug and Luppa, Iris (2011) M: Leading the Blind. Movie: a journal of film criticism, 2. pp. 1-13. ISSN 2047-1661 Pye, Doug (2010) Enter Lisa: Rear Window (1954). In: Walters, James and Brown, Tom (eds.) Film Moments: Criticism, Theory, History. British Film Institute. ISBN 9781844573356 Pye, Doug (2010) At the border: the limits of knowledge in The Three Burials of Melquiades Estrada and No Country for Old Men. Movie: a journal of film criticism, 1. ISSN 2047-1661 Gibbs, John and Pye, Douglas (2010) Preminger and Peckinpah: seeing and shaping widescreen worlds. In: Belton, John, Hall, Sheldon and Neale, Steve (eds.) Widescreen Worldwide. John Libbey, London, pp. 71-90. ISBN 9780861966943 Gibbs, John and Pye, Doug, eds. (2009) Close-up 03 : the police series ; Weimar cinema ; Men's cinema. Close-up, 3. Wallflower Press, London, pp224. ISBN 9781905674770 Gibbs, John and Pye, Doug, eds. (2007) Close-Up 02: movies and tone / reading Rohmer / voices in film. Wallflower Press, London, pp256. ISBN 9781905674060 Gibbs, John and Pye, Doug, eds. (2006) Close-Up 01: Filmmakers’ choices / The pop song in narrative film / reading Buffy. Wallflower Press, London, pp256. ISBN 9781904764571 Gibbs, John and Pye, Doug (2005) Revisiting Preminger: 'Bonjour Tristesse' (1958) and close reading. In: Gibbs, John and Pye, Doug (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 108-126. ISBN 9780719065248 Gibbs, John and Pye, Doug, eds. (2005) Style and meaning: studies in the detailed analysis of film. Manchester University Press, Manchester. ISBN 9780719065248 Pye, Doug (2004) Being a clown: curious coupling in 'The Pirate'. CineAction, 63. pp. 4-13. Pye, Doug (2004) Double vision: miscegenation and point of view in 'The Searchers'. In: Exkstein, A. M. and Lehman, P. R. (eds.) The Searchers: Essays and Reflections on John Ford's Classic Western. Contemporary Approaches to Film and Television Series . Wayne State University Press, Detroit, pp. 223-239. ISBN 9780814330562 Pye, Doug (2004) In and around 'The Paradine Case'. Rouge, 4. Pye, Doug (2003) The Western (genre and movies). In: Grant, B. K. (ed.) Film Genre Reader III. University of Texas Press, Austin, pp. 203-218. ISBN 9780292701854 Pye, Doug (2001) Des femmes qui tombent, des narrateurs qui défaillent. 1895. Mille huit cent quatre-vingt-quinze, 34-35. pp. 99-120. ISSN 0769-0959 doi: https://doi.org/10.4000/1895.173 |