Donaldson, Lucy Fife, Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798, Purse, Lisa, Pye, Doug and Shambu, Girish (2022) Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism. Movie: a journal of film criticism (10). pp. 116-136. ISSN 2047-1661

Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, Doug (2022) Le Plaisir: voices and viewpoints. NECSUS, Spring '22. ISSN 2213-0217

Pye, Douglas, ed. (2020) V.F. Perkins on Movies. Wayne State University Press, pp484. ISBN 9780814346426

Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, Doug (2018) The Phantom Carriage (Körkarlen) (1921). In: Silent Features. Exeter University Press, Exeter, pp. 73-90.

Gibbs, John and Pye, Doug (2017) Opening choices: Notorious (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661

Gibbs, John and Pye, Douglas (2017) The Phantom Carriage: a revaluation (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661

Gibbs, John and Pye, Doug, eds. (2017) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK. ISBN 9781137585721

Pye, Doug and Luppa, Iris (2011) M: Leading the Blind. Movie: a journal of film criticism, 2. pp. 1-13. ISSN 2047-1661

Pye, Doug (2010) Enter Lisa: Rear Window (1954). In: Walters, James and Brown, Tom (eds.) Film Moments: Criticism, Theory, History. British Film Institute. ISBN 9781844573356

Pye, Doug (2010) At the border: the limits of knowledge in The Three Burials of Melquiades Estrada and No Country for Old Men. Movie: a journal of film criticism, 1. ISSN 2047-1661

Gibbs, John and Pye, Douglas (2010) Preminger and Peckinpah: seeing and shaping widescreen worlds. In: Belton, John, Hall, Sheldon and Neale, Steve (eds.) Widescreen Worldwide. John Libbey, London, pp. 71-90. ISBN 9780861966943

Gibbs, John and Pye, Doug, eds. (2009) Close-up 03 : the police series ; Weimar cinema ; Men's cinema. Close-up, 3. Wallflower Press, London, pp224. ISBN 9781905674770

Gibbs, John and Pye, Doug, eds. (2007) Close-Up 02: movies and tone / reading Rohmer / voices in film. Wallflower Press, London, pp256. ISBN 9781905674060

Gibbs, John and Pye, Doug, eds. (2006) Close-Up 01: Filmmakers’ choices / The pop song in narrative film / reading Buffy. Wallflower Press, London, pp256. ISBN 9781904764571

Gibbs, John and Pye, Doug (2005) Revisiting Preminger: 'Bonjour Tristesse' (1958) and close reading. In: Gibbs, John and Pye, Doug (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 108-126. ISBN 9780719065248

Gibbs, John and Pye, Doug, eds. (2005) Style and meaning: studies in the detailed analysis of film. Manchester University Press, Manchester. ISBN 9780719065248

Pye, Doug (2004) Being a clown: curious coupling in 'The Pirate'. CineAction, 63. pp. 4-13.

Pye, Doug (2004) Double vision: miscegenation and point of view in 'The Searchers'. In: Exkstein, A. M. and Lehman, P. R. (eds.) The Searchers: Essays and Reflections on John Ford's Classic Western. Contemporary Approaches to Film and Television Series . Wayne State University Press, Detroit, pp. 223-239. ISBN 9780814330562

Pye, Doug (2004) In and around 'The Paradine Case'. Rouge, 4.

Pye, Doug (2003) The Western (genre and movies). In: Grant, B. K. (ed.) Film Genre Reader III. University of Texas Press, Austin, pp. 203-218. ISBN 9780292701854

Pye, Doug (2001) Des femmes qui tombent, des narrateurs qui défaillent. 1895. Mille huit cent quatre-vingt-quinze, 34-35. pp. 99-120. ISSN 0769-0959 doi: https://doi.org/10.4000/1895.173