Article

Twyman, M. (2018) Charles Hullmandel’s stones at Kingston Lacy. Journal of the Printing Historical Society (28). pp. 23-74.

Twyman, M. (2018) Giovanni Battista Belzoni’s portrait frontispiece in the various editions of his 'narrative of the operations and recent discoveries… in Egypt and Nubia’. Journal of the Printing Historical Society, 3 (29).

Twyman, M. (2008) The long-term significance of printed ephemera. RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage, 9 (1). pp. 19-57. ISSN 2150-668X

Twyman, M. (2006) Review of J. Last, the color explosion: nineteenth-century American lithography. The Ephemerist, 10. pp. 19-24.

Twyman, M. (2004) Prize labels and the 'Distribution solennelle des Prix'. The Ephemerist. pp. 2-6.

May, A. and Twyman, M. (2004) Reconstructing a Senefelder pole press. Journal of the Printing Historical Society, 7 (new ser. pp. 5-21.

Twyman, M. (2003) Chromolithography: the European legacy. The Ephemera Journal, X. pp. 2-23.

Book or Report Section

Twyman, M. and Arbury, J. (2014) The plates of the Herefordshire Pomona. In: Graves Bull, H. and Hogg, R. (eds.) The Herefordshire Pomona. The Folio Society, London, xi-xvi. (containing figures and descriptions of the most esteemed kinds of apples and pears)

Twyman, M. L. (2010) Production: from chromolithography to photolithography. In: Edelstein, T. J. (ed.) Art for all: British posters for transport. Yale Center for British Art . Yale University Press, pp. 43-65. ISBN 9780300152975

Twyman, M. (2009) Lear and lithography. In: Nugent, C. (ed.) Edward Lear the landscape artist: tours of Ireland and the English Lakes, 1835 & 1836. The Wordsworth Trust, Grasmere, pp. 11-29. ISBN 9781905256389

Twyman, M. (2009) Printed ephemera. In: Suarez, M. F. and Turner, M. L. (eds.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 66-82. ISBN 9780521810173 doi: https://doi.org/10.1017/CHOL9780521810173.004

Twyman, M. (2009) The illustration revolution. In: McKitterick, D. (ed.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 117-143. ISBN 9780521866248 doi: https://doi.org/10.1017/CHOL9780521866248.004

Twyman, M. (2006) Barnett Freedman: master lithographer. In: Rogerson, I. (ed.) Barnett Freedman the graphic art. Fleece Press, Huddersfield, pp. 192-226.

Conference or Workshop Item

Twyman, M. (2019) Les étiquettes de prix dans le contexte de la cérémonie de distribution solennelle des prix. In: Les éphémères et l’événement (XVIe-XXIe siècles), 12 Feb 2016, pp. 29-48.

Twyman, M. (2009) La notion d'imprimés éphémères: comparaison des approches anglo-saxonnes et françaises. In: Mois du patrimoine écrit 2004, 23 - 24 septembre 2004, Chambéry, pp. 25-43.

Twyman, M. (2004) Further thoughts on a schema for describing graphic language. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece .

Book

Twyman, M., ed. (2016) John Philips's lithographic notebook. Printing Historical Society, London, pp104.

Twyman, M. (2013) A history of chromolithography: printed colour for all. British Library, London, pp728. ISBN 9780712357104

Twyman, M. (2007) L'imprimerie: histoire et techniques. ENS Éditions / Institut d’histoire du livre / Les amis du Musée de l’imprimerie, Lyon, pp118. ISBN 9782847881035

Twyman, M. (2007) Images en couleurs: Godefroy Engelmann et Charles Hullmandel et les débuts de la chromolithographie. Panama Musées and Musée de l'imprimerie, Paris and Lyon, pp128.

Web Resource

Twyman, M., (2018) Hand-colouring or chromolithography: the pros and cons. Bourgery & Jacob (Dissection d’un atlas anatomique du XIXe siècle)