Article

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2023) UtoPia: an early history of Pia and its role in Japan’s 'self-made' film culture. Japan Forum, 35 (3). pp. 314-343. ISSN 1469-932X doi: 10.1080/09555803.2021.1895283

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2017) Anarchy in Japan’s film industry: how punk rescued Japanese cinema. Punk & Post Punk, 6 (1). pp. 97-121. ISSN 2044-3706 doi: 10.1386/punk.6.1.97_1

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2016) Media-morphosis. Intermediality, (re-)animation and the medial uncanny in Tsukamoto Shinya’s Tetsuo: The Iron Man (1989). Acta Universitatis Sapientiae, Film and Media Studies, 12 (1). pp. 167-189. ISSN 2066-7779 doi: 10.1515/ausfm-2016-0009

Book or Report Section

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2023) Parallax historiography and metareference: the intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.) The Moving Form of Film: Historicising the Medium through Other Media. Oxford University Press, Oxford, pp. 47-62. ISBN 9780197621707 doi: 10.1093/oso/9780197621707.003.0005

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2022) Masamune Shirow. In: McFarlane, A., Murphy, G. J. and Schmeink, L. (eds.) Fifty Key Figures in Cyberpunk Culture. Routledge Key Guides. Routledge, London, pp. 194-199. ISBN 9780367549176

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2021) Keeping Japanese punk film (A)LIVE: Shôzin Fukui's concert-screening hybridity and Japanese live house culture. In: Grimes, M., Bestley, R., Dines, M. and Guerra, P. (eds.) Punk Identities, Punk Utopias: Global Punk and Media. Global Punk. Intellect, Bristol, pp. 143-162. ISBN 9781789384123

Book

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2025) Japanese cinema and punk: intermedial exchanges. World Cinema. Bloomsbury Academic, London, pp264. ISBN 9781350378568 (In Press)

Thesis

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2021) Japanese film production during the punk era: independence, intermediality and mediascapes. PhD thesis, University of Reading. doi: 10.48683/1926.00109805