Number of items: 13.
Article
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2023)
Deepfakes in documentary film production: images of deception in the representation of the real.
Studies in Documentary Film.
ISSN 1750-3280
doi: https://doi.org/10.1080/17503280.2023.2284680
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2023)
Cinema Ex Machina.
Sight and Sound.
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, Bashford-Rogers, T. and Keppel-Palmer, M.
(2021)
The digital resurrection of Margaret Thatcher: creative, technological and legal dilemmas in the use of deepfakes in screen drama.
Convergence: The International Journal of Research into New Media Technologies, 27 (4).
pp. 954-973.
ISSN 1354-8565
doi: https://doi.org/10.1177/13548565211030452
(Special Issue: 'The Digital Face and Deepfakes on Screen')
Sexton, M. and Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2019)
Fargo: seeing the significance of style in television
poetics?
Critical Studies in Television: The International Journal of Television Studies, 14 (3).
pp. 343-361.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602019853792
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2019)
Improvisation as a research methodology: Exploring links between filmmakers’ practice and traditions of enquiry across the academy.
Media Practice and Education, 20 (2).
pp. 134-146.
ISSN 2574-1136
doi: https://doi.org/10.1080/25741136.2019.1605675
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2016)
Cinema and authenticity: anxieties in the making of historical film.
Journal of Media Practice, 17 (2-3).
pp. 199-212.
ISSN 2574-1144
doi: https://doi.org/10.1080/14682753.2016.1248190
Book or Report Section
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2019)
Many ways of directing a film: teaching the ‘modes of creative practice’.
In: Mourao, M. D., Semerdjiev, S., Mello, C. and Taylor, A. (eds.)
The 21st Century Film, TV and Media School Book – Volume 2: Directing the future.
CILECT - the International Association of Film and Television Schools, Sofia, pp. 28-39.
ISBN 9786197358087
Report
Purse, L., Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, Philip, A. ORCID: https://orcid.org/0000-0003-2186-0619 and Ghosh, S.,
(2023)
What can the industry and Government do to ensure British film and high-end television can adapt for the future?
Report.
UK Parliament, Westminster.
pp4.
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740,
(2022)
Evidence to the inquiry of the Communications and Digital Committee of the House of Lords, ‘A Creative Future’.
A Creative Future. CRF0008.
Report.
UK Parliament, London.
Book
Bode, L., Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 and Golding, D., eds.
(2021)
The digital face and deepfakes on screen.
Convergence: The International Journal of Research into New Media Technologies, 27 (4).
Sage Publications, pp. 849-854.
(Special Issue)
Sexton, M. and Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2021)
Seeing it on television: televisuality in the contemporary U.S. 'High-End' series.
Bloomsbury Academic, London, pp192.
ISBN 9781501359422
Thesis
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2019)
Modes of Creative Practice in the directing of independent fiction films.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00104350
Video
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2022)
The Burning.
[Video]
(Sightlines: Filmmaking in the Academy Issue 4 2022)
This list was generated on Fri Dec 6 16:44:39 2024 UTC.