Rolland, N. (2022) 'Music and Gender Roles in Hector Berlioz’s Euphonia and George Sand’s Le Dernier Amour'. In: Durkin, R. (ed.) Routledge Companion to Music and Modern Literature. Routledge Music Companions. Routledge. ISBN 9780367237240

Rolland, N. (2022) 'Bigflo & Oli', 'Gims', 'La Fouine', 'Soprano'. In: Abecassis, M., Block, M. and Chaplin, F. (eds.) An Anthology of French and Francophone Singers from A to Z. Cambridge Scholars. ISBN 9781527581227

Rolland, N. (2021) 'When the poet becomes the muse: Baudelaire and female composers'. Journal of Romance Studies, 21 (3). pp. 351-374. ISSN 1752-2331 doi: https://doi.org/10.3828/jrs.2021.20

Rolland, N. (2021) 'Charles Baudelaire en musique : analyse numérique des mélodies de Gabriel Fauré'. Comparatismes en Sorbonne, 12. ISSN 1962-8927

Rolland, N. (2021) '"Dans la rue et le bitume ne poussent que les fleurs du mal": jouer et déjouer Charles Baudelaire et sa poésie dans le rap français'. Itinéraires, 3. ISSN 2427-920X doi: https://doi.org/10.4000/itineraires.9377

Rolland, N. and Mandis, E. (2015) ‘Variety theatre and theatre of variations: performance, female body and music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924)’. European Drama and Performance Studies, 5 (2). pp. 55-72. ISSN 2266-9035