Number of items: 16.
2022
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2022)
Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s digital activism.
    Film Quarterly, 76 (2).
    
         pp. 16-24.
      
     ISSN 1533-8630
  
doi: 10.1525/fq.2022.76.2.16
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2022)
Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s digital activism.
    Film Quarterly, 76 (2).
    
         pp. 16-24.
      
     ISSN 1533-8630
  
doi: 10.1525/fq.2022.76.2.16
  
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2022)
‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works.
    MIRAJ: Moving Image Review & Art Journal, 11 (1).
    
         pp. 10-33.
      
     ISSN 2045-6298
  
doi: 10.1386/miraj_00081_1
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2022)
‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works.
    MIRAJ: Moving Image Review & Art Journal, 11 (1).
    
         pp. 10-33.
      
     ISSN 2045-6298
  
doi: 10.1386/miraj_00081_1
  
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2022)
Curating the Godardian institution: agency and critique in film and contemporary art.
    Screen, 62 (4).
    
         pp. 484-511.
      
     ISSN 1460-2474
  
doi: 10.1093/screen/hjab051
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2022)
Curating the Godardian institution: agency and critique in film and contemporary art.
    Screen, 62 (4).
    
         pp. 484-511.
      
     ISSN 1460-2474
  
doi: 10.1093/screen/hjab051
  
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2022)
Agnès Varda and Xavier Dolan – between politics, the art house and popular culture.
    French Screen Studies, 22 (4).
    
         pp. 345-351.
      
     ISSN 2643-895X
  
doi: 10.1080/26438941.2021.1948172
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2022)
Agnès Varda and Xavier Dolan – between politics, the art house and popular culture.
    French Screen Studies, 22 (4).
    
         pp. 345-351.
      
     ISSN 2643-895X
  
doi: 10.1080/26438941.2021.1948172
  
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2022)
Dwoskin: disability, diaspora, dysphoria.
    Jewish Film and New Media, 10 (2).
    
        
      
     ISSN 2169-0332
  
doi: 10.1353/jfn.2022.a914337
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2022)
Dwoskin: disability, diaspora, dysphoria.
    Jewish Film and New Media, 10 (2).
    
        
      
     ISSN 2169-0332
  
doi: 10.1353/jfn.2022.a914337
  
2021
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2021)
Honour.
    
      In: Mussgnug, F., Nabugodi, M. and Petrou, T. (eds.) 
      Thinking Through Relation: Encounters in Creative Critical Writing.
    
    
      New Comparative Criticism.
    
    Peter Lang, Oxford, pp. 21-40.
     ISBN 9781789976397
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2021)
Honour.
    
      In: Mussgnug, F., Nabugodi, M. and Petrou, T. (eds.) 
      Thinking Through Relation: Encounters in Creative Critical Writing.
    
    
      New Comparative Criticism.
    
    Peter Lang, Oxford, pp. 21-40.
     ISBN 9781789976397
  
  
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2021)
‘Luminous Entities’: Ricciotto Canudo, spiritism, and nascent film theory.
    
      In:  
      Thresholds: Interwar Lens Media Cultures 1919-1939.
    
    
    Walther Koenig, Cologne, pp. 101-122.
     ISBN 9783753300009
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2021)
‘Luminous Entities’: Ricciotto Canudo, spiritism, and nascent film theory.
    
      In:  
      Thresholds: Interwar Lens Media Cultures 1919-1939.
    
    
    Walther Koenig, Cologne, pp. 101-122.
     ISBN 9783753300009
  
  
2019
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2019)
Ageless: Akerman’s avatars'.
    
      In: Schmid, M. and Wilson, E. (eds.) 
      Chantal Akerman: Afterlives.
    
    
    MHRA/Legenda, Oxford, pp. 54-65.
     ISBN 9781781886397
  
doi: 10.2307/j.ctv16km0vw.11
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2019)
Ageless: Akerman’s avatars'.
    
      In: Schmid, M. and Wilson, E. (eds.) 
      Chantal Akerman: Afterlives.
    
    
    MHRA/Legenda, Oxford, pp. 54-65.
     ISBN 9781781886397
  
doi: 10.2307/j.ctv16km0vw.11
  
2018
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2018)
Overturning feminist phenomenologies: disability, complex embodiment, intersectionality, and film.
    
      In:  
      Rethinking Feminist Phenomenology : Theoretical and Applied Perspectives.
    
    
    Rowman & Littlefield International, London, pp. 187-208.
     ISBN 9781786603739
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2018)
Overturning feminist phenomenologies: disability, complex embodiment, intersectionality, and film.
    
      In:  
      Rethinking Feminist Phenomenology : Theoretical and Applied Perspectives.
    
    
    Rowman & Littlefield International, London, pp. 187-208.
     ISBN 9781786603739
  
  
2015
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2015)
Visible and invisible institutions: cinema in the French Art Museum.
    
      In:  
      International Handbooks of Museum Studies: Museum Media.
    
    
    Wiley Blackwell, Oxford, pp. 95-119.
     ISBN 9781118829059
  
doi: 10.1002/9781118829059.wbihms305
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2015)
Visible and invisible institutions: cinema in the French Art Museum.
    
      In:  
      International Handbooks of Museum Studies: Museum Media.
    
    
    Wiley Blackwell, Oxford, pp. 95-119.
     ISBN 9781118829059
  
doi: 10.1002/9781118829059.wbihms305
  
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2015)
The “new” experimentalism? Women in/and/on film.
    
      In:  
      Feminisms.
    
    
    Amsterdam University Press, Amsterdam, pp. 125-140.
     ISBN 9789048523634
  
doi: 10.1515/9789048523634-013
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2015)
The “new” experimentalism? Women in/and/on film.
    
      In:  
      Feminisms.
    
    
    Amsterdam University Press, Amsterdam, pp. 125-140.
     ISBN 9789048523634
  
doi: 10.1515/9789048523634-013
  
2014
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2014)
Absurd avatars, transcultural relations: Elia Suleiman, Franco-Palestinian filmmaking and beyond.
    Modern & Contemporary France, 22 (1).
    
         pp. 85-102.
      
     ISSN 0963-9489
  
doi: 10.1080/09639489.2013.867152
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2014)
Absurd avatars, transcultural relations: Elia Suleiman, Franco-Palestinian filmmaking and beyond.
    Modern & Contemporary France, 22 (1).
    
         pp. 85-102.
      
     ISSN 0963-9489
  
doi: 10.1080/09639489.2013.867152
  
2013
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2013)
Transitional borders and intermedial spectacle: Kiarostami and opera, between France and Iran.
    Studies in French Cinema, 13 (3).
    
         pp. 257-271.
      
     ISSN 1471-5880
  
doi: 10.1386/sfc.13.3.257_1
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2013)
Transitional borders and intermedial spectacle: Kiarostami and opera, between France and Iran.
    Studies in French Cinema, 13 (3).
    
         pp. 257-271.
      
     ISSN 1471-5880
  
doi: 10.1386/sfc.13.3.257_1
  
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2013)
The disappearing work: Chantal Akerman and phenomenologies of the ephemeral.
    Contemporary French and Francophone Studies, 17 (3).
    
         pp. 347-356.
      
     ISSN 1740-9292
  
doi: 10.1080/17409292.2013.790631
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2013)
The disappearing work: Chantal Akerman and phenomenologies of the ephemeral.
    Contemporary French and Francophone Studies, 17 (3).
    
         pp. 347-356.
      
     ISSN 1740-9292
  
doi: 10.1080/17409292.2013.790631
  
2012
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2012)
Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French CInema.
    
    
    Palgrave Macmillan.
     ISBN 9781349335220
  
doi: 10.1057/9781137283740
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2012)
Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French CInema.
    
    
    Palgrave Macmillan.
     ISBN 9781349335220
  
doi: 10.1057/9781137283740
  
2007
    Chamarette, J.  ORCID: https://orcid.org/0000-0003-0701-1514
  
(2007)
Flesh, Folds and Texturality: Thinking Visual Ellipsis via Merleau-Ponty, Hélène Cixous and Robert Frank.
    Paragraph, 30 (2).
    
         pp. 34-49.
      
     ISSN 0264-8334
  
doi: 10.3366/prg.2007.0018
ORCID: https://orcid.org/0000-0003-0701-1514
  
(2007)
Flesh, Folds and Texturality: Thinking Visual Ellipsis via Merleau-Ponty, Hélène Cixous and Robert Frank.
    Paragraph, 30 (2).
    
         pp. 34-49.
      
     ISSN 0264-8334
  
doi: 10.3366/prg.2007.0018
  
This list was generated on Fri Oct 31 19:12:14 2025 UTC.