Number of items: 16.
Article
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s digital activism.
Film Quarterly, 76 (2).
pp. 16-24.
ISSN 1533-8630
doi: https://doi.org/10.1525/fq.2022.76.2.16
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works.
MIRAJ: Moving Image Review & Art Journal, 11 (1).
pp. 10-33.
ISSN 2045-6298
doi: https://doi.org/10.1386/miraj_00081_1
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Curating the Godardian institution: agency and critique in film and contemporary art.
Screen, 62 (4).
pp. 484-511.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjab051
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Agnès Varda and Xavier Dolan – between politics, the art house and popular culture.
French Screen Studies, 22 (4).
pp. 345-351.
ISSN 2643-895X
doi: https://doi.org/10.1080/26438941.2021.1948172
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Dwoskin: disability, diaspora, dysphoria.
Jewish Film and New Media, 10 (2).
ISSN 2169-0332
doi: https://doi.org/10.1353/jfn.2022.a914337
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2014)
Absurd avatars, transcultural relations: Elia Suleiman, Franco-Palestinian filmmaking and beyond.
Modern & Contemporary France, 22 (1).
pp. 85-102.
ISSN 0963-9489
doi: https://doi.org/10.1080/09639489.2013.867152
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2013)
Transitional borders and intermedial spectacle: Kiarostami and opera, between France and Iran.
Studies in French Cinema, 13 (3).
pp. 257-271.
ISSN 1471-5880
doi: https://doi.org/10.1386/sfc.13.3.257_1
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2013)
The disappearing work: Chantal Akerman and phenomenologies of the ephemeral.
Contemporary French and Francophone Studies, 17 (3).
pp. 347-356.
ISSN 1740-9292
doi: https://doi.org/10.1080/17409292.2013.790631
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2007)
Flesh, Folds and Texturality: Thinking Visual Ellipsis via Merleau-Ponty, Hélène Cixous and Robert Frank.
Paragraph, 30 (2).
pp. 34-49.
ISSN 0264-8334
doi: https://doi.org/10.3366/prg.2007.0018
Book or Report Section
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2021)
Honour.
In: Mussgnug, F., Nabugodi, M. and Petrou, T. (eds.)
Thinking Through Relation: Encounters in Creative Critical Writing.
New Comparative Criticism.
Peter Lang, Oxford, pp. 21-40.
ISBN 9781789976397
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2021)
‘Luminous Entities’: Ricciotto Canudo, spiritism, and nascent film theory.
In:
Thresholds: Interwar Lens Media Cultures 1919-1939.
Walther Koenig, Cologne, pp. 101-122.
ISBN 9783753300009
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2019)
Ageless: Akerman’s avatars'.
In: Schmid, M. and Wilson, E. (eds.)
Chantal Akerman: Afterlives.
MHRA/Legenda, Oxford, pp. 54-65.
ISBN 9781781886397
doi: https://doi.org/10.2307/j.ctv16km0vw.11
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2018)
Overturning feminist phenomenologies: disability, complex embodiment, intersectionality, and film.
In:
Rethinking Feminist Phenomenology : Theoretical and Applied Perspectives.
Rowman & Littlefield International, London, pp. 187-208.
ISBN 9781786603739
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2015)
Visible and invisible institutions: cinema in the French Art Museum.
In:
International Handbooks of Museum Studies: Museum Media.
Wiley Blackwell, Oxford, pp. 95-119.
ISBN 9781118829059
doi: https://doi.org/10.1002/9781118829059.wbihms305
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2015)
The “new” experimentalism? Women in/and/on film.
In:
Feminisms.
Amsterdam University Press, Amsterdam, pp. 125-140.
ISBN 9789048523634
doi: https://doi.org/10.1515/9789048523634-013
Book
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2012)
Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French CInema.
Palgrave Macmillan.
ISBN 9781349335220
doi: https://doi.org/10.1057/9781137283740
This list was generated on Wed Oct 9 03:17:05 2024 UTC.