Browse by Creator
Number of items: 10. 2023
Cardwell, S., Bignell, J. 2014Donaldson, L. F. (2014) Texture in film. Palgrave Close Readings in Film and Television. Palgrave Macmillan, pp256. ISBN 9781137034786 2013Donaldson, L. F. (2013) Camera and performer: energetic engagement with the shield. In: Jacobs, J. and Peacock, S. (eds.) Television Aesthetics and Style. Bloomsbury, London, pp. 209-218. ISBN 9781441157515 Donaldson, L. F. (2013) Performing performers: embodiment and intertextuality in the contemporary biopic. In: Brown, T. and Vidal, B. (eds.) The Biopic in Contemporary Film Culture. AFI Film Readers. Routledge, London, pp. 103-117. ISBN 9780415899413 2012Donaldson, L. F. (2012) Effort and affect: engaging with film performance. In: Reason, M. and Reynolds, D. (eds.) Kinesthetic Empathy in Creative and Cultural Practices. Intellect Books, Bristol, pp. 159-174. ISBN 9781841504919 2011Donaldson, L. F. (2011) “The suffering black male body and the threatened white female body": ambiguous bodies in Candyman. Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374 Donaldson, L. F. (2011) “Normality is threatened by the Monster”: Robin Wood, Romero and zombies. CineAction (84). pp. 24-31. ISSN 0826-9866 2010Donaldson, L. F. (2010) Access and excess in The Texas Chain Saw Massacre. Movie: a journal of film criticism (1). ISSN 2047-1661 Donaldson, L. F. (2010) “There’s something very familiar about all this”: generic play and performance in the Back to the Future trilogy (Robert Zemeckis, 1985, 1989, 1990). In: Ni Fhlainn, S. (ed.) The Worlds of Back to the Future. McFarland, Jefferson, pp. 73-90. ISBN 9780786444002 2008Fife, L. (2008) Human monstrosity: rape, ambiguity and performance in Rosemary’s Baby (Roman Polanski, 1968). In: Baumgartner, H. and Davis, R. (eds.) Hosting the Monster. At the Interface/Probing the Boundaries (52). Rodopi, Amsterdam / New York, pp. 43-62. ISBN 9042024860 |
