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Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2009) Beckett on screen: the television plays. Manchester University Press, Manchester, pp230. ISBN 9780719064203

Bryden, M. (2009) Beckett's Proust/Deleuze's Proust. Palgrave MacMillan, Basingstoke, pp272. ISBN 9780230239470

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Maude, U. (2009) Beckett, technology and the body. Cambridge University Press, Cambridge, pp222. ISBN 9780521515375

Maude, U. (2009) 'Material of a Strictly Peculiar Order': Beckett, Merleau-Ponty and perception. In: Maude, U. and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies . Continuum, pp. 77-96. ISBN 9780826497147

Maude, U. (2009) 'A Stirring Beyond Coming and Going’: Beckett and Tourette's. Journal of Beckett Studies, 17 (1-2). pp. 153-168. ISSN 1759-7811 doi: 10.3366/E0309520709000119

Maude, U. and Feldman, M., eds. (2009) Beckett and phenomenology. Continuum Literary Studies . Continuum, pp226. ISBN 9780826497147

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Wilmer, S. E., eds. (2009) Reflections on Beckett: a centenary celebration. Theater: theory/text/performance. University of Michigan Press, Ann Arbor, pp256. ISBN 9780472116645

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Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Beckett publishing/publishing Beckett in the 1930s. Variants, 6. pp. 209-219. ISSN 1573-3084

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Between art-world and life-world: Beckett's 'Dream of Fair to Middling Women'. In: Maude, U. and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies . Continuum, London, pp. 97-108. ISBN 9780826497147

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Between gospel and prohibition: Beckett in Nazi Germany 1936-1937. In: Kennedy, S. and Weiss, K. (eds.) Samuel Beckett: History, Memory, Archive. Palgrave MacMillan, pp. 31-46. ISBN 9780230619449

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) "Infernal streams": Beckett's rivers. Samuel Beckett Today / Aujourd'hui, 20. pp. 33-47. ISSN 0927-3131

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Samuel Beckett's ‘Film Vidéo-Cassette projet’. Journal of Beckett Studies, 18 (1-2). pp. 32-43. ISSN 1759-7811 doi: 10.3366/E0309520709000259

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Writing myself into the ground. In: Barfield, S., Feldman, M. and Tew, P. (eds.) Beckett and Death. Continuum Literary Studies (2). Continuum, London, pp. 22-30. ISBN 9780826498359

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Hulle, D. V. (2009) Beckett's library: from marginalia to notebooks. In: Guardamagna, D. and Sebellin, R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Rome, pp. 57-74. ISBN 9788842090700

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Pilling, J. (2009) Beckett and Italian literature (after Dante). In: Guardamagna , D. and Sebellin , R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Bardi, Italy, pp. 178-191. ISBN 9788842090700

Pilling, J. (2009) Beckett's Letters. Journal of Beckett Studies, 18 (1-2). pp. 178-191. ISSN 1759-7811 doi: 10.3366/E0309520709000351

Pilling, J. (2009) A critique of aesthetic judgment: Beckett’s “Dissonance of Ends and Means". In: Gontarski, S. E. (ed.) A Companion to Beckett. Wiley-Blackwell, Oxford, pp. 63-72. ISBN 9781405158695

Pilling, J. (2009) The uses of enchantment: Beckett and the fairy tale. Samuel Beckett Today / Aujourd'hui, 21. pp. 75-85. ISSN 0927-3131