B

Bignell, J. (2010) Into the void: Beckett's television plays and the idea of broadcasting. In: Caselli, D. (ed.) Beckett and nothing: trying to understand Beckett. Manchester University Press, Manchester, UK, pp. 125-142. ISBN 9780719080197

M

McMullan, A. (2010) Performing embodiment in Samuel Beckett's drama. Routledge Advances in Theatre and Performance Studies, 12. Routledge, pp186. ISBN 9780415385985

McTighe, T. (2010) Haptic interfaces: the live and the recorded body in Beckett's Eh Joe on stage and screen. Samuel Beckett Today / Aujourd'hui, 22. pp. 463-475. ISSN 0927-3131

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Nixon, M. (2010) Beckett back with the Irish. Times Literary Supplement, 23 July 20. ISSN 0307-661X

Nixon, M. (2010) Beckett – Frisch – Dürrenmatt. Samuel Beckett Today / Aujourd'hui, 22. ISSN 0927-3131

Nixon, M. (2010) Belacqua revididus: Beckett’s short story 'Echo’s Bones’. Limit(e) Beckett , 1. pp. 92-101. ISSN 2105-1119

Nixon, M. (2010) Chronology of Beckett's journey to Germany 1936-1937 (based on the German diaries). Journal of Beckett Studies, 19 (2). pp. 245-272. ISSN 1759-7811 doi: https://doi.org/10.3366/jobs.2010.0007

Nixon, M., ed. (2010) Samuel Beckett: texts for nothing and other shorter prose, 1950-1976. Faber, London. ISBN 9780571244621

Nixon, M. and Van Hulle, D., eds. (2010) Beckett and Germany. Journal of Beckett Studies, 19 (2). Edinburgh University Press, UK, pp128. ISBN 9780748641390

Nixon, M. (2010) Beckett and Germany in the 1930s: the development of a poetics. In: Gontarski , S.E. (ed.) A companion to Samuel Beckett. Wiley-Blackwell, Oxford, UK, pp. 130-142. ISBN 9781405158695

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Pilling, J. (2010) On not being there: going on without in Beckett. In: Caselli, D. (ed.) Beckett and Nothing. Manchester University Press, Manchester, pp. 20-27. ISBN 9780719080197

Pilling, J. and Lawlor, S. P. (2010) Beckett in transition. In: Nixon, M. (ed.) Publishing Samuel Beckett. British Library, London, pp. 83-96. ISBN 9780712358262