Elston, C. ORCID: https://orcid.org/0000-0002-0623-0187 (2022) Beyond the liberal-institutional paradigm: grassroots human rights and transitional justice narratives in Antígonas, tribunal de mujeres. In: Gardeazábal Bravo, C. and Guerrieri, K. G. (eds.) Human Rights in Colombian Literature and Cultural Production: Embodied Enactments. Routledge, New York, USA, pp. 203-220. ISBN 9780367722807 doi: https://doi.org/10.4324/9781003154167-16

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (2022) Beyond the border. Migration and multilingual signs at European borderscapes. [Show/Exhibition]

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (2022) Breve storia di una strumentalizzazione - Alle origini dell’espressione “politically correct”. In: Non si può più dire niente. Quattordici punti di vista sul politicamente corretto. UTET, Milan, pp. 69-88. ISBN 9788851198886

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (2022) La farmacia del linguaggio. Parole che feriscono, parole che curano. Territorio / Gesellschaft. Edizioni Alphabeta Verlag, Bolzano, pp100. ISBN 9788872234051

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (2022) Sbiancare un etiope. La costruzione di un immaginario razzista. UTET, Milan, pp248. ISBN 9791221202700

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2022) "Los dueños de Chile somos nosotros": retrato de la élite en Los Millonarios, de Teatro La María. Literatura y linguistica (44). pp. 141-167. ISSN 0716-5811 doi: https://doi.org/10.29344/0717621X.44.3052

Heywood, S. ORCID: https://orcid.org/0000-0001-6641-2065 (2022) Les chaînons de la production de masse pour enfants. Le département jeunesse de la maison Hachette dans les années 1950-1970. In: Glinoer, A. (ed.) Les maisons d’édition francophones au prisme de leurs archives. Éditions des Archives contemporaines, Paris, pp. 93-108. ISBN 9782813004130 doi: https://doi.org/10.17184/eac.6519

Knapp, A. (2022) France's party system in 2022. Modern and Contemporary France, 30 (4). pp. 495-515. ISSN 1469-9869 doi: https://doi.org/10.1080/09639489.2022.2134849

Knapp, A. (2022) La dernière ville normande libérée. Le Havre, dernière étape de la Bataille de Normandie. In: Le Cieux, L. (ed.) Le Havre 44: Nouveaux Regards. Editions Octopus, Paris, pp. 12-29. ISBN 9782900314371

La Penna, D. ORCID: https://orcid.org/0000-0002-4197-0041 (2022) I poli dell'esperienza. In: La Penna, D. ORCID: https://orcid.org/0000-0002-4197-0041 (ed.) Luigi Meneghello. La materia di Reading e altri reperti. BUR-Rizzoli, Milan, pp. 5-25. ISBN 9788817005296

McAllister, C. ORCID: https://orcid.org/0000-0002-7669-3283 (2022) Literary Reimaginings of Argentina's Independence: History, Fiction, Politics. Liverpool Latin American Studies (23). Liverpool University Press, pp160. ISBN 9781800348455

Pilsworth, E. ORCID: https://orcid.org/0000-0001-7379-0996 (2022) Teaching eighteenth-century German literature in the era of #MeToo: gender and the Enlightenment canon. Publications of the English Goethe Society, 91 (2). pp. 124-139. ISSN 0959-3683 doi: https://doi.org/10.1080/09593683.2022.2074286

Rolland, N. (2022) 'Bigflo & Oli', 'Gims', 'La Fouine', 'Soprano'. In: Abecassis, M., Block, M. and Chaplin, F. (eds.) An Anthology of French and Francophone Singers from A to Z. Cambridge Scholars. ISBN 9781527581227

Rolland, N. (2022) 'Music and Gender Roles in Hector Berlioz’s Euphonia and George Sand’s Le Dernier Amour'. In: Durkin, R. (ed.) Routledge Companion to Music and Modern Literature. Routledge Music Companions. Routledge. ISBN 9780367237240

Schroeter, M. ORCID: https://orcid.org/0000-0001-9636-245X (2022) “Everything goes against the German here!” : self-victimising discourse in comments on migration-related posts on the Alternative für Deutschland Facebook page. In: Monnier, A., Boursier, A. and Seoane, A. (eds.) Cyberhate in the Context of Migrations. Postdisciplinary Studies in Discourse. Palgrave Macmillan, Cham, pp. 83-114. ISBN 9783030921033 doi: https://doi.org/10.1007/978-3-030-92103-3_4

Schröter, M. ORCID: https://orcid.org/0000-0001-9636-245X (2022) Between saying and not saying: explicit silence as ambiguation in user comments on Alternative für Deutschland Facebook posts. Zeitschrift fuer Literaturwissenschaft und Linguistk, 52 (4). pp. 591-612. ISSN 0049-8653 doi: https://doi.org/10.1007/s41244-022-00269-9

Simo-Comas, M. ORCID: https://orcid.org/0000-0002-0608-2532 (2022) From puberty and democracy to menopause and recession: love and female identity in the works of Marta Sanz. In: Feminine Plural: Women in Transition in the Luso-Hispanic World. Studies in Contemporary Women’s Writing series. Peter Lang. (In Press)

Simo-Comas, M. ORCID: https://orcid.org/0000-0002-0608-2532 (2022) Interacción creadora entre texto e imagen en el microrrelato fantástico peninsular en las primeras dos décadas del siglo XXI. Brumal. Revista de investigación sobre lo fantástico/Brumal. Research Journal on the Fantastic, 9 (2). pp. 31-56. ISSN 2014-7910 doi: https://doi.org/10.5565/rev/brumal.825

Tucker, G. H. (2022) Les Hymni sacri (Orationes XXIII. etc., Venise, Alde, 1575) de l’exil italien de Marc-Antoine Muret, poète-compositeur. In: Luce, A. and Mickaël, R. (eds.) Polémique en chanson: IVe-XVIe siècle. Presses Universitaires de Rennes, Rennes, pp. 179-200. ISBN 9782753583573