Number of items: 19.
E
Elston, C. ORCID: https://orcid.org/0000-0002-0623-0187
(2022)
Beyond the liberal-institutional paradigm: grassroots human rights and transitional justice narratives in Antígonas, tribunal de mujeres.
In: Gardeazábal Bravo, C. and Guerrieri, K. G. (eds.)
Human Rights in Colombian Literature and Cultural Production: Embodied Enactments.
Routledge, New York, USA, pp. 203-220.
ISBN 9780367722807
doi: https://doi.org/10.4324/9781003154167-16
F
Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768
(2022)
Beyond the border. Migration and multilingual signs at European borderscapes.
[Show/Exhibition]
Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768
(2022)
Breve storia di una strumentalizzazione - Alle origini dell’espressione “politically correct”.
In:
Non si può più dire niente. Quattordici punti di vista sul politicamente corretto.
UTET, Milan, pp. 69-88.
ISBN 9788851198886
Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768
(2022)
La farmacia del linguaggio. Parole che feriscono, parole che curano.
Territorio / Gesellschaft.
Edizioni Alphabeta Verlag, Bolzano, pp100.
ISBN 9788872234051
Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768
(2022)
Sbiancare un etiope. La costruzione di un immaginario razzista.
UTET, Milan, pp248.
ISBN 9791221202700
G
Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756
(2022)
"Los dueños de Chile somos nosotros": retrato de la élite en Los Millonarios, de Teatro La María.
Literatura y linguistica (44).
pp. 141-167.
ISSN 0716-5811
doi: https://doi.org/10.29344/0717621X.44.3052
H
Heywood, S. ORCID: https://orcid.org/0000-0001-6641-2065
(2022)
Les chaînons de la production de masse pour enfants.
Le département jeunesse de la maison Hachette dans les années 1950-1970.
In: Glinoer, A. (ed.)
Les maisons d’édition francophones au prisme de leurs archives.
Éditions des Archives contemporaines, Paris, pp. 93-108.
ISBN 9782813004130
doi: https://doi.org/10.17184/eac.6519
K
Knapp, A.
(2022)
France's party system in 2022.
Modern and Contemporary France, 30 (4).
pp. 495-515.
ISSN 1469-9869
doi: https://doi.org/10.1080/09639489.2022.2134849
Knapp, A.
(2022)
La dernière ville normande libérée. Le Havre, dernière étape de la Bataille de Normandie.
In: Le Cieux, L. (ed.)
Le Havre 44: Nouveaux Regards.
Editions Octopus, Paris, pp. 12-29.
ISBN 9782900314371
L
La Penna, D. ORCID: https://orcid.org/0000-0002-4197-0041
(2022)
I poli dell'esperienza.
In: La Penna, D. ORCID: https://orcid.org/0000-0002-4197-0041 (ed.)
Luigi Meneghello. La materia di Reading e altri reperti.
BUR-Rizzoli, Milan, pp. 5-25.
ISBN 9788817005296
M
McAllister, C. ORCID: https://orcid.org/0000-0002-7669-3283
(2022)
Literary Reimaginings of Argentina's Independence: History, Fiction, Politics.
Liverpool Latin American Studies (23).
Liverpool University Press, pp160.
ISBN 9781800348455
P
Pilsworth, E. ORCID: https://orcid.org/0000-0001-7379-0996
(2022)
Teaching eighteenth-century German literature in the era of #MeToo: gender and the Enlightenment canon.
Publications of the English Goethe Society, 91 (2).
pp. 124-139.
ISSN 0959-3683
doi: https://doi.org/10.1080/09593683.2022.2074286
R
Rolland, N.
(2022)
'Bigflo & Oli', 'Gims', 'La Fouine', 'Soprano'.
In: Abecassis, M., Block, M. and Chaplin, F. (eds.)
An Anthology of French and Francophone Singers from A to Z.
Cambridge Scholars.
ISBN 9781527581227
Rolland, N.
(2022)
'Music and Gender Roles in Hector Berlioz’s Euphonia and George Sand’s Le Dernier Amour'.
In: Durkin, R. (ed.)
Routledge Companion to Music and Modern Literature.
Routledge Music Companions.
Routledge.
ISBN 9780367237240
S
Schroeter, M. ORCID: https://orcid.org/0000-0001-9636-245X
(2022)
“Everything goes against the German here!” : self-victimising discourse in comments on migration-related posts on the Alternative für Deutschland Facebook page.
In: Monnier, A., Boursier, A. and Seoane, A. (eds.)
Cyberhate in the Context of Migrations.
Postdisciplinary Studies in Discourse.
Palgrave Macmillan, Cham, pp. 83-114.
ISBN 9783030921033
doi: https://doi.org/10.1007/978-3-030-92103-3_4
Schröter, M. ORCID: https://orcid.org/0000-0001-9636-245X
(2022)
Between saying and not saying: explicit silence as ambiguation in user comments on Alternative für Deutschland Facebook posts.
Zeitschrift fuer Literaturwissenschaft und Linguistk, 52 (4).
pp. 591-612.
ISSN 0049-8653
doi: https://doi.org/10.1007/s41244-022-00269-9
Simo-Comas, M. ORCID: https://orcid.org/0000-0002-0608-2532
(2022)
From puberty and democracy to menopause and recession: love and female identity in the works of Marta Sanz.
In:
Feminine Plural: Women in Transition in the Luso-Hispanic World.
Studies in Contemporary Women’s Writing series.
Peter Lang.
(In Press)
Simo-Comas, M. ORCID: https://orcid.org/0000-0002-0608-2532
(2022)
Interacción creadora entre texto e imagen en el microrrelato fantástico peninsular en las primeras dos décadas del siglo XXI.
Brumal. Revista de investigación sobre lo fantástico/Brumal. Research Journal on the Fantastic, 9 (2).
pp. 31-56.
ISSN 2014-7910
doi: https://doi.org/10.5565/rev/brumal.825
T
Tucker, G. H.
(2022)
Les Hymni sacri (Orationes XXIII. etc., Venise, Alde, 1575) de l’exil italien de Marc-Antoine Muret, poète-compositeur.
In: Luce, A. and Mickaël, R. (eds.)
Polémique en chanson: IVe-XVIe siècle.
Presses Universitaires de Rennes, Rennes, pp. 179-200.
ISBN 9782753583573
This list was generated on Thu Dec 26 12:59:04 2024 UTC.