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Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2000) Postmodern media culture. Edinburgh University Press, Edinburgh, pp248. ISBN 9780748609888

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2000) A taste of the gothic: film and television versions of Dracula. In: Sheen, E. and Giddings, R. (eds.) From Page to Screen: Adaptations of the Classic Novel:. Manchester University Press, Manchester, pp. 114-130. ISBN 9780719052316

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, Lacey, S. and MacMurraugh-Kavanagh, M., eds. (2000) British television drama: past, present and future. 1st edition. Macmillan, Basingstoke. ISBN 9780333774953

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Kinross, R. (2000) The dispute between Max Bill and Jan Tschichold of 1946, with a later contribution by Paul Renner. In: Kinross, R. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Typography papers, 4. Department of Typography & Graphic Communication, Reading, pp. 57-90. ISBN 0-7049-1124-8

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Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2000) In search of the digital Cresci: Don Knuth’s digital typography. Information Design Journal, 9 (2-3). pp. 111-118. ISSN 0142-5471 doi: 10.1075/idj.9.2-3.02leo

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2000) Γραμματοσειρές και πολιτισμική ταυτότητα [Typefaces and cultural identity]. Marketing Week. pp. 28-30. ISSN 0141-9285 (special issue 'Ελληνική Τυπογραφία [Greek typography]')

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2000) An introduction to Greek typeface design. AGFA/Monotype, Palo Alto, California, pp54.

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MacMurraugh-Kavanagh, M. (2000) Too secret for words: circulating and receiving coded dissent in female-authored drama of 'The Wednesday Play', 1964-1970. In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, Lacey, S. and MacMurraugh-Kavanagh, M. (eds.) British Television Drama: Past, Present and Future. Macmillan, Basingstoke. ISBN 9780333774953

MacMurraugh-Kavanagh, M. K. (2000) What's all this then? The ideology of identity in 'The Cops'. In: Llewellyn-Jones, M. and Carson, B. (eds.) Frames and Fiction on Television: The Politics of Identity Within Drama. Intellect Books, Exeter. ISBN 9781841500096

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Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2000) El nuevo cine bajo el espectro del cinema novo. Cuadernos hispanoamericanos, 601-602. pp. 39-51. ISSN 0011-250X

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Taylor, L. (2000) Backtracks: a devised performance. [Performance]

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Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2000) Leading the field or behind the times? Doctoral education in typography and graphic communication. In: Durling, D. and Friedman, K. (eds.) Foundations for the future: doctoral education in design. Staffordshire University Press, pp. 337-344.

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2000) Typography and language in everyday life: prescriptions and practices. Language in social life. Longman, Harlow, pp224. ISBN 9780582357556

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 and Reynolds, L. (2000) Screen design for children’s reading. Journal of Research in Reading, 23 (2). pp. 224-234. ISSN 1467-9817 doi: 10.1111/1467-9817.00116