Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2003) alter. [Show/Exhibition]

Andrews, M. (2003) Artwork or works of art? Part one. Baseline Magazine, 40. pp. 17-24.

Andrews, M. (2003) Artwork or works of art? Part two. Baseline Magazine, 41. pp. 13-16.

Andrews, M. J. (2003) The life and work of Robert Gibbings. The Primrose Hill Press, London, pp426. ISBN 9781901648317

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2003) Sex, confession and witness. In: Akass, K. and Mccabe, J. (eds.) Reading 'Sex and the City',. I B Tauris, London & New York, pp. 161-176. ISBN 9781850434238

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2003) Where is Action Man's penis? Determinations of gender and the bodies of toys. In: Segal, N., Taylor, L. and Cook, R. (eds.) Indeterminate Bodies. Palgrave Macmillan, Basingstoke, pp. 36-47. ISBN 9780333949696

Bull, J. (2003) From Illyria to Arcadia: uses of pastoral in Modern English theater. TriQuarterly, 116. pp. 57-72.

Bull, J. (2003) 'A deal of monstrous and forced action': Joe Orton and Ben Jonson. In: Woolland, B. (ed.) Jonsonians: Living Traditions. Studies in Performance and Early Modern Drama. Ashgate, Aldershot, England & Burlington, USA, pp. 137-152. ISBN 9780754606109

Chaimowicz, M. C. (2003) MCC. [Show/Exhibition]

Chaimowicz, M. C. (2003) Ten banners. [Show/Exhibition]

Chaimowicz, M. C. (2003) Une exposition pour Cluny. [Show/Exhibition]

Dunsby, J. M. (2003) All the dancers know it and it is valid for all times: Goehr, Kafka and 'The Law of the Quadrille'. In: Latham, A. (ed.) Sing, Ariel: Essays and Thoughts for Alexander Goehr's Seventieth Birthday. Ashgate, Aldershot, pp. 171-179. ISBN 9780754634973

Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312 and Campello, S. B. (2003) Evaluating virtual learning environments: what are we measuring? Electronic Journal of eLearning, 1 (1). pp. 11-20. ISSN 1479-4403

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2003) Developing, exploring and evaluating tools and resources. Digital Creativity, 14 (4). pp. 193-194. ISSN 1744-3806 doi: https://doi.org/10.1076/digc.14.4.193.27878

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2003) Digital creativity. Taylor and Francis.

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2003) Readers' navigation of electronic documents: how do we find our way around the research? In: 1st Information Design International Conference, 2003, Recife, Brazil.

Frost, E. and McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2003) The Blue Angel Beckett on film project : questions of adaptation, aesthetics and audience in filming Beckett’s theatrical canon. In: Ben-Zvi, L. (ed.) Drawing on Beckett : portraits, performances, and cultural contexts. Assaph Books. Tel Aviv University, Tel Aviv, pp. 215-238. ISBN 9789659062508

Fuller, S. (2003) Essays. In: Schleifer , M. F. and Glickman , S. (eds.) Women Composers: Music Through The Ages. G. K. Hall, Boston.

Golden, P. (2003) In portraiture irrelevance is ugliness. [Show/Exhibition]

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2003) Hoofdletters, tweeling- en meerlingdruk. Eye, 47. pp. 30-37. ISSN 0950-222X

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2003) Recollecting stencil letters. In: Typography Papers 5. University of Reading, Reading, pp. 65-101.

Luna, P. (2003) Two Oxford Bible types. In: Randle, J. and Berry, J. D. (eds.) Type & Typography. Mark Batty Publisher, West New York, NJ, pp. 148-167. ISBN 0971568766

MacLean, M. (2003) Home from home. [Show/Exhibition]

Malvern, S. B. (2003) Eric Kennington 1888-1960. In: Curtis, P. (ed.) Sculpture in 20th-century Britain: a guide to sculptors in the Leeds collections. Henry Moore Institute, Leeds, UK, pp. 185-186. ISBN 1900081040

Malvern, S. B. (2003) Griselda Pollock. In: Murray, C. (ed.) Key writers on art: the twentieth century. Routledge, London, UK, pp. 228-234. ISBN 9780415222013

Malvern, S. B. (2003) The identity of the sculptor 1925-1950. In: Curtis, P. (ed.) Sculpture in 20th-century Britain: identity, infrastructures, aesthetics, display, reception. Henry Moore Institute, Leeds, UK, pp. 77-87. ISBN 9781900081986

Malvern, S. B. (2003) Antibodies: Rachel Whiteread's water tower. Art History, 26 (3). pp. 392-405. ISSN 1467-8365 doi: https://doi.org/10.1111/j.0141-6790.2003.02603004.x

Malvern, S. B. (2003) Baedeker ruins. Review of 'War damage in Western Europe: the destruction of historic monuments during the Second World War' by N. Lambourne. Art History, 26 (1). pp. 118-120. ISSN 1467-8365

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Leeney, C., eds. (2003) The Theatre of Marina Carr: “before rules was made”. Carysfort Press, Dublin. ISBN 9780953425778

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Singleton, B., eds. (2003) Special issue of Australasian Drama Studies on Performing Ireland. Australasian Drama Studies.

Mosley, J. (2003) Giovan Francesco Cresci, nuovi documenti: un'iscrizione, un quadro. La Operina, 23. pp. 3-15.

Mosley, J. (2003) Nelly Gable, 'gy, or the magical journey of a punch-cutter at work. In: Matrix: A Review For Printers & Bibliophiles. The Whittington Press, pp. 88-92.

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2003) Introduction. In: Woolland, B. (ed.) Double Tongue. Border Crossings Publications, London. ISBN 9781904718017

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2003) 'The Morality of Mrs Dulska' by Gabriela Zapolska. Translated and directed by Teresa Murjas. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2003) Translating and directing Mrożek’s 'The Turkey' in London. Slavic and East European Performance, 23 (3). ISSN 1047-0018

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2003) Death on the beach: the recycled utopia of Midnight. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (ed.) The new Brazilian cinema. I.B. Tauris, London, pp. 157-174. ISBN 9781860649288

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, ed. (2003) The new Brazilian cinema. I.B. Tauris, London, pp320. ISBN 9781860649288

Paget, D. (2003) Codes and conventions of dramadoc and docudrama. In: Hill, A. and Allen, R. C. (eds.) The Television Studies Reader. Routledge, London, pp. 196-208. ISBN 9780415283236

Paget, D. (2003) Documentary drama. In: Kennedy, D. (ed.) The Oxford Encyclopedia of Theatre and Performance. Oxford University Press, Oxford, 379-380 . ISBN 9780198601746

Paget, D. (2003) Theatre & television. In: Kennedy, D. (ed.) The Oxford Encyclopedia of Theatre and Performance. Oxford University Press, Oxford, pp. 1326-1337. ISBN 9780198601746

Phillips, A. (2003) City of darkness, city of light: emigré filmmakers in Paris 1929-1939. University of Amsterdam Press, Amsterdam, pp256. ISBN 9789053566336

Phillips, A. (2003) Pictures of the past in the present: modernity, femininity and stardom in the postwar films of Ozu Yasujiro. Screen, 44 (2). pp. 154-166. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/44.2.154

Pittuck, S., Clarkin, A. and Clarkin, J., eds. (2003) Miser and now. Volume 1-4. Keith Talent Gallery, London.

Pye, D. (2003) The Western (genre and movies). In: Grant, B. K. (ed.) Film Genre Reader III. University of Texas Press, Austin, pp. 203-218. ISBN 9780292701854

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2003) Painting year zero. [Show/Exhibition]

Robertson, C. (2003) El Greco e Italia: arte, patrocinio y teoría. In: El Greco. Círculo de Lectores, Barcelona, Spain, pp. 85-98. ISBN 8481094595

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Shaw, G. (2003) An unexpected legacy and its contribution to early Indian typography. In: Randle, J. and Berry, J. (eds.) Type and typography: highlights from Matrix. Mark Batty Publisher, New Jersey, pp. 169-181. ISBN 9780971568761

Russell, J., ed. (2003) Frozen tears I. Article Press, Univ. of Central England, Birmingham. ISBN 1873352689

Saunders, G. (2003) 'Just a Word on a Page & there is the Drama': Sarah Kane’s theatrical legacy. Contemporary Theatre Review, 13 (1). pp. 97-110. ISSN 1477-2264 doi: https://doi.org/10.1080/1048680031000077816

Segal, N. (2003) "Then some had rather it were she than I": sexing the textual body. In: Segal, N., Taylor, L. and Cook, R. J. R. (eds.) Indeterminate bodies. Palgrave Macmillan, Basingstoke, pp. 93-110. ISBN 9780333949696

Segal, N., Taylor, L. and Cook, R. (2003) Introduction. In: Segal, N., Taylor, L. and Cook, R. (eds.) Indeterminate Bodies. Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9780333949696

Segal, N., Taylor, L. and Cook, R. J. R. (2003) Indeterminate bodies. Palgrave Macmillan, Basingstoke, pp256. ISBN 9780333949696

Smith, M. M. (2003) 'Le Blanc aldin' and the paragraph mark. In: Jones, W. J., Kelly, W. A. and Shaw, F. (eds.) 'Vir ingenio mirandus' : Studies Presented to John L Flood,. Kummerle. ISBN 3874529614

Smith, M. M. (2003) Space-saving practices in early printed books. Journal of Printing Historical Society, 6 (new ser. pp. 19-39.

Smith, M. M. (2003) Printing industry. In: Mokyr , J. (ed.) The Oxford Encyclopedia of Economic History. Oxford University Press, New York, pp. 259-262. ISBN 9780195105070

Stiff, P. (2003) Typography Papers. Vol 5. University of Reading, pp128.

Taylor, L. (2003) Shape-shifting and role-splitting: theatre, body and identity. In: Segal, N., Taylor, L. and Cook, R. (eds.) Indeterminate Bodies. Palgrave Macmillan, Basingstoke, pp. 164-180. ISBN 9780333949696

Toren, A. (2003) Golem. [Show/Exhibition]

Tunbridge, L. (2003) Schumann's 'Manfred' in the mental theatre. Cambridge Opera Journal, 15 (2). pp. 153-183. ISSN 1474-0621 doi: https://doi.org/10.1017/S0954586703001678

Twyman, M. (2003) Chromolithography: the European legacy. The Ephemera Journal, X. pp. 2-23.

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2003) The manners of the page: prescription and practice in the visual organisation of correspondence. Huntington Library Quarterly, 66 (3 & 4). pp. 307-329. ISSN 1544-399X

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 and Reynolds, L. (2003) Serifs, sans serifs and infant characters in children’s reading books. Information Design Journal, 11 (2/3). pp. 106-122. ISSN 1569-979X doi: https://doi.org/10.1075/idj.11.2.04wal

Wheatley, H. (2003) Swojskość marginalizacja I telewizyjne adaptacje gotyckich powieści dla kobiet ("I am to presume that your wife's room is a prison?" Domesticity and the female Gothic television adaptation). In: Gazdy, G., Izdebskiej, A. and Pluciennika, J. (eds.) Gotycyzm i groza w kulturze (The Gothic and Horror in Culture). University of Lodz Press, Lodz, Poland, pp. 167-180. ISBN 9788371716492

Wheatley, H. (2003) The history of ITV programming 1955-1989. In: Hilmes, M. and Jacobs, J. (eds.) The Television History Book. BFI, London. ISBN 9780851709888

Wilson, C. R. (2003) A new way of making fowre parts in counterpoint by Thomas Campion and rules how to compose by Giovanni Coprario. Music Theory in Britain, 1500–1700: Critical Editions . Ashgate, Aldershot, pp132. ISBN 9780754605157

Woolland, B. (2003) Double tongue. Border Crossings Publications, London. ISBN 9781904718017

Woolland, B. (2003) His very own Ben: Peter Barnes and Ben Jonson. In: Woolland, B. (ed.) Jonsonians: Living Traditions. Studies in Performance and Early Modern Drama. Ashgate, Aldershot, England & Burlington, USA, pp. 153-166. ISBN 9780754606109

Woolland, B. (2003) Introduction. In: Woolland, B. (ed.) Jonsonians: Living Traditions. Studies in Performance and Early Modern Drama. Ashgate, Aldershot, England & Burlington, USA, pp. 1-10. ISBN 9780754606109

Woolland, B., ed. (2003) Jonsonians: living traditions. Ashgate, Aldershot, England and Burlington, USA, pp246. ISBN 9780754606109

Woolland, B. (2003) Sejanus his fall: does Arruntius cry at night. In: Woolland, B. (ed.) Jonsonians: Living Traditions. Studies in Performance and Early Modern Drama. Ashgate, Aldershot, England & Burlington, USA, pp. 27-41. ISBN 9780754606109

Woolland, B. (2003) Tricksters, hucksters and suckers: Jonsonian cinema. In: Woolland, B. (ed.) Jonsonians: Living Traditions. Studies in Performance and Early Modern Drama. Ashgate, Aldershot, England & Burlington, USA, pp. 203-228. ISBN 9780754606109