A

Allahyari, M., Nilchiani, M., Rourke, D. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) Bitrates. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2014) Buckets, baskets and boots: exhibition event at MERL. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2014) Seminar: sensory objects in progress. In: Sensory Objects in Progress, 10 June 2014, MERL, Reading.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hollinworth, N., Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2014) Workshop: sensory objects. In: Engage 2014, 4 December 2014, Bristol.

Angelaki, V. (2014) Witness or accomplice? Unsafe spectatorship in the work of Anthony Neilson and Simon Stephens. In: Aragay, M. and Monforte, E. (eds.) Ethical Speculations in Contemporary British Theatre. Palgrave Macmillan, Basingstoke, pp. 135-151. ISBN 9781137297563

Angelaki, V. (2014) "Alles Weitere kennen Sie aus dem Kino": Martin Crimp at the cutting edge of representation. Contemporary Theatre Review, 24 (3). pp. 315-330. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2014.921050

Angelaki, V. (2014) Introduction: dealing with Martin Crimp. Contemporary Theatre Review, 24 (3). pp. 309-314. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2014.921031

Angelaki, V. and Rebellato, D., eds. (2014) Dealing with Martin Crimp. Contemporary Theatre Review (special issue), 24 (3). Taylor and Francis. doi: https://doi.org/10.1080/10486801.2014.921031

B

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2014) 'The largest type in England': wood lettering for jobbing printing 1800–1830. In: Blume, J., Pané-Farré, P. and Smeijers, F. (eds.) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (Journal der HGB #3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 27-40, 107-126 (colour images), 181-192 (English text). ISBN 9783932865862

Beier, S. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2014) The influence of serifs on 'h' and 'i': useful knowledge from design-led scientific research. Visible Language, 47 (3). pp. 74-95. ISSN 0022-2224

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2014) The spaces of the Wednesday Play (BBC TV 1964–1970): production, technology and style. Historical Journal of Film, Radio and Television, 34 (3). pp. 369-389. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2014.937182 (Special issue "Production, site and style")

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S., eds. (2014) British television drama: past, present and future. 2nd edition. Palgrave Macmillan, Basingstoke, pp272. ISBN 9781137327567

Blume, J., Pané-Farré, P. and Smeijers, F. (2014) Vom buch auf die Straße: große Schrift von 1600 bis 1920 (From the book to the street: big letters from 1600 to 1920). [Show/Exhibition]

Blume, J., Pané-Farré, P. and Smeijers, F., eds. (2014) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (From the book to the street: big letters in public space). Journal der HGB, 3. Hochschule für Grafik und Buchkunst, Leipzig, pp256. ISBN 9783932865862

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Holter, M. (2014) Timeless signs: Otto Neurath and reflections in Austrian contemporary art. [Show/Exhibition]

C

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2014) Absurd avatars, transcultural relations: Elia Suleiman, Franco-Palestinian filmmaking and beyond. Modern & Contemporary France, 22 (1). pp. 85-102. ISSN 0963-9489 doi: https://doi.org/10.1080/09639489.2013.867152

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2014) I will survive. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2014) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2014) Ballet by Szuper Gallery. ONCURATING Books, Zurich, pp150. ISBN 9783952407813

Coyle, P., Westwood, M., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 and Kane, L. (2014) ..Or maybe it's the same for everyone. In: Lawrence, J. (ed.) ...Or maybe it's the same for everyone. Pavilionary Press, London, UK, pp. 1-4.

Coyle, P., Westwood, M., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 and Kane, L. (2014) Remains. [Performance] (Unpublished)

D

Donaldson, L. F. (2014) Texture in film. Palgrave Close Readings in Film and Television. Palgrave Macmillan, pp256. ISBN 9781137034786

Durgnat, R. (2014) The Essential Raymond Durgnat. British Film Institute. ISBN 9781844574520

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2014) Applying psychological theory to typography: is how we perceive letterforms special? In: Machin, D. (ed.) Visual communication. Handbooks of communication science (4). De Gruyter Mouton, Berlin, pp. 215-242. ISBN 9783110255492

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 and Jennings, E. M. (2014) Examining the interfaces to e-journal articles: what do users expect? In: DUXU 2014, June 2014, Creta Maris, Heraklion, Crete, Greece, pp. 164-173.

F

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) Frankenstein2: review of 'I, Frankenstein' on Rotten Tomatoes. [Artefact]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) I. [Show/Exhibition]

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Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2014) Imagining multicultural London: containment and excess in snatch. European Judaism, 47 (2). pp. 60-68. ISSN 0014-3006 doi: https://doi.org/10.3167/ej.2014.47.02.08 (Special issue "Writing Jews In Contemporary Britain")

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2014) Playing with history: negotiating subjectivity in contemporary lens based work. In: Valman, N. and Roth, L. (eds.) The Routledge Handbook to Contemporary Jewish Cultures. Routledge, London. ISBN 9780415473781

H

Healy, C. (2014) Thin place. Oriel Myrddin, Carmarthen, Wales, pp102. ISBN 9780955143458

Healy, C. and Palmer, E. (T.) (2014) Meta-morphs: – being a mediator of the ‘thin’ place and ‘thin’ experience in the HE classroom. A paper on the experience of creating transformations in HE teaching and learning. In: Heroes and monsters: extra-ordinary tales of learning and teaching in the arts and humanities, 2-4 June 2014, Manchester.

Healy, C. (2014) And the night was kind. 'Ruskin's Ponds' book works by John Woodman. The Blue Notebook: Journal for artists' books., 8 (2). pp. 39-43. ISSN 1751-1712

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Adorno and art: aesthetic theory contra critical theory. Palgrave Macmillan, UK, pp199. ISBN 9780230347885

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Amor intellectualis diaboli. In: Kivland, S. (ed.) Folles De Leur Corps / Crazy About Their Bodies. Cafe Gallery Projects in association with Ma Bibliotheque, London, UK, pp. 32-35.

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Making: the invisible visible. In: Klimpel, O. (ed.) The Visual Event: An Education in Appearances. Spector Books, Leipzig, Germany, pp. 30-39. ISBN 9783944669625

K

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2014) Stencil dies: new tools for an old trade. In: Blume, J., Pané-Farré, P. and Smeijers, F. (eds.) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (Journal der HGB #3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 41-61, 127–145 (colour images); 193–210 (English text).

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2014) Concrete gown for immaterial flows. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2014) Radical Conservatism. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318, Kollectiv, G., Vasseur, R. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2014) Filmarmalade presents... [Show/Exhibition]

L

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2014) You make it happen: document demand, typeface supply. In: Kochan, B. (ed.) Granshan: design & identity. Typographische Gesellschaft München, Munich, Germany, pp. 142-149.

M

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2014) Designing Beckett: Jocelyn Herbert's contribution to Samuel Beckett's theatrical aesthetics. In: Gontarski, S. E. (ed.) The Edinburgh companion to Samuel Beckett and the arts. Edinburgh University Press, Edinburgh, pp. 409-422. ISBN 9780748675685

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2014) Historical legacies and unhomely cultural memories in Brian Friel’s The home place. Nordic Irish Studies, 13 (1). pp. 189-203. ISSN 1602-124X

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and McTighe, T. (2014) Samuel Beckett, the Gate Theatre Dublin, and the contemporary Irish independent theater sector: fragments of performance history. Breac: A Digital Journal of Irish Studies, July. ISSN 2372-2231

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746, McTighe, T., Pattie, D. and Tucker, D. (2014) Staging Beckett: constructing histories of performance. Journal of Beckett Studies, 23 (1). pp. 11-33. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2014.0084

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2014) Return to the lost continent. New review of film and television studies, 12 (4). pp. 412-428. ISSN 1740-0309 doi: https://doi.org/10.1080/17400309.2014.940802

Moys, J.-L. (2014) Investigating readers’ impressions of typographic differentiation using repertory grids. Visible Language, 47 (3). 878. ISSN 0022-2224

Moys, J.-L. (2014) Typographic layout and first impressions: testing how changes in text layout influence reader's judgments of documents. Visible Language, 48 (1). 881. ISSN 0022-2224

N

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2014) Reflexive stasis, scale reversal and the myth of modern cinema. In: Lindner, C. and Donald, S. H. (eds.) Inert cities: globalization, mobility and suspension in visual culture. I.B. Tauris, London, pp. 187-201. ISBN 9781780769721

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2014) Tempo, magnitude e o mito do cinema moderno. Aniki: Portuguese Journal of the Moving Image, 1 (1). pp. 8-21. ISSN 2183-1750

P

Panos, L. (2014) Postmodernism, culture and feminism: the aesthetics of space and performance in Rock Follies and Rock Follies of '77. Journal of British Cinema and Television, 11 (1). pp. 41-67. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2014.0191

R

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2014) 'Breid, barley-bree an paintit room': history, identity and utopianism in Lyndsay's Thrie Estaitis and Greig's Glasgow Girls. In: Brown, I. and Berton, J. (eds.) Roots and Fruits of Scottish Culture: Scottish Identities, History and Contemporary Literature. Association for Scottish Literature, Glasgow, pp. 1-16. ISBN 9781908980076

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2014) Staging Scotland : National Theatre of Scotland and shifting conceptions of Scottish identity. In: Jones, H. (ed.) The Media in Europe’s Small Nations. Cambridge Scholars Press, Newcastle, pp. 105-122. ISBN 9781443854177

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) Hidden. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) Nowhere. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) 'Outside Architecture': lecture at The British School at Rome. [Project] (Unpublished)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2014) Screens. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) The Assistants and the Schoolmaster. In: The 100 Hours Forum, University College, London, UK. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) The Assistants. [Artefact]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) Cave. Where do you see yourself in 25 years?. pp. 9-12.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) EndStart. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) Matter of engagement. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) Speculative sculpture in Italy. In: Foreign Artists in Rome, The International Discourse on the Prix De Rome, The Royal Netherlands Institute in Rome, Italy. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2014) Tacit knowledge of materials. In: Alternative Methods: Art and Education, Wysing Arts Centre, Cambridge, UK. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, An Endless Supply, ., Beale, R., Blightman, J., Brierley, B., Conderelli, C., Flood-Paddock, J., Root, P., Pantane, S., Provost, L., Spooner, C., The Grantchester Pottery, ., Pirecki, P., Price, E., Waller, M. A., White, N. and Wilkens, L. (2014) The Influence of Furniture on Love. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Angell, A., Atkins, E., Baldock, J., Burdis, E., Baseman, J., Deshayes, N., Dean, M., Hart, E., Flood-Paddock, J., Holden, A., Kefford, D., Owens, K., Projects, J., Panayiotou, C., Provost, L., Round, G., Sokhanvari, S., Shovlin, J., Summers, A., Wendling, C., Wilson, B. and Wine, J. (2014) Hey I’m Mr. Poetic. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Barham, A., Beckett, J., Cutter, K., Evens, C. B., Dean, M., Metzger, G., Norfolk, R., Osbaldeston, D., Patane, S. and Prodger, C. (2014) Annals of the Twenty-Ninth Century. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Gander, R., Mirza, H., Pradeau, F., Prouvost, L., Walther, F. E. and Cameron-Weir, E. (2014) ...and the stage darkens (or this voice is a big whale). [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (2014) Making news: type technologies in transition in newspapers across the world. [Show/Exhibition]

Rowlands, A. (2014) Symposium for a community of unlearning. In: Judd, B. (ed.) Communion. Black Dog Publishing, London, UK, pp. 34-43. ISBN 9781908966339

Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books. [Show/Exhibition]

Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books, as part of The Library Vacine. [Show/Exhibition]

Russell, J. (2014) The Good Shepherd. [Show/Exhibition]

Russell, J. (2014) Judgement. [Show/Exhibition]

Russell, J. (2014) Myth-science-colloquium. [Show/Exhibition]

Russell, J. (2014) A speculum that shines. [Show/Exhibition]

Russell, J. (2014) Aquarium Proletarium. [Show/Exhibition]

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Saguaro, S. and Tyler, L. (2014) 'Nature Once More Had Taken Her Part': recuperating anon, the common voice and the uncovered theatre. In: Bloomsbury Adaptations Conference, 5 - 6 May 2011, Bath, UK, pp. 205-226.

Slinn, J., Carter, S. and Southall, R. (2014) History of the Monotype Corporation. Printing Historical Society / Vanbrugh Press, London / Woodstock, pp432. ISBN 9780993051005 (Edited by Boag, A. and Burke, C.)

Smart, B. (2014) The BBC Television Audience Research Reports, 1957-1979: recorded opinions and invisible expectations. Historical Journal of Film, Radio and Television, 34 (3). pp. 452-462. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2014.937187

Smart, B. (2014) Plot inflation in Greater Weatherfield: Coronation Street in the 1990s. In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S. (eds.) British Television Drama: Past, Present and Future, 2nd edition. Palgrave Macmillan, Houndsmills, Basingstoke, pp. 70-83. ISBN 9781137327567

Smart, B. (2014) Three different Cherry Orchards, three different worlds: Chekhov at the BBC, 1962-1981. Critical Studies in Television, 9 (3). pp. 65-76. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.9.3.7

Smeijers, F. (2014) Putting letters next to each others: a historical overview (Buchstaben aneinanderreihen: ein geschichtlicher Überblick). In: Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum. Journal der HGB (3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 227-250. ISBN 9783932865862

Stupart, L. (2014) Rematerializing feminism. In: Brooke, A., Smith, G. and Farkas, R. (eds.) Re-materialising Feminism. Arcadia Missa Press, London. ISBN 9780992674748

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Twyman, M. and Arbury, J. (2014) The plates of the Herefordshire Pomona. In: Graves Bull, H. and Hogg, R. (eds.) The Herefordshire Pomona. The Folio Society, London, xi-xvi. (containing figures and descriptions of the most esteemed kinds of apples and pears)

W

Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2014) Classed femininity, performativity, and camp in British structured reality programming. Television and New Media, 15 (3). pp. 197-214. ISSN 1552-8316 doi: https://doi.org/10.1177/1527476412462246