Number of items: 139.
Article
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2018)
Children of the world on British television: national and transnational representations.
Strenae, 13.
ISSN 2109-9081
doi: https://doi.org/10.4000/strenae.1966
(Special issue: Le '68 des enfants / The Children's 68)
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2018)
Performing television history.
Critical Studies in Television: The International Journal of Television Studies, 13 (3).
pp. 262-279.
ISSN 1749-6039
doi: https://doi.org/10.1177/1749602018782860
Cassany, R., Cortiñas, S. and Elduque, A.
(2018)
Communicating science: the profile of science journalists in Spain.
Comunicar, 26 (55).
pp. 9-18.
ISSN 1134-3478
doi: https://doi.org/10.3916/C55-2018-01
Cassidy, G. and Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Phil Davis: the process of acting.
Critical Studies in Television: The International Journal of Television Studies, 13 (3).
pp. 315-332.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602018785833
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Reck Miranda, S.
(2018)
Playing at the margins.
[in]Transition, 5 (2).
ISSN 2469-4312
Izadpanah, B.
ORCID: https://orcid.org/0000-0002-4455-4350
(2018)
Early Persian printing and typefounding in Europe.
Journal of the Printing Historical Society (29).
pp. 87-123.
ISSN 0079-5321
Klohn, S. C. and Black, A.
(2018)
Informative and decorative pictures in health and safety posters for children.
Visible Language, 52 (3).
pp. 30-51.
ISSN 0022-2224
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Crossing broadcasters: the transatlantic exchange between Sylvester ‘Pat’ Weaver and Sir Ian Jacob, 1955-1956.
Historical Journal of Film, Radio and Television, 38 (4).
pp. 843-862.
ISSN 1465-3451
doi: https://doi.org/10.1080/01439685.2017.1412920
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Shameless, the push-pull of transatlantic fiction format adaptation, and star casting.
New Review of Film and Television Studies, 16 (3).
pp. 295-323.
ISSN 1740-7923
doi: https://doi.org/10.1080/17400309.2018.1487130
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203 and Weissmann, E.
(2018)
European cultures of production.
Critical Studies in Television, 13 (2).
pp. 133-136.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602018763202
Lacey, S. and Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Acting on television: analytical methods and approaches.
Critical Studies in Television, 13 (3).
pp. 257-261.
ISSN 1749-6020
doi: https://doi.org/10.1177/1749602018782046
Leavitt, C.
(2018)
Notes on the end of 'Rome Open City'.
Journal of Italian Cinema and Media Studies, 6 (3).
pp. 359-372.
ISSN 20477368
doi: https://doi.org/10.1386/jicms.6.3.359_1
Leonidas, G.
ORCID: https://orcid.org/0000-0003-0468-6268
(2018)
Enabling modernity: innovation in modulated Greek typefaces, 1998-2007.
Philological Encounters, 3 (4).
pp. 412-440.
ISSN 2451-9197
doi: https://doi.org/10.1163/24519197-12340055
Lodhi, A. and Wrigley, A.
(2018)
Introduction: radio modernisms: features, cultures and the BBC.
Media History, 24 (2).
pp. 159-165.
ISSN 1469-9729
doi: https://doi.org/10.1080/13688804.2018.1473134
Moys, J.-L.
(2018)
Promoting diversity through developing a sense of community.
International Journal for Students as Partners, 2 (2).
pp. 135-143.
ISSN 2560-7367
doi: https://doi.org/10.15173/ijsap.v2i2.3547
Moys, J.-L., Collier, J. and Joyce, D.
(2018)
By design: engaging Graphic Communication students in curriculum development.
The Journal of Educational Innovation, Partnership and Change, 4 (1).
ISSN 2055-4990
doi: https://doi.org/10.21100/jeipc.v4i1.752
Moys, J.-L., Loveland, P. and Dyson, M.
ORCID: https://orcid.org/0000-0002-0920-4312
(2018)
eInk versus paper: exploring the effects of medium and typographic quality on recall and reading speed.
Visible Language, 52 (3).
pp. 74-95.
ISSN 0022-2224
Moys, J.-L., Martinez-Freile, C., McCrindle, R., Meteyard, L., Robson, H., Kendrick, L. and Wairagkar, M.
(2018)
Exploring illustration styles for materials used in visual resources for people with aphasia.
Visible Language, 52 (3).
pp. 96-113.
ISSN 0022-2224
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2018)
Passages: travelling in and out of film through Brazilian geography.
Rumores: Revista Online de Comunicação, Linguagem e Mídias, 12 (24).
pp. 19-40.
ISSN 1982-677X
doi: https://doi.org/10.11606/issn.1982-677X.rum.2018.148836
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Sousa, R. L. d. and Brandão, A. S.
(2018)
Introduction to the dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal).
Aniki: Portuguese Journal of the Moving Image, 5 (2).
pp. 306-310.
ISSN 2183-1750
Nemeth, T.
ORCID: https://orcid.org/0000-0003-3871-5792
(2018)
Arabic hot metal: the origins of the mechanisation of Arabic typography.
Philological Encounters, 3 (4).
pp. 496-523.
ISSN 2451-9197
doi: https://doi.org/10.1163/24519197-12340052
O'Brien, A.
ORCID: https://orcid.org/0000-0002-9527-4076
(2018)
In and around The Bay: water, fish, infrastructure.
Film Studies, 19 (1).
pp. 20-33.
ISSN 1469-0314
doi: https://doi.org/10.7227/FS.19.0003
Purse, L.
(2018)
Layered encounters: mainstream cinema and the disaggregate digital composite.
Film-Philosophy, 22 (2).
pp. 148-167.
ISSN 1466-4615
doi: https://doi.org/10.3366/film.2018.0070
Reid, T.
ORCID: https://orcid.org/0000-0002-4183-0778
(2018)
'Killing joy as a world making project' : anger in the work of debbie tucker green.
Contemporary Theatre Review, 28 (3).
pp. 390-400.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2018.1475356
Ross, F.
ORCID: https://orcid.org/0000-0002-1094-2961
(2018)
Historical technological impacts on the visual representation of language with reference to South Asian typeforms.
Philological Encounters, 3 (4).
ISSN 2451-9189
doi: https://doi.org/10.1163/24519197-12340054
Singh, V.
(2018)
The first Indian-script typeface on the Monotype: a missing chapter in the history of mechanical typecasting.
Journal of the Printing Historical Society, 29.
ISSN 0079-5321
Singh, V.
(2018)
The machine in the colony: technology, politics, and the typography of Devanagari in the early years of mechanization.
Philological Encounters, 3 (4).
ISSN 2451-9197
doi: https://doi.org/10.1163/24519197-12340051
Twyman, M.
(2018)
Charles Hullmandel’s stones at Kingston Lacy.
Journal of the Printing Historical Society (28).
pp. 23-74.
Twyman, M.
(2018)
Giovanni Battista Belzoni’s portrait frontispiece in the various editions of his 'narrative of the operations and recent discoveries… in Egypt and Nubia’.
Journal of the Printing Historical Society, 3 (29).
Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836
(2018)
Modernity, method and minimal means: typewriters, typing manuals and document design.
Journal of Design History, 31 (2).
pp. 138-153.
ISSN 1741-7279
doi: https://doi.org/10.1093/jdh/epx018
Wrigley, A.
(2018)
Afterlives of BBC Radio features.
Media History, 24 (2).
pp. 266-282.
ISSN 1469-9729
doi: https://doi.org/10.1080/13688804.2018.1479636
Book or Report Section
Balló, J. and Elduque, A.
(2018)
Imperio y Estrellita, el ascenso por amor.
In: Bou, N. and Pérez, X. (eds.)
El cuerpo erótico de la actriz bajo los fascismos.
Cátedra, Madrid, pp. 97-108.
ISBN 9788437638416
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2018)
James Bond’s forgotten beginnings: television adaptations.
In: Strong, J. (ed.)
James Bond Uncovered.
Palgrave Studies in Adaptation and Visual Culture.
Palgrave Macmillan, Basingstoke, pp. 41-60.
ISBN 9783319761220
doi: https://doi.org/10.1007/978-3-319-76123-7_3
Chamarette, J.
ORCID: https://orcid.org/0000-0003-0701-1514
(2018)
Overturning feminist phenomenologies: disability, complex embodiment, intersectionality, and film.
In:
Rethinking Feminist Phenomenology : Theoretical and Applied Perspectives.
Rowman & Littlefield International, London, pp. 187-208.
ISBN 9781786603739
Elduque, A.
(2018)
Flesh and costumes: the watermelon in 'Vereda Tropical'.
In: Baltar, M. (ed.)
E pornô, tem pornô? A Panorama of Brazilian Porn.
Mimesis International, Milan, pp. 115-137.
ISBN 9788869770234
Elduque, A.
(2018)
Géneros fluidos: familias, amores, sueños.
In: Montero, J. F. (ed.)
John Cassavetes. Interior noche.
Shangrila Textos Aparte, Santander, pp. 310-332.
ISBN 9788494761690
Elduque, A. and Araújo, M.
(2018)
Ecos de revueltas lejanas: Fassbinder, Glauber Rocha y 'El viaje a Niklashausen' (1970).
In: Rodrigo García, J. (ed.)
Rainer Werner Fassbinder. Solo quiero que me amen.
Shangrila Textos Aparte, Santander, pp. 174-195.
ISBN 9788494875052
Elduque, A.
(2018)
Suspiros de España: la censura del sexo en el primer franquismo.
In: Bou, N. and Pérez, X. (eds.)
El cuerpo erótico de la actriz bajo los fascismos.
Cátedra, Madrid, pp. 13-23.
ISBN 9788437638416
Garin, M. and Elduque, A.
(2018)
Playing the holes. Notes on the Ozuesque gag.
In: Choi, J. (ed.)
Reorienting Ozu: A Master and His Influence.
Oxford University Press, Oxford, pp. 197-214.
ISBN 9780190254988
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2018)
The Phantom Carriage (Körkarlen) (1921).
In:
Silent Features.
Exeter University Press, Exeter, pp. 73-90.
Hellings, J.
ORCID: https://orcid.org/0009-0005-8934-791X
(2018)
Faire (de la magie): rendre l'invisible visible.
In:
Où en Sommes-Nous avec la Théorie Esthétique d'Adorno?
Pontcerq, Rennes.
ISBN 9782919648245
Hobden, F. and Wrigley, A.
(2018)
Broadcasting Greece: an introduction to Greek Antiquity on
the small screen.
In: Hobden, F. and Wrigley, A. (eds.)
Ancient Greece on British Television.
Screening Antiquity.
Edinburgh University Press, Edinburgh, pp. 1-23.
ISBN 9781474412599
Kindel, E.
ORCID: https://orcid.org/0000-0001-9995-5891
(2018)
Eminents observed: a century of writing, lettering, type and typography at the Central School, London.
In: Kindel, E.
ORCID: https://orcid.org/0000-0001-9995-5891 (ed.)
Typeform Dialogues (2nd edition).
Hyphen Press, London, pp. 50-87.
ISBN 9780907259527
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203
(2018)
Exploring the casting of British and Irish actors in contemporary US film and television.
In: Cantrell, T. and Hogg, C. (eds.)
Exploring television acting.
Bloomsbury, London, pp. 154-170.
ISBN 9781474248594
Kollectiv, G. and Kollectiv, P.
(2018)
The missing body of J. T. Leroy.
In: Beber, E. (ed.)
The Bodies that Remain.
Dead Letter Office, 1.
Punctum, London, pp. 251-262.
ISBN 9781947447677
doi: https://doi.org/10.21983/P3.0212.1.00
Kollectiv, P. and Kollectiv, G.
(2018)
Re-enacting the archive: untimely meditations on the use and abuse of repetition.
In: Clarke, P., Jones, S., Kaye, N. and Linsley, J. (eds.)
Artists in the Archive Creative and Curatorial Engagements with Documents of Art and Performance.
Routledge, London, pp. 144-150.
ISBN 9781138915381
Kollectiv, P. and Kollectiv, G.
(2018)
Rainbow pixels.
In: Pavoni, A., Mandic, D., Nirta, C. and Philippopoulos-Mihalopoulos, A. (eds.)
Taste.
Law and the Senses, 1.
University of Westminster Press, London, pp. 239-243.
ISBN 9781911534327
doi: https://doi.org/10.16997/book21
Leonidas, G.
ORCID: https://orcid.org/0000-0003-0468-6268
(2018)
Greek.
In: Wittner, B., Thoma, S. and Hartmann, T. (eds.)
Bi-Scriptual: Typography and Graphic Design with Multiple Script Systems.
Niggli, Salenstein, Switzerland.
ISBN 9783721209822
Lloyd, K.
ORCID: https://orcid.org/0000-0001-8941-9526
(2018)
Dear Theaster...
In: Scott, K. (ed.)
Theaster Gates: How to Build a House Museum.
Art Gallery of Ontario, Toronto.
ISBN 9781894243933
Miller, H. K.
ORCID: https://orcid.org/0000-0001-5255-3764
(2018)
Nobody walks: Hitchcock's first impressions of Hollywood.
In: Gottlieb, S. (ed.)
Hitchcock Annual.
Columbia University Press, pp. 74-81.
ISBN 9780231190459
doi: https://doi.org/10.1353/hit.2018.0002
Nemeth, T.
ORCID: https://orcid.org/0000-0003-3871-5792
(2018)
A short history of Arabic type-making.
In: Kim, J. M. (ed.)
해외 글꼴의 연구·산업 현황 조사(Ⅲ) -아랍 문자권을 중심으로-.
National Hangeul Museum, Seoul, pp. 92-141.
ISBN 9791189438135
Singh, V.
(2018)
Devanagari.
In: Wittner, B., Thoma, S. and Hartmann, T. (eds.)
Bi-scriptual: typography and graphic design with multiple script systems.
Niggli Verlag, Salenstein, Switzerland.
ISBN 9783721209822
Stupart, L.
(2018)
Kathy's body.
In: Beber, E. (ed.)
The Bodies that Remain.
Punctum Books and University of California Santa Barbara, Brooklyn, NY, pp. 225-229.
ISBN 9781947447677
doi: https://doi.org/10.21983/P3.0212.1.00
Taylor, L.
(2018)
Negotiating theatrical space in performances of Marguerite Duras's later plays.
In: Noonan, M. and Pagès-Pindon, J. (eds.)
Marguerite Duras: Un Théâtre de Voix/A Theatre of Voices.
Études de Langue et Littérature Françaises (420).
Brill, Leiden/Boston, pp. 118-134.
ISBN 9789004360969
Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836, Black, A., Bessemans, A., Bormans, K., Renckens, M. and Barratt, M.
(2018)
Designing digital texts for beginner readers: performance, practice and process.
In: Barzillai, M., Thomson, J. M., Schroeder, S. and Broek, P. W. v. d. (eds.)
Learning to read in a digital world.
Studies in written language and literacy (17).
John Benjamins, Amsterdam, pp. 31-56.
ISBN 9789027201225
doi: https://doi.org/10.1075/swll.17.02wal
Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2018)
Youth television and platform neutral public service broadcasting.
In: Johnson, D. (ed.)
From Networks to Netflix: : A Guide to Changing Channels.
Routledge, Abingdon, UK, pp. 297-307, Chapter 28.
ISBN 9781138998490
Wrigley, A.
(2018)
Tragedy for teens: Ancient Greek tragedy on BBC and ITV schools television in the 1960s.
In: Hobden, F. and Wrigley, A. (eds.)
Ancient Greece on British television.
Screening Antiquity.
Edinburgh University Press, Edinburgh, pp. 84-108.
ISBN 9781474412599
Conference or Workshop Item
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2018)
More than is needed so as not to be caught short.
In: Conference: The Humility of Plaster, 4 Sept 2018, Kettle's Yard, University of Cambridge.
Book
Hobden, F. and Wrigley, A., eds.
(2018)
Ancient Greece on British television.
Screening Antiquity.
Edinburgh University Press, Edinburgh, pp272.
ISBN 9781474412599
Kindel, E.
ORCID: https://orcid.org/0000-0001-9995-5891, ed.
(2018)
Typeform Dialogues (2nd edition).
Hyphen Press, London.
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203 and Lacey, S., eds.
(2018)
Acting on television: analytical methods and approaches.
Critical Studies in Television, 13 (3).
SAGE.
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203 and Weissmann, E., eds.
(2018)
European cultures of production.
Critical Studies in Television, 13 (2).
SAGE.
Lodhi, A. and Wrigley, A.
(2018)
Radio modernisms: features, cultures and the BBC.
Taylor & Francis, London.
doi: https://doi.org/10.1080/13688804.2018.1473134
Luna, P.
ORCID: https://orcid.org/0000-0003-1556-1217
(2018)
Typography: a very short introduction.
Very Short Introductions.
Oxford University Press, Oxford, pp155.
ISBN 9780199211296
doi: https://doi.org/10.1093/actrade/9780199211296.001.0001
McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746 and Saunders, G., eds.
(2018)
Special issue on staging Beckett and contemporary theatre and performance cultures.
Contemporary Theatre Review, 28 (1).
Taylor and Francis.
doi: https://doi.org/10.1080/10486801.2017.1405393
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Souza, R. L. d. and Brandão, A. S., eds.
(2018)
Dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal).
Aniki: Portuguese Journal of the Moving Image, 5 (2).
AIM - AIM - Associação de Investigadores da Imagem em Movimento.
Reid, T.
ORCID: https://orcid.org/0000-0002-4183-0778
(2018)
The theatre of Anthony Neilson.
Critical Companions.
Bloomsbury, London, pp224.
ISBN 9781472570307
Rocha, G.
(2018)
On cinema.
Bloomsbury, x-xiv.
ISBN 9781780767031
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2018)
Aftercast.
tenderbooks, London, pp186.
ISBN 9781999712433
Russell, J.
(2018)
The island of flowers.
Song Cycle.
Song Cycle and Bridget Donahue Gallery: New York, pp12.
Unger, G.
(2018)
Theory of type design.
Nai 010, Rotterdam, pp240.
ISBN 9789462084407
Thesis
Cassidy, G.
(2018)
The rehearsal process of playwright/director Anthony Neilson.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00079996
Conidi, E.
(2018)
Arabic types in Europe and the Middle East, 1514-1924: challenges in the adaptation of the Arabic script from written to printed form.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00080437
Feldman, A.
(2018)
After the law: towards judicial-visual activism.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00089068
Gonzalez Ortiz, C.
ORCID: https://orcid.org/0000-0002-1420-8756
(2018)
Theatre, performance and politics in Chile: the citizens’ turn.
PhD thesis, King's College London.
doi: https://doi.org/10.48683/1926.00095596
Jeffery, L.
(2018)
Beckett: art, music and the creative process.
PhD thesis, University of Reading.
Kidner, D.
(2018)
The exhibition of political film and video.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00084078
Kwon, H.
(2018)
Narrativisation of site and spatialisation of narrative.
PhD thesis, University of Reading.
Lekka, H.
(2018)
Linotype’s design of new Greek typefaces for photocomposition in the Greek printing market, 1970-1980.
PhD thesis, University of Reading.
Park, J.
(2018)
Surface layer time: the process of portraying time in image.
PhD thesis, University of Reading.
Polat, D. N.
(2018)
A typographic analysis of newspapers and magazines in the Turkish alphabet reform (1928-1929).
PhD thesis, University of Reading.
Traina, R.
(2018)
An information design approach to documenting live art: locating & empowering the document user.
PhD thesis, University of Reading.
Undro, M. D.
(2018)
Portrait of a process.
PhD thesis, University of Reading.
Artefact
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2018)
Szuper Gallery Slide Show Player #1.
[Artefact]
Russell, J.
(2018)
DOGGO.
[Artefact]
Show/Exhibition
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X and Andy, M.
(2018)
PurpleSTARS present to the Disability History Conference London Metropolitan Archive.
[Show/Exhibition]
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A.
(2018)
PurpleSTARS present at Preparing for Adulthood.
[Show/Exhibition]
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A.
(2018)
#Purplelightup international persons with a disability day British Museum.
[Show/Exhibition]
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X, Andy, M. and Headon, K.
(2018)
Sensory expedition and wiki training with the purpleSTARS at Glenside Hospital Museum.
[Show/Exhibition]
(Unpublished)
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2018)
Reading Internationa #10: The Outside In - Steve Claydon at MERL.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2018)
Reading International #11: Studio for Propositional Cinema- ‘Redundant as eyelids in absence of light’ organised by Novel.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2018)
Reading International 6: 'reading in Reading' - David Raymond Conroy, Ghislaine Leung, Cally Spooner and Jesper List Thomsen.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2018)
Reading International 8: Creating Ruin - Lada Nakonechna at the Abbey Ruins.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2018)
Reading International 9: creating ruin - online video screening.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2018)
Szuper Gallery Slide Show Player #1.
[Show/Exhibition]
Kollectiv, G. and Kollectiv, P.
(2018)
Second annual report from the strategic sanctuary for the destruction of free will.
[Show/Exhibition]
Lawrence, J., Jenner, M., Drew, B., Frearson, A.
ORCID: https://orcid.org/0000-0001-5223-7972, Jetpacks, J., Liston, K., McCreadie, L., Purgas, P. and Richards, T.
(2018)
Oh: link zone.
[Show/Exhibition]
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533
(2018)
Cosmic Laziness.
[Show/Exhibition]
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533
(2018)
Notebook, Wall, Curve C/Y & Notebook, Wall, Curve P/B.
[Show/Exhibition]
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533
(2018)
Phase 2 imagining architecture.
[Show/Exhibition]
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533
(2018)
What is Seen, What is Shown.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2018)
Premio Lissone 2018.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2018)
Something infinitely distant and strange.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2018)
These here withins.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2018)
The humility of plaster.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2018)
The humility of plaster.
[Show/Exhibition]
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358, Ruggaber, K., Perienne, C., Enzing, B., Ernst, B., Morse-Palmer, H., George, D., Gill, A., Joy, C., Ryan, A., Stent, C. and Treister, S.
(2018)
Group Portrait with Garden.
[Show/Exhibition]
Rowlands, A. and Williams, M.
(2018)
In the reading room of hell.
[Show/Exhibition]
Russell, J.
(2018)
As much about forgetting.
[Show/Exhibition]
Russell, J.
(2018)
CONDO: Emalin (hosting Galerie Gregor Staiger).
[Show/Exhibition]
Russell, J.
(2018)
Cellular world: cyborg-human-avatar-horror.
[Show/Exhibition]
Russell, J.
(2018)
GOLD.
[Show/Exhibition]
Russell, J.
(2018)
It's all the same fucking day, man.
[Show/Exhibition]
Russell, J.
(2018)
Land and sea.
[Show/Exhibition]
Russell, J.
(2018)
DOGGO II.
[Show/Exhibition]
Singh, V.
(2018)
One letter at a time: index typewriters and the alphabetic interface.
[Show/Exhibition]
Performance
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236
(2018)
Reading International #9: 'Nightwalks with Teenagers’, by Mammalian Diving Reflex.
[Performance]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236 and Fance, T.
(2018)
Reading International 10: Nightwalks with Teenagers’ by Mammalian Diving Reflex.
[Performance]
Ellison, C.
(2018)
Micro soft words (for dummies and enlightened beings).
[Performance]
Project
Frearson, A.
ORCID: https://orcid.org/0000-0001-5223-7972
(2018)
Sic.
[Project]
(Collection)
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2018)
Reevaluating The Phantom Carriage.
[Project]
(Collection)
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533
(2018)
Cosmic Laziness (Notebook Painting).
[Project]
(Collection)
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533
(2018)
Notebook Architecture.
[Project]
(Collection)
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533
(2018)
Notebook Formism.
[Project]
(Collection)
Renshaw, T.
ORCID: https://orcid.org/0009-0005-0871-2533
(2018)
Plan Unplan (Outside Architecture Projects).
[Project]
(Collection)
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2018)
Florian Roithmayr - the humility of plaster.
[Project]
Rowlands, A.
(2018)
Curating Fictions.
[Project]
(Collection)
Rowlands, A.
(2018)
Novel Upstairs.
[Project]
(Collection)
Russell, J.
(2018)
AQUARIUM PROLETARIUM.
[Project]
(Collection)
Russell, J.
(2018)
DOGGO.
[Project]
(Collection)
Russell, J.
(2018)
SQRRL.
[Project]
(Collection)
Stupart, L.
(2018)
I want to show you a body: thinking through gender, bodies, and building different worlds.
[Project]
Video
O'Connell, T.
ORCID: https://orcid.org/0009-0005-7889-5224
(2018)
Sublimation 2018.
[Video]
Russell, J.
(2018)
SOFA.
[Video]
Web Resource
Twyman, M.,
(2018)
Hand-colouring or chromolithography: the pros and cons.
Bourgery & Jacob
(Dissection d’un atlas anatomique du XIXe siècle)
Other
Allen, K.
ORCID: https://orcid.org/0000-0001-7981-862X
(2018)
Edinburgh Napier University, Public Engagement Seminars, Sensory Objects developed for and by People with Learning Disabilities become purpleSTARS.
Edinburgh Napier University, Edinburgh.
Izadpanah, B.
ORCID: https://orcid.org/0000-0002-4455-4350 and Ross, F.
ORCID: https://orcid.org/0000-0002-1094-2961
(2018)
Markazi text typeface.
Google Fonts.
Izadpanah, B.
ORCID: https://orcid.org/0000-0002-4455-4350 and Ross, F.
ORCID: https://orcid.org/0000-0002-1094-2961
(2018)
Marlik typeface.
Rosetta Type Foundry.
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2018)
Concrete sculpture.
BSR’s Faculty of Fine Arts and the Faculty of Archaeology, History and Letters, and the University of Liverpool in London.
(Unpublished)
This list was generated on Fri Aug 16 22:35:16 2024 UTC.