Number of items: 83.
Allbon, E. and Warner, R.
ORCID: https://orcid.org/0000-0001-8857-5084
(2022)
Taking our interactive co-design workshop online.
In: Allbon, E. and Perry-Kessaris, A. (eds.)
Design in Legal Education.
Emerging Legal Education.
Routledge, 272 pages.
ISBN 9780367075798
doi: https://doi.org/10.4324/9780429021411-16
Bartley, S.
(2022)
'How we open the doors to a community’: creative collaborations and aesthetic strategies in social isolation.
In: Bissell, L. and Weir, L. (eds.)
Performance in a Pandemic.
Routledge, London, pp. 79-86.
ISBN 9780367761349
doi: https://doi.org/10.4324/9781003165644-12
Bartley, S.
(2022)
Peopling the theatre in a time of crisis.
In: Wallace, C., Escoda, C., Monforte, E. and Ramón Prado-Pérez, J. (eds.)
Crisis, Representation and Resilience: Perspectives on Contemporary British Theatre.
Methuen Drama Engage.
Bloomsbury, London, 256.
ISBN 9781350180857
Bennett, B.
ORCID: https://orcid.org/0009-0003-5311-6381
(2022)
Nation's Finest, Putting Down Roots and Birthing.
[Show/Exhibition]
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Alien or familiar: sounds and images in The Twilight Zone, ‘The Invaders’.
In: Cardwell, S., Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.)
Moments in Television: Sound/image.
The Television Series.
Manchester University Press, Manchester, pp. 15-37, 248 pages.
ISBN 9781526149190
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Black screens: Beckett and television technologies.
In: Rapcsak, B., Nixon, M.
ORCID: https://orcid.org/0000-0002-3730-1785 and Schweighauser, P. (eds.)
Beckett and Media.
Manchester University Press, Manchester, pp. 177-194, 248.
ISBN 9781526145833
doi: https://doi.org/10.7765/9781526145840.00018
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Grand designs: television, style and substance in The Time Tunnel.
In: Cardwell, S., Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.)
Moments in Television: Substance/style.
The Television Series.
Manchester University Press, Manchester, pp. 202-224, 258 pages.
ISBN 9781526148780
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Screen and stage space in Beckett’s theatre plays on television.
In: Wrigley, A. and Wyver, J. (eds.)
Screen Plays: Theatre Plays on British Television.
Manchester University Press, Manchester, pp. 226-245.
ISBN 9780719097928
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Vanity Fair (1967) and the contradictions of colour.
In: Cardwell, S., Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.)
Moments in Television: Complexity/simplicity.
The Television Series.
Manchester University Press, Manchester, pp. 192-215, 280 pages.
ISBN 9781526148759
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2022)
An introduction to television studies. 4th edition.
Routledge, London, pp336.
ISBN 9781138665811
doi: https://doi.org/10.4324/9781315619675
Bravo, J.
ORCID: https://orcid.org/0000-0002-1013-8412 and Urrutia-Badilla, B.
(2022)
Hay Diseño de información si sabes donde buscarlo / There is information design if you know where to look for it.
RChD: Creación y Pensamiento, 7 (13).
pp. 103-113.
ISSN 0719-8426
doi: https://doi.org/10.5354/0719-837X.2022.68377
Brixey-Williams, J.
(2022)
A Labour of Attentiveness: the emergent place-responsive praxis of matter and context in R.D Laing’s Archway community.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00110019
Burke, C.
ORCID: https://orcid.org/0000-0002-0391-3740 and Jansen, W.
(2022)
Soft propaganda, special relationships, and a new democracy: Adprint and Isotype, 1942–1948.
De Buitenkant, Amsterdam, pp208.
ISBN 9789076452005
Burke, C.
ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G.
(2022)
Marie Reidemeister and Otto Neurath: interwoven lives and work.
The European Journal of Life Writing, 11.
pp. 103-129.
ISSN 2211-243X
doi: https://doi.org/10.21827/ejlw.11.38787
Cardwell, S., Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Complexity/simplicity: moments in television.
The Television Series.
Manchester University Press, Manchester, pp280.
ISBN 9781526148759
Cardwell, S., Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Sound/image: moments in television.
The Television Series.
Manchester University Press, Manchester, pp248.
ISBN 9781526149190
Cardwell, S., Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds.
(2022)
Substance/style: moments in television.
The Television Series.
Manchester University Press, Manchester, pp258.
ISBN 9781526148780
Cataldo, A.
(2022)
Curating Labour. Troubles with gender and dispossession in the exhibition space: a circular movement on historical
traces.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00116457
Chamarette, J.
ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Agnès Varda and Xavier Dolan – between politics, the art house and popular culture.
French Screen Studies, 22 (4).
pp. 345-351.
ISSN 2643-895X
doi: https://doi.org/10.1080/26438941.2021.1948172
Chamarette, J.
ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s digital activism.
Film Quarterly, 76 (2).
pp. 16-24.
ISSN 1533-8630
doi: https://doi.org/10.1525/fq.2022.76.2.16
Chamarette, J.
ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Curating the Godardian institution: agency and critique in film and contemporary art.
Screen, 62 (4).
pp. 484-511.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjab051
Chamarette, J.
ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Dwoskin: disability, diaspora, dysphoria.
Jewish Film and New Media, 10 (2).
ISSN 2169-0332
doi: https://doi.org/10.1353/jfn.2022.a914337
Chamarette, J.
ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works.
MIRAJ: Moving Image Review & Art Journal, 11 (1).
pp. 10-33.
ISSN 2045-6298
doi: https://doi.org/10.1386/miraj_00081_1
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2022)
Artists for Ukraine, 571 Oxford Gallery, Reading.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2022)
Artists for Ukraine, exhibition, St. Andrews Church, Farnham, UK.
[Show/Exhibition]
Clausen, S.
ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2022)
Ukraine relief.
[Show/Exhibition]
Dakak, M.
(2022)
Towards understanding diversity in Arabic
type styles: its origins, its current use and its
effect on Arab readership.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00111569
Donaldson, L. F., Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798, Purse, L., Pye, D. and Shambu, G.
(2022)
Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism.
Movie: a journal of film criticism (10).
pp. 116-136.
ISSN 2047-1661
Fife Donaldson, L. and Purse, L., eds.
(2022)
Issue 10.
Movie: A Journal of Film Criticism, 10.
University of Warwick.
(ISSN 2047-1661)
Frearson, A.
ORCID: https://orcid.org/0000-0001-5223-7972
(2022)
Cubitt30.
[Show/Exhibition]
Frearson, A.
ORCID: https://orcid.org/0000-0001-5223-7972
(2022)
Frankenstein economy.
[Show/Exhibition]
Garfield, R.
ORCID: https://orcid.org/0000-0003-4747-4150
(2022)
The suburban trilogy: Abigail Child's
cake and stake.
Found Footage Magazine (8).
pp. 35-37.
ISSN 2462-2885
Garfield, R.
ORCID: https://orcid.org/0000-0003-4747-4150, Kollectiv, P. and Kollectiv, G.
(2022)
Do they owe us a living?
[Show/Exhibition]
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2022)
Le Plaisir: voices and viewpoints.
NECSUS, Spring '22.
ISSN 2213-0217
Greene, A.‐m.
ORCID: https://orcid.org/0000-0002-0695-3182, Dean, D., Bartley, S. and McAvinchey, C.
(2022)
Locked up and down: incarceration, care, and art in a pandemic.
Gender, Work & Organization, 29 (4).
pp. 1346-1359.
ISSN 1468-0432
doi: https://doi.org/10.1111/gwao.12801
Izadpanah, B.
ORCID: https://orcid.org/0000-0002-4455-4350
(2022)
Persian and Arabic printing with movable type in Qajar Iran (1818–1900).
In: Nemeth, T.
ORCID: https://orcid.org/0000-0003-3871-5792 (ed.)
Arabic Typography: History and Practice.
Niggli, Salenstein, pp. 75-153.
ISBN 9783721210170
Izadpanah, B.
ORCID: https://orcid.org/0000-0002-4455-4350, Cousins, S.
ORCID: https://orcid.org/0000-0002-1094-2961, Ross, F.
ORCID: https://orcid.org/0000-0002-1094-2961 and Savoie, A.
(2022)
Gulzar typeface.
Google Fonts.
Kenward-Abdollahyan, J.
ORCID: https://orcid.org/0000-0002-3513-9585
(2022)
Politics and realism in the films of Jafar Panahi and Abbas Kiarostami.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00116788
Khara, A.
(2022)
Fairness in design: a model for critically analysing
digital government forms.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00114379
Kindel, E.
ORCID: https://orcid.org/0000-0001-9995-5891
(2022)
Stencil-making in Paris in the eighteenth century.
In: Berton-Blivet, N., Davy-Rigaux, C. and Guilloux, F. (eds.)
Le livre de musique au pochoir à la fin de l’époque moderne.
Institut de Recherche en Musicologie.
(In Press)
Kindel, E.
ORCID: https://orcid.org/0000-0001-9995-5891
(2022)
“When things are equal all over the world the symbols can be the same”: Isotype in West Africa.
InfoDesign - Revista Brasileira De Design Da Informação, 19 (2).
pp. 1-21.
ISSN 1808-5377
doi: https://doi.org/10.51358/id.v19i2.1004
Kshetrimayum, N., Ross, F.
ORCID: https://orcid.org/0000-0002-1094-2961 and Bruce, J.
(2022)
ABPN Bengali typeface.
Ananda Bazar Patrika (ABP) Pvt Ltd.
Lees, D.
ORCID: https://orcid.org/0000-0002-3787-3740
(2022)
The Burning.
[Video]
(Sightlines: Filmmaking in the Academy Issue 4 2022)
Lees, D.
ORCID: https://orcid.org/0000-0002-3787-3740,
(2022)
Evidence to the inquiry of the Communications and Digital Committee of the House of Lords, ‘A Creative Future’.
A Creative Future. CRF0008.
Report.
UK Parliament, London.
Leonidas, G.
ORCID: https://orcid.org/0000-0003-0468-6268
(2022)
Arabic typography: a paradigm for research-informed practice.
[Video]
Leonidas, G.
ORCID: https://orcid.org/0000-0003-0468-6268
(2022)
Collections and archives as spaces of ideas and knowledge.
[Video]
Leonidas, G.
ORCID: https://orcid.org/0000-0003-0468-6268, ed.
(2022)
Riccardo Olocco Michele Patane. 'Designing type revivals: handbook for a historical approach to typeface design'.
Lazy Dog, Milan, pp112.
ISBN 9788898030484
Lloyd, K.
ORCID: https://orcid.org/0000-0001-8941-9526
(2022)
This is the end of high entertainment: tiny furniture and this is the end.
In: Trifonova, T. (ed.)
Screening the Art World.
Film Culture in Transition.
Amsterdam University Press, Amsterdam.
ISBN 9789463724852
Lloyd, K.
ORCID: https://orcid.org/0000-0001-8941-9526
(2022)
You.
Art Review Oxford, 4.
pp. 5-7.
McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746
(2022)
Barthes, Beckett and the theatre: three dialogues.
Paragraph, 45 (2).
pp. 172-186.
ISSN 0264-8334
doi: https://doi.org/10.3366/para.2022.0395
Mullaney, M.
(2022)
The missing mother: how can art works of and on maternity transcend their own audience?
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00115540
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
Imagens do Mar. Visões do Paraíso no Cinema Brasileiro Atual.
In: Lusvarghi, L., Alvim, L. B. and Lopes, D. C. (eds.)
Estudos de Cinema: Retrospectiva e Perspectivas.
Polytheama, São Paulo, pp. 16-36.
ISBN 9786599619304
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
An intermedial reading of Glauber Rocha's Cosmogony.
In: Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T. (eds.)
Towards an Intermedial History of Brazilian Cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, Edinburgh, pp. 323-344.
ISBN 9781474452984
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
The reality of art: an intermedial analysis of Ossessione.
In: Blos-Jáni, M., Király, H., Lakatos, M., Pieldner, J. and Sándor, K. (eds.)
Intermedial Encounters: Studies in Honour of Ágnes Pethő.
Scientia Publishing House, Cluj-Napoca, pp. 359-372.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T.
(2022)
Introduction.
In: Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T. (eds.)
Towards an Intermedial History of Brazilian Cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, pp. 1-14.
ISBN 9781474452984
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T., eds.
(2022)
Towards an intermedial history of Brazilian cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, pp304.
ISBN 9781474452984
Nemeth, T.
ORCID: https://orcid.org/0000-0003-3871-5792
(2022)
Overlooked: the role of craft in the adoption of typography in the Muslim Middle East.
In: Reese, S. (ed.)
Manuscript and Print in the Islamic Tradition.
Studies in Manuscript Cultures, 26 (26).
De Gruyter, Berlin, pp. 21-60.
ISBN 9783110776034
doi: https://doi.org/10.1515/9783110776485-002
Nemeth, T.
ORCID: https://orcid.org/0000-0003-3871-5792, Bringhurst, R., Conidi, E., Izadpanah, B.
ORCID: https://orcid.org/0000-0002-4455-4350, Leonidas, G.
ORCID: https://orcid.org/0000-0003-0468-6268 and Yazıcıgil, O.
(2022)
Arabic typography: history and practice.
niggli, Salenstein, pp416.
ISBN 9783721210170
O'Connell, T.
ORCID: https://orcid.org/0009-0005-7889-5224 and White, N.
(2022)
Truth to nature.
[Artefact]
O'Connell, T.
ORCID: https://orcid.org/0009-0005-7889-5224, White, N. and Smits, A.
(2022)
Perfect nature: Amstelpark test site.
[Show/Exhibition]
O'Donoghue, D.
(2022)
The noble art of selfpretence: auto/biography and intertextuality in the work of Stephen Dwoskin.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00116385
Olsen, B. M.
(2022)
A diachronic study of food labels with a particular focus on verbal and pictorial narratives that are relevant
to health.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00113323
Reid, T.
ORCID: https://orcid.org/0000-0002-4183-0778
(2022)
Dystopian dramaturgies: living in the ruins.
In: Tönnies, M. and Voights, E. (eds.)
Twenty-First Century Anxieties.
Contemporary Drama in English Studies (32).
De Gruyter, Berlin, Boston, pp. 87-102.
ISBN 9783110758252
doi: https://doi.org/10.1515/9783110758252-007
Roh, J. Y.
(2022)
A study on the changes of everyday space as a worker in the city: focusing on the drawing series [Li:ving] London.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00113187
Roithmayr, F.
ORCID: https://orcid.org/0009-0005-5425-3358
(2022)
waves.
Daedalus Street Athens, Athens, Greece, pp128.
ISBN 9781527270799
Ross, F.
ORCID: https://orcid.org/0000-0002-1094-2961
(2022)
Type-making over the years.
In: Kudrnovská, L. (ed.)
Building Ligatures: the power of type.
TypeTogether, Prague, pp. 92-95.
ISBN 9788090845404
Ross, F.
ORCID: https://orcid.org/0000-0002-1094-2961 and Hudson, J.
(2022)
Tiro Indic typeface collection.
Google Fonts.
Ross, F.
ORCID: https://orcid.org/0000-0002-1094-2961 and Savoie, A.
(2022)
Mujeres y tipografia.
Texturas (48).
pp. 73-81.
ISSN 1887-3669
(ISBN 9788418941634)
Russell, J.
(2022)
CAVAPOOL.
[Show/Exhibition]
Russell, J.
(2022)
Catechism.
[Show/Exhibition]
Russell, J., Bedwell, S. and Thomson, M.
(2022)
Status Quo.
[Show/Exhibition]
Russell, J., Mitchell, D. and Audeoud, F.
(2022)
Les Trois Mouseketeers – Tout Pour Rien: Fabien Audeoud, Dan Mitchell, John Russell.
[Show/Exhibition]
Sandhu, K.
ORCID: https://orcid.org/0000-0001-9663-1656
(2022)
Elmer's One-Day Project.
[Artefact]
Sandhu, K.
ORCID: https://orcid.org/0000-0001-9663-1656
(2022)
From 'Gestalt!'.
[Show/Exhibition]
Sandhu, K.
ORCID: https://orcid.org/0000-0001-9663-1656
(2022)
From 'Poetic fragments from the irritating archive'.
[Performance]
Sandhu, K.
ORCID: https://orcid.org/0000-0001-9663-1656
(2022)
From 'Poetic fragments from the irritating archive'.
[Show/Exhibition]
Sandhu, K.
ORCID: https://orcid.org/0000-0001-9663-1656
(2022)
Poetic fragments from the irritating archive.
Guillemot Press.
ISBN 9781913749255
Sandhu, K.
ORCID: https://orcid.org/0000-0001-9663-1656
(2022)
Shifting perspectives: the space, the work and the body.
In:
Untitled (1956) - Red, Green and Yellow - Gone Fishing.
Flat Time House and Roberts Institute of Art.
Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836
(2022)
Reading information: using graphic language to enhance engagement with children's books.
In: Hagen, A. M. (ed.)
Mediation and children's reading: relationships, intervention and organization from the eighteenth century to the present.
Lehigh University Press, Lanham, Maryland, pp. 125-145.
ISBN 9781611463262
Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836, Bravo, J.
ORCID: https://orcid.org/0000-0002-1013-8412 and Edwards, A.
ORCID: https://orcid.org/0000-0003-2369-989X,
(2022)
User-friendly point-of-use instructions for home use diagnostic tests.
Other.
University of Reading
doi: https://doi.org/10.17864/1947.000419
Walker, S.
ORCID: https://orcid.org/0000-0001-5942-1836, Bravo, J.
ORCID: https://orcid.org/0000-0002-1013-8412, Edwards, A.
ORCID: https://orcid.org/0000-0003-2369-989X, Hart, J. and Little, G.
(2022)
Instructions for COVID-19 self-tests: what parts of the test are the most difficult to get right and how can information design help?
Information Design Journal, 27 (1).
pp. 126-139.
ISSN 1569-979X
doi: https://doi.org/10.1075/idj.22011.wal
Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2022)
Period drama.
Edinburgh University Press, Edinburgh, pp187.
ISBN 9781474462815
Zhang, Y.
(2022)
Legibility of Chinese-English direction signs: how the spatial presentation of bilingual typography in two different scripts affects sign legibility.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00116734
This list was generated on Fri Aug 16 18:22:36 2024 UTC.