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Leoussi, A. S. ORCID: https://orcid.org/0000-0001-6323-4814 (2024) Modern Renaissances: reconciling Athens with Jerusalem, in nineteenth-century European culture and art. In: Kaczmarek, R. and Kubala, A. (eds.) The Greek and Gothic Revivals in Europe: 1750-1850. Architectural Crossroads: Studies in the History of Architecture, 12. Brepols, Turnhout, pp. 195-215. ISBN 9782503614038

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Schroeter, M. ORCID: https://orcid.org/0000-0001-9636-245X (2024) Metasprachliche Bezüge auf ‚keine Texte‘ als Indikatoren kommunikativer Normen und hre Funktion in britischen Parlamentsdebatten. Osnabrücker Beiträge zur Sprachtheorie, 103. pp. 179-203. ISSN 0936-0271 doi: https://doi.org/10.17192/obst.2024.103.8719

Schroeter, M. ORCID: https://orcid.org/0000-0001-9636-245X and Jung, T. (2024) Speaking up and being heard: the changing metadiscourse about ‘voice’ in British parliamentary debates since 1800. Language and Communication, 94. pp. 41-55. ISSN 0271-5309 doi: https://doi.org/10.1016/j.langcom.2023.12.002

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Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714 (2024) Past! Future! In extreme: looking for meaning in the “New Romantics,” 1978–82. Journal of British Studies. ISSN 1545-6986 doi: https://doi.org/10.1017/jbr.2024.57

Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714 (2024) Zerox machine: punk, post-punk and fanzines in Britain, 1976-88. Reaktion, London, pp360. ISBN 9781789148596