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Items where Division is "Art" and Year is 2022

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Number of items: 30.


Bennett, B. (2022) Nation's Finest, Putting Down Roots and Birthing. [Show/Exhibition]


Cataldo, A. (2022) Curating Labour. Troubles with gender and dispossession in the exhibition space: a circular movement on historical traces. PhD thesis, University of Reading. doi:

Chamarette, J. ORCID: (2022) Agnès Varda and Xavier Dolan – between politics, the art house and popular culture. French Screen Studies, 22 (4). pp. 345-351. ISSN 2643-895X doi:

Chamarette, J. ORCID: (2022) Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s digital activism. Film Quarterly, 76 (2). pp. 16-24. ISSN 1533-8630 doi:

Chamarette, J. ORCID: (2022) Curating the Godardian institution: agency and critique in film and contemporary art. Screen, 62 (4). pp. 484-511. ISSN 1460-2474 doi:

Chamarette, J. ORCID: (2022) Dwoskin: disability, diaspora, dysphoria. Jewish Film and New Media, 10 (2). ISSN 2169-0332 doi:

Chamarette, J. ORCID: (2022) ‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works. MIRAJ: Moving Image Review & Art Journal, 11 (1). pp. 10-33. ISSN 2045-6298 doi:

Clausen, S. ORCID: and Kerestey, P. (2022) Artists for Ukraine, 571 Oxford Gallery, Reading. [Show/Exhibition]

Clausen, S. ORCID: and Kerestey, P. (2022) Artists for Ukraine, exhibition, St. Andrews Church, Farnham, UK. [Show/Exhibition]

Clausen, S. ORCID: and Kerestey, P. (2022) Ukraine relief. [Show/Exhibition]


Frearson, A. ORCID: (2022) Cubitt30. [Show/Exhibition]

Frearson, A. ORCID: (2022) Frankenstein economy. [Show/Exhibition]


Garfield, R. ORCID: (2022) The suburban trilogy: Abigail Child's cake and stake. Found Footage Magazine (8). pp. 35-37. ISSN 2462-2885

Garfield, R. ORCID:, Kollectiv, P. and Kollectiv, G. (2022) Do they owe us a living? [Show/Exhibition]


Lloyd, K. (2022) This is the end of high entertainment: tiny furniture and this is the end. In: Trifonova, T. (ed.) Screening the Art World. Film Culture in Transition. Amsterdam University Press, Amsterdam. ISBN 9789463724852

Lloyd, K. (2022) You. Art Review Oxford, 4. pp. 5-7.


Mullaney, M. (2022) The missing mother: how can art works of and on maternity transcend their own audience? PhD thesis, University of Reading. doi:


O'Donoghue, D. (2022) The noble art of selfpretence: auto/biography and intertextuality in the work of Stephen Dwoskin. PhD thesis, University of Reading. doi:


Roh, J. Y. (2022) A study on the changes of everyday space as a worker in the city: focusing on the drawing series [Li:ving] London. PhD thesis, University of Reading. doi:

Roithmayr, F. (2022) waves. Daedalus Street Athens, Athens, Greece, pp128. ISBN 9781527270799

Russell, J. (2022) CAVAPOOL. [Show/Exhibition]

Russell, J. (2022) Catechism. [Show/Exhibition]

Russell, J., Bedwell, S. and Thomson, M. (2022) Status Quo. [Show/Exhibition]

Russell, J., Mitchell, D. and Audeoud, F. (2022) Les Trois Mouseketeers – Tout Pour Rien: Fabien Audeoud, Dan Mitchell, John Russell. [Show/Exhibition]


Sandhu, K. ORCID: (2022) Elmer's One-Day Project. [Artefact]

Sandhu, K. ORCID: (2022) From 'Gestalt!'. [Show/Exhibition]

Sandhu, K. ORCID: (2022) From 'Poetic fragments from the irritating archive'. [Performance]

Sandhu, K. ORCID: (2022) From 'Poetic fragments from the irritating archive'. [Show/Exhibition]

Sandhu, K. ORCID: (2022) Poetic fragments from the irritating archive. Guillemot Press. ISBN 9781913749255

Sandhu, K. ORCID: (2022) Shifting perspectives: the space, the work and the body. In: Untitled (1956) - Red, Green and Yellow - Gone Fishing. Flat Time House and Roberts Institute of Art.

This list was generated on Mon Jun 24 03:32:00 2024 UTC.

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