Number of items: 29.
B
Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381
(2022)
Nation's Finest, Putting Down Roots and Birthing.
[Show/Exhibition]
C
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Curating the Godardian institution: agency and critique in film and contemporary art.
Screen, 62 (4).
pp. 484-511.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjab051
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Dwoskin: disability, diaspora, dysphoria.
Jewish Film and New Media, 10 (2).
ISSN 2169-0332
doi: https://doi.org/10.1353/jfn.2022.a914337
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works.
MIRAJ: Moving Image Review & Art Journal, 11 (1).
pp. 10-33.
ISSN 2045-6298
doi: https://doi.org/10.1386/miraj_00081_1
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2022)
Artists for Ukraine, 571 Oxford Gallery, Reading.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2022)
Artists for Ukraine, exhibition, St. Andrews Church, Farnham, UK.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2022)
Ukraine relief.
[Show/Exhibition]
F
Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972
(2022)
Cubitt30.
[Show/Exhibition]
Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972
(2022)
Frankenstein economy.
[Show/Exhibition]
G
Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150
(2022)
The suburban trilogy: Abigail Child's
cake and stake.
Found Footage Magazine (8).
pp. 35-37.
ISSN 2462-2885
Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G.
(2022)
Do they owe us a living?
[Show/Exhibition]
L
Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526
(2022)
This is the end of high entertainment: tiny furniture and this is the end.
In: Trifonova, T. (ed.)
Screening the Art World.
Film Culture in Transition.
Amsterdam University Press, Amsterdam.
ISBN 9789463724852
Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526
(2022)
You.
Art Review Oxford, 4.
pp. 5-7.
O
O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N.
(2022)
Nature's ghosts.
[Project]
(Unpublished)
O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N.
(2022)
Truth to nature.
[Artefact]
O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224, White, N. and Smits, A.
(2022)
Perfect nature: Amstelpark test site.
[Show/Exhibition]
O'Donoghue, D.
(2022)
The noble art of selfpretence: auto/biography and intertextuality in the work of Stephen Dwoskin.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00116385
R
Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358
(2022)
waves.
Daedalus Street Athens, Athens, Greece, pp128.
ISBN 9781527270799
Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358
(2022)
waves - Choreographic Devices.
Institute of Contemporary Art, London.
(Unpublished)
Russell, J.
(2022)
CAVAPOOL.
[Show/Exhibition]
Russell, J.
(2022)
Catechism.
[Show/Exhibition]
Russell, J., Bedwell, S. and Thomson, M.
(2022)
Status Quo.
[Show/Exhibition]
Russell, J., Mitchell, D. and Audeoud, F.
(2022)
Les Trois Mouseketeers – Tout Pour Rien: Fabien Audeoud, Dan Mitchell, John Russell.
[Show/Exhibition]
S
Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656
(2022)
Elmer's One-Day Project.
[Artefact]
Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656
(2022)
From 'Gestalt!'.
[Show/Exhibition]
Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656
(2022)
From 'Poetic fragments from the irritating archive'.
[Performance]
Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656
(2022)
From 'Poetic fragments from the irritating archive'.
[Show/Exhibition]
Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656
(2022)
Poetic fragments from the irritating archive.
Guillemot Press.
ISBN 9781913749255
Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656
(2022)
Shifting perspectives: the space, the work and the body.
In:
Untitled (1956) - Red, Green and Yellow - Gone Fishing.
Flat Time House and Roberts Institute of Art.
This list was generated on Tue Nov 26 05:01:06 2024 UTC.