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Aslan, E. ORCID: https://orcid.org/0000-0002-4174-5493 (2015) When the native is also a non-native: “retrodicting” the complexity of language teacher cognition. Canadian Modern Language Review, 71 (3). pp. 244-269. ISSN 1710-1131 doi: 10.3138/cmlr.2575

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Bryden, M. (2015) 'Bitter in the Mouth and Painful in the Head': Dennis Potter's Beckett. In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Pilling, J. (eds.) On In Their Company: Essays on Beckett, with Tributes and Sketches; presented to Jim Knowlson. Beckett International Foundation, Reading, pp. 47-66.

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Gehrhardt, M. ORCID: https://orcid.org/0000-0002-8880-4286 (2015) The men with broken faces: 'Gueules Cassées' of the First World War. Cultural History and Literary Imagination, 25. Peter Lang Ltd, Oxford, Bern, Frankfurt am Main, pp304. ISBN 9783034318693

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Jones, D. H. and Gehrhardt, M. ORCID: https://orcid.org/0000-0002-8880-4286, eds. (2015) Paddy Hartley: of faces and facades. Black Dog Publishing, London. ISBN 9781910433317

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Le Saux, F. (2015) La Grande Bretagne, patrie des sciences? La representation des technologies scientifiques dans Geoffroy de Monmouth et Layamon. In: Tetrel, H. and Veysseyre, G. (eds.) L'Historia regum Britannie et les «Bruts» en Europe. Rencontres 106, Serie Civilisation medievale, 12. Classiques Garnier, Paris, pp. 157-178. ISBN 9782812433184

Leglu, C. (2015) The Devil’s Daughters and a question of translation between Occitan and Anglo-Norman French: ‘De las .vii. filhas del diable’ (British Library Add. MS 17920). Revue d'Etudes d'Oc: La France Latine, 160. pp. 93-123. ISSN 0222-0326

Leoussi, A. ORCID: https://orcid.org/0000-0001-6323-4814 (2015) The shock of the new: the reception of the Parthenon sculptures in nineteenth-century Europe. In: Jenkins, I. (ed.) Defining Beauty: The Body in Ancient Greek Art. The Trustees of the British Museum, London, pp. 50-63. ISBN 9780714122878

Leoussi, A. S. ORCID: https://orcid.org/0000-0001-6323-4814 (2015) Judaisms: cultural repertoires and historical contingencies in the making of collective identities. In: Socio-Anthropologie des Judaismes Contemporains. Bibliotheque d'Etudes juives, 1 (54). Honoré Champion, Paris, pp. 49-64. ISBN 9782745328014

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Mckeane, J. ORCID: https://orcid.org/0000-0003-2141-079X (2015) The tragedy of Roland Barthes. Barthes Studies, 1. pp. 61-77. ISSN 2058-3680

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Rolland, N. and Mandis, E. (2015) ‘Variety theatre and theatre of variations: performance, female body and music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924)’. European Drama and Performance Studies, 5 (2). pp. 55-72. ISSN 2266-9035

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Tucker, G. H. (2015) Joachim Du Bellay’s precursors and contemporaries in Italy: Pietro Alcionio, Ortensio Landi, and Diogo Pires. In: Gineste, M.-F., Novokhatko, A., Polizzi, G. and Kofler, W. (eds.) Die neulateinische Dichtung in Frankreich zur Zeit der Pléiade / La Poésie néo-latine en France au temps de la Pléiade. Narr, pp. 293-317. ISBN 9783823367024 (NeoLatina 19)