Number of items: 7.
B
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2000)
Postmodern media culture.
Edinburgh University Press, Edinburgh, pp248.
ISBN 9780748609888
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2000)
A taste of the gothic: film and television versions of Dracula.
In: Sheen, E. and Giddings, R. (eds.)
From Page to Screen: Adaptations of the Classic Novel:.
Manchester University Press, Manchester, pp. 114-130.
ISBN 9780719052316
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601, Lacey, S. and MacMurraugh-Kavanagh, M., eds.
(2000)
British television drama: past, present and future. 1st edition.
Macmillan, Basingstoke.
ISBN 9780333774953
M
MacMurraugh-Kavanagh, M.
(2000)
Too secret for words: circulating and receiving coded dissent in female-authored drama of 'The Wednesday Play', 1964-1970.
In: Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601, Lacey, S. and MacMurraugh-Kavanagh, M. (eds.)
British Television Drama: Past, Present and Future.
Macmillan, Basingstoke.
ISBN 9780333774953
MacMurraugh-Kavanagh, M. K.
(2000)
What's all this then? The ideology of identity in 'The Cops'.
In: Llewellyn-Jones, M. and Carson, B. (eds.)
Frames and Fiction on Television: The Politics of Identity Within Drama.
Intellect Books, Exeter.
ISBN 9781841500096
N
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2000)
El nuevo cine bajo el espectro del cinema novo.
Cuadernos hispanoamericanos, 601-602.
pp. 39-51.
ISSN 0011-250X
T
Taylor, L.
(2000)
Backtracks: a devised performance.
[Performance]
This list was generated on Fri Aug 16 20:55:24 2024 UTC.