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SNumber of items: 7.
B
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2002)
John McGrath and the dialogues of television studies.
International Journal of Scottish Theatre, 3 (2).
ISSN 1471-5198
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2002)
Writing the child in media theory.
The Yearbook of English Studies, 32.
pp. 127-139.
ISSN 0306-2473
doi: https://doi.org/10.2307/3509052
G
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2002)
Mise-en-scène: film style and interpretation.
Short Cuts.
Wallflower Press, London, pp128.
ISBN 190336406X
M
(2002)
Contemporary women playwrights.
In: McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746 and Williams, C. (eds.)
Field Day Anthology of Irish Writing.
Cork University Press in association with Field Day, Cork, pp. 1234-1289.
N
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2002)
O cinema da retomada: depoimentos de 90 cineastas dos anos 90.
Editora 34, São Paulo, pp528.
ISBN 8573262540
S
Saunders, G.
(2002)
'Love me or kill me’: Sarah Kane & the theatre of extremes.
Theory Practice & Performance .
Manchester University Press , Manchester , pp224.
ISBN 9780719059568
Saunders, G.
(2002)
The apocalyptic theatre of Sarah Kane.
In: Reitz, B. and Berninger, M. (eds.)
British Drama of the 1990s.
University of Heidelberg, Heidelberg.
ISBN 9783825313753
This list was generated on Mon Feb 24 08:36:35 2025 UTC.