Number of items: 31.
B
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
And the rest is history: Lew Grade, the creation myth and television historiography.
In: Turnock, R. and Johnson, C. (eds.)
ITV Cultures: Independent Television Over Fifty Years.
Open University Press, Buckingham, pp. 57-70.
ISBN 9780335217298
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
Big brother: reality TV in the twenty-first century.
Palgrave Macmillan, Basingstoke, pp256.
ISBN 9781403916846
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
Exemplarity, pedagogy and television history.
New Review of Film and Television Studies, 3 (1).
pp. 15-32.
ISSN 1740-7923
doi: https://doi.org/10.1080/17400300500037324
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
Familiar aliens: 'Teletubbies' and postmodern childhood.
Screen, 46 (3).
pp. 373-388.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/46.3.373
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
From detail to meaning: 'Badlands' (Terence Malick, 1973) and cinematic articulation.
In: Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
Style and Meaning: Studies in the Detailed Analysis of Film.
Manchester University Press, Manchester, pp. 42-52.
ISBN 9780719065248
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
How to watch television? Pedagogy and paedocracy in Beckett’s television plays.
Samuel Beckett Today / Aujourd'hui, 15.
pp. 281-293.
ISSN 0927-3131
(Historicising Beckett / Issues of Performance)
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2005)
Space for "quality": negotiating with the Daleks.
In: Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S. (eds.)
Popular television drama: critical perspectives.
Manchester University Press, Manchester, pp. 76-92.
ISBN 9780719069321
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S., eds.
(2005)
Popular television drama: critical perspectives.
Manchester University Press, Manchester, pp240.
ISBN 9780719069321
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Orlebar, J.
(2005)
The television handbook. 3rd edition.
Routledge, London and New York, pp340.
ISBN 9780415342513
Bull, J.
(2005)
British and Irish dramatists since World War II.
Bruccoli Clark Layman, NY.
Bull, J.
(2005)
John Bull - 'Serjeant Musgrave Dances to a Different Tune': John McGrath's adaptation of John Arden's 'Serjeant Musgrave's Dance'.
In: Bradby, D. and Capon, S. (eds.)
Freedom's Pioneer: John McGrath's Work in Theatre, Film and Television,.
University of Exeter Press, Exeter, pp. 39-54.
ISBN 9780859897488
Bull, J.
(2005)
Introduction: on interventionist and community theatre.
In: Billingham, P. (ed.)
Radical Initiatives in Interventionist and Community Theatre.
New Directions in Drama and Performance (Volume 1).
Intellect, Exeter.
ISBN 9781841500683
Butler, A.
(2005)
Feminist film in the gallery: 'If 6 was 9'.
Camera Obscura: Feminism, Culture, and Media Studies, 20 (1 58).
pp. 1-31.
ISSN 1529-1510
doi: https://doi.org/10.1215/02705346-20-1_58-1
G
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D.
(2005)
Revisiting Preminger: 'Bonjour Tristesse' (1958) and close reading.
In: Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
Style and Meaning: Studies in the Detailed Analysis of Film.
Manchester University Press, Manchester, pp. 108-126.
ISBN 9780719065248
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds.
(2005)
Style and meaning: studies in the detailed analysis of film.
Manchester University Press, Manchester.
ISBN 9780719065248
H
Hillier, J. M.
(2005)
Swimming and sinking: form and meaning in an avant-garde film.
In: Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.)
Style and Meaning: Studies in the Detailed Analysis of Film.
Manchester University Press, Manchester, pp. 155-166.
ISBN 9780719065248
M
Murjas, T.
ORCID: https://orcid.org/0000-0002-1280-7149
(2005)
Strindberg i England. Fallet Fröken Julie.
Strindbergiana, 20.
pp. 93-115.
Murjas, T.
ORCID: https://orcid.org/0000-0002-1280-7149
(2005)
The man.
[Performance]
N
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2005)
Cinema Novo, Glauber, Herzog.
In: Silva, M. A. (ed.)
Glauber par Glauber.
Magic Cinema, Paris, pp. 88-90.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2005)
The trilogy of John of God.
In: Mira, A. (ed.)
The cinema of Spain and Portugal.
Wallflower, London, pp. 188-197.
ISBN 9781904764441
P
Paget, D.
(2005)
Chris Wilkinson (1941-).
In: Bull, J. (ed.)
British and Irish dramatists since World War II.
Bruccoli Clark Layman, NY, pp. 307-312.
Paget, D.
(2005)
Dramadoc/docudrama: the law and regulation.
In: Rosenthal, A. and Corner, J. (eds.)
New Challenges for Documentary.
Manchester University Press, Manchester, pp. 435-452.
ISBN 9780719068980
Paget, D.
(2005)
Ted Willis (1918-1992).
In: Bull, J. (ed.)
British and Irish dramatists since World War II.
Bruccoli Clark Layman, NY, pp. 313-320.
Paget, D.
(2005)
Death of a Princess.
In: Aitken, I. (ed.)
Encyclopedia of the Documentary Film.
Routledge, London, New York, pp. 305-309.
ISBN 9781579584450
Paget, D.
(2005)
Documentary drama: a critical overview.
In: Aitken, I. (ed.)
Encyclopedia of the Documentary Film.
Routledge, London, New York, pp. 305-309.
ISBN 9781579584450
Phillips, A.
(2005)
The 400 Blows (1959), François Truffaut.
In: Geiger, J. and Rutsky, R. L. (eds.)
Film Analysis: A Norton Reader.
W.W. Norton and Company, New York and London , pp. 550-565.
ISBN 9780393979831
Purse, L.
(2005)
The new spatial dynamics of the bullet-time effect.
In: King, G. (ed.)
The Spectacle of the Real: From Hollywood to Reality TV and Beyond.
Intellect, Exeter, pp. 151-160.
ISBN 9781841501208
T
Taylor, L.
(2005)
'Eden Cinema' by Marguerite Duras.
[Performance]
Thorpe, A.
(2005)
Only joking? The relationship between the clown and percussion in Jingju.
Asian Theatre Journal, 22 (2).
pp. 269-292.
ISSN 1527-2109
doi: https://doi.org/10.1353/atj.2005.0034
W
Wheatley, H.
(2005)
Haunted houses, hidden rooms: women, domesticity and the female Gothic adaptation on television.
In: Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601 and Lacey, S. (eds.)
Popular television drama: critical perspectives.
Manchester University Press, Manchester, pp. 149-165.
ISBN 9780719069321
Wheatley, H.
(2005)
Rooms within rooms: ITV and the studio heritage drama of the 1970s.
In: Turnock, R. and Johnson, C. (eds.)
ITV Cultures: Independent Television Over Fifty Years.
Open University Press, Buckingham, pp. 143-158.
ISBN 9780335217298
This list was generated on Fri Aug 16 21:13:22 2024 UTC.