Items where Division is "Film, Theatre & Television" and Year is 2012

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Number of items: 23.

Article

Beauchamp, A. (2012) A double-decker bus, an elephant and 300 Girl Guides: analyzing 'space' and 'place' in Blue Peter. Journal of Media Practice, 12 (3). pp. 235-244. ISSN 1468-2753 doi: 10.1386/jmpr.12.3.235_1

Elduque, A. (2012) Sangue e carne no cinema de Joaquim Pedro de Andrade. Revista Movimento, 2. pp. 1-24. ISSN 2238-8699

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2012) Balancing act: exploring the tone of The Life Aquatic with Steve Zissou. New Review of Film and Television Studies, 10 (1). pp. 132-151. ISSN 1740-0309 doi: 10.1080/17400309.2011.635035 (special issue: Wes Anderson and Co.)

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2012) Masterpiece Theatre and British drama imports on US television: discourses of tension. Critical Studies in Television, 7 (1). pp. 29-48. ISSN 1749-6020 doi: 10.7227/CST.7.1.5

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2012) Samuel Beckett's scenographic collaboration with Jocelyn Herbert. Degrés, 149-150. pp. 1-17. ISSN 0770-8378

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2012) Além da diferença: a mulher no Cinema da Retomada. Devires, 9 (1). pp. 14-29. ISSN 2179-6483

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2012) When a film remembers its filming: the new Hollywood zoom. Journal of Media Practice, 13 (3). pp. 227-237. ISSN 2574-1136 doi: 10.1386/jmpr.13.3.227_1

Saunders, G. (2012) Prizes for modernity in the provinces: The Arts Council’s 1950-1951 regional playwriting competition. History Research, 2 (6). pp. 391-397. ISSN 2159-550X

Saunders, G. (2012) The freaks roll call: live art and the Arts Council 1968-1973. Contemporary Theatre Review, 22 (1). pp. 32-45. ISSN 1477-2264 doi: 10.1080/10486801.2011.645229

Smart, B. (2012) Cosmic effects on the intimate screen: J. B. Priestley, Ralph Richardson and 'Johnson over Jordan' (1965). Critical Studies in Television, 7 (1). pp. 49-63. ISSN 1749-6020 doi: 10.7227/CST.7.1.6

Book or Report Section

Butler, A. (2012) Eija-Liisa Ahtila's Cinematic Worlds. In: Eija-Liisa Ahtila: Parallel Worlds. Steidl/Moderna Museet/Kiasma, Gottingen, pp. 173-189.

Donaldson, L. F. (2012) Effort and affect: engaging with film performance. In: Reason, M. and Reynolds, D. (eds.) Kinesthetic Empathy in Creative and Cultural Practices. Intellect Books, Bristol, pp. 159-174. ISBN 9781841504919

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2012) Oshima, corporeal realism and the eroticized apparatus. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Perriam, C. and Dudrah, R. (eds.) Theorizing world cinema. I.B. Tauris, London, pp. 161-182. ISBN 9781848854932

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2012) Physicality, difference, and the challenge of representation: Werner Herzog in the Light of the new waves. In: Prager, B. (ed.) A companion to Werner Herzog. Wiley-Blackwell, Oxford, pp. 58-79. ISBN 978-1-4051-9440-2

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2012) Anthony Neilson. In: Sierz, A. (ed.) Modern British Playwriting: The 1990s. Decades of Modern British Playwriting. Bloomsbury, London, pp. 137-163. ISBN 9781408129265

Saunders, G. J. (2012) Mark Ravenhill. In: Sierz, A. (ed.) Modern British playwriting: the 1990s: voices, documents, new interpretations. Methuen Drama, London, UK. ISBN 9781408129265

Smart, B. (2012) Brechtian television: theatricality and adaptation of the stage play. In: Loiselle, A. and Maron, J. (eds.) Stages of reality: theatricality in cinema. University of Toronto Press, Toronto, pp. 30-52. ISBN 9781442643529