Number of items: 43.
A
Angelaki, V., ed.
(2013)
Contemporary British theatre: breaking new ground.
Palgrave Macmillan.
ISBN 9781137010124
Angelaki, V.
(2013)
Introduction.
In: Angelaki, V. (ed.)
Contemporary British Theatre: Breaking New Ground.
Palgrave Macmillan, pp. 1-8.
ISBN 9781137010124
Angelaki, V.
(2013)
Politics for the middle classes: contemporary audiences and the violence of now.
In: Angelaki, V. (ed.)
Contemporary British Theatre: Breaking New Ground.
Palgrave Macmillan, pp. 57-78.
ISBN 9781137010124
Angelaki, V.
(2013)
Whose voice? Tim Crouch’s 'The Author' and active listening on the contemporary stage.
Sillages Critiques, 16.
ISSN 1969-6302
B
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2013)
Realism and reality formats.
In: Ouellette, L. (ed.)
A companion to reality television.
Wiley-Blackwell, Chichester; Hoboken, NJ, pp. 97-115.
ISBN 9780470659274
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2013)
The look: style, technology and televisuality in the New Who.
In: O'Day, A. (ed.)
Doctor Who: the eleventh hour.
Who watching.
I. B. Tauris, London and New York, pp. 123-140.
ISBN 9781780760193
Butler, A.
(2013)
Spiral jetty, thirty seven years later: the cinematic time of James Benning.
MIRAJ: Moving Image Review & Art Journal, 2 (2).
pp. 174-186.
ISSN 2045-6298
doi: https://doi.org/10.1386/miraj.2.2.174_1
C
Chamarette, J.
ORCID: https://orcid.org/0000-0003-0701-1514
(2013)
Transitional borders and intermedial spectacle: Kiarostami and opera, between France and Iran.
Studies in French Cinema, 13 (3).
pp. 257-271.
ISSN 1471-5880
doi: https://doi.org/10.1386/sfc.13.3.257_1
Chamarette, J.
ORCID: https://orcid.org/0000-0003-0701-1514
(2013)
The disappearing work: Chantal Akerman and phenomenologies of the ephemeral.
Contemporary French and Francophone Studies, 17 (3).
pp. 347-356.
ISSN 1740-9292
doi: https://doi.org/10.1080/17409292.2013.790631
D
Donaldson, L. F.
(2013)
Performing performers: embodiment and intertextuality in the contemporary biopic.
In: Brown, T. and Vidal, B. (eds.)
The Biopic in Contemporary Film Culture.
AFI Film Readers.
Routledge, London, pp. 103-117.
ISBN 9780415899413
Donaldson, L. F.
(2013)
Camera and performer: energetic engagement with the shield.
In: Jacobs, J. and Peacock, S. (eds.)
Television Aesthetics and Style.
Bloomsbury, London, pp. 209-218.
ISBN 9781441157515
E
Elduque I Busquets, A.
(2013)
La nina i el ninot al cinema de Marco Ferreri.
Quaderns de Cine, 8.
pp. 55-62.
ISSN 1888-4571
doi: https://doi.org/10.14198/QdCINE.2013.8.07
Elduque, A. and Garin, M.
(2013)
El que cree que saltar significa.
In: Benavente, F. and Salvadó Corretger, G. (eds.)
Poéticas del gesto en el cine europeo contemporáneo.
Intermedio / Grup CINEMA, Barcelona, pp. 417-438.
ISBN 9788461620784
G
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2013)
The life of mise-en-scène: visual style and British film criticism, 1946–78.
Manchester University Press, Manchester, pp288.
ISBN 9780719088667
K
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203
(2013)
Eye candy for the blind: re-introducing Lyotard's Acinema into discourses on excess, motion and spectacle in contemporary Hollywood.
New Review of Film and Television Studies, 11 (3).
pp. 374-389.
ISSN 1740-7923
doi: https://doi.org/10.1080/17400309.2013.803906
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203
(2013)
Reflection iii: Transnationalisation, Television Formats and the Universal.
Critical Studies in Television, 8 (2).
pp. 104-106.
ISSN 1749-6020
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203
(2013)
The transatlantic dimensions of the time lord: Doctor Who and the relationships between British and North American television.
In: O'Day, A. (ed.)
Doctor Who: the eleventh hour: a critical celebration of the Matt Smith and Steven Moffat era.
I. B. Tauris, London, pp. 106-120.
ISBN 9781780760186
M
McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746
(2013)
Dancing in translation: Irina Brook’s mise en scène of 'Danser à Lughnasa', Jean-Marie Besset’s translation of Brian Friel’s 'Dancing at Lughnasa'.
Studies in Theatre & Performance, 33 (2).
pp. 211-223.
ISSN 2040-0616
doi: https://doi.org/10.1386/stap.33.2.211_1
McTighe, T.
(2013)
Acts of estrangement: reading the psoriatic-skin.
Nyx, A Noctournal, 8.
pp. 6-15.
McTighe, T.
(2013)
‘Getting known’: Beckett, Ireland and the creative industries.
In: Walsh, F. (ed.)
That was us: Contemporary Irish Theatre and Performance.
Oberon, London, pp. 157-172.
ISBN 9781783190355
McTighe, T.
(2013)
The Haptic Aesthetic in Samuel Beckett's Drama.
New Interpretations of Beckett in the 21st Century.
Palgrave Macmillan, New York, pp224.
ISBN 9781137276988
Murjas, T.
ORCID: https://orcid.org/0000-0002-1280-7149, ed.
(2013)
Invisible country: four Polish plays.
Intellect, Bristol, pp200.
ISBN 9781841504148
N
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
Back to the margins in search of the core: foreign land's geography of exclusion.
In: Brandellero, S. (ed.)
The Brazilian road movie: journeys of (self) discovery.
Iberian and Latin American Studies.
University of Wales Press, Cardiff, pp. 162-183.
ISBN 9780708325988
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
Film as literature, or the Truffaldian Malaise.
In: Andrew, D. and Gillain, A. (eds.)
A companion to François Truffaut.
Wiley-Blackwell, Oxford, pp. 530-545.
ISBN 9781405198479
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
Tempo, magnitude e o mito do cinema moderno.
In: Dennison, S. (ed.)
World Cinema: As novas cartografias do cinema mundial.
Papirus, Campinas, pp. 219-233.
ISBN 9788530810603
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
Terra, Utopia e Mito Fundador: de Glauber Rocha a Walter Salles.
In: Starling, H. and Borges, A. (eds.)
Imaginação da Terra: Memória e utopia no cinema brasileiro.
Editora UFMG, Belo Horizonte, pp. 13-39.
ISBN 9788542300079
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
Utopía e imágenes marinas en el cine Brasileño: Papel fundamental de Glauber Rocha.
Brazil Cultural (12).
pp. 12-16.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
The politics of impurity.
In: Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748 and Jerslev, A. (eds.)
Impure cinema: intermedial and intercultural approaches to film.
Tauris World Cinema Series.
I.B. Tauris, London, pp. 21-40.
ISBN 9781780765105
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748 and Jerslev, A., eds.
(2013)
Impure cinema: intermedial and intercultural approaches to film.
Tauris World Cinema Series.
I.B. Tauris, London, pp288.
ISBN 9781780765112
O
O'Brien, A.
ORCID: https://orcid.org/0000-0002-9527-4076
(2013)
Nonindifferent mountains: ecocriticism, the thin red line and the conditions of film fiction.
Film Criticism, 38 (2).
pp. 1-19.
ISSN 0163-5069
O'Brien, A.
ORCID: https://orcid.org/0000-0002-9527-4076
(2013)
Regarding things in Nashville and the exterminating angel: another path for eco-film criticism.
ISLE: Interdisciplinary studies in Literature and Environment, 20 (2).
pp. 258-273.
ISSN 1076-0962
doi: https://doi.org/10.1093/isle/ist031
P
Panos, L.
(2013)
Chaos, culture and fantasy: The television plays of Howard Schuman.
Journal of Screenwriting, 4 (3).
pp. 287-303.
ISSN 1759-7137
doi: https://doi.org/10.1386/josc.4.3.287_1
Panos, L.
(2013)
Stylised worlds: Colour Separation Overlay in BBC television plays of the 1970s.
Critical Studies in Television, 8 (3).
pp. 1-17.
ISSN 1749-6020
doi: https://doi.org/10.7227/CST.8.3.2
Panos, L.
(2013)
Trevor Griffiths' 'Absolute Beginners': socialist humanism and the television studio.
Journal of British Cinema and Television, 10 (1).
pp. 151-170.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2013.0127
Purse, L.
(2013)
Digital imaging in popular cinema.
Edinburgh University Press, Edinburgh, pp208.
ISBN 9780748646906
R
Reid, T.
ORCID: https://orcid.org/0000-0002-4183-0778
(2013)
"Angels and modern myth": Grid Iron and the New Scottish Theatre.
In: Duggan, P. and Ukaegbu, V. (eds.)
Reverberations Across Small-Scale British Theatre: Politics, Aesthetics and Forms.
Intellect, Bristol, pp. 175-193.
ISBN 9781783202973
Rolinson, D. and Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2013)
Is This England '86 and '88? Memory, haunting and return through television seriality.
In: Fradley, M., Godfrey, S. and Williams, M. (eds.)
Shane Meadows: Critical Essays.
Edinburgh University Press, Edinburgh, pp. 186-202.
ISBN 9780748676392
S
Saunders, G.
(2013)
Foco Novo: the Icarus of British small scale touring theatre.
In: Duggan, P. and Ukaegbu, V. (eds.)
Reverberations across Small-Scale British Theatre.
Intellect, Bristol.
ISBN 9781783202973
Smart, B.
(2013)
The Life of Galileo and Brechtian television drama.
Journal of British Cinema and Television, 10 (1).
pp. 112-129.
ISSN 1755-1714
doi: https://doi.org/10.3366/jbctv.2013.0125
T
Taylor, L.
(2013)
Voice, body and the transmission of the real in documentary theatre.
Contemporary Theatre Review, 23 (3).
pp. 368-379.
ISSN 1477-2264
doi: https://doi.org/10.1080/10486801.2013.806318
W
Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2013)
Clare Balding: the televisual face of London 2012.
Journal of Popular Television, 1 (1).
pp. 137-141.
ISSN 2046-9861
doi: https://doi.org/10.1386/jptv.1.1.137_1
Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2013)
Storytelling in song: television music, narrative and allusion in 'The O.C.'.
In: Jacobs, J. and Peacock, S. (eds.)
Television Aesthetics and Style.
Bloomsbury, London, pp. 199-208.
ISBN 9781441157515
Woods, F.
ORCID: https://orcid.org/0000-0001-8901-6524
(2013)
Teen TV meets T4: assimilating 'The O.C.' into British youth television.
Critical Studies in Television, 8 (1).
pp. 14-35.
ISSN 1749-6020
doi: https://doi.org/10.7227/CST.8.1.4
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