A

Angelaki, V., ed. (2013) Contemporary British theatre: breaking new ground. Palgrave Macmillan. ISBN 9781137010124

Angelaki, V. (2013) Introduction. In: Angelaki, V. (ed.) Contemporary British Theatre: Breaking New Ground. Palgrave Macmillan, pp. 1-8. ISBN 9781137010124

Angelaki, V. (2013) Politics for the middle classes: contemporary audiences and the violence of now. In: Angelaki, V. (ed.) Contemporary British Theatre: Breaking New Ground. Palgrave Macmillan, pp. 57-78. ISBN 9781137010124

Angelaki, V. (2013) Whose voice? Tim Crouch’s 'The Author' and active listening on the contemporary stage. Sillages Critiques, 16. ISSN 1969-6302

B

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2013) Realism and reality formats. In: Ouellette, L. (ed.) A companion to reality television. Wiley-Blackwell, Chichester; Hoboken, NJ, pp. 97-115. ISBN 9780470659274

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2013) The look: style, technology and televisuality in the New Who. In: O'Day, A. (ed.) Doctor Who: the eleventh hour. Who watching. I. B. Tauris, London and New York, pp. 123-140. ISBN 9781780760193

Butler, A. (2013) Spiral jetty, thirty seven years later: the cinematic time of James Benning. MIRAJ: Moving Image Review & Art Journal, 2 (2). pp. 174-186. ISSN 2045-6298 doi: 10.1386/miraj.2.2.174_1

C

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2013) Transitional borders and intermedial spectacle: Kiarostami and opera, between France and Iran. Studies in French Cinema, 13 (3). pp. 257-271. ISSN 1471-5880 doi: 10.1386/sfc.13.3.257_1

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2013) The disappearing work: Chantal Akerman and phenomenologies of the ephemeral. Contemporary French and Francophone Studies, 17 (3). pp. 347-356. ISSN 1740-9292 doi: 10.1080/17409292.2013.790631

D

Donaldson, L. F. (2013) Performing performers: embodiment and intertextuality in the contemporary biopic. In: Brown, T. and Vidal, B. (eds.) The Biopic in Contemporary Film Culture. AFI Film Readers. Routledge, London, pp. 103-117. ISBN 9780415899413

Donaldson, L. F. (2013) Camera and performer: energetic engagement with the shield. In: Jacobs, J. and Peacock, S. (eds.) Television Aesthetics and Style. Bloomsbury, London, pp. 209-218. ISBN 9781441157515

E

Elduque I Busquets, A. (2013) La nina i el ninot al cinema de Marco Ferreri. Quaderns de Cine, 8. pp. 55-62. ISSN 1888-4571 doi: 10.14198/QdCINE.2013.8.07

Elduque, A. and Garin, M. (2013) El que cree que saltar significa. In: Benavente, F. and Salvadó Corretger, G. (eds.) Poéticas del gesto en el cine europeo contemporáneo. Intermedio / Grup CINEMA, Barcelona, pp. 417-438. ISBN 9788461620784

G

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2013) The life of mise-en-scène: visual style and British film criticism, 1946–78. Manchester University Press, Manchester, pp288. ISBN 9780719088667

K

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2013) Eye candy for the blind: re-introducing Lyotard's Acinema into discourses on excess, motion and spectacle in contemporary Hollywood. New Review of Film and Television Studies, 11 (3). pp. 374-389. ISSN 1740-7923 doi: 10.1080/17400309.2013.803906

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2013) Reflection iii: Transnationalisation, Television Formats and the Universal. Critical Studies in Television, 8 (2). pp. 104-106. ISSN 1749-6020

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2013) The transatlantic dimensions of the time lord: Doctor Who and the relationships between British and North American television. In: O'Day, A. (ed.) Doctor Who: the eleventh hour: a critical celebration of the Matt Smith and Steven Moffat era. I. B. Tauris, London, pp. 106-120. ISBN 9781780760186

M

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2013) Dancing in translation: Irina Brook’s mise en scène of 'Danser à Lughnasa', Jean-Marie Besset’s translation of Brian Friel’s 'Dancing at Lughnasa'. Studies in Theatre & Performance, 33 (2). pp. 211-223. ISSN 2040-0616 doi: 10.1386/stap.33.2.211_1

McTighe, T. (2013) Acts of estrangement: reading the psoriatic-skin. Nyx, A Noctournal, 8. pp. 6-15.

McTighe, T. (2013) ‘Getting known’: Beckett, Ireland and the creative industries. In: Walsh, F. (ed.) That was us: Contemporary Irish Theatre and Performance. Oberon, London, pp. 157-172. ISBN 9781783190355

McTighe, T. (2013) The Haptic Aesthetic in Samuel Beckett's Drama. New Interpretations of Beckett in the 21st Century. Palgrave Macmillan, New York, pp224. ISBN 9781137276988

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149, ed. (2013) Invisible country: four Polish plays. Intellect, Bristol, pp200. ISBN 9781841504148

N

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2013) Back to the margins in search of the core: foreign land's geography of exclusion. In: Brandellero, S. (ed.) The Brazilian road movie: journeys of (self) discovery. Iberian and Latin American Studies. University of Wales Press, Cardiff, pp. 162-183. ISBN 9780708325988

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2013) Film as literature, or the Truffaldian Malaise. In: Andrew, D. and Gillain, A. (eds.) A companion to François Truffaut. Wiley-Blackwell, Oxford, pp. 530-545. ISBN 9781405198479

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2013) Tempo, magnitude e o mito do cinema moderno. In: Dennison, S. (ed.) World Cinema: As novas cartografias do cinema mundial. Papirus, Campinas, pp. 219-233. ISBN 9788530810603

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2013) Terra, Utopia e Mito Fundador: de Glauber Rocha a Walter Salles. In: Starling, H. and Borges, A. (eds.) Imaginação da Terra: Memória e utopia no cinema brasileiro. Editora UFMG, Belo Horizonte, pp. 13-39. ISBN 9788542300079

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2013) Utopía e imágenes marinas en el cine Brasileño: Papel fundamental de Glauber Rocha. Brazil Cultural (12). pp. 12-16.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2013) The politics of impurity. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Jerslev, A. (eds.) Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series. I.B. Tauris, London, pp. 21-40. ISBN 9781780765105

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Jerslev, A., eds. (2013) Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series. I.B. Tauris, London, pp288. ISBN 9781780765112

O

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2013) Nonindifferent mountains: ecocriticism, the thin red line and the conditions of film fiction. Film Criticism, 38 (2). pp. 1-19. ISSN 0163-5069

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2013) Regarding things in Nashville and the exterminating angel: another path for eco-film criticism. ISLE: Interdisciplinary studies in Literature and Environment, 20 (2). pp. 258-273. ISSN 1076-0962 doi: 10.1093/isle/ist031

P

Panos, L. (2013) Chaos, culture and fantasy: The television plays of Howard Schuman. Journal of Screenwriting, 4 (3). pp. 287-303. ISSN 1759-7137 doi: 10.1386/josc.4.3.287_1

Panos, L. (2013) Stylised worlds: Colour Separation Overlay in BBC television plays of the 1970s. Critical Studies in Television, 8 (3). pp. 1-17. ISSN 1749-6020 doi: 10.7227/CST.8.3.2

Panos, L. (2013) Trevor Griffiths' 'Absolute Beginners': socialist humanism and the television studio. Journal of British Cinema and Television, 10 (1). pp. 151-170. ISSN 1755-1714 doi: 10.3366/jbctv.2013.0127

Purse, L. (2013) Digital imaging in popular cinema. Edinburgh University Press, Edinburgh, pp208. ISBN 9780748646906

R

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2013) "Angels and modern myth": Grid Iron and the New Scottish Theatre. In: Duggan, P. and Ukaegbu, V. (eds.) Reverberations Across Small-Scale British Theatre: Politics, Aesthetics and Forms. Intellect, Bristol, pp. 175-193. ISBN 9781783202973

Rolinson, D. and Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2013) Is This England '86 and '88? Memory, haunting and return through television seriality. In: Fradley, M., Godfrey, S. and Williams, M. (eds.) Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 186-202. ISBN 9780748676392

S

Saunders, G. (2013) Foco Novo: the Icarus of British small scale touring theatre. In: Duggan, P. and Ukaegbu, V. (eds.) Reverberations across Small-Scale British Theatre. Intellect, Bristol. ISBN 9781783202973

Smart, B. (2013) The Life of Galileo and Brechtian television drama. Journal of British Cinema and Television, 10 (1). pp. 112-129. ISSN 1755-1714 doi: 10.3366/jbctv.2013.0125

T

Taylor, L. (2013) Voice, body and the transmission of the real in documentary theatre. Contemporary Theatre Review, 23 (3). pp. 368-379. ISSN 1477-2264 doi: 10.1080/10486801.2013.806318

W

Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2013) Clare Balding: the televisual face of London 2012. Journal of Popular Television, 1 (1). pp. 137-141. ISSN 2046-9861 doi: 10.1386/jptv.1.1.137_1

Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2013) Storytelling in song: television music, narrative and allusion in 'The O.C.'. In: Jacobs, J. and Peacock, S. (eds.) Television Aesthetics and Style. Bloomsbury, London, pp. 199-208. ISBN 9781441157515

Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2013) Teen TV meets T4: assimilating 'The O.C.' into British youth television. Critical Studies in Television, 8 (1). pp. 14-35. ISSN 1749-6020 doi: 10.7227/CST.8.1.4