A

Angelaki, Vicky, ed. (2013) Contemporary British theatre: breaking new ground. Palgrave Macmillan. ISBN 9781137010124

Angelaki, Vicky (2013) Introduction. In: Angelaki, Vicky (ed.) Contemporary British Theatre: Breaking New Ground. Palgrave Macmillan, pp. 1-8. ISBN 9781137010124

Angelaki, Vicky (2013) Politics for the middle classes: contemporary audiences and the violence of now. In: Angelaki, Vicky (ed.) Contemporary British Theatre: Breaking New Ground. Palgrave Macmillan, pp. 57-78. ISBN 9781137010124

Angelaki, Vicky (2013) Whose voice? Tim Crouch’s 'The Author' and active listening on the contemporary stage. Sillages Critiques, 16. ISSN 1969-6302

B

Bignell, Jonathan (2013) Realism and reality formats. In: Ouellette, Laurie (ed.) A companion to reality television. Wiley-Blackwell, Chichester; Hoboken, NJ, pp. 97-115. ISBN 9780470659274

Bignell, Jonathan (2013) The look: style, technology and televisuality in the New Who. In: O'Day, Andrew (ed.) Doctor Who: the eleventh hour. Who watching. I. B. Tauris, London and New York, pp. 123-140. ISBN 9781780760193

Butler, Alison (2013) Spiral jetty, thirty seven years later: the cinematic time of James Benning. MIRAJ: Moving Image Review & Art Journal, 2 (2). pp. 174-186. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj.2.2.174_1

C

Chamarette, Jenny ORCID: https://orcid.org/0000-0003-0701-1514 (2013) Transitional borders and intermedial spectacle: Kiarostami and opera, between France and Iran. Studies in French Cinema, 13 (3). pp. 257-271. ISSN 1471-5880 doi: https://doi.org/10.1386/sfc.13.3.257_1

Chamarette, Jenny ORCID: https://orcid.org/0000-0003-0701-1514 (2013) The disappearing work: Chantal Akerman and phenomenologies of the ephemeral. Contemporary French and Francophone Studies, 17 (3). pp. 347-356. ISSN 1740-9292 doi: https://doi.org/10.1080/17409292.2013.790631

D

Donaldson, Lucy Fife (2013) Performing performers: embodiment and intertextuality in the contemporary biopic. In: Brown, Tom and Vidal, Belen (eds.) The Biopic in Contemporary Film Culture. AFI Film Readers. Routledge, London, pp. 103-117. ISBN 9780415899413

Donaldson, Lucy Fife (2013) Camera and performer: energetic engagement with the shield. In: Jacobs, Jason and Peacock, Steven (eds.) Television Aesthetics and Style. Bloomsbury, London, pp. 209-218. ISBN 9781441157515

E

Elduque I Busquets, Albert (2013) La nina i el ninot al cinema de Marco Ferreri. Quaderns de Cine, 8. pp. 55-62. ISSN 1888-4571 doi: https://doi.org/10.14198/QdCINE.2013.8.07

Elduque, Albert and Garin, Manuel (2013) El que cree que saltar significa. In: Benavente, Fran and Salvadó Corretger, Glòria (eds.) Poéticas del gesto en el cine europeo contemporáneo. Intermedio / Grup CINEMA, Barcelona, pp. 417-438. ISBN 9788461620784

G

Gibbs, John (2013) The life of mise-en-scène: visual style and British film criticism, 1946–78. Manchester University Press, Manchester, pp288. ISBN 9780719088667

K

Knox, Simone (2013) The transatlantic dimensions of the time lord: Doctor Who and the relationships between British and North American television. In: O'Day, Andrew (ed.) Doctor Who: the eleventh hour: a critical celebration of the Matt Smith and Steven Moffat era. I. B. Tauris, London, pp. 106-120. ISBN 9781780760186

Knox, Simone (2013) Eye candy for the blind: re-introducing Lyotard's Acinema into discourses on excess, motion and spectacle in contemporary Hollywood. New Review of Film and Television Studies, 11 (3). pp. 374-389. ISSN 1740-7923 doi: https://doi.org/10.1080/17400309.2013.803906

Knox, Simone (2013) Reflection iii: Transnationalisation, Television Formats and the Universal. Critical Studies in Television, 8 (2). pp. 104-106. ISSN 1749-6020

M

McMullan, Anna (2013) Dancing in translation: Irina Brook’s mise en scène of 'Danser à Lughnasa', Jean-Marie Besset’s translation of Brian Friel’s 'Dancing at Lughnasa'. Studies in Theatre & Performance, 33 (2). pp. 211-223. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.33.2.211_1

McTighe, Trish (2013) Acts of estrangement: reading the psoriatic-skin. Nyx, A Noctournal, 8. pp. 6-15.

McTighe, Trish (2013) ‘Getting known’: Beckett, Ireland and the creative industries. In: Walsh, Fintan (ed.) That was us: Contemporary Irish Theatre and Performance. Oberon, London, pp. 157-172. ISBN 9781783190355

McTighe, Trish (2013) The Haptic Aesthetic in Samuel Beckett's Drama. New Interpretations of Beckett in the 21st Century. Palgrave Macmillan, New York, pp224. ISBN 9781137276988

Murjas, Teresa, ed. (2013) Invisible country: four Polish plays. Intellect, Bristol, pp200. ISBN 9781841504148

N

Nagib, Lucia (2013) Film as literature, or the Truffaldian Malaise. In: Andrew, Dudley and Gillain, Anne (eds.) A companion to François Truffaut. Wiley-Blackwell, Oxford, pp. 530-545. ISBN 9781405198479

Nagib, Lucia (2013) Terra, Utopia e Mito Fundador: de Glauber Rocha a Walter Salles. In: Starling, Heloisa and Borges, Augusto (eds.) Imaginação da Terra: Memória e utopia no cinema brasileiro. Editora UFMG, Belo Horizonte, pp. 13-39. ISBN 9788542300079

Nagib, Lucia (2013) Utopía e imágenes marinas en el cine Brasileño: Papel fundamental de Glauber Rocha. Brazil Cultural (12). pp. 12-16.

Nagib, Lucia (2013) The politics of impurity. In: Nagib, Lucia and Jerslev, Anna (eds.) Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series. I.B. Tauris, London, pp. 21-40. ISBN 9781780765105

Nagib, Lucia and Jerslev, Anne, eds. (2013) Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series. I.B. Tauris, London, pp288. ISBN 9781780765112

Nagib, Lucia (2013) Back to the margins in search of the core: foreign land's geography of exclusion. In: Brandellero, Sara (ed.) The Brazilian road movie: journeys of (self) discovery. Iberian and Latin American Studies. University of Wales Press, Cardiff, pp. 162-183. ISBN 9780708325988

Nagib, Lucia (2013) Tempo, magnitude e o mito do cinema moderno. In: Dennison, Stephanie (ed.) World Cinema: As novas cartografias do cinema mundial. Papirus, Campinas, pp. 219-233. ISBN 9788530810603

O

O'Brien, Adam (2013) Nonindifferent mountains: ecocriticism, the thin red line and the conditions of film fiction. Film Criticism, 38 (2). pp. 1-19. ISSN 0163-5069

O'Brien, Adam (2013) Regarding things in Nashville and the exterminating angel: another path for eco-film criticism. ISLE: Interdisciplinary studies in Literature and Environment, 20 (2). pp. 258-273. ISSN 1076-0962 doi: https://doi.org/10.1093/isle/ist031

P

Panos, Leah (2013) Chaos, culture and fantasy: The television plays of Howard Schuman. Journal of Screenwriting, 4 (3). pp. 287-303. ISSN 1759-7137 doi: https://doi.org/10.1386/josc.4.3.287_1

Panos, Leah (2013) Stylised worlds: Colour Separation Overlay in BBC television plays of the 1970s. Critical Studies in Television, 8 (3). pp. 1-17. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.8.3.2

Panos, Leah (2013) Trevor Griffiths' 'Absolute Beginners': socialist humanism and the television studio. Journal of British Cinema and Television, 10 (1). pp. 151-170. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2013.0127

Purse, Lisa (2013) Digital imaging in popular cinema. Edinburgh University Press, Edinburgh, pp208. ISBN 9780748646906

R

Reid, Trish (2013) "Angels and modern myth": Grid Iron and the New Scottish Theatre. In: Duggan, Patrick and Ukaegbu, Victor (eds.) Reverberations Across Small-Scale British Theatre: Politics, Aesthetics and Forms. Intellect, Bristol, pp. 175-193. ISBN 9781783202973

Rolinson, Dave and Woods, Faye (2013) Is This England '86 and '88? Memory, haunting and return through television seriality. In: Fradley, Martin, Godfrey, Sarah and Williams, Melanie (eds.) Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 186-202. ISBN 9780748676392

S

Saunders, Graham (2013) Foco Novo: the Icarus of British small scale touring theatre. In: Duggan, Patrick and Ukaegbu, Victor (eds.) Reverberations across Small-Scale British Theatre. Intellect, Bristol. ISBN 9781783202973

Smart, Billy (2013) The Life of Galileo and Brechtian television drama. Journal of British Cinema and Television, 10 (1). pp. 112-129. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2013.0125

T

Taylor, Lib (2013) Voice, body and the transmission of the real in documentary theatre. Contemporary Theatre Review, 23 (3). pp. 368-379. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2013.806318

W

Woods, Faye (2013) Clare Balding: the televisual face of London 2012. Journal of Popular Television, 1 (1). pp. 137-141. ISSN 2046-9861 doi: https://doi.org/10.1386/jptv.1.1.137_1

Woods, Faye (2013) Storytelling in song: television music, narrative and allusion in 'The O.C.'. In: Jacobs, Jason and Peacock, Steven (eds.) Television Aesthetics and Style. Bloomsbury, London, pp. 199-208. ISBN 9781441157515

Woods, Faye (2013) Teen TV meets T4: assimilating 'The O.C.' into British youth television. Critical Studies in Television, 8 (1). pp. 14-35. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.8.1.4