A

Angelaki, V. (2015) From history to “Ourstories” in Martin Crimp’s metanarratives. Journal of Contemporary Drama in English, 3 (1). pp. 142-155. ISSN 2195-0156 doi: https://doi.org/10.1515/jcde-2015-0010

Angelaki, V. (2015) (Up)setting the scene: 'Open Court' as staging and spectating intervention. Contemporary Theatre Review, 25 (4). pp. 472-487. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2015.1078321

B

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2015) Performing right: legal constraints and Beckett’s plays on BBC television. Samuel Beckett Today / Aujourd'hui, 27. 129- 142. ISSN 0927-3131 doi: https://doi.org/10.1163/9789004309937_011

C

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2015) Visible and invisible institutions: cinema in the French Art Museum. In: International Handbooks of Museum Studies: Museum Media. Wiley Blackwell, Oxford, pp. 95-119. ISBN 9781118829059 doi: https://doi.org/10.1002/9781118829059.wbihms305

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2015) The “new” experimentalism? Women in/and/on film. In: Feminisms. Amsterdam University Press, Amsterdam, pp. 125-140. ISBN 9789048523634 doi: https://doi.org/10.1515/9789048523634-013

E

Elduque, A. (2015) El hambre y los sueños de los conquistadores: 'Aguirre, la cólera de Dios' ('Aguirre, der Zorn Gottes', 1972). In: Higueras Flores, R. (ed.) Werner Herzog. Espejismos de sueños olvidados. Shangrila Textos Aparte, Santander, pp. 244-250. ISBN 9788494367236

Elduque, A. (2015) El tránsito del murciélago: irrupciones de lo fantástico en el cine de Werner Herzog. In: Higueras Flores, R. (ed.) Werner Herzog. Espejismos de sueños olvidados. Shangrila Textos Aparte, Santander, pp. 184-191. ISBN 9788494367236

Elduque, A. (2015) O touro fica: anotações sobre 'O Testamento de Dom Quixote'. Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual, 4 (7). pp. 455-465. ISSN 2316-9230

G

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2015) Filmmakers' choices. Movie: A Journal of Film Criticism, Warwick, UK. (Republication in e-form)

K

Kazakopoulou de Senna, A. (2015) Women’s Popular Cinema in Greece: the case of Olga Malea. PhD thesis, University of Reading.

M

Medioli, F. (2015) Una biografia per immagini. In: Medioli, F. and Mancini, R. (eds.) Il costruttore di immagini: Enrico Medioli sceneggiatore. Aska, Florence, pp. 27-42. ISBN 97888775422448

Medioli, F. and Mancini, R., eds. (2015) Il costruttore di immagini. Aska, Florence, pp144. ISBN 9788875422448

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2015) Sympathetic Guidance: Hitchcock and C.A. Lejeune. In: Hitchcock Annual. Columbia University Press, Fairfield, p. 33. ISBN 9780231176194

Murphet, J. and Solomon, S., eds. (2015) William Faulkner in the media ecology. Louisiana State University Press, Baton Rouge, pp276. ISBN 9780807159484

N

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2015) Utopia in Brazilian cinema: from Black God, White Devil to Foreign land. In: Bethencourt, F. (ed.) Utopia in Portugal, Brazil and Lusophone African Countries. Reconfiguring Identities in the Portuguese-Speaking World (4). Peter Lang, Oxford, pp. 121-140. ISBN 9783034318716

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2015) The politics of slowness and the traps of modernity. In: De Luca, T. and Barradas Jorge, N. (eds.) Slow Cinema. Traditions in World Cinema. Edinburgh University Press, Edinburgh, pp. 25-46. ISBN 9780748696024

O

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2015) Brokeback Mountain: a toast. Movie: a journal of film criticism (6). pp. 29-33. ISSN 2047-1661

P

Purse, L. (2015) Rotational aesthetics: Michael Bay and contemporary cinema’s machine movement. Senses of Cinema (75). ISSN 1443-4059

S

Smart, B. (2015) Producing classics on outside broadcast in the 1970s: The Little Minister (1975), As You Like It (1978) and Henry VIII (1979). Critical Studies in Television, 10 (3). pp. 67-82. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.10.3.6

Solomon, S. (2015) Words and silk: Gerald Murnane at the cinema. Antipodes, 29 (2). pp. 309-320. ISSN 0893-5580 doi: https://doi.org/10.13110/antipodes.29.2.0309

W

Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2015) Girls talk: authorship and authenticity in the reception of Lena Dunham's Girls. Critical Studies in Television, 10 (2). pp. 37-54. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.10.2.4

Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2015) Telefantasy tower blocks: space, place and social realism shake-ups in Misfits. Journal of British Cinema and Television, 12 (2). pp. 229-244. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2015.0259

Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046 (2015) Locating an indigenous ethos in ecological performance. Performing Ethos, 5 (1 & 2). pp. 17-30. ISSN 1757-1987 doi: https://doi.org/10.1386/peet.5.1-2.17_1

Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046 (2015) A house of weather and a polar bear costume: ecological anthropomorphism in the work of fevered sleep. Performance Research, 20 (2). pp. 24-32. ISSN 1469-9990 doi: https://doi.org/10.1080/13528165.2015.1026722