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Items where Division is "Film, Theatre & Television" and Year is 2017

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Number of items: 65.

Article

Barreiro, M. S. and Elduque, A. (2017) La mirada y el peso. Iconografía de la clase obrera en 'Chircales' y 'Tierra Nueva'. Cinémas d’Amérique Latine, 25. pp. 144-155. ISSN 1267-4397

Bartley, S. (2017) Hard labour and punitive welfare: the unemployed body at work in participatory performance. Research in Drama Education, 22 (1). pp. 62-75. ISSN 1356-9783 doi: https://doi.org/10.1080/13569783.2016.1263559

Bignell, J. (2017) Broadcasting children's music. InFormation: Nordic Journal of Art and Research, 6 (2). pp. 1-16. ISSN 1893-2479 doi: https://doi.org/10.7577/information.v6i2.2275 (Special issue: Children's Music)

Elduque Busquets, A. (2017) Primer Plano: the popular face of censorship. L'Atalante. Revista de Estudios Cinematograficos, 23. pp. 49-62. ISSN 2340-6992

Elduque, A. (2017) Hungry gazes, digesting closeups: Pasolini, 'Porcile' and the politics of consumption. Screen, 58 (2). pp. 119-140. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjx014

Gibbs, J. and Pye, D. (2017) Opening choices: Notorious (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661

Gibbs, J. and Pye, D. (2017) The Phantom Carriage: a revaluation (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661

McFrederick, M. (2017) Beckett at the Young Vic. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 243-255. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902003

McMullan, A. (2017) Staging Ireland's Dispossessed: Sarah Jane Scaife's Beckett in the City Project. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 361-374. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902012

McMullan, A. and Pattie, D. (2017) Introduction: staging Beckett at the margins. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 227-230. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902001

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2017) Cinema 66–8: the original London film-makers. The Moving Image Review & Art Journal (MIRAJ), 6 (1). pp. 8-23. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj.6.1-2.8_1

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2017) Vent d'est. Critical Quarterly, 59 (1). pp. 7-28. ISSN 0011-1562 doi: https://doi.org/10.1111/criq.12319

Nagib, L. (2017) Antropofagia e intermidialidade: o caso de como era gostoso o meu francês. Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual, 6 (1). ISSN 2316-9230 doi: https://doi.org/10.22475/rebeca.v6n1.479 (REBECA 11)

Nagib, L. (2017) Le Parricide, le cinéma d’auteur et le Vigo de Salles Gomes. Archives, 109 (111). pp. 48-52.

Nagib, L. (2017) Mysteries of Lisbon and intermedial history-telling. Aniki: Portuguese Journal of the Moving Image, 4 (2). pp. 375-391. ISSN 2183-1750

Nagib, L. (2017) Tierra, utopía y mito fundador. De Glauber Rocha a Walter Salles. Enfoco (52). pp. 22-33.

Nagib, L. (2017) Yaaba, cinefilia e realismo sem fronteiras. Revista África(s), 4 (7). pp. 61-70. ISSN 2446-7375

Nagib, L. (2017) Kuarup, o filme. La Furia Umana, 30. ISSN 2037-0431

Purse, L. (2017) Digital visceral: textural play and the flamboyant gesture in digital screen violence. Journal of Popular Film & Television, 45 (1). pp. 16-25. ISSN 0195-6051 doi: https://doi.org/10.1080/01956051.2017.1270137

Smart, B. (2017) ‘Drama for people ‘in the know’: Television World Theatre (BBC 1957-59) and Festival (BBC 1963-64). Historical Journal of Film, Radio and Television, 37 (1). pp. 34-48. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2016.1272810

Woods, F. (2017) Streaming British youth television: online BBC Three as a transitional mome. Cinema Journal, 57 (1). pp. 140-146. ISSN 1527-2087 doi: https://doi.org/10.1353/cj.2017.0065

Wrigley, A. (2017) Higher education and public engagement: Open University and BBC drama co-productions on BBC2 in the 1970s. Journal of British Cinema and Television, 14 (3). pp. 377-393. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2017.0379

Book or Report Section

Bignell, J. (2017) Myth. In: Ouellette, L. and Gray, J. (eds.) Keywords for Media Studies. New York University Press, New York, pp. 123-125. ISBN 9781479859610

Bignell, J. and Burchardt, J. (2017) Agents, beneficiaries and victims: picturing people on the land. In: Haigron, D. (ed.) The English Countryside: Representations, Identities, Mutations. Palgrave Macmillan, Basingstoke, pp. 61-82. ISBN 9783319532721 doi: https://doi.org/10.1007/978-3-319-53273-8

Bignell, J. (2017) Children’s television and public service in contemporary Britain. In: Dinter, S. and Schneider, R. (eds.) Transdisciplinary Perspectives on Childhood in Contemporary Britain. Studies in Childhood, 1700 to the Present. Routledge, London, UK, pp. 87-102. ISBN 9781138232105

Butler, A. (2017) 13 ways of looking at a lake. In: Gibbs, J. and Pye, D. (eds.) The Long Take: Critical Approaches. Palgrave Macmillan, London, pp. 177-191. ISBN 9781137585721 doi: https://doi.org/10.1057/978-1-137-58573-8_12

Elduque Busquets, A. (2017) Trilhas cantadas: circulando pelo documentário musical brasileiro. In: Suppia, A., Guimarães, P. M. and Duccini, M. (eds.) Gêneros cinematográficos e Audiovisuais: Perspectivas Contemporâneas. Urutau/Margem da Palavra, Bragança Paulista.

Elduque, A. (2017) Canção, história e cinema. In: Carrega, J. and Vitorino Fernandez, S. (eds.) A Europa e os Impérios Coloniais na Literatura e no Cinema. Centro de Investigação em Artes e Comunicação da Universidade do Algarve, Faro, pp. 210-223. ISBN 9789898859242

Elduque, A. (2017) Esperar una mirada: la representación cinematográfica de la pena de muerte. In: Montero, J. F. and Planes Pedreño, J. A. (eds.) Cine entre rejas. Sans Soleil Ediciones, Vitoria-Gasteiz, pp. 203-241. ISBN 9788494735400

Elduque, A. (2017) Outskirts of reason: the dream in Días de papel and Chircales. In: Forrest, D., Harper, G. and Rayner, J. (eds.) Filmurbia: Screening the Suburbs. Palgrave Macmillan, Basingstoke, pp. 149-168. ISBN 9781137531759

Elduque, A. (2017) As Belair went by: an interview with Helena Ignez. In: Solomon, S. (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books, Berlin, pp. 123-135. ISBN 9783943620726

Elduque, A. (2017) Cut it like a tambourine beat: Ricardo Miranda on the editing of 'The Age of the Earth'. In: Solomon, S. (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books, Berlin, pp. 193-209. ISBN 9783943620726

Elduque, A. (2017) Introduction. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 5-15. ISBN 9780704915855

Elduque, A. (2017) Making it visible: an interview with Sérgio Roizenblit about 'The Miracle of Santa Luzia'. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 103-109. ISBN 9780704915855

Elduque, A. (2017) Vindicating the composer: an interview with Márcia Derraik about 'Where the Owl Sleeps'. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 87-89. ISBN 9780704915855

Elduque, A. (2017) What about the end of the history? An interview with Hernani Heffner. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 17-21. ISBN 9780704915855

Gibbs, J. (2017) Opening movements in Ophuls: long takes, leading characters and luxuries. In: Gibbs, J. and Pye, D. (eds.) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK, pp. 89-102. ISBN 9781137585721

Gonzalez Ortiz, C. (2017) “Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano". In: Cottin, G., González, M. and Mella, C. (eds.) Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile. Independent, London, pp. 37-52. ISBN 9789563687712

Hellmich, C. and Purse, L. (2017) Introduction: film and the epistemology of war. In: Hellmich, C. and Purse, L. (eds.) Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World. Edinburgh University Press, Edinburgh, UK. ISBN 9781474416566

Knox, S. and Derhy Kurtz, B. W. L. (2017) Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom. In: Derhy Kurtz, B. W. L. and Bourdaa, M. (eds.) The Rise of Transtexts: Challenges and Opportunities. Routledge Research in Cultural and Media Studies. Routledge, pp. 49-67. ISBN 9781138944671

Nagib, L. (2017) Bernardet visto de longe. In: Pinto, I. and Margarido, O. (eds.) Bernardet 80: impacto e influência no cinema brasileiro. Paco Editorial/Abraccine, Jundiaí, pp. 21-32. ISBN 9788546207886

Nagib, L. (2017) Beyond difference: female participation in the Brazilian film revival of the 1990s. In: Shaw, D. and Martin, D. (eds.) Latin American Women Filmmakers. I.B. Tauris, London/New York, pp. 31-47. ISBN 9781784537111

Nagib, L. (2017) Colonialism as fantastic realism in 'Tabu'. In: Liz, M. (ed.) Portuguese Cinema: Globalizing the Nation. I.B. Tauris, London/New York.

Nagib, L. (2017) Realist cinema as world cinema. In: Stone, R. and Cooke, P. (eds.) The Routledge Companion to World Cinema. Routledge, Abingdon-on-Thames, pp. 310-322. ISBN 9781138918801

Nagib, L. (2017) The horizontal spread of a vertical malady: cosmopolitanism and history in Pernambuco’s recent cinematic sensation. In: Delgado, M. M., Hart, S. M. and Johnson, R. (eds.) A Companion to Latin American Cinema. Wiley Blackwell Companions to National Cinemas. Wiley-Blackwell, Hoboken, New Jersey, pp. 343-355. ISBN 9781118552889

O'Brien, A. (2017) Roberto Rossellini presents. In: Gibbs, J. and Pye, D. (eds.) The Long Take: Critical Approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, pp. 117-132. ISBN 9781137585721

Purse, L. (2017) Ambiguity, ambivalence and absence in Zero Dark Thirty. In: Purse, L. and Hellmich, C. (eds.) Disappearing War Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World. Edinburgh University Press, Edinburgh, pp. 131-148. ISBN 9781474416566

Purse, L. (2017) Between phonographic perfection and resistance: Titãs – life even looks like a party. In: Elduque Busquets, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 91-98. ISBN 9780704915855

Purse, L. (2017) Working space: gravity (Alfonso Cuarón) and the digital long take. In: Pye, D. and Gibbs, J. (eds.) The Long Take: Critical Approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, pp. 221-238. ISBN 9781137585721

Solomon, S. (2017) Introduction. In: Solomon, S. (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books and University of Reading, Berlin, pp. 7-31. ISBN 9783943620726

Book

Angelaki, V. (2017) Social and political theatre in 21st-century Britain: staging crisis. Methuen Drama Engage. Bloomsbury, London, pp288. ISBN 9781474213172

Elduque, A., ed. (2017) Contemporary Brazilian music film. University of Reading, Reading, pp115. ISBN 9780704915855

Gibbs, J. and Pye, D., eds. (2017) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK. ISBN 9781137585721

Hellmich, C. and Purse, L., eds. (2017) Disappearing war: interdisciplinary perspectives on cinema and erasure in the post-9/11 world. Edinburgh University Press, Edinburgh, pp216. ISBN 9781474416566

McMullan, A., Pattie, D. and Nixon, M., eds. (2017) Staging Beckett at the Margins / Autres scènes beckettiennes. Samuel Beckett Today / Aujourd'hui, 29 (2). Brill, Leiden.

O'Brien, A. (2017) Film and the natural environment: elements and atmospheres. Short Cuts. Wallflower Press, London, pp114. ISBN 9780231182652

Solomon, S. (2017) William Faulkner in Hollywood: screenwriting for the studios. The South on Screen. University of Georgia Press, Athens, GA, pp320. ISBN 9780820351131

Solomon, S., ed. (2017) Tropicália and beyond: dialogues in Brazilian film history. Archive Books and University of Reading, Berlin, pp304. ISBN 9783943620726

Thesis

Courage, T. V. (2017) Contemporary Chinese independent cinema: urban spaces, mobility, memory. PhD thesis, University of Reading.

Husanovic, E. (2017) Dis-Orient Express: belly dancing, hybrid identities and female oriental ‘other’. PhD thesis, University of Reading.

Latto, A. (2017) The fragmented text/the fragmented self: exploring the limits of storytelling practice. PhD thesis, University of Reading.

Marman, D. T. (2017) Empowering communities through theatre: an applied theatre model for Botswana. PhD thesis, University of Reading.

McFrederick, M. (2017) Staging Beckett: a production history of Samuel Beckett’s drama in London (1955 – 2010). PhD thesis, University of Reading.

Project

Gibbs, J. (2017) Ophuls and film style. [Project] (Collection)

Video

Nagib, L. (2017) Academy visual history with Carlos Diegues. [Video]

This list was generated on Tue Dec 7 07:02:24 2021 UTC.

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