B

Bartley, S. (2020) Performing Welfare Applied Theatre, Unemployment, and Economies of Participation. Contemporary Performance InterActions. Palgrave Macmillan. ISBN 9783030448530 doi: https://doi.org/10.1007/978-3-030-44854-7

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Children’s television and radio. In: Fournier, G. (ed.) La BBC et le service public de l'audiovisuel, 1922-1995. Agregation Anglais. Editions Ellipses, Paris, pp. 111-128. ISBN 9782340041127

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Pinter, authorship and entrepreneurship in 1960s British cinema: the economics of "The Quiller Memorandum". Historical Journal of Film, Radio & Television, 40 (3). pp. 533-550. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778316

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) “Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas. In: Rakoczy, A., Hori Tanaka, M. and Johnson, N. (eds.) Influencing Beckett / Beckett Influencing. Collection Karoli. L'Harmattan, Budapest & Paris, pp. 61-74. ISBN 9782343219110

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Specially for television? Eh Joe, intermediality and Beckett’s drama. Samuel Beckett Today/Aujourd’hui, 32 (1). pp. 41-54. ISSN 1875-7405 doi: https://doi.org/10.1163/18757405-03201004

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Television biopics: Questions of genre, nation, and medium. In: Cartmell, D. and Polasek, A. D. (eds.) A Companion to the Biopic. Wiley Blackwell, Hoboken, New Jersey, USA, pp. 45-60. ISBN 9781119554813 doi: https://doi.org/10.1002/9781119554783.ch4

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778314

Butler, A. (2020) Objects in time: artefacts in artists’ moving image. In: Murphy, J. and Rascaroli, L. (eds.) Theorizing Film Through Contemporary Art: Expanding Cinema. Film Culture in Transition. Amsterdam University Press. ISBN 9789462989467

C

Costa, F. C. and Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2020) Chanchadas and intermediality: on musical numbers of Aviso aos Navegantes (Watson Macedo, Brazil, 1950). Alphaville: Journal of Film and Screen Media, 19. pp. 28-30. ISSN 2009-4078 doi: https://doi.org/10.33178/alpha.19.03

G

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2020) “Theatre and democracy in Chile: La Re-sentida’s La imaginación del futuro, or the failure of Utopias”. In: Aragay, M., Botham, P. and Prado-Pérez, J. R. (eds.) World Political Theatre and Performance. Themes in Theatre, 11. Brill, Leiden, pp. 181-197. ISBN 9789004425804 doi: https://doi.org/10.1163/9789004430990

Guan, C. and O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2020) Natural aesthetics: environments and perspectives in contemporary film theory. Screen, 61 (2). pp. 331-333. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjaa020

K

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2020) Bringing the battle to Britain: Band of Brothers and television runaway production in the UK. Journal of British Cinema and Television, 17 (3). pp. 313-333. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2020.0531

M

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2020) ‘The air is full of our cries’: staging Godot during apartheid South Africa. In: Beckett and Politics. Palgrave MacMillan, pp. 195-211. ISBN 9783030471095 doi: https://doi.org/10.1007/978-3-030-47110-1

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2020) Samuel Beckett and intermedial performance: passing between. Samuel Beckett Today / Aujourd'hui, 32 (1). pp. 71-85. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-03201006

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2020) Pedagogies of place: Reading. Journal of Beckett Studies, 29 (1). pp. 74-82. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2020.0285

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2020) Hitchcock’s spy films. In: Gottlieb, S. (ed.) Hitchcock Annual. Columbia University Press, pp. 117-127. ISBN 9780231199575 doi: https://doi.org/10.1353/hit.2020.0005

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2020) 'The Biscuit Town': digital practice, spatiality and discoverability in Reading's heritage sector. Body, Space & Technology, 19 (1). pp. 153-173. ISSN 1470-9120 doi: https://doi.org/10.16995/bst.337

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149, Rattee, J. and Thacker, J. (2020) I, Sheep (A Filmpoem). [Video]

N

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) El cine como inestética, la vida como no-cine: um estudio sobre la trilogía prohibida de Jafar Panahi. In: Campo, J., Crowder-Taraborrelli, T., Garavelli, C., Piedras, P. and Wilson, K. (eds.) El cine documental Una encrucijada estética y política Inquisiciones contemporáneas al sistema audiovisual de Javier Campo, Tomás Crowder-Ta. Prometeo, Buenos Aires, pp. 155-173. ISBN 9789878331287

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Passages of Brazilian cinema. [Project] (Collection)

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Passages to reality: the case of Brazilian cinema. In: Realist Cinema as World Cinema: Non-Cinema, Intermedial Passages. Film Culture in Transition. Amsterdam University Press, Amsterdam, pp. 173-198. ISBN 9789048539215 doi: https://doi.org/10.5117/9789462987517_ch07

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Passages to reality: the case of Brazilian cinema. Translocal, 3. pp. 47-65. ISSN 2184-1519

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Preface to the second enlarged edition. In: Pethő, Á., Cinema and Intermediality : The Passion for the In-Between. Cambridge Scholars Publishing, Newcastle upon Tyne, ix-xi. ISBN 9781527552067

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Realist cinema as world cinema: non-cinema, intermedial passages, total cinema. Film Culture in Transition (670). Amsterdam University Press, Amsterdam. ISBN 9789462987517 doi: https://doi.org/10.5117/9789462987517

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) The blind spot of history: colonialism in Tabu. Observatorio (OBS*), 2020. pp. 27-38. ISSN 1646-5954 doi: https://doi.org/10.15847/obsOBS0001812

P

Pope, L. (2020) Suiting the action to the word: examining genre film remediations of Shakespeare’s plays. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088955

Purse, L. and Wölfel, U., eds. (2020) Mediating War and Identity: Figures of Transgression in 20th- and 21st-century War Representation. Edinburgh University Press, Edinburgh, pp. 1-13. ISBN 9781474446266

Pye, D., ed. (2020) V.F. Perkins on Movies. Wayne State University Press, pp484. ISBN 9780814346426

R

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2020) General introduction. In: Aragay, M., Botham, P. and Prado-Pérez, J. R. (eds.) World Political Theatre and Performance: Theories, Histories, Practices. Themes in Theatre (11). Brill Rodopi, Amsterdam, pp. 1-10. ISBN 9789004425804

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2020) ‘What About the Burn Their Bra Bitches?’: debbie tucker green as the Willfully Emotional Subject. In: Adiseshiah, S. and Bolton, J. (eds.) debbie tucker green: Critical Perspectives. Palgrave MacMillan, Cham, Switzerland, pp. 45-66. ISBN 9783030345808 doi: https://doi.org/10.1007/978-3-030-34581-5_3

Rodriguez, V. (2020) The open constructed public sphere: Aeschylus’ The Suppliant Women in a version by David Greig. Humanities, 9 (1). 21. ISSN 2076-0787 doi: https://doi.org/10.3390/h9010021

T

Tyler, L. (2020) "Almost, but Not Quite': reading debbie tucker green's dramaturgy inside British playwriting studies. In: Adiseshiah, S. and Bolton, J. (eds.) debbie tucker green: Critical Perspectives. Palgrave Macmillan, pp. 129-150. ISBN 9783030345815

W

Wallers, C. ORCID: https://orcid.org/0000-0002-9843-7897 (2020) Star and Shadow Cinema and before : radical screening culture in Newcastle upon Tyne’. In: Newsinger, J., Presence, S. and Wayne, M. (eds.) Contemporary Radical Film Culture : Networks, Organisations and Activists. Routledge, London, pp. 203-212, 272. ISBN 9781138543614 doi: https://doi.org/10.4324/9781351006385-17

Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046 (2020) Ecodramaturgies: theatre, performance and climate change. New Dramaturgies. Palgrave. ISBN 9783030558529 doi: https://doi.org/10.1007/978-3-030-55853-6

Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046 (2020) Performing the bio-urban in Bonnie Ora Sherk’s The Farm and Mierle Laderman Ukeles’s Flow City. Performance Research, 25 (2). pp. 124-131. ISSN 1469-9990 doi: https://doi.org/10.1080/13528165.2020.1752585

Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046, Ong, A., Beer, T., Beaupark, S., Winn-Lenetsky, J., Tangen, R. and Nicholson-Sanz, M. (2020) Dossier: climate change and the decolonized future of theatre. Theatre Research International, 45 (2). pp. 179-208. ISSN 1474-0672 doi: https://doi.org/10.1017/S0307883320000085