Number of items: 30.
B
Bartley, Sarah
(2022)
'How we open the doors to a community’: creative collaborations and aesthetic strategies in social isolation.
In: Bissell, Laura and Weir, Lucy (eds.)
Performance in a Pandemic.
Routledge, London, pp. 79-86.
ISBN 9780367761349
doi: https://doi.org/10.4324/9781003165644-12
Bartley, Sarah
(2022)
Peopling the theatre in a time of crisis.
In: Wallace, Clare, Escoda, Clara, Monforte, Enric and Ramón Prado-Pérez, José (eds.)
Crisis, Representation and Resilience: Perspectives on Contemporary British Theatre.
Methuen Drama Engage.
Bloomsbury, London, 256.
ISBN 9781350180857
Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Alien or familiar: sounds and images in The Twilight Zone, ‘The Invaders’.
In: Cardwell, Sarah, Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, Lucy Fife (eds.)
Moments in Television: Sound/image.
The Television Series.
Manchester University Press, Manchester, pp. 15-37, 248 pages.
ISBN 9781526149190
Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Black screens: Beckett and television technologies.
In: Rapcsak, Balazs, Nixon, Mark
ORCID: https://orcid.org/0000-0002-3730-1785 and Schweighauser, Philipp (eds.)
Beckett and Media.
Manchester University Press, Manchester, pp. 177-193, 248.
ISBN 9781526145833
Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Grand designs: television, style and substance in The Time Tunnel.
In: Cardwell, Sarah, Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, Lucy Fife (eds.)
Moments in Television: Substance/style.
The Television Series.
Manchester University Press, Manchester, pp. 202-224, 258 pages.
ISBN 9781526148780
Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Screen and stage space in Beckett’s theatre plays on television.
In: Wrigley, Amanda and Wyver, John (eds.)
Screen Plays: Theatre Plays on British Television.
Manchester University Press, Manchester, pp. 226-245.
ISBN 9780719097928
Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601
(2022)
Vanity Fair (1967) and the contradictions of colour.
In: Cardwell, Sarah, Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, Lucy Fife (eds.)
Moments in Television: Complexity/simplicity.
The Television Series.
Manchester University Press, Manchester, pp. 192-215, 280 pages.
ISBN 9781526148759
Bignell, Jonathan and Woods, Faye
(2022)
An introduction to television studies. 4th edition.
Routledge, London, pp336.
ISBN 9781138665811
doi: https://doi.org/10.4324/9781315619675
C
Cardwell, Sarah, Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, Lucy, eds.
(2022)
Complexity/simplicity: moments in television.
The Television Series.
Manchester University Press, Manchester, pp280.
ISBN 9781526148759
Cardwell, Sarah, Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, Lucy, eds.
(2022)
Sound/image: moments in television.
The Television Series.
Manchester University Press, Manchester, pp248.
ISBN 9781526149190
Cardwell, Sarah, Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, Lucy, eds.
(2022)
Substance/style: moments in television.
The Television Series.
Manchester University Press, Manchester, pp258.
ISBN 9781526148780
Chamarette, Jenny
ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s digital activism.
Film Quarterly, 76 (2).
pp. 16-24.
ISSN 1533-8630
doi: https://doi.org/10.1525/fq.2022.76.2.16
Chamarette, Jenny
ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Curating the Godardian institution: agency and critique in film and contemporary art.
Screen, 62 (4).
pp. 484-511.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjab051
Chamarette, Jenny
ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works.
MIRAJ: Moving Image Review & Art Journal, 11 (1).
pp. 10-33.
ISSN 2045-6298
doi: https://doi.org/10.1386/miraj_00081_1
D
Donaldson, Lucy Fife, Gibbs, John
ORCID: https://orcid.org/0000-0003-0876-1798, Purse, Lisa, Pye, Doug and Shambu, Girish
(2022)
Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism.
Movie: a journal of film criticism (10).
pp. 116-136.
ISSN 2047-1661
F
Fife Donaldson, Lucy and Purse, Lisa, eds.
(2022)
Issue 10.
Movie: A Journal of Film Criticism, 10.
University of Warwick.
(ISSN 2047-1661)
G
Gibbs, John
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, Doug
(2022)
Le Plaisir: voices and viewpoints.
NECSUS, Spring '22.
ISSN 2213-0217
Greene, Anne‐marie
ORCID: https://orcid.org/0000-0002-0695-3182, Dean, Deborah, Bartley, Sarah and McAvinchey, Caoimhe
(2022)
Locked up and down: incarceration, care, and art in a pandemic.
Gender, Work & Organization, 29 (4).
pp. 1346-1359.
ISSN 1468-0432
doi: https://doi.org/10.1111/gwao.12801
L
Lees, Dominic
(2022)
The Burning.
[Video]
(Sightlines: Filmmaking in the Academy Issue 4 2022)
Lees, Dominic,
(2022)
Evidence to the inquiry of the Communications and Digital Committee of the House of Lords, ‘A Creative Future’.
A Creative Future. CRF0008.
Report.
UK Parliament, London.
M
McMullan, Anna
ORCID: https://orcid.org/0000-0002-2531-3746
(2022)
Barthes, Beckett and the theatre: three dialogues.
Paragraph, 45 (2).
pp. 172-186.
ISSN 0264-8334
doi: https://doi.org/10.3366/para.2022.0395
N
Nagib, Lucia
ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
Imagens do Mar. Visões do Paraíso no Cinema Brasileiro Atual.
In: Lusvarghi, Luiza, Alvim, Luiza Beatriz and Lopes, Denise Costa (eds.)
Estudos de Cinema: Retrospectiva e Perspectivas.
Polytheama, São Paulo, pp. 16-36.
ISBN 9786599619304
Nagib, Lucia
ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
Passages to reality: the case of Brazilian cinema.
Translocal, 3.
pp. 47-65.
ISSN 2184-1519
(In Press)
Nagib, Lucia
ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
An intermedial reading of Glauber Rocha's Cosmogony.
In: Nagib, Lucia
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, Luciana and De Luca, Tiago (eds.)
Towards an Intermedial History of Brazilian Cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, Edinburgh, pp. 323-344.
ISBN 9781474452984
Nagib, Lucia
ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
The reality of art: an intermedial analysis of Ossessione.
In: Blos-Jáni, Melinda, Király, Hajnal, Lakatos, Mihály, Pieldner, Judit and Sándor, Katalin (eds.)
Intermedial Encounters: Studies in Honour of Ágnes Pethő.
Scientia Publishing House, Cluj-Napoca, pp. 359-372.
Nagib, Lúcia
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, Luciana and De Luca, Tiago
(2022)
Introduction.
In: Nagib, Lúcia
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, Luciana and De Luca, Tiago (eds.)
Towards an Intermedial History of Brazilian Cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, pp. 1-14.
ISBN 9781474452984
Nagib, Lucia
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, Luciana and De Luca, Tiago, eds.
(2022)
Towards an intermedial history of Brazilian cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, pp304.
ISBN 9781474452984
O
O'Brien, Adam
(2022)
Pinning down Hou Hsiao-Hsien’s red balloon.
Movie: a journal of film criticism.
ISSN 2047-1661
(In Press)
R
Reid, Trish
(2022)
Dystopian dramaturgies: living in the ruins.
In: Tönnies, Merle and Voights, Eckart (eds.)
Twenty-First Century Anxieties.
Contemporary Drama in English Studies (32).
De Gruyter, Berlin, Boston, pp. 87-102.
ISBN 9783110758252
doi: https://doi.org/10.1515/9783110758252-007
W
Woods, Faye
(2022)
Period drama.
Edinburgh University Press, Edinburgh, pp187.
ISBN 9781474462815
This list was generated on Wed Oct 4 13:33:05 2023 UTC.