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Bartley, Sarah (2022) 'How we open the doors to a community’: creative collaborations and aesthetic strategies in social isolation. In: Bissell, Laura and Weir, Lucy (eds.) Performance in a Pandemic. Routledge, London, pp. 79-86. ISBN 9780367761349 doi: https://doi.org/10.4324/9781003165644-12

Bartley, Sarah (2022) Peopling the theatre in a time of crisis. In: Wallace, Clare, Escoda, Clara, Monforte, Enric and Ramón Prado-Pérez, José (eds.) Crisis, Representation and Resilience: Perspectives on Contemporary British Theatre. Methuen Drama Engage. Bloomsbury, London, 256. ISBN 9781350180857

Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Alien or familiar: sounds and images in The Twilight Zone, ‘The Invaders’. In: Cardwell, Sarah, Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, Lucy Fife (eds.) Moments in Television: Sound/image. The Television Series. Manchester University Press, Manchester, pp. 15-37, 248 pages. ISBN 9781526149190

Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Black screens: Beckett and television technologies. In: Rapcsak, Balazs, Nixon, Mark ORCID: https://orcid.org/0000-0002-3730-1785 and Schweighauser, Philipp (eds.) Beckett and Media. Manchester University Press, Manchester, pp. 177-193, 248. ISBN 9781526145833

Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Grand designs: television, style and substance in The Time Tunnel. In: Cardwell, Sarah, Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, Lucy Fife (eds.) Moments in Television: Substance/style. The Television Series. Manchester University Press, Manchester, pp. 202-224, 258 pages. ISBN 9781526148780

Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Screen and stage space in Beckett’s theatre plays on television. In: Wrigley, Amanda and Wyver, John (eds.) Screen Plays: Theatre Plays on British Television. Manchester University Press, Manchester, pp. 226-245. ISBN 9780719097928

Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Vanity Fair (1967) and the contradictions of colour. In: Cardwell, Sarah, Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, Lucy Fife (eds.) Moments in Television: Complexity/simplicity. The Television Series. Manchester University Press, Manchester, pp. 192-215, 280 pages. ISBN 9781526148759

Bignell, Jonathan and Woods, Faye (2022) An introduction to television studies. 4th edition. Routledge, London, pp336. ISBN 9781138665811 doi: https://doi.org/10.4324/9781315619675

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Cardwell, Sarah, Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, Lucy, eds. (2022) Complexity/simplicity: moments in television. The Television Series. Manchester University Press, Manchester, pp280. ISBN 9781526148759

Cardwell, Sarah, Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, Lucy, eds. (2022) Sound/image: moments in television. The Television Series. Manchester University Press, Manchester, pp248. ISBN 9781526149190

Cardwell, Sarah, Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, Lucy, eds. (2022) Substance/style: moments in television. The Television Series. Manchester University Press, Manchester, pp258. ISBN 9781526148780

Chamarette, Jenny ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s digital activism. Film Quarterly, 76 (2). pp. 16-24. ISSN 1533-8630 doi: https://doi.org/10.1525/fq.2022.76.2.16

Chamarette, Jenny ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Curating the Godardian institution: agency and critique in film and contemporary art. Screen, 62 (4). pp. 484-511. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjab051

Chamarette, Jenny ORCID: https://orcid.org/0000-0003-0701-1514 (2022) ‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works. MIRAJ: Moving Image Review & Art Journal, 11 (1). pp. 10-33. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj_00081_1

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Donaldson, Lucy Fife, Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798, Purse, Lisa, Pye, Doug and Shambu, Girish (2022) Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism. Movie: a journal of film criticism (10). pp. 116-136. ISSN 2047-1661

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Fife Donaldson, Lucy and Purse, Lisa, eds. (2022) Issue 10. Movie: A Journal of Film Criticism, 10. University of Warwick. (ISSN 2047-1661)

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Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, Doug (2022) Le Plaisir: voices and viewpoints. NECSUS, Spring '22. ISSN 2213-0217

Greene, Anne‐marie ORCID: https://orcid.org/0000-0002-0695-3182, Dean, Deborah, Bartley, Sarah and McAvinchey, Caoimhe (2022) Locked up and down: incarceration, care, and art in a pandemic. Gender, Work & Organization, 29 (4). pp. 1346-1359. ISSN 1468-0432 doi: https://doi.org/10.1111/gwao.12801

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Lees, Dominic (2022) The Burning. [Video] (Sightlines: Filmmaking in the Academy Issue 4 2022)

Lees, Dominic, (2022) Evidence to the inquiry of the Communications and Digital Committee of the House of Lords, ‘A Creative Future’. A Creative Future. CRF0008. Report. UK Parliament, London.

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McMullan, Anna ORCID: https://orcid.org/0000-0002-2531-3746 (2022) Barthes, Beckett and the theatre: three dialogues. Paragraph, 45 (2). pp. 172-186. ISSN 0264-8334 doi: https://doi.org/10.3366/para.2022.0395

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Nagib, Lucia ORCID: https://orcid.org/0000-0001-8808-9748 (2022) Imagens do Mar. Visões do Paraíso no Cinema Brasileiro Atual. In: Lusvarghi, Luiza, Alvim, Luiza Beatriz and Lopes, Denise Costa (eds.) Estudos de Cinema: Retrospectiva e Perspectivas. Polytheama, São Paulo, pp. 16-36. ISBN 9786599619304

Nagib, Lucia ORCID: https://orcid.org/0000-0001-8808-9748 (2022) Passages to reality: the case of Brazilian cinema. Translocal, 3. pp. 47-65. ISSN 2184-1519 (In Press)

Nagib, Lucia ORCID: https://orcid.org/0000-0001-8808-9748 (2022) An intermedial reading of Glauber Rocha's Cosmogony. In: Nagib, Lucia ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, Luciana and De Luca, Tiago (eds.) Towards an Intermedial History of Brazilian Cinema. Edinburgh Studies in Film and Intermediality. Edinburgh University Press, Edinburgh, pp. 323-344. ISBN 9781474452984

Nagib, Lucia ORCID: https://orcid.org/0000-0001-8808-9748 (2022) The reality of art: an intermedial analysis of Ossessione. In: Blos-Jáni, Melinda, Király, Hajnal, Lakatos, Mihály, Pieldner, Judit and Sándor, Katalin (eds.) Intermedial Encounters: Studies in Honour of Ágnes Pethő. Scientia Publishing House, Cluj-Napoca, pp. 359-372.

Nagib, Lúcia ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, Luciana and De Luca, Tiago (2022) Introduction. In: Nagib, Lúcia ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, Luciana and De Luca, Tiago (eds.) Towards an Intermedial History of Brazilian Cinema. Edinburgh Studies in Film and Intermediality. Edinburgh University Press, pp. 1-14. ISBN 9781474452984

Nagib, Lucia ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, Luciana and De Luca, Tiago, eds. (2022) Towards an intermedial history of Brazilian cinema. Edinburgh Studies in Film and Intermediality. Edinburgh University Press, pp304. ISBN 9781474452984

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O'Brien, Adam (2022) Pinning down Hou Hsiao-Hsien’s red balloon. Movie: a journal of film criticism. ISSN 2047-1661 (In Press)

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Reid, Trish (2022) Dystopian dramaturgies: living in the ruins. In: Tönnies, Merle and Voights, Eckart (eds.) Twenty-First Century Anxieties. Contemporary Drama in English Studies (32). De Gruyter, Berlin, Boston, pp. 87-102. ISBN 9783110758252 doi: https://doi.org/10.1515/9783110758252-007

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Woods, Faye (2022) Period drama. Edinburgh University Press, Edinburgh, pp187. ISBN 9781474462815