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Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 (2023) Adaptation and convergence: Beckett on film. In: Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, Anna ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, Pim (eds.) Beckett’s Afterlives: Adaptation, Remediation, Appropriation. Manchester University Press, Manchester, pp. 34-49. ISBN 9781526153791

Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 (2023) Entanglements of intermediality: Polanski, Pinter, Steptoe and Son. In: Nagib, Lucia ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, Stefan (eds.) The Moving Form of Film: Historicising the Medium through Other Media. Oxford University Press, Oxford, pp. 267-280. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.003.0017

Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 (2023) The epic in the everyday: television and Doctor Who, ‘The Chase’. In: Cardwell, Sarah, Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, Lucy (eds.) Epic / Everyday: Moments in Television. The Television Series. Manchester University Press, Manchester. ISBN 9781526170224

Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, Anna ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, Pim, eds. (2023) Beckett's afterlives: adaptation, remediation, appropriation. Manchester University Press, Manchester, pp288. ISBN 9781526153791

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Cardwell, Sarah, Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, Lucy, eds. (2023) Epic / everyday: moments in television. The Television Series. Manchester University Press, Manchester, pp264. ISBN 9781526170224

Chamarette, Jenny ORCID: https://orcid.org/0000-0003-0701-1514 (2023) Dwoskin: disability, diaspora, dysphoria. Jewish Film and New Media, 10 (2). ISSN 2169-0332 (In Press)

Cocks, Neil (2023) "…pure existence, without sense…": Joan Copjec, Hitchcock’s Rebecca, and reading the real. Textual Practice. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2023.2214122

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Gibbs, John ORCID: https://orcid.org/0000-0003-0876-1798 (2023) Creative geography, creative connections: candyman. Movie: a journal of film criticism, 11. ISSN 2047-1661 (In Press)

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Nagib, Lúcia ORCID: https://orcid.org/0000-0001-8808-9748 (2023) Historicising the story through film and music: an intermedial reading of Heimat 2. In: Nagib, Lúcia ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, Stefan (eds.) The Moving Form of Film: Historicising the Medium Through Other Media. Oxford University Press, New York, pp. 202-221. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.003.0014

Nagib, Lúcia ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, Stefan, eds. (2023) The moving form of film: historicising the medium through other media. Oxford University Press, New York, pp340. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.001.0001

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Reid, Trish (2023) Regions and nations: the myth of levelling up. In: Harvie, Jen and Rebellato, Dan (eds.) The Cambridge Companion to British Theatre Since 1945. Cambridge Companions. Cambridge University Press, Cambridge, pp. 246-263. ISBN 9781108377850 doi: https://doi.org/10.1017/9781108377850