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RNumber of items: 11.
B
Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601
(2023)
Adaptation and convergence: Beckett on film.
In: Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, Anna
ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, Pim (eds.)
Beckett’s Afterlives: Adaptation, Remediation, Appropriation.
Manchester University Press, Manchester, pp. 34-49.
ISBN 9781526153791
Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601
(2023)
Entanglements of intermediality: Polanski, Pinter, Steptoe and Son.
In: Nagib, Lucia
ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, Stefan (eds.)
The Moving Form of Film: Historicising the Medium through Other Media.
Oxford University Press, Oxford, pp. 267-280.
ISBN 9780197621707
doi: https://doi.org/10.1093/oso/9780197621707.003.0017
Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601
(2023)
The epic in the everyday: television and Doctor Who, ‘The Chase’.
In: Cardwell, Sarah, Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, Lucy (eds.)
Epic / Everyday: Moments in Television.
The Television Series.
Manchester University Press, Manchester.
ISBN 9781526170224
Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, Anna
ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, Pim, eds.
(2023)
Beckett's afterlives: adaptation, remediation, appropriation.
Manchester University Press, Manchester, pp288.
ISBN 9781526153791
C
Cardwell, Sarah, Bignell, Jonathan
ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, Lucy, eds.
(2023)
Epic / everyday: moments in television.
The Television Series.
Manchester University Press, Manchester, pp264.
ISBN 9781526170224
Chamarette, Jenny
ORCID: https://orcid.org/0000-0003-0701-1514
(2023)
Dwoskin: disability, diaspora, dysphoria.
Jewish Film and New Media, 10 (2).
ISSN 2169-0332
(In Press)
Cocks, Neil
(2023)
"…pure existence, without sense…": Joan Copjec, Hitchcock’s Rebecca, and reading the real.
Textual Practice.
ISSN 1470-1308
doi: https://doi.org/10.1080/0950236X.2023.2214122
G
Gibbs, John
ORCID: https://orcid.org/0000-0003-0876-1798
(2023)
Creative geography, creative connections: candyman.
Movie: a journal of film criticism, 11.
ISSN 2047-1661
(In Press)
N
Nagib, Lúcia
ORCID: https://orcid.org/0000-0001-8808-9748
(2023)
Historicising the story through film and music: an intermedial reading of Heimat 2.
In: Nagib, Lúcia
ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, Stefan (eds.)
The Moving Form of Film: Historicising the Medium Through Other Media.
Oxford University Press, New York, pp. 202-221.
ISBN 9780197621707
doi: https://doi.org/10.1093/oso/9780197621707.003.0014
Nagib, Lúcia
ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, Stefan, eds.
(2023)
The moving form of film: historicising the medium through other media.
Oxford University Press, New York, pp340.
ISBN 9780197621707
doi: https://doi.org/10.1093/oso/9780197621707.001.0001
R
Reid, Trish
(2023)
Regions and nations: the myth of levelling up.
In: Harvie, Jen and Rebellato, Dan (eds.)
The Cambridge Companion to British Theatre Since 1945.
Cambridge Companions.
Cambridge University Press, Cambridge, pp. 246-263.
ISBN 9781108377850
doi: https://doi.org/10.1017/9781108377850
This list was generated on Sat Sep 23 15:35:49 2023 UTC.