Number of items: 19.
B
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2023)
Adaptation and convergence: Beckett on film.
In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, P. (eds.)
Beckett’s Afterlives: Adaptation, Remediation, Appropriation.
Manchester University Press, Manchester, pp. 34-49.
ISBN 9781526153791
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2023)
Entanglements of intermediality: Polanski, Pinter, Steptoe and Son.
In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.)
The Moving Form of Film: Historicising the Medium through Other Media.
Oxford University Press, Oxford, pp. 267-280.
ISBN 9780197621707
doi: https://doi.org/10.1093/oso/9780197621707.003.0017
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2023)
The epic in the everyday: television and Doctor Who, ‘The Chase’.
In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. (eds.)
Epic / Everyday: Moments in Television.
The Television Series.
Manchester University Press, Manchester.
ISBN 9781526170224
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, P., eds.
(2023)
Beckett's afterlives: adaptation, remediation, appropriation.
Manchester University Press, Manchester, pp288.
ISBN 9781526178961
C
Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L., eds.
(2023)
Epic / everyday: moments in television.
The Television Series.
Manchester University Press, Manchester, pp264.
ISBN 9781526170224
Cocks, N.
(2023)
"…pure existence, without sense…": Joan Copjec, Hitchcock’s Rebecca, and reading the real.
Textual Practice.
pp. 1-19.
ISSN 1470-1308
doi: https://doi.org/10.1080/0950236X.2023.2214122
Costa, B. and Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149
(2023)
Between: an example of collaborative, advocating theatre-making by spoken language interpreters.
In: Boyle, C. and Maitland, S. (eds.)
Translation as Advocacy.
Hodder & Stoughton.
(In Press)
G
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798
(2023)
Creative geography, creative connections: Candyman.
Movie: a journal of film criticism, 11.
pp. 19-21.
ISSN 2047-1661
Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798, Glitre, K. and Pye, D.
(2023)
The Miracle of Morgan’s Creek (1944):
three perspectives on Preston Sturges and the Production Code.
Quarterly Review of Film and Video.
ISSN 1543-5326
(In Press)
(Part of Special Issue: Hollywood Film Style and the Production Code: Criticism and History)
H
Hsieh, H. ORCID: https://orcid.org/0009-0000-5316-0727
(2023)
Creative infidelity in the process of adaptation: Peter Shaffer from stage to screen.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00118933
L
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2023)
Cinema Ex Machina.
Sight and Sound.
Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740
(2023)
Deepfakes in documentary film production: images of deception in the representation of the real.
Studies in Documentary Film.
ISSN 1750-3280
doi: https://doi.org/10.1080/17503280.2023.2284680
N
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748
(2023)
Historicising the story through film and music: an intermedial reading of Heimat 2.
In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.)
The Moving Form of Film: Historicising the Medium Through Other Media.
Oxford University Press, New York, pp. 202-221.
ISBN 9780197621707
doi: https://doi.org/10.1093/oso/9780197621707.003.0014
Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S., eds.
(2023)
The moving form of film: historicising the medium through other media.
Oxford University Press, New York, pp340.
ISBN 9780197621707
doi: https://doi.org/10.1093/oso/9780197621707.001.0001
O
O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076
(2023)
Pinning down Hou Hsiao-Hsien’s red balloon.
Movie: a journal of film criticism, 11.
ISSN 2047-1661
O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076
(2023)
The nature of ostension.
Comparative Cinema, 11 (20).
pp. 10-25.
ISSN 2604-9821
doi: https://doi.org/10.31009/cc.2023.v11.i20.02
P
Player, M. ORCID: https://orcid.org/0000-0002-8785-488X
(2023)
UtoPia: an early history of Pia and its role in Japan’s 'self-made' film culture.
Japan Forum, 35 (3).
pp. 314-343.
ISSN 1469-932X
doi: https://doi.org/10.1080/09555803.2021.1895283
Purse, L., Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, Philip, A. ORCID: https://orcid.org/0000-0003-2186-0619 and Ghosh, S.,
(2023)
What can the industry and Government do to ensure British film and high-end television can adapt for the future?
Report.
UK Parliament, Westminster.
pp4.
R
Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778
(2023)
Regions and nations: the myth of levelling up.
In: Harvie, J. and Rebellato, D. (eds.)
The Cambridge Companion to British Theatre Since 1945.
Cambridge Companions.
Cambridge University Press, Cambridge, pp. 246-263.
ISBN 9781108377850
doi: https://doi.org/10.1017/9781108377850
This list was generated on Sun Dec 8 01:09:29 2024 UTC.