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Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) Technology. In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D. (eds.) The Oxford Handbook of Samuel Beckett. Oxford Handbooks. Oxford University Press, Oxford. (In Press)

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) Television: from pre-production to programme making and dissemination. In: Beloborodova, O. and Van Hulle, D. (eds.) Toward a Comparative History of the Literary Draft in Europe. John Benjamins, Amsterdam, pp. 473-486. ISBN 9789027215260

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) The absence of television: broadcasting and war in Britain, 1939-45. In: Dickason, R. and Haigron, D. (eds.) Issues and Singularity in the British Media. Palgrave Macmillan, Cham, pp. 71-93. ISBN 9783031606526 doi: https://doi.org/10.1007/978-3-031-60653-3_4

Burbridge, A. L. M. (2024) A study of hegemonic masculinity in select plays by Harold Pinter. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119400

Byrne, S. ORCID: https://orcid.org/0009-0002-8607-2429 (2024) Both Grand & Intimate: UK Livecasting From 2009 to Now. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117335

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Cochrane, C., Goddard, L., Hindson, C. and Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778, eds. (2024) The Routledge companion to twentieth century British theatre and performance volume one: 1900–1950. Routledge Companion, One. Routledge, UK, pp404. ISBN 9780367487898

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Daou, M. (2024) Film editing: knowledge, practice, and scholarship. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119550

Duane, C. (2024) The stage and beyond: scenography and audience experience in post-millennial stagings of Samuel Beckett’s works. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119549

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Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2024) Video essay: choosing death row songs. Music, Sound and the Moving Image, 18 (1). pp. 3-5. ISSN 1753-0776 doi: https://doi.org/10.3828/msmi.2024.2

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Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, (2024) Synthetic Media Research Network — written evidence (ACT0011) to the House of Lords Communications and Digital Select Committee inquiry: Scaling Up: AI and creative tech. Scaling Up - AI and Creative Tech. Report. UK Parliament, Westminster. pp7.

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Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2024) World cinema and the ethics of realism. In: Vaysman, M. and Bowers, K. (eds.) The Oxford Handbook of Global Realisms. Oxford Handbooks. Oxford University Press, Oxford. ISBN 9780197610640 doi: https://doi.org/10.1093/oxfordhb/9780197610640.013.22

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O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2024) No river: a prosthetic flashback. [Video] ([in]Transition, 11 (2))

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Park, H. (2024) Media archaeology in Samuel Beckett’s television plays. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119130

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Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2024) The Cheviot and its legacies: dramaturgies of the Left in Scottish theatre. In: Jestrovic, S. and Dutt, B. (eds.) Theatre, Activism, Subjectivity: Searching for the Left in a Fragmented World. Manchester University Press, Manchester. (In Press)

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2024) Theatre and performance in contemporary Scotland. Palgrave Macmillan, UK, pp252. ISBN 9783031611902

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Tweed, Z. (2024) Matrix of shame: a feminist reading of shame, the body and radical disruption in the performance works of Marina Abramović, Samuel Beckett and Ana Mendieta. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117065

Tyler, L. (2024) Commodity trailing contemporary performance: Sh!t Theatre’s DollyWould and Selina Thompson’s salt. Contemporary Theatre Review, 34 (2). pp. 133-151. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2024.2334246