Items where Division is "Film, Theatre & Television" and Year is 2025

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Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2025) Beckett and televisual ecosystems: dramas of the vast wasteland. In: McTighe, T., Thobois-Gupta, C. and Johnson, N. E. (eds.) Samuel Beckett and Ecology. Bloomsbury, London, pp. 63-72. ISBN 9781350366022

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2025) The paradox of distinction: British television series in their golden age. Caliban. ISSN 2431-1766 (In Press)

Bissell, L. and Tyler, L. (2025) Term time: a revolutionary lexicon for mother-demics: a performance text. Journal of Motherhood Initiative for Research and Community Involvement, 15 (1). pp. 47-66.

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Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2025) Backlot connections. Research in Film and History. pp. 1-14. ISSN 2627-5848

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2025) To See You (is to love you): Novak variations. [Show/Exhibition]

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798, Glitre, K. and Pye, D. (2025) The Miracle of Morgan’s Creek (1944): three perspectives on Preston Sturges and the Production Code. Quarterly Review of Film and Video, 42 (1). pp. 157-184. ISSN 1543-5326 doi: 10.1080/10509208.2024.2410530 (Part of Special Issue: Hollywood Film Style and the Production Code: Criticism and History)

Graham-Dixon, C. ORCID: https://orcid.org/0000-0001-8898-390X (2025) Permeable screens, porous borders: encountering Samuel Beckett’s works for television with Bracha L. Ettinger’s Theory of the Matrixial. PhD thesis, University of Reading. doi: 10.48683/1926.00127656

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Hsieh, H. ORCID: https://orcid.org/0009-0000-5316-0727 (2025) Adapting nostalgia in Only Yesterday and My Neighbors the Yamadas. In: Nardi, D. J. and Fancher, K. (eds.) Studio Ghibli Animation as Adaptations: Investigating How the Japanese Animation Powerhouse Reimagines Stories. Bloomsbury Academic, pp. 183-202. ISBN 9798765127063 doi: 10.5040/9798765127070.0018

Hsieh, H. ORCID: https://orcid.org/0009-0000-5316-0727 (2025) Too rich city: a Sinofuturist playground. Mediapolis - A Journal of Cities and Culture, 10 (3). ISSN 2767-8148

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Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2025) Nontraditional casting. Contemporary Literary Criticism. (In Press)

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Schwind, K. H. (2025) Oblique agency: mapping the globalised workflows of television dubbing and their impact on practitioners. Media and Communication, 13. 9613. ISSN 2183-2439 doi: 10.17645/mac.9613

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Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2025) Artificial Intelligence in documentary filmmaking: the ethics of deepfakes. In: Piotrowska, A. (ed.) The Ethics of Documentary Film. Edinburgh University Press, Edinburgh, pp. 296-318. ISBN 9781399534857 (In Press)

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, (2025) Sector briefing: AI in the Film and Television Sector, Report commissioned by Pavis Consultancy to inform the report to UNESCO, 'Re-centering culture in AI policy and practice'. Report. Synthetic Media Research Network pp14.

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2025) Umělá inteligence v dokumentárním filmu: etika deepfakeů. DokRevue. ISSN 2787-90111

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 and Pavis, M., (2025) Response to the Intellectual Property Office consultation on Copyright and Artificial Intelligence. Report. Synthetic Media Research Network doi: 10.48683/1926.00127103

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McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2025) Staging Beckett in London. Bloomsbury; Methuen Drama, London, pp288. ISBN 9781350365971 doi: 10.5040/9781350366015

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Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2025) Films to die for. [Video]

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2025) Geidōmono: teatro e cinema em Ozu e Mizoguchi. In: Eberrt, S. (ed.) Desver o mundo, reinventar a cena: Anais de textos completos, XXVII encontro socine. Socine, São Paulo, pp. 24-41. ISBN 9786586495096

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, He, W., Wong, S.-Y., Yang, H. and Reynolds, M., eds. (2025) Reimagining the humanities: Chinese and Western perspectives, vol. III. The Commercial Press. Institute for World Literatures and Cultures, Tsinghua University, Beijing, pp470. ISBN 978-7-100-25942-2

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O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2025) London bearings, lost and found: John Smith’s the black tower. Journal of British Cinema and Television. ISSN 1755-1714 (In Press)

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076, Hofer-Robsinon, J., Kirkby, N. and Brice, J. (2025) Beyond breakdown: enacting infrastructural life with Augustin Daly’s Under the Gaslight. GeoHumanities, 11 (1). pp. 150-167. ISSN 2373-566X doi: 10.1080/2373566x.2025.2475033

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Pavis, M. and Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, (2025) AI human avatars: opportunities and risks for UK businesses and services. Report. Synthetic Media Research Network, Replique pp16. doi: 10.48683/1926.00127435

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2025) Japanese cinema and punk: intermedial exchanges. World Cinema. Bloomsbury Academic, London, pp264. ISBN 9781350378568 doi: 10.5040/9781350378599

Purse, L. (2025) Foreword. In: Pheasant-Kelly, F. and Van Raalte, C. (eds.) Action Heroines in the 21st Century: Sisters In Arms. Edinburgh University Press, Edinburgh, xiv-xvii. ISBN 9781399529754 (In Press)

Purse, L. and Philip, A. ORCID: https://orcid.org/0000-0003-2186-0619, (2025) How well served are researchers by the data that ONS produces and the services it provides? Report. UK Parliament, Westminster. pp2.

Purse, L., Philip, A. ORCID: https://orcid.org/0000-0003-2186-0619 and Byrne, S. ORCID: https://orcid.org/0009-0002-8607-2429, (2025) Freelancers: building workforce resilience for growth in the UK film and television industries. Report. University of Reading doi: 10.48683/1926.00122232

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Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2025) Rona Munro: queen of the fight. Anglistik, 37 (2). ISSN 2625-2147 (In Press)

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2025) Women and the contemporary Scottish stage. In: Fragkou, M. and Benzie, R. (eds.) The Methuen Drama Handbook of Women in Contemporary British Theatre. Bloomsbury, UK, pp. 263-276. ISBN 9781350360259

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2025) Zinnie Harris: interrupting the inevitable flow of tragic time. Journal of Contemporary Drama in English, 14 (1). ISSN 2195-0156 (In Press)

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Tyler, L. (2025) ‘Don’t fucking clap me’: applauding Bryony Kimmings and Deborah Pearson’s maternal dramaturgies in British play development. In: Benzie, R. and Fragkou, M. (eds.) The Methuen Drama Handbook of Women in Contemporary British Theatre. Methuen Drama, pp. 277-290.

Tyler, L. (2025) English play development under neoliberalism, 2000–2022. Elements in Contemporary Performance Texts. Cambridge University Press. doi: 10.1017/9781009411202

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Whitney, J. (2025) The games we play together: towards a dramaturgy of playable performance. PhD thesis, University of Reading. doi: 10.48683/1926.00123847

Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2025) Death of a matriarch: soap opera aesthetics, space and memory. Critical Studies in Television: The International Journal of Television Studies, 20 (3). pp. 288-301. ISSN 1749-6039 doi: 10.1177/17496020251339438

Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2025) Sitcom’s sonic sisterhoods: pop and punk as playful challenge in Girls5Eva and We Are Lady Parts. European Journal of Cultural Studies. 13675494251403875. ISSN 1460-3551 doi: 10.1177/13675494251403875

Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046 (2025) Performing urban ecologies. Elements in Theatre, Performance and the Political. Cambridge University Press, Cambridge. ISBN 9781009565745 doi: 10.1017/9781009443074

Woynarski, L. and Tyler, L. (2025) Settler aesthetics: scenographies of construction capitalism and indigenous erasure in Motel Makeover. In: Mackey, S. and Ong, A. (eds.) Performing Homescapes. Palgrave Macmillan, Cham, pp. 221-245. ISBN 9783031776564 doi: 10.1007/978-3-031-77657-1_10