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Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2025) Beckett and televisual ecosystems: dramas of the vast wasteland. In: Johnson, N. E., McTighe, T. and Thobois-Gupta, C. (eds.) Samuel Beckett and Ecology. Bloomsbury, London. ISBN 9781350366022 (In Press)

Bissell, L. and Tyler, L. (2025) Term time: a revolutionary lexicon for mother-demics: a performance text. Journal of Motherhood Initiative for Research and Community Involvement, 15 (1). pp. 47-66.

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Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798, Glitre, K. and Pye, D. (2025) The Miracle of Morgan’s Creek (1944): three perspectives on Preston Sturges and the Production Code. Quarterly Review of Film and Video, 42 (1). pp. 157-184. ISSN 1543-5326 doi: 10.1080/10509208.2024.2410530 (Part of Special Issue: Hollywood Film Style and the Production Code: Criticism and History)

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Hsieh, H. ORCID: https://orcid.org/0009-0000-5316-0727 (2025) Adapting nostalgia in only yesterday and my neighbors the yamadas. In: Nardi, D. J. and Fancher, K. (eds.) Studio Ghibli Animation as Adaptations: Investigating How the Japanese Animation Powerhouse Reimagines Stories. Bloomsbury Academic. ISBN 9798765127063 (In Press)

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Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Schwind, K. H. (2025) Oblique agency: mapping the globalised workflows of television dubbing and their impact on practitioners. Media and Communication, 13. 9613. ISSN 2183-2439 doi: 10.17645/mac.9613

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Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2025) Artificial Intelligence in documentary filmmaking: the ethics of deepfakes. In: Piotrowska, A. (ed.) The Ethics of Documentary Film. Edinburgh University Press, Edinburgh, pp. 296-318. ISBN 9781399534857 (In Press)

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O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076, Hofer-Robsinon, J., Kirkby, N. and Brice, J. (2025) Beyond breakdown: enacting infrastructural life with Augustin Daly’s Under the Gaslight. GeoHumanities. ISSN 2373-566X doi: 10.1080/2373566x.2025.2475033

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Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2025) Japanese cinema and punk: intermedial exchanges. World Cinema. Bloomsbury Academic, London, pp264. ISBN 9781350378568 (In Press)

Purse, L. (2025) Foreword. In: Pheasant-Kelly, F. and Van Raalte, C. (eds.) Action Heroines in the 21st Century: Sisters In Arms. Edinburgh University Press, Edinburgh, xiv-xvii. ISBN 9781399529754 (In Press)

Purse, L., Philip, A. ORCID: https://orcid.org/0000-0003-2186-0619 and Byrne, S. ORCID: https://orcid.org/0009-0002-8607-2429, (2025) Freelancers: building workforce resilience for growth in the UK film and television industries. Report. University of Reading doi: 10.48683/1926.00122232

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Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2025) Women and the contemporary Scottish stage. In: Fragkou, M. and Benzie, R. (eds.) The Methuen Drama Handbook of Women in Contemporary British Theatre. Bloomsbury, UK, pp. 263-276. ISBN 9781350360259

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Tyler, L. (2025) ‘Don’t fucking clap me’: applauding Bryony Kimmings and Deborah Pearson’s maternal dramaturgies in British play development. In: Benzie, R. and Fragkou, M. (eds.) The Methuen Drama Handbook of Women in Contemporary British Theatre. Methuen Drama, pp. 277-290.

Tyler, L. (2025) English play development under neoliberalism, 2000–2022. Elements in Contemporary Performance Texts. Cambridge University Press. doi: 10.1017/9781009411202

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Woynarski, L. and Tyler, L. (2025) Settler aesthetics: scenographies of construction capitalism and indigenous erasure in Motel Makeover. In: Mackey, S. and Ong, A. (eds.) Performing Homescapes. Palgrave Macmillan, Cham, pp. 221-245. ISBN 9783031776564 doi: 10.1007/978-3-031-77657-1_10