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Brown, T. (2011) Spectacle and value in classical Hollywood cinema. In: Hubner, L. (ed.) Valuing Films: Shifting Perceptions of Worth. Palgrave Macmillan, pp. 49-68. ISBN 9780230229686

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Gruetzner Robins, A. (2011) 'J'arrive de London': Jane Avril and Britain. In: Ireson, N. (ed.) Toulouse-Lautrec and Jane Avril: Beyond the Moulin Rouge. The Courtauld Gallery in Association with Paul Holberton Publishing, London, pp. 11-26. ISBN 978907372247

Gruetzner Robins, A. (2011) Marketing Post-Impressionism: Roger Fry's commercial exhibitions. In: Fletcher, P. and Helmreich, A. (eds.) The rise of the modern art market in London, 1850-1939. Manchester University Press, Manchester and New York, pp. 85-97. ISBN 9780719084607

Gruetzner Robins, A. (2011) 'Performing with a pick-axe': the first Vorticist exhibition at the Dore Galleries. In: Antliff , M., Greene, V. and Upstone, R. (eds.) The Vorticists, rebel artists in London and New York, 1914-1918. Tate Publishing, London, UK, pp. 59-68. ISBN 978185439788

Gruetzner Robins, A. (2011) Gwen John: two albums of watercolours. Princeton University Library Chronicle, LXXII (3). pp. 641-682. ISSN 0032 -8456

Gruetzner Robins, A. (2011) Toulouse-Lautrec in Catford: new information about 'La Chaine Simpson'. The Burlington Magazine, 1302 (153). pp. 572-573. ISSN 0007-6287

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Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2011) Eros and knowledge: wishful thinking? In: Quinn, M. and Gomersall, C. (eds.) Rigorous Holes: Perspectives in Psychoanalytic Theory in Art and Performance Research. CCW Graduate School, London. ISBN 9780955862878

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Lodder, M. (2011) The myths of modern primitivism. European Journal of American Culture, 30 (2). pp. 99-111. ISSN 1758-9118 doi: https://doi.org/10.1386/ejac.30.2.99_1