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Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2013) Transitional borders and intermedial spectacle: Kiarostami and opera, between France and Iran. Studies in French Cinema, 13 (3). pp. 257-271. ISSN 1471-5880 doi: https://doi.org/10.1386/sfc.13.3.257_1

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2013) The disappearing work: Chantal Akerman and phenomenologies of the ephemeral. Contemporary French and Francophone Studies, 17 (3). pp. 347-356. ISSN 1740-9292 doi: https://doi.org/10.1080/17409292.2013.790631

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Davies, P. and Hemsoll, D. (2013) The Paper Museum of Cassiano Dal Pozzo. A.X. renaissance and later architecture and ornament. The Paper Museum of Cassiano dal Pozzo. The Royal Collection in association with Harvey Miller, London, pp746. ISBN 9781905375776

Davies, P., Howard, D. and Pullan, W., eds. (2013) Architecture and pilgrimage 1000-1500: the southern Mediterranean and beyond. Ashgate, Aldershot, pp304. ISBN 9781472410832

Davies, P. (2013) Framing the miraculous: the devotional functions of perspective in Italian Renaissance tabernacle design. Art History, 36 (5). pp. 898-921. ISSN 1467-8365 doi: https://doi.org/10.1111/1467-8365.12032

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Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2013) Parallel editing, multi-positionality and maximalism: cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick. Open Arts Journal, 1 (1). pp. 45-59. ISSN 2050-3679 doi: https://doi.org/10.5456/issn.5050-3679/2013s06rg

Gruetzner Robins, A. (2013) Whistler's Paris studio: place and meaning. In: Glazer, L. and Merrill, L. (eds.) Palaces of Art: Whistler and the Art Worlds of Aestheticism. Proceedings and other publications. Smithsonian Institution Scholarly Press, Washington, pp. 91-101. ISBN 9781935623311

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Hellings, J. (2013) Precautions against fan(atic)s: a re-evaluation of Adorno’s uncompromising philosophy of popular culture. New German Critique, 40 (1). pp. 149-174. ISSN 1558-1462 doi: https://doi.org/10.1215/0094033X-1812604

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Lee, S. (2013) A newly discovered portrait of Napoleon by Jacques-Louis David. Burlington Magazine, 155 (1327). pp. 687-692. ISSN 0007-6287

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Malvern, S. (2013) Rethinking 'Inside the Visible'. In: Dimitrakaki , A. and Perry, L. (eds.) Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions. Liverpool University Press, Liverpool, pp. 104-119. ISBN 9781846318931

Malvern, S. (2013) Femininity, feminism and the representation of torture. In: Knapp, A. and Footitt, H. (eds.) Liberal democracies at war: conflict and representation. Bloomsbury, London, pp. 219-232. ISBN 9781441156051

Malvern, S. (2013) Femininity, feminism and the terrorist. In: Malvern, S. and Koureas, G. (eds.) Terrorist Transgressions. Gendered representations of the terrorist in visual culture. I B Tauris, London; New York, pp. 39-55. ISBN 9781780767017

Malvern, S. and Koureas, G., eds. (2013) Terrorist transgressions: gendered representations of the terrorist in visual culture. I.B. Tauris, London; New York, pp226. ISBN 9781780767017